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Title: Original & selected poetry &c
Description: Album belonging to Martina Dickerson, a young middle-class African American Philadelphian, probably created as a pedagogical exercise, with twenty-two contributions dating from 1840 until around 1846. Contains original and transcribed poems, prose, and essays on topics including love, friendship, sympathy, courage, and female refinement. Also includes drawings, primarily of flowers. Identified contributors are mainly Black elite scholars active in the African American anti-slavery and cultural community of mid-19th century Philadelphia., Contains the following contributions: calligraphed title page by abolitionist James Forten, Jr.; prose on "Literature," "The Album," and "The Year" by entrepeneur and abolitionist James Forten, Sr. or his son, James, Jr.; prose entitled "Perserverance" by tailor, abolitionist, and civil rights activist John C. Bowers; prose, sketches, and watercolors by Quaker abolitionist, educator, and artist, Sarah Mapps Douglass; watercolor and transcribed poem, "The First Steamboat on the Missouri," by Sarah's brother, artist, community activist, and abolitionist, Robert Douglass; essay entitled "Sympathy" by William Douglass, pastor and historian of the St. Thomas Episcopal Church in Philadelphia; transcription from Wordsworth's "Excursion" by educator and anti-slavery activist Charles L. Reason; gouache of a bunch of flowers by A.H.H., probably Ada Howell Hinton, an African American educator and anti-slavery activist; and prose, poems, and gouache by Mary M. MacFarland, V.E. Macarty, Y.J. Grice, Rebecca F. Peterson, H.D. Shorter, C.D.R., and J.F.V., Title from item., Inclusive range of dates inferred from entries inscribed with dates., Embossed and gilt morocco binding., Lithograph title page, "Flowers," containing flower illustration hand-colored with gouache and watercolor., Blank album published in London by Wm. & Hy. Rock., Lib. Company. Annual Report 1993, p. 17-25., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Dickerson, a pupil of African American educator Sarah Mapps Douglass, was the daughter of African American activists, Martin and Adelia Dickerson, and step-father Samuel Van Brackle.
Creator: Dickerson, Martina, 1829-1905
Date: [ca. 1840-ca. 1846]
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q]

Title: The first colored senator and representatives In the 41st and 42nd Congress of the United States
Description: Full-length, group portrait depicting African American legislators: Senator Hiram R. Revels of Mississippi, Congressmen Robert C. De Large of South Carolina, Jefferson H. Long of Georgia, Benjamin S. Turner of Alabama, Josiah T. Walls of Florida, Joseph H. Rainy [sic] of South Carolina, and R. Brown Elliot of South Carolina. All of the legislators, attired in suits, are seated, except DeLarge and Long who stand., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1872 by Currier & Ives in the Office of the Librarian of Congress at Washington., Purchase 1968., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sitters' portraits possibly after photographs by Mathew Brady. See Library of Congress Brady-Handy Collection.
Creator: Currier & Ives
Date: 1872
Location: Library Company of Philadelphia | Print Department *Group Portrait Prints [12981.Q]

Title: This certifies that [blank] having paid to the Missionary Society of the Methodist Episcopal Church the sum of twenty dollars, is hereby constituted a member during life conformably to the seventh article of the constitution. New York, [blank]. [Blank] chairman. [Blank] clerk
Description: Life membership certificate containing a vignette contrasting scenes of apocalyptic doom and religious salvation. From the celestial heavens, the hand of God points to an angel trumpeting salvation and wielding the Bible; a white man missionary preaches to a large group of Native Americans; and a converted African family of a man, woman, and child, kneels and reaches toward the winged messenger of God. On the ground are broken chains and swords, and a hut and palm trees are in the background. Opposite the scenes of salvation, a cross rises from the ground, bringing forth a river of redemption too late for the lost souls of a bejeweled white woman and a skull-headed man entangled by serpents. Behind them a temple, probably the Vatican, collapses to the ground crushing a white man. The Missionary Society, officially organized in New York in 1820, worked first to convert Native Americans and enslaved people before extending their missions to the Black inhabitants of Liberia in 1823., Title from item., Date inferred from content., Issued to Reverend Thomas Lumption on April 9th, 1844. Signed by Joshua Soule, Chairman, and Francis Hale, Clerk., Purchase 1971., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department *GC - Certificates [7971.F]

Title: True blue
Description: Poster commemorating the service of African American men during World War I. Shows an African American family gathered in a living room decorated with floral wall paper and looking at the framed portrait, hung above a fireplace, of an African American service man, likely the father of the family. In the right, the mother, attired in a beige sheath dress, holds a toddler attired in white pajamas in her arms while her daughter, attired in a white night gown, and holding a black baby doll in her left hand, stands next to her. The daughter stands in front of her older, seated brother. The older son, attired in a beige uniform, sits in an arm chair. The toddler and daughter reach and point toward the portrait on the wall. Decorative flags adorn the upper edge of the framed portrait showing the man in uniform. A fire burns in the fireplace and a portrait of George Washington, a portrait of Woodrow Wilson, a vase of flowers, a bust, and a clock adorn the mantle. On the wall to the right of the father's portrait, hangs a framed portrait of Abraham Lincoln. A patterned rug, a cat asleep by the fire, and a window displaying a service flag comprise the scene as well. Sheer curtains and a bowl-shaped vase of flowers also adorn the window., Name of publisher and date from copyright statement: [copyright symbol of "c" in circle] 1919 By E. G. Renesch, Chicago., Description revised 2022., Access points reviewed 2022.
Date: 1919
Location: Library Company of Philadelphia | Print Department *GC - Soldiers [P.2016.61]

Title: [Portrait of Millie and Christine McCoy]
Description: Full-length portrait of the African American co-joined twins and performers. The women are attired in striped-patterned shirtwaists, a white ankle-length skirt with a black lace overlay, and black high-heeled boots with white stripes. Each wears a white neckerchief, and an adornment in her pulled back hair. Millie (on the left) holds a white fan in her hands. A backdrop and ornate, wooden pedestal with a book resting on it are visible in the background. The end of a drape partially covers the book. In the left, another wooden prop is partially visible. The twins, born enslaved, were exhibited nationally and internationally under various owners and managers. By the end of the 1880s the twins retired to a farm in their home state of North Carolina., Title supplied by cataloger., Photographer's imprint printed on mount., Date inferred from age of sitters and active dates of photographer in New York., Printed on verso: I was born in the State of North Carolina, Columbus Co., Anno Domini, 1851. And pronounced by scientists to be the 8th wonder of the world. / 'Tis not modest of one's self to speak,/ Buts, daily scanned from head to feet,/ I freely talk of everything,/ Sometimes to persons wondering./ Some people say I must be two!/The doctors say it is not true,/Some cry out humbug, till they see,/ And then exclaim, "great mystery."/ Two heads, four arms, four feet,/ All in one perfect body meet./I am most wonderfully made, /All scientific men have said./ None like me since the days of Eve,/ None such perhaps shall ever live./ If marvel to myself am I,/Why not to all pass me by?/ I am happy too, because content;/ For some wise purpose I was sent./ Our maker knows what he has done,/ Whether I'm created two or one./ Respectfully, Millie Christine. The Carolina twin, surnamed the 2-headed Nightingale., Mount trimmed., See History and Medical Description of the Two-Headed Girl:...(Buffalo, N.Y.: Warren, Johnson, & Co., 1869). (LCP Am 1869 Hist, 70318.D)., See LCP AR (Annual Report) 2015, p.42-43., Lib. Company. Annual Report, 2018, p. 61., RVCDC, Description revised 2022., Access points revised 2022., Horace Ollivier operated a New York studio beginning around 1881 at 779 Broadway.
Creator: Ollivier, Horace, photographer
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Millie [P.2018.28]

Title: The follies of the age, vive la humbug!!
Description: Critique of the social climate of the year of 1855 mocking several of the year's fads, social movements, and major events, many specific to the city of Philadelphia. Depicts several individual scenes occurring on an active street lined by businesses near a river. Depictions include: a scene representing the case of Jane Johnson, an African American woman freedom seeker aided by abolitionist Passmore Williamson; a group of ragged and armed white men filibusters holding the banner "Sam" rushing off to free Central America from European control; a stand where one is "allowed to drink 48 glasses of Lager Beer" where a white man police officer tries to stop a white man drunkard; a group of white women Mormons on a cart headed to "Salt Lake City"; a white man hugging two white women as his angry wife looks on and calls them "Ceresco free-lovers" after the Utopian society that lasted until 1855; two motley groups of local militias drilling; a caricature of the popular French actress Rachel who had an inauspicious debut in Philadelphia; and groups of individuals partaking of "water cures" and "sea baths." In the background the Camden Amboy train crash of 1855 is depicted as well as the destruction by fire of the Philadelphia steamer "John Stevens.", Title from item., Date inferred from content., Accessioned 1998., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1855?]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1855-Fol [P.9624]

Title: View of the Capitol of the United States after the conflagration in 1814
Description: Abolitionist allegorical book illustration juxtaposing a coffle of enslaved Black men and boys standing before the ruins of "a monument to liberty," the United States Capitol, following the British occupation of the city during the War of 1812. Author suggests that the destruction of the Capitol was a sign of divine displeasure to promote the abolition of slavery. In the foreground, two white men enslavers lead shackled men and boys pass the ruin. Two allegorical white female figures, one of Liberty, hover in the clouds above. Enslaved people were traded in Washington, D.C. and used in the reconstruction of the Capitol., Title from item., Frontispiece from Jessey Torrey, Jr.'s, A Portraiture of domestic slavery in the United States (1817)., Torrey was a Philadelphia physician, abolitionist, and author of tracts on morals and the diffusion of knowledge., Originally part of a McAllister scrapbook of views of the District of Columbia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Lawson, Alexander, 1773-1846, engraver
Date: 1817
Location: Library Company of Philadelphia | Print Department GC - Government Buildings - Washington, D.C. [5740.F.9b], http://www.lcpimages.org/afro-americana/F181.htm

Title: John Brown - the martyr. Meeting a slave mother and her child on the steps of Charlestown jail on his way to execution. Regarding them with a look of compassion Captain Brown stooped and kissed the child then met his fate
Description: Print depicting the fictitious meeting between John Brown and an enslaved African American mother on the radical abolitionist's walk to the gallows in December 1859. Shows Brown, his hands tied behind his back, standing at the door of the Charles Town, Virginia jail gazing compassionately upon the barefooted mother and her child seated to the side of him on a stair railing. In front of them stands a stern-faced, white man soldier waiting impatiently for Brown's descent down the steps., Title from item., Date from copyright statement., Access points revised 2021., Purchase 1969., Description revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1870
Location: Library Company of Philadelphia | Print Department *Portrait Prints-B [7811.F]

Title: Life in Philadelphia. "What de debil you hurrah for General Jackson for?"
Description: Racist caricature of an African American "’ministration man" (supporter of incumbent John Quincy Adams) aggressively chastising an African American boy for his cheers of support for the new President, Andrew Jackson. Depicts, in the left, a man attired in a blue waistcoat, yellow vest, white cravat, blue pants, and black slip on shoes holding a switch in his right hand and angrily grabbing the boy who has a frightened look on his face and is barefoot. The boy is dressed in patched blue pants, a tan jacket with an elbow patch, a red vest and a hat made from the pro-Jackson paper "The Mercury." A sword lays beside the boy and a copy of the anti-Jackson paper "Democratic Press" lays in front of the man. In the background, cityscape is visible and a large crowd is seen celebrating Jackson’s election around a flag pole. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Attributed to William Summers., Contains seven lines of dialogue in the vernacular and dialect below the image: Hurrah! Hurrah for General Jackson!! What de debil you hurrah for General Jackson for ? _ You black nigger!_ I’ll larn you better_I’m a ministration man!!”, Inscribed: Plate 5., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era.(PhD. diss., The University of Michigan, 1980), p. 97. (LCP Print Room Uz, A423.O)., Charles Hunt was a respected 19th-century London engraver who was most known for his aquatints of sporting subjects., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Summers, William, artist
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9707.1]

Title: Life in Philadelphia. "What de debil you hurrah for General Jackson for?"
Description: Racist caricature of an African American "’ministration man" (supporter of incumbent John Quincy Adams) aggressively chastising an African American boy for his cheers of support for the new President, Andrew Jackson. Depicts, in the left, a man attired in a waistcoat, vest, cravat, pants, and slip on shoes holding a switch in his right hand and angrily grabbing the boy who has a frightened look on his face and is barefoot. The boy is dressed in patched pants, a jacket with an elbow patch, a vest and a hat made from the pro-Jackson paper "The Mercury." A sword lays beside the boy and a copy of the anti-Jackson paper "Democratic Press" lays in front of the man. In the background, cityscape is visible and a large crowd is seen celebrating Jackson’s election around a flag pole. The figures are portrayed with oversized and exaggerated features., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Attributed to William Summers., Contains seven lines of dialogue in the vernacular below the image: Hurrah! Hurrah for General Jackson!! What de debil you hurrah for General Jackson for ? _ You black nigger!_ I’ll larn you better_I’m a ministration man!!”, Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 97. (LCP Print Room Uz A423.O)., Charles Hunt was a respected 19th-century London engraver who was most known for his aquatints of sporting subjects., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1968.
Creator: Summers, William, artist
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7659.F]

Title: Life in Philadelphia. "What de debil you hurrah for General Jackson for?"
Description: Racist caricature of an African American "’ministration man" (supporter of incumbent John Quincy Adams) aggressively chastising an African American boy for his cheers of support for the new President, Andrew Jackson. Depicts, in the left, a man attired in a green waistcoat, blue vest, yellow and red polka-dot cravat, tan pants, and black slip on shoes holding a switch in his right hand and angrily grabbing the boy who has a frightened look on his face and is barefoot. The boy is dressed in patched blue pants, a red jacket with an elbow patch, a yellow vest and a hat made from the pro-Jackson paper "The Mercury." A sword lays beside the boy and a copy of the anti-Jackson paper "Democratic Press" lays in front of the man. In the background, cityscape is visible and a large crowd is seen celebrating Jackson’s election around a flag pole. The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Attributed to William Summers., Contains seven lines of dialogue in the vernacular and dialect below the image: Hurrah! Hurrah for General Jackson!! What de debil you hurrah for General Jackson for ? _ You black nigger!_ I’ll larn you better_I’m a ministration man!!”, Inscribed: No. 15., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980). p. 97. (LCP Print Room Uz, A423.O)., Charles Hunt was a respected London engraver who was most known for his aquatins of sporting subjects., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Summers, William, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9710.12]

Title: Congressional Pugilists He in a trice struck Lyon thrice
Description: Depicts a fight on the floor of Congress Hall between Vermont Representative Matthew Lyon and Connecticut Representative Roger Griswold. In the right, Griswold kicks Lyon and holds a cane up to strike him. Lyon grasps Griswold's right arm and raises a pair of fireplace tongs to hit him. Speaker Jonathan Dayton and Clerk Jonathan W. Condy (both seated), Chaplain Ashbel Green (in profile on the left), and several others look on. In the background on the wall is a framed picture with two roosters whose caption reads "Royal sport." The fight was originally prompted by an insulting reference to Lyon on Griswold's part., Title from item., Date inferred from content., 19th century restrike., Weitenkampf lists three states of this print: in the first only the title appears above the image and the four lines of verse in the center below the image and "Congress Hall, in Philada. Feb. 15, 1798" etched in the lower right corner; in the second the title, and keyed references in the (plate) margins of the second appear above the image and "Congress Hall, in Philada. Feb. 15.1798" is etched in the lower right corner; the third is identical to the second state but has "17" etched in the upper right hand corner and "Congress Hall, in Philada. Feb. 15, 1798. "S.E. Cor. 6th & Chesnut St." in the lower right corner; the images remain the same in all three states., Below image in lower right corner: Congress Hall, in Philada., Feb. 15, 1798, S.E. Cor. 6th & Chestnut St., Four lines of verse in two columns below image in center: He in a trice struck Lyon thrice, upon his head, enrag'd sir, who seized the tongs to ease his wrongs, and Griswold thus engag'd, sir., Three of the spectators are identified by numbered references etched on left and top of plate, outside image., Retrospective conversion record: original entry, edited.
Date: [1798]
Location: Library Company of Philadelphia | Print Department political cartoons - 1798-3b (second state) [2569.Q.17]

Title: [Scrapbook of portraits]
Description: Scrapbook containing portrait prints and photographs of American and European historical figures, dignitaries, and celebrities, including several images of Queen Victoria. Majority of portraits are cartes de visite depicting full or three-quarter length views, often also showing props, including balustrades, chairs, and backdrops. Sitters include Simon Cameron, Lord Byron, Lord Cranworth, Charlotte Cushman, the young Edward VII, Percy Fitzgerald, Joseph Hew[e]s, John Hogan, James Logan, Frederick Marryat, Michelangelo, D. L. Moody, Napoleon III, Winfield Scott, Rev. Cortlandt Van Rensselaer, Queen Victoria, Sir William Wilde, Lady Wilde, and Lord Wodehouse. Also contains a small number of unidentified portraits; patriotic song sheets illustrated with military leaders of No. 1 and No. 2 Arméee Française, including Felix Douay; and images of statuary, including the sculpture of Alexander Hamilton by Horatio Stone., Title supplied by cataloger., Some items identified by, or contain, manuscript notes by Smith inscribed on mount or verso. Notes often explicate provenance., Various artists, photographers, and engravers including A. Blaikely, D. J. Pound, F. Winterhalter, J. B. Longacre, F. Kearny, A. Bernoud, W. Behnes, O. A. Lawson, J. Horsburgh, M. B. Brady, John Sartain, J. Bonnet, O. W. Wilson, C. Herberth, and Fratelli Alinari., Various printers and publishers including George C. Leighton, John Wanamaker & Co., B. Rogers, Adam Waldie, and Morris pere et fils., Forms part of M. Rebecca Darby Smith Scrapbooks Collection., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Smith, Mary Rebecca Darby
Date: [ca. 1855-ca. 1871]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 4-Alcove 2 [Is 6 1518.Q, vol. 1]

Title: [Thomas Richardson and American Bank Note Company scrapbook]
Description: Scrapbook compiled by Philadelphia banknote printer Thomas Richardson containing proofs of illustrations after the work of F. O. C. Darley from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861); portrait illustrations, some from J. B. Longacre's "National Portrait Gallery" (probably 1854 edition); and vignette specimens of the American Bank Note Company and their predecessor companies. Cooper illustrations depict scenes on the frontier and ship decks, with Native Americans, and of battles; deathbeds; and of informal meeting from his works The Oak Openings, The Redskins, The Chainbearer, The Pathfinder, The Red Rover, The Monikins, Deerslayer, Homeward Bound, Lionel Lincoln, The Pilot, Last of the Mohicans, The Wept Wish-ton Wish, The Spy, and Wing and Wing. Several also contain animals. Sitters in portrait illustrations include Lewis Cass, Giuseppe Garibaldi, David Ramsay, James Kent, Thomas C. Pope, John McLean, Stephen Decatur, Samuel Rogers, Rev. William Capers, John Binns, Washington Irving, and Noah Webster., Specimen subjects include portraits of prominent government officials, Civil War figures, businessmen, clergymen, royalty, and "fancy heads" of named and unnamed women and children; allegorical figures and scenes, including Bounty, Liberty, Arts, Agriculture, and Commerce; state and symbolic seals and insignia; naval and maritime imagery, including sailors, sailing vessels, and wharf and dock views; modes and venues of transportation, including steamboats, trains, streetcars, and rail stations; white and Black men artisans, laborers, and tradesmen, including drivers, farmers, sheep shearers, and furriers; industrial views of factory workers, mineworkers, and female loom workers, as well as mills and factories along canals and riverfronts; women at work feeding livestock, milking cows, and at a sewing machine; municipal buildings and storefronts; southern imagery, including enslaved people at work, palmetto trees, plantations, and ports; patriotic, historical, military, and scenic imagery; frontier views and scenes with Native Americans; and animals. Specimens with titles include Star of Empire (Princess Eugenie of Sweden) River Source, The Guardian, Locomotive, Autumn Fruit, Sheep Feeding, The Yarn, Trusty, Picking Grapes, The Sickle, The Death Blow, and Propeller Loading. Some specimens used as the backs of national currency., Title supplied by cataloger., Date based on publication date of specimens., Manuscript notes on front free end paper: Aunt Tillie Richardson (cousin Florence's aunt) in pencil; Scrapbook No. 3 in ink., Lincoln Monument Association of Philadelphia certificate pasted on inside front cover and issued to Thos. Richardson on July 4, 1865, signed C. J. Stille, Secy; Alex. Henry, Prest.; and James L. Claghorn, Cashr. Certificate number 6004 and illustrated with bust-length portrait of Lincoln. Charles J. Stillé, was a Philadelphia lawyer who served on the United States Sanitary Commission, and was later Provost of the University of Pennsylvania. Alexander Henry was the mayor of Philadelphia. James L. Claghorn was president of the Commercial National Bank in Philadelphia and an art collector., Stationer's label pasted on back cover: John Alexander, Stationer and Printer, 52 South Fourth St., Various artists, engravers, and printers including F.O.C. Darley, G. H. Cushman, J. Hamilton, Asher B. Durand, C. Schussele, John Sartain, Samuel Sartain, Jas. D. Smillie, E. Prudhomme, H. B. Hall, T. Phillibrown, R. Whitechurch, J. M. Butler, James Bannister, Charles Kennedy Burt, Louis Delnoce, W. W. Rice, American Bank Note Company, Toppan, Carpenter & Co, Baldwin, Bald & Cousland, and Bald, Cousland & Co., Several of the specimens contain a specimen number and/or title., Few of the specimens contain a copyright statement., Specimen #312 (p. 81) and specimen #280 (p. 71) after the work of Emanuel Leutze., Inventory of portrait sitters housed at repository., Identity of several of the artists and engravers supplied by Gene Hessler, The engraver's line: an encyclopedia of paper money & postage stamp art (Port Clinton, OH: BNR Press, 1993)., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
Creator: Richardson, Thomas, 1802-approximately 1881
Date: [ca. 1854-ca. 1861]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]

Title: Panorama of Washington. [graphic] : First in war. First in peace and first in the hearts of his countrymen.
Description: Created postfreeze., Originally part of a McAllister scrapbook of Civil War miscellanies., Described in Georges Malpass's "A Check List 'Rose' and 'Panorama' Envelopes of the Civil War" in American Philatelist (March 1953), p. 430-442., Civil War envelope insert containing a portrait of George Washington above 25 vignette views of federal buildings and prominent sites in Washington, D.C., a bird's-eye view of the city, and patriotic vignettes. Prominent sites depicted include the Capitol, interiors of the House of Representatives and Senate; U.S. Post Office; U.S. Treasury; Observatory; White House; Military Asylum; Columbia Armory; War Department; Jackson Monument; Willard Hotel; U.S. Navy Yard; U.S. Arsenal; Matthew Church; City Hall; Trinity Church; Georgetown College; view of Georgetown; National Hotel; Lunatic Asylum; U.S. Patent Office; Smithsonian Institute; Mills statue of Washington; and the building dedicated to the Fine Arts. Patriotic vignettes show Washington as a general during the American Revolution; the Washington monument; and the figure of Liberty. Also includes vignettes of Mount Vernon and the Tomb of Washington.
Creator: Magnus, Charles., creator
Date: [ca. 1861]
Location: Library Company of Philadelphia Print Dept **GC - Views - U.S. - Washington, D.C. [(2)5786.F.182b]

Title: Views of Atlantic City Souvenir Booklet
Description: Souvenir viewbook containing eighteen captioned views of prominent sites and landmarks at the shore town.

Title: Samuel George Morton papers
Description: This collection contains the papers of Samuel George Morton of Philadelphia, a physician, ethnologist, and professor of anatomy at Pennsylvania Medical College. The papers date from 1832 to 1851, when Morton devoted his research efforts almost exclusively to ethnology and to the collecting of human skulls for comparative studies. The bulk of the papers consist of incoming correspondence, relating to ethnology and other related interests such as anthropology, craniology, paleontology and Egyptology. His collecting efforts in the field of crania resulted in extensive correspondence on the subject, which is also included here. The collection is particularly valuable in illustrating the publication process of Morton's technical publications, as it includes extensive notes, annotations, sketches, research and reviews of his published work. There is also a small grouping of documents related to Morton's son, James St. Clair Morton. The collection is arranged into six series: “Correspondence,” “Notes,” “Pennsylvania Medical College,” “Writings,” and “James St. Clair Morton.”
Creator: Morton, Samuel George, 1799-1851
Date: 1832

Title: [Plate 6 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Plate depicts section of the 400 block of Chestnut Street (132-149 pre-consolidation). South side includes Philada. Bank, Western Bank, Girard Life Insurance Comp., and H. S. Ogden, Tailor (132); and U.S. Custom House (unnumbered). North side includes U.S. Hotel (145-149); M. J. & C. Croll, Tailors (147); Philadelphia General Insurance Agency (145); the offices of [Andrew] M’Makin’s Model American Courier and tailor J. Smith Harris (141); J. Hufty, Stationer, Engraver & Card Printer (139); Chas. Martel, Wig Maker (137); clothier S. Heywood, Importer and Furnisher. Fire insurance, life insurance, and Ogden signage (116) included on plate as pasted-on details., Advertisements promote six of the businesses depicted (Girard Life Insurance, Heywood, Hufty, M’Makin, Philadelphia General Insurance Agency, and United Sates Hotel) and H.S. Tarr’s Marble Yard, No. 274 Green Street, above Seventh, which comprises an entire page. Tarr advertisement contains several lines of text, “Opinions of the Press,” and “References,” including Thomas U. Walter and Isaac Collins. Other advertisements include lines of promotional text and ornamented type. M'Makin advertisement contains subscription rates., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 7.
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 7 [*Am 1851 Rae, 2975.Q]

Title: [Plate 6 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Plate depicts section of the 400 block of Chestnut Street (132-149 pre-consolidation). South side includes Philada. Bank, Western Bank, Girard Life Insurance Comp., and H. S. Ogden, Tailor (132); and U.S. Custom House (unnumbered). North side includes U.S. Hotel (145-149); M. J. & C. Croll, Tailors (147); Philadelphia General Insurance Agency (145); the offices of [Andrew] M’Makin’s Model American Courier and tailor J. Smith Harris (141); J. Hufty, Stationer, Engraver & Card Printer (139); Chas. Martel, Wig Maker (137); clothier S. Heywood, Importer and Furnisher. Fire insurance, life insurance, and Ogden signage (116) included on plate as pasted-on details., Advertisements promote six of the businesses depicted (Girard Life Insurance, Heywood, Hufty, M’Makin, Philadelphia General Insurance Agency, and United Sates Hotel) and H.S. Tarr’s Marble Yard, No. 274 Green Street, above Seventh, which comprises an entire page. Tarr advertisement contains several lines of text, “Opinions of the Press,” and “References,” including Thomas U. Walter and Isaac Collins. Other advertisements include lines of promotional text and ornamented type. M'Makin advertisement contains subscription rates., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 7.
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 7 [*Am 1851 Rae, 2975.Q]

Title: Geschichte des Krieges für die Union. Von Evert A. Duychinck Deutsch bearbeitet von Freidrich Kapp. Mit vortrefflichen Stahlstichen, Originalbildern von Schlachten und Seegefechten und libensgetreuen Porträts ausgezeichneter Generäle und Seehelden, nach Originalgemälden von Alonzo Chappel. ... Subscriptions-Bedingungen
Description: Duyckinck's National history of the war for the Union was published in 78 parts from 1861 to 1866, and in German beginning in 1863., Printed on yellow paper., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Johnson, Fry & Co.
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1863 Johnson (2)5786.F.110d (McAllister)

Title: Geschichte des Krieges für die Union. Von Evert A. Duychinck Deutsch bearbeitet von Freidrich Kapp. Mit vortrefflichen Stahlstichen, Originalbildern von Schlachten und Seegefechten und libensgetreuen Porträts ausgezeichneter Generäle und Seehelden, nach Originalgemälden von Alonzo Chappel. ... Subscriptions-Bedingungen
Description: Duyckinck's National history of the war for the Union was published in 78 parts from 1861 to 1866, and in German beginning in 1863., Printed on yellow paper., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Johnson, Fry & Co.
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1863 Johnson (2)5786.F.110d (McAllister)

Title: Atlantic City [viewbook]
Description: Souvenir viewbook containing eighteen captioned views of prominent sites and landmarks at the shore town. Contains views of "The New Iron Pier, Massachusetts Ave."; hotels "'The Brighton' Indiana Ave.", "The 'Traymore' and The 'Berkeley,' Illinois Ave."; "Camden & Atlantic and West Jersey R. R. Depot"; "Old Ocean Pier, Kentucky Ave." and "Applegate's Pier, Tennessee Ave."; "Board Walk"; amusement houses and grounds of the "Excursion House" and "Childrens Sea Shore House"; "Bathing Scene, from Ocean Pier"; "Atlantic Avenue" including West Jersey R.R. Depot, C[amden] & A[tlantic] R. R. Depot, City Hall, and St. Nicholas R.C. Church; "Intersection of Pacific and North Carolina Avenues" including First Baptist Church and St. James P.E. Church; "Boat House at the Inlet; "Absecon Light House," including the Buoy House and Life Saving Station; a "Regatta"; the Disston, R. H. Turner, Shirtcliffe and Ladner villas on Indiana, Pacific, and North Carolina avenues; "The Breakers," i.e. waves breaking onto the shore; "Elephant Pavilion, South Atlantic City," i.e., Lucy the Elephant; "The Wreck"; the duties of the "U. S. Life Saving Service," (later the U.S. Coast Guard), including "Launching the Surf Boat," "Taking the Tackle Cart to the Beach, " "Throwing the Life Line" and a person "Saved" during practice maneuvers. Views also show street, pedestrian and maritime traffic, including beach goers; bath houses; amusement rides; and shops along the boardwalk., Title from embossed olive morocco binding, front cover stamped: Atlantic City., Prints connected by accordion folds and separated into two sheets., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Gift of Helen Beitler., Adolph Witteman was a prolific publisher of souvenir viewbooks from the 1870s through 1880s. He and his brother Herman later established The Albertype Company in 1890, which issued post cards in addition to viewbooks until 1952.
Creator: Wittemann, A. (Adolph), 1845-1938
Date: c1886
Location: Library Company of Philadelphia | Print Department albums - Views [P.2002.67.65]

Title: [Miscellaneous prints from the Joe Freedman collection of Philadelphia ephemera]
Description: Collection of miscellaneous prints, including promotional novelties, vignettes, views, proof sheet of banknotes, a photograph reproduction, and a postcard. Imagery depicts City Hall, Continental Hotel, Girard Fire Insurance Company, interior of Independence Hall, "Bird's Eye View from Lemon Hill" showing the Fairmount Water Works, Market Street and Delaware Avenue, the storefront of optician William Y. McAllister and Alex. R. Harper & Bro., watches (728 Chestnut), and vignettes showing miners at work, and a view of laborers at work in a stone quarry juxtaposed with a view of Native American persons. Also includes a 1777 German calendar illustration showing Philadelphia along the Delaware River (.193x); an 1804? lottery ticket for the African Church of St. Thomas (.190x); a ca. 1833 proof sheet of bank notes in German for The Western Bank of Philadelphia; a ca. 1830 textile sewn on paper and illustrated with a genre scene in front of the "House of Refuge, Philadelphia"; a pocket-size political print depicting Philadelphia mayor-elect Morton McMichael holding a fox by its tail to satirize his 1865 election win over Daniel M. Fox; and a 1919 calligraphic envelope (in color inks) addressed to Mrs. Sarah Zook, Temple University Hospital, Broad & Ontario Streets, Phila, Pa. Some prints also depict street and pedestrian traffic. Vignettes are possibly specimens for illustrations on certificates., Title supplied by cataloger., Artists, photographers, and publishers include C. G. Childs, W. N. Jennings, and The Rotograph Co., P.2013.87.190x and 193x in frames and housed separately in phase box., Description revised 2021., Access points revised 2021.
Date: [ca. 1830-ca. 1950, bulk ca. 1860-ca. 1890]
Location: Library Company of Philadelphia | Print Department Freedman Collection - Box 2 - Miscellaneous [P.2013.87.2; 185-195x], Library Company of Philadelphia | Print Department Freedman Collection - Lottery & Calendar Illustrations [P.2013.87.190x and 193x]

Title: Panorama of Philadelphia from the State House steeple. West
Description: Panoramic view looking west toward West Philadelphia past the Schuykill River predominately showing the area between Arch Street and Gray's Ferry Avenue. Includes U.S. Naval Asylum, 2420 Gray's Ferry Avenue (1); [Blockley] Alms House, S. 34th and Pine streets (2); Peale's Museum, 100 block S. 9th Street (3); Walnut Street Theatre, 827-833 Walnut Street (4); Cook's Circus, i.e., Thomas Cooke's equestrian circus, 800 block of Chestnut Street (5); St. John's Church, i.e., St. John the Evangelist Church, 23-25 S. 13th Street (6); St. Stephen's Church, 19 S. 10th Street (7); University of Pennsylvania, Ninth Street below Market Street (8); [Beck's] Shot Tower, 21st and Cherry streets (9); Inst. for the Blind, 200 block Race Street (10); Water Works, Fairmount (11); East. Penitentiary, 2100-2199 Fairmount Avenue (13); Arcade, 615-619 Chestnut Street (14); and Chestnut St. Theatre, 603-609 Chestnut Street (15). Also shows part of Independence Square, Congress Hall, Marshall House hotel (625-631), residences on the 100 block of S. 6th Street, and the rooftops of several city blocks., Plate 3 of four panoramas originally issued as Panorama of Philadelphia. Views taken from the State House steeple (Philadelphia: Published by J.C. Wild & J.B. Chevalier, 1838). These panoramas also accompanied bound editions of Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. WIld & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). Views of Philadelphia was a series of twenty lithographs originally published as five numbers of four prints each. The four panoramas essentially constituted a sixth number in the series, and were published in bound editions with the twenty view under the title Panorama and Views of Philadelphia, and Its Vicinity, published by J.B. Chevalier in 1838 and reissued by J.T. Bowen the same year., First state., Key to 15 landmarks printed below the image., Upper right corner missing, including cited landmark "Waterman's Church.", Philadelphia on Stone, POS 542.d.2, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: *P.2155 and in Print Room *Am 1838 Wild 3008.Q (Poulson), Historical Society of Pennsylvania:
Creator: Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date: c1838
Location: Library Company of Philadelphia | Print Department *W267.1 [P.2155]

Title: [Life in Philadelphia miniatures]
Description: Five cartes-de-visite size racist and sexist social caricatures derived from the series "Life in Philadelphia," including figures in brightly colored and ornately patterned fashion. Lines of dialogue are included below the images. Depicts a scene of a white man sexually harassing a white woman, their fashion caricatured (P.9717.1); a thwarted celebration of the election of Andrew Jackson centered on an African American man and boy portrayed in caricature (P.9717.2); a discussion of hot weather between an African American man and woman portrayed in caricature (P.9717.3); a dance ball centered on an African American man and woman portrayed in caricature ((P.9717.4); and the purchase of silk stockings by an African American woman portrayed in caricature (P.9717.5). The prints are captioned respectively: "Good Evening Miss..."; "Why for you hurrah for General Jackson?"; "How you find yourself dis hot weder Miss Chloe?"; "Shall I hab de honor to dance de next quadrille...?"; and "Have you any flesh colored silk stockings...?" The scenes also contain detailed backgrounds that include cityscape, pedestrian traffic, figures at celebration, bucolic scenery, the interior of a ballroom with white attendees, and the interior of a clothing store attended by a white man clerk speaking with a French dialect. The African American figures are portrayed with exaggerated features and stances. The white woman figure is portrayed with an exaggerated silhouette because of her fashion comprised of a bell-shaped overcoat and dress., Title supplied by cataloguer., Date inferred from content., P.9717.1 contains lines of dialogue below the image: Good evening Miss, shall I have the pleasure of walking with you._ Me Sir!! for whom do you take me, Sir?_ Come that’s a good one!-for whom do I take you? Why for myself to be sure., P.9717.2 contains lines of dialogue in the vernacular and dialect below the image: Hurrah! Hurrah for General Jackson. Why for you hurrah for General Jackson – you black Nigger – I’ll larn you better – I’m a ministration man., P.9717.3 contains lines of dialogue in the vernacular and dialect below the image: How you find yourself dis hot weder Miss Chloe? Pretty well I tank you Mr. Cesar, only I aspire too much., P.9717.4 contains lines of dialogue in the vernacular and dialect below the image: Shall I habe de honour to dance next Quadrille wid you Miss Minta. Tank you Mr. Cato wid much pleasure only I’, engaged for de next nine Set!”, P.9717.5 contains lines of dialogue in the vernacular and dialect below the image: Have you any Flesh color’d Silk Stockings young Man? Oui Madame! Her is von pair of de first quality., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London) [P.9717.1-.5]

Title: [Life in Philadelphia miniatures]
Description: Five cartes-de-visite size racist and sexist social caricatures derived from the series "Life in Philadelphia," including figures in brightly colored and ornately patterned fashion. Lines of dialogue are included below the images. Depicts a scene of a white man sexually harassing a white woman, their fashion caricatured (P.9717.1); a thwarted celebration of the election of Andrew Jackson centered on an African American man and boy portrayed in caricature (P.9717.2); a discussion of hot weather between an African American man and woman portrayed in caricature (P.9717.3); a dance ball centered on an African American man and woman portrayed in caricature ((P.9717.4); and the purchase of silk stockings by an African American woman portrayed in caricature (P.9717.5). The prints are captioned respectively: "Good Evening Miss..."; "Why for you hurrah for General Jackson?"; "How you find yourself dis hot weder Miss Chloe?"; "Shall I hab de honor to dance de next quadrille...?"; and "Have you any flesh colored silk stockings...?" The scenes also contain detailed backgrounds that include cityscape, pedestrian traffic, figures at celebration, bucolic scenery, the interior of a ballroom with white attendees, and the interior of a clothing store attended by a white man clerk speaking with a French dialect. The African American figures are portrayed with exaggerated features and stances. The white woman figure is portrayed with an exaggerated silhouette because of her fashion comprised of a bell-shaped overcoat and dress., Title supplied by cataloguer., Date inferred from content., P.9717.1 contains lines of dialogue below the image: Good evening Miss, shall I have the pleasure of walking with you._ Me Sir!! for whom do you take me, Sir?_ Come that’s a good one!-for whom do I take you? Why for myself to be sure., P.9717.2 contains lines of dialogue in the vernacular and dialect below the image: Hurrah! Hurrah for General Jackson. Why for you hurrah for General Jackson – you black Nigger – I’ll larn you better – I’m a ministration man., P.9717.3 contains lines of dialogue in the vernacular and dialect below the image: How you find yourself dis hot weder Miss Chloe? Pretty well I tank you Mr. Cesar, only I aspire too much., P.9717.4 contains lines of dialogue in the vernacular and dialect below the image: Shall I habe de honour to dance next Quadrille wid you Miss Minta. Tank you Mr. Cato wid much pleasure only I’, engaged for de next nine Set!”, P.9717.5 contains lines of dialogue in the vernacular and dialect below the image: Have you any Flesh color’d Silk Stockings young Man? Oui Madame! Her is von pair of de first quality., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London) [P.9717.1-.5]

Title: Cornwallis is taken! The watchman's cry - Philadelphia 1781
Description: Print commemorating the surrender in 1781 of British General Cornwallis at Yorktown depicting the watchman's purported moonlit announcement of the event on October 22nd at the Philadelphia residence of Thomas McKean, the president of Congress. Near the "Geo. Washington" tavern, the white watchman, one hand raised, a lantern in the other, his mouth open and with a few teeth missing, cries the news to the crowd of men, women, and children surrounding him and McKean. McKean, wearing a silken robe, chin in hand listens. His face portrayed with a look of contemplation. The crowd, many in nightclothes hold candlesticks, pray, cheer, and listen solemnly. Included in the crowd are a white man veteran with a prosthetic wooden peg leg, an African American boy, an African American woman caregiver holding presumably McKean's baby in the doorway, a white man and woman couple facing each other and holding hands, white women in shawls and elegant robes, a seated Native American woman attired in moccasins, and a white man portrayed with a frowned expression near behind the watchman., Title from item., Date inferred from duplicate with variant imprint in the collections of the American Antiquarian Society.., Gift of Mrs. Francis P. Garvan, 1978., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Doney, Thomas, engraver
Date: [ca. 1856]
Location: Library Company of Philadelphia | Print Department **GC-American Revolution [8384.F.23]

Title: [Life in Philadelphia scraps]
Description: Series of trimmed, captioned scraps containing racist African American imagery based on the “Life in Philadelphia” series after the designs of Edward W. Clay first published 1828-1830. The series of primarily racist social caricatures lampooned the etiquette and conventions of early 19th-century, middle-class Philadelphians, particularly the growing community of free African American persons. Caricatures depict scenes of courtship, society balls, fashion, freemasonry, and the election of Andrew Jackson, as well as sexism, sexual harassment, and sexual innuendo. The figures are portrayed with oversized and exaggerated features and often in the fashion of dandies and belles. Scenes include an African American man leaving his card for “Clotilda” at her basement apartment door within the dishcloth of her African American woman house servant before him (P.2021.28.1a); an African American man-woman couple stopped during their walk in a park to watch a man watching them (P.2021.28.1b); an African American ball at which an African American man attendee asks an African American woman attendee for a dance in front of other African American attendees in the background (P.2021.28.2a); an African American man sexually harassing an African American woman on a city street (P.2021.28.2b); an African American woman and man in conversation on a Sunday (“day of our lord”)(P.2021.28.3a);, African American couple “Mr. Lorenzo” and “Miss Chloe,” seated on a couch, by a window, in a parlor in conversation (P.2021.28.3b); an African American ball at which an African American woman attendee asks an African American man attendee if he likes the waltz in front of other African American attendees in the background (P.2021.28.4a); an African American woman in a dry goods store asking a white man sales clerk, who speaks with a French dialect, about stockings (P.2021.28.4b); an African American military volunteer chastising an African American boy drummer at a military encampment (P.2021.28.5a); an African American man-woman musical couple where she plays the guitar and he sings “Coal Black Rose”(P.2021.28.5b); two African American masons in conversation about “Gen’l Jackson” in front of an altar at a masonic hall (P.2021.28.6a); an African American woman, “Dinah,” being asked by an African American man, “Mr. Durang,” about his new checkered “fashion trousers” (P.2021.28.6b). Women figures are attired in wide-brimmed, and/or ornately adorned, wide-brimmed hats or headpieces, puff-sleeved dresses or a hooded cape in ornate patterns, as well as gloves, slipper shoes, jewelry, and monocles. Men figures are attired in top or wide-brimmed hats, waistcoats, vests, large bowties, trousers or pantaloons, military uniform, masonic regalia, gloves, and slipper shoes or boots. Accessories held by the figures include purses, umbrellas, fans, walking sticks., Scenes also include detailed backgrounds and interior and exterior settings including residential facades; dogs; a white man seated on a bench in a park; ballrooms with attendees and a band playing in a balcony; a section of a city street with a guardhouse; parlors; a counter at a dry goods store; a volunteer military encampment; a masonic hall; as well as pieces of furniture, such as chairs, mantles, and side tables., Title supplied by cataloguer., Date inferred from content., P.2021.28.1a contains three lines of dialogue in the vernacular and dialect below the image: Is Miss Clotilda at home? No sir she’s particularly ingaged in washing de dishes – Ah! give her my card!, P.2021.28.1b contains two lines of dialogue in the vernacular and dialect below the image: Vol is you looking at my dear? Vy I’m looking at dat imperent fellow vat’s laughing at us?, P.2021.28.2a contains three lines of dialogue in the vernacular and dialect below the image: Will you hona me wid your hand for de next codrille Miss Manda? Tank you sa’ but I’m ingaged for de nest ten set!, P.2021.28.2b contains two lines of dialogue in the vernacular and dialect below the image: What do you take me for? you black nigger? Why I take you for myself to be sure., P.2021.28.3a contains two lines of dialogue in the vernacular and dialect below the image: Bery hot dis day of our lord Mr. Cesa! Berry hot indeed Miss Juliet – de terometa is 96 degree above joho., P.2021.28.3b contains two lines of dialogue in the vernacular and dialect below the image: Mr. Lorenzo dat’s a nice dog you’ve got” Lord! Miss Chloe., P.2021.28.4a contains two lines of dialogue in the vernacular and dialect below the image: do you walse Mr. Wellington? No, my dear creta_ It’s to common. I go nothin but de Manourkey!, P.2021.28.4b contains two lines of dialogue in the vernacular and French dialect below the image: Have you any flesh coloured silk stockings, Sir? Oui Mamselle here is von pair of de last Parisian touch-, P.2021.28.5a contains two lines of dialogue in the vernacular and dialect below the image: You say I belong to de milishy you black varmont. I’ll let you know I’m a wolunteer., P.2021.28.5b contains two lines of dialogue in the vernacular and dialect below the image: How will your voice harmonize wid de sentiment. Mr. Cato you quite equal to Horn!, P.2021.28.6a contains three lines of dialogue in the vernacular and dialect below the image: Well brudder Jones what you tink of Genl Jackson now? Day say he’s gwang to be Anti Masonic! I don’t know, I tink dat depend on de new cabinet., P.2021.28.6b contains three lines of dialogue in the vernacular and dialect below the image: How you like de new fashion trousers Dinah. Oh quite lubly! You look like Mr. Durang when he play harlequin in de masqarade., Printed in upper left corner of P.2021.28.1a: [E?]dition., Printed in upper right corner of P.2021.28.2a and trimmed: 2nd E?[dition?], RVCDC
Date: [ca. 1838-ca. 1855]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Miscellaneous) [P.2021.28.1a-6b]

Title: William Russell Birch Collection
Description: Collection containing primarily engravings, watercolors, and drawings executed by English-born artist and engraver William Birch and his descendants between the 18th and later 19th century. Several of the graphic materials are by William Birch and represent engraved work he completed in Britain before 1794 and following his immigration to the United States that same year. His British work includes plates from his unpublished satiric volume “The Busy World, or London Dissected ...” (ca. 1792-ca. 1793) showing a charlatan at work, a fight between Richard Humphreys and Daniel Mendoza, a May Day procession, and rag dealers (P.2016.50.28-33); loose plates from his book of British landscapes “Les Delices de la Grande Bretagne” (1791) (P.2016.50.34, 36, 42); the rural and scenic “The Porcupine Inn Yard Rushmore Hill” (p.2016.50.38); the disaster print “The Great Fire of London in the Year 1666” (P.2016.50.55); and portraits of the poetical character Secander (P.2016.50.40) and his mentor “Sir Joshua Reynolds” (P.2016.50.22). His American work includes variant editions of plates from his “Views of Philadelphia” originally published as a series 1798-1800 (P.2016.62.21-37); variant editions of plates from his “Country Seats” originally published in 1808 (P.2016.62.38-45a); and the 1800 commemorative portrait “George Washington. Late President of the United States of America” (hand-colored and black and white [P.2016.50.59 & P.2016.62.55])., British and American work of Birch is also included in the collection in the form of watercolors, drawings, paintings, a sketchbook, and as photographic reproductions. These graphics depict portraits of family members (some photographed ca. 1910s by Charles W. Parker), including his children Priscilla, Thomas, George, and Albina while young as well as his purportedly his mother Anne (P.2016.50); ca. 1800s plan and views of his Bucks County country seat Springland (purchased in 1798) (P.2016.50.48-50); views of the Philadelphia country seat China Retreat, Gunpowder Falls near Hampton, MD, and the George Read estate in New Castle, DE (P.2016.50.43, 45-46); an annotated sketch of Westminster Bridge from the Adelphi Terrace (P.2016.50.51); a drawing of a group of boys (P.2016.62.2); and pencil sketches of male and female figures within an undated sketchbook (P.2016.62.59). Additionally, Birch’s work is represented by a preparatory sketch of an A. Sheffer portrait of Lafayette (P.2016.50.21); portrait drawings of unidentified sitters (P.2015.25 & 26); a ca. 1795 miniature enamel painting of his daughter Deborah (P.2016.50.67); a palette of his paint colors (P.2016.50.66); and an 1830s oil painting of an older Thomas Birch (1779-1851) attributed to William (P.2016.62.1)., Other original and reproduced material is attributed to William Birch or by Birch family members or by other artists and engravers. This includes a 1742 Thomas Worlidge pencil portrait of William’s father Thomas (P.2016.50.14), a Birch portrait of William King (father-in-law of son Thomas), and portraits and a "Museum" (i.e., Peale Museum) blind-stamped silhouette of Birch (P.2016.50.16); ca. 1785 Robert Freebairn watercolor of Hampstead Heath (Birch’s British county of residence); engravings by M. Marigot of “Mount Vernon ...” and “View of the City and Port of Philadelphia ...” from Janson's "Stranger in America" (London, 1807); Franklin Birch 1860s pencil sketches of a printing press and plows (P.2016.62.5-6)); Louise S. Birch's oil renderings of flowers (P.2016.62.12-13); sketches of a title page to the 1852 edition of Thomas Day’s “The History of Sanford and Merton” and of rural and landscape scenes and animal studies (Thomas Birch?; P.2016.62.3, 8-11); John McAllister, Jr. 1860 restrikes (some signed by Agnes McAllister) of Philadelphia views by Charles Willson Peale, Thomas Birch and William Strickland and the 1798 “Congressional Pugilists cartoon (P.2016.62.46-52; and engraved portraits of Major Genl. Brown (P.2016.62.53) and Edward Shippen (P.2016.62.54)., Collection also contains a unique ca. 1810 mockup by Birch for a revised and enlarged edition of his “Country Seats” (P.2016.62.59).The album includes plates from the first edition as well as a proof plate of the Devon view, three watercolors showing “Analostun, or Masons Island with one wing of the house at Georgetown and two of Mr. Custus’s in the distance”; “Point Breeze. The Residence of Joseph Bonapart – at Burdentown on the Delaware”;“The Mill & House of Mr. E. Esirel late sheriff of Phila., Near Christeen,” and a pencil sketch “Mr. Bells Buildings at Richmond.” Other unique items in the Birch Collection include his two variant volumes of manuscript copies of “The Life and Anecdotes of William Russell Birch ...”(bulk written after War of 1812 and into the 1820s), including accounts of his work and travels (P.2016.50.61 & 62); “Birch’s American Cottage. Volm. 2nd” of personal anecdotes, including discussion of Springland (P.2016.50.63); Birch’s “Book of Profitts” with entries dated 1813-1830 (P.2016.50.64); and probably his personal copy of “Les Delices de la Grande Bretagne” (P.2016.50.65). An imperfect copy of “Les Delices” formerly owned by original subscriber Francis Longe (and including his book plate) and a copy of “Transactions of the Society Instituted at London” (1785) referencing a Birch award (p.183) are also included with the materials (P.2016.50.65 & 60)., A small number of manuscripts written by William Birch comprise the collection as well. These materials include a ca. 1800-ca.1805 calligraphic and manuscript title page to "Views of and from The Country References of William Birch. Drawn by Himself wih a sett of Drawings of Springland"; a ca. 1818 letter to an unidentified granddaughter (P.2015.50.1); an undated letter addressed to the Duke of Grafton and Duke of Richmond about “forgetting their subscriptions” (possibly about subscription to Delices... [1791]) (P.2015.50.2); scraps with names of subscribers to “Busy World” (P.2015.50.3) as well as titles completed and to be completed (P.2015.50.4&5); ca. 1805 list of views of “Beautys of Springland not Pictured” (P.2015.50.6); and an 1811 receipt for 5 dollars issued to Ben Wilson for “Views.” (P.2015.50.7). Ephemera also forms the Birch Collection and includes Birch’s certificate of United States citizenship issued in 1808 (P.2016.50.52); a broadside advertising the 1789 titles to be issued by “J. Bell of the British Library” and addressed to Wm. Birch, Hampstead Heath (P.2016.50.53); the bookplate of historian and writer Thomas Birch (1705-1766) (P.2016.50.35 &P.2016.62.15); completed tags for William Birch miniatures on display at the 1911 The Pennsylvania Academy of the Fine Arts and The Pennsylvania Society of Miniature Painters Tenth Annual Exhibition (P.2016.62.17-20); early twentieth-century receipts and labels for works by Thomas and William Birch (P.2016.62.62-66); and an unused enamel plate (P.2016.50.27)., Various artists, engravers, printers, and photographers including William Russell Birch, Thomas Birch, Franklin Birch, Louise Birch, J. N. Gimbrede, Jan Griffier, Augustus Kollner, M. Marigot, Charles W. Parker, Charles Willson Peale, P. Roberts, J. Rogers, Julius F. Sacshe, Ary Sheffer, Samuel Shelley, Thomas T. Stiles, Gilbert Stuart, Benedictus Antonio Van Assen, E. Wellmore, J. Wood, and Thomas Worlidge., Various publishers and distributors including J. Bell, William Birch, R. Campbell & Co., James Cundee, E. Jeffrey, Edward J. Parker, R. Pollard, C. Taylor, and T. Thornton., Research files, genealogical reference files, and modern photographic reproductions of the artists' work that accompanied the collection when acquired are available at the repository., See Emily T. Cooperman and Lea Carson Sherk, Picturing the American Scene (Philadelphia: University of Pennsylvania Press, 2011)., See Emily T. Cooperman, ed., The Country Seats of the United States. William Russell Birch (Philadelphia: University of Pennsylvania Press, 2009)., See S. Robert Teitelman, Birch's Views of Philadelphia. (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000)., See Martin P. Snyder, "William Birch: His Philadelphia Views," The Pennsylvania Magazine of History and Biography 73 (July 1949), 271-315., See Martin Snyder, "Birch's Philadelphia Views: New Discoveries," The Pennsylvania Magazine of History and Biography 88 (April 1964), 164-173., See Martin P. Snyder, "William Birch: his ’Country seats of the United States,’" Pennsylvania magazine of History and Biography 81 (1957), 225-254., Lib. Company. Annual Report, 2017, p. 49 - 51., P.2018.55 photographic reproduction of Mrs. Robinson engraved by William Birch after Sir Joshua Reynolds housed with collection., William Russell Birch (1755-1834), trained in England under Sir Joshua Reynolds, was a respected Philadelphia engraver, miniaturist, and enamel painter. Birch was also one of the most important landscape artists in America’s Federal period. He engraved and published the first viewbook of an American city, "The City of Philadelphia in the Year… 1800" and the respected "The Country Seats of the United States of North America" in 1804. His son Thomas Birch (1779-1851) assisted him in the drawing and engraving of his viewbooks. He became a respected artist in his own right and specialized in marine paintings.
Date: [ca. 1742 - ca. 1913]
Location: Library Company of Philadelphia | Print Department Birch Collection [P.2016.50 & 62 and P.2017.54 and P.2018.55]

Title: Martyrdom of John Brown
Description: Print depicting the fictitious blessing of an enslaved African American baby by the radical abolitionist on his walk to the gallows in December 1859. Shows Brown in front of his Charles Town, Virginia cell, flanked by guards carrying rifles and swords. An African American woman kneels before him and holds her baby up while Brown lays his hand on the baby’s head. Spectators surround them, including white women and veterans, one with his arm in a sling. In the right, an African American woman nanny wraps her arms around her two well-dressed white boy charges., Title from original painting "John Brown's Blessing" completed in 1867 by Southern historical and genre painter Thomas Satterwhite Noble in the collections of the New York Historical Society., Purchase 1968., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department **Portrait Prints-B [7777.F]

Title: The disappointed abolitionists
Description: Anti-abolition print distortedly portraying the events of the New York freedom seeker episode, "The Darg Case." The case involved a freedom seeker of enslaver John Darg who stole $7000 from him, fled, and was harbored and assisted by African American abolitionist and writer David Ruggle, Quaker arbitrator Barney Corse, and Quaker abolitionist Isaac T. Hopper. Corse had arbitrated a deal with Darg that in exchange for the return of Darg's stolen money, the enslaved man's freedom would be granted, and a small stipend would be paid to Corse. The arbitration was discovered and annulled by the New York police who then arrested Ruggles and Corse. Depicts Darg's sitting room where Hopper is requesting a reward. Ruggles says, "I don't like the looks of this affair. I'm afraid my pickings will not amount to much!" Corse replies, "Yea verily I was but thy instrument Brother Hopper as Brother Ruggles here knoweth!" They are threatened by Darg with a chair to whom they have returned "$6908" of his stolen money, and who bitterly exclaims that they deserve prison., Title from item., Date from copyright statement: Entd accordd to Act of Congress in the year 1838 by H.R. Robinson, in the Clerk's office of the Distt Court of the U. States, for the southern District of New York., Purchase 1968., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, lithographer, and engraver who created the "Life in Philadelphia" series which satirized middle-class African American Philadelphians in the late 1820s and early 1830s.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1838
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1838-40W [7779.F]

Title: John Brown meeting the slave mother and her child on the steps of Charlestown jail on his way to execution
Description: Print depicting the fictitious meeting between John Brown and an enslaved African American mother during the radical abolitionist's walk to the gallows in December 1859. Shows Brown at the top of the steps of the Charles Town, Virginia jail being led by several white men past the mother holding and looking down at her baby. The men include a prison guard in militia-uniform attempting to push the mother aside as Brown gazes compassionately upon her; the jailor, an old bearded man in cape and hat with his hand raised in front of his chin; the jailor's friend, a balding, bearded man pointing the way to the execution; and another militia man in an old Continental" uniform with a tricorne hat labeled "76." Also includes the Virginia state flag, waving above the head of Brown in the shape of a halo inscribed, "Sic Semper Tyrannis," i.e.; "Who is the tyrant, who the conqueror?" and a stern-faced, enslaver, attired in a Virginia militia uniform, waiting impatiently at the bottom of the stairs opposite a dismembered statue of justice in a pile of rubbish., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1863, by Currier and Ives in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Text printed below the title: The artist has represented Capt. Brown regarding with a look of compassion a Slave-mother and Child who obstructed the passage on his way to the scaffold. Capt. Brown stooped and kissed the child- then met his fate., Original painting described in "A Rare Picture," an 1886 broadside probably by Ransom, in the collections of the library of Oberlin College, Oberlin, Ohio. Transcription available at repository., Purchase 1969., Reaccessioned as P.2003.18., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1863
Location: Library Company of Philadelphia | Print Department *Portrait Prints-B [7817.F]

Title: [Michael Zinman world's fairs collection]
Description: Collection of graphic materials documenting world's fairs of the latter 19th and early 20th centuries, predominantly the Centennial Exhibition of 1876 (Philadelphia) and Exposition Universelle de 1867 à Paris. Includes stereographs, trade cards, collecting cards, lantern slides, and souvenirs. Graphics also depict the Great Exhibition of 1851; New York Exhibition of the Industry of All Nations (1853-1854); the Exposition Universelle de 1867 a Paris; the Paris Universal Exposition of 1878; the Chicago World's Fair of 1893; the Pan American Exposition of 1901 (Buffalo, N.Y.); the Louisiana Purchase Exposition of 1904 (St. Louis, Mo.); and the Sesqui-Centennial International Exposition of 1926 (Philadelphia). Views show panoramas of the exhibition grounds and exteriors and interiors of exhibition buildings, including displays showing the wares and products of specific companies and countries, particularly porcelain and terra cotta; art, predominantly sculpture; and dioramas representing the social life and customs of different nations (Morocco, Japan, Sweden, and South America). Several trade cards issued during the Chicago World's Fair advertising the Enterprise Manufacturing Company of Penn'a. also contain anecdotal, caricatured scenes portraying prominent historical figures, including Abraham Lincoln, Horace Greeley, and Benjamin Franklin. Collection also contains a small number of portraiture, views of events and prominent local buildings related to the Philadelphia exhibitions, and lantern slides issued by the Centennial Photographic Company., Title supplied by cataloger., Various printers, publishers, and manufacturers including Centennial Photographic Company; Curt Teich & Co.; Donaldson Bros.; Thomas Hunter; Ketterlinus; Longacre & Co.; M. Leon & J. Levy; Pan American Exposition Co.; and Philip Frey & Co., Gift of Michael Zinman., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Series IV. Lantern slides housed separately.
Date: [1851-ca. 1920]
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection [P.2008.36], Library Company of Philadelphia | Print Department lantern slides - Michael Zinman World's Fairs Collection [P.2008.36]

Title: [Collection of prescription forms.]
Description: Collection title devised by cataloger., Contents: [1] Davis & Rice, druggists, Morristown, Tenn., dated in MS. 9/5/91 for Miss Lockewood, Wilkinson M.D. -- [2a] Bartram & Millington, registered pharmacists, Paw Paw, Michigan, completed in MS. for Js Smith, Meyan M.D. -- [2b] Bartram & Millington, registered pharmacists, Paw Paw, Michigan, completed in MS. for Mr. Smith, Meyan M.D. -- [3] W.D. Kuhlman. A.M. Riggs. The Star Pharmacy, Morristown, Tennessee -- [4] Johnson & Mauk, druggists and apothecaries, Claysburg, Blair Co., Penn., [187-] -- [5] R.M. & W.J. Snodgrass, apothecaries & druggists, Allegheny, Pa.; on verso: Thomas Mabon, M.D. 184 Lacock Street, Allegheny -- [6] Paige & Crooks, druggists & apothecaries, Rutland, Vt. -- [7] Hermann Krebs, druggist & apothecary, Deutsche Apotheke, Cleveland, Ohio, printed on blue paper -- [8] Hermann Krebs, druggist & apothecary, [187-] -- [9] J.D. Keegan & Co., druggists, Cleveland, O. -- [10] Carriger Roberts & Co. druggists, Morristown, Tenn. -- [11] Irving H. Hills & Co. druggists, mixed paints & oil. Wyoming and Hartwell [Cincinnati, Ohio] -- [12] W.H. Brill & Co., druggists & apothecaries, Allegheny City, Pa. (Pittsburgh : C.A. Miller, lithographer) -- [13] Marion Roberts, druggist, Morristown, Tenn. -- [14] Hermann Krebs, druggist and pharmacist, Cleveland, O. -- [15] R.M. Perkins, Ottawa, Ont. -- [16] W.W. Brookinton, Beaufort, S.C., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1870-1910]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Coll. Helfand Popular Medicine Prescriptions 112630.D (Helfand)

Title: Panorama of Philadelphia from the State House Steeple. West
Description: Panoramic view looking west toward West Philadelphia past the Schuykill River predominately showing the area between Arch Street and Gray's Ferry Avenue. Includes U.S. Naval Asylum, 2420 Gray's Ferry Avenue (1); [Blockley] Alms House, S. 34th and Pine streets (2); Peale's Museum, 100 block S. 9th Street (3); Walnut Street Theatre, 827-833 Walnut Street (4); Cook's Circus, i.e., Thomas Cooke's equestrian circus, 800 block of Chestnut Street (5); St. John's Church, i.e., St. John the Evangelist Church, 23-25 S. 13th Street (6); St. Stephen's Church, 19 S. 10th Street (7); University of Pennsylvania, Ninth Street below Market Street (8); [Beck's] Shot Tower, 21st and Cherry streets (9); Inst. for the Blind, 200 block Race Street (10); Water Works, Fairmount (11); [Thomas T.] Waterman's Church, i.e., Arch Street Presbyterian Church, 1006 Arch Street (12); East. Penitentiary, 2100-2199 Fairmount Avenue (13); Arcade, 615-619 Chestnut Street (14); and Chestnut St. Theatre, 603-609 Chestnut Street (15). Also shows part of Independence Square, Congress Hall, Marshall House hotel (625-631), residences on the 100 block of S. 6th Street, and the rooftops of several city blocks., Plate 3 of four panoramas originally issued as Panorama of Philadelphia. Views taken from the State House steeple (Philadelphia: Published by J.C. Wild & J.B. Chevalier, 1838). These panoramas also accompanied bound editions of Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). Views of Philadelphia was a series of twenty lithographs originally published as five numbers of four prints each. The four panoramas essentially constituted a sixth number in the series, and were published in bound editions with the twenty views under the title Panorama and Views of Philadelphia, and Its Vicinity, published by J.B. Chevalier in 1838 and reissued by J.T. Bowen the same year., Copyrighted by J.T. Bowen. LCP copies lacking copyright statement., Second state., Partial key to 8 of 15 landmarks (1-4, 8-12) printed below the image. Copy trimmed., Philadelphia on Stone, POS 542.d.2, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: *8236.F.4 and in Print Room *Am 1838 Wild 3008.Q (Rush), Historical Society of Pennsylvania: Bd 862 W 6441 front, Gift of Mrs. A. Douglas Oliver.
Creator: Wild, J. C. (John Caspar), ca. 1804-1846, artist
Date: c1838
Location: Library Company of Philadelphia | Print Department *W267.2 [8236.F.4]

Title: Panoramic views from the steeple of Independence Hall, 520 Chestnut Street, Philadelphia
Description: Series of views looking north, northeast, northwest, east, west, southeast, and southwest from Independence Hall showing the several blocks surrounding the historic building. Images predominately depict the 400 and 500 blocks of Library, Minor, Chestnut, and Market Streets. Includes Howell Evans, card and fancy printer (402 Library); Military Hall, public hall and former arsenal building (412 Library); Goldsmith's Hall, office building (420 Library); Library Company of Philadelphia (s.e. cor. 5th and Library); Philadelphia National Bank (419-423 Chestnut); U.S. Customhouse (420 Chestnut); Farmers' and Mechanics' Bank (425-429 Chestnut); Henry J. Pepper & Son, jeweler (441 Chestnut); Wright, Smith & Co., chinaware (5 N. 5th); P. Hirst & Co., hat manufacturer (501 Chestnut); George J. Henkels City Cabinet Wareroom (509 Chestnut); Barnes, Osterhout & Co., hats and furs (503 Market); Smith, Williams & Co., dry goods (513 Market); Coleman & Smith, cutlery and fancy goods (521 Market); Chaffees, Stout, & Co., wholesale dry goods (523 Market). Also shows the steeple of Christ Church; rooftop business signage including White Hall clothiers' sign (400 Market); the 500 block of Minor Street; the 600 block of Market Street; J.M. Maris & Co., drugs and chemical manufacturer (711 Market); the Delaware riverfront; and partial views of Independence Square., Attributed to James E. McClees., White or pale yellow paper mounts with square corners, including two with printed titles and two inscribed with the date., Title supplied by cataloguer., Originally part of a McAllister scrapbook of views of Philadelphia.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: 1859
Location: Library Company of Philadelphia | Print Department stereo - McClees - Views [1322.F.4i; 1322.F.5d-e; 1322.F.6b; (5)1322.F.4b; (6)1322.F.20a; (8)1322.F.9i]

Title: Album of Pennsylvania R. R. scenery
Description: Souvenir viewbook containing twelve captioned views of prominent sites and landmarks of and along the Pennsylvania Railroad in the Mid-Atlantic. Includes "Pennsylvania R. R. Station, Jersey City, Showing Birds eye View of the Hudson River, New York City Etc."; "Pennsylvania R. R. Ferries Plying Between Jersey City & New York"; "New Brunswick N. J. Penna. R. R. Bridge Crossing the Raritan River"; "Broad St. Station Penna. R. R. Co. Philadelphia. Grandest R. R. Depot in America" with inset showing Independence Hall"; "New Public Building, Philadelphia Cor. Broad & Market Streets. Built of Marble & Granite. Grandest Single Structure in the World. Cost Already Over $15,000,000. View at Left, U. S. Mint. View on the Right, Penna. R. R. Depot."; "Views at Bryn Mawr, 10 miles West of Philadelphia: Bryn Mawr Hotel. Bryn Mawr Station. Residences."; "Penn. R.R. Bridge Crossing the Susquehanna River 6 Miles West of Harrisbugh PA"; "Lewiston Narrows"; "Jacks Narrows, From Mapleton"; "Along Jack Narrows"; "The Horse Shoe Curve, Pennsylvania Railroad"; "Near Bolivar on the Conemaugh with inset showing "Scene at Allegrippus"; "In the Pack Saddle, On the Conemaugh/Spruce Creek Tunnel"; "Penna. R. R. Co’s Depot, Pittsburgh Pa."; View of Pittsburgh & Allegheny City Pa. with inset showing "Iron Works South Side." Views also show American's first immigration center Castlegarden (i.e., Castle Clinton, Battery Park, N.Y.), traveling trains, piers, factories, pedestrian and street traffic, and landscapes, including mountains, valleys, and creeks. Some inset images also designed as trompe l'oeil., Publication information from copyright statement., Title from embossed brown morocco binding, front cover stamped: Album of Pennsylvania R. R. Scenery., Prints connected by accordion folds., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box., Gift of David Doret.
Date: [1888]
Location: Library Company of Philadelphia | Print Department albums - Album [P.2011.45.26]

Title: [Robert Swayne collection of Philadelphia photographs]
Description: Collection of photographs documenting Philadelphia cityscapes, neighborhoods, landmarks, churches and benevolent institutions, businesses and factories, street views, and local events. Images depict interiors, exteriors, and alleyways. Many views include storefront signage; utility poles and street clocks; railroads and stations; and street and pedestrian traffic, as well as show the Western, Southern, and Northern sections of the city. Subjects depicted include All Saints Church (Torresdale); Cliveden; views along the Delaware River; Fairmount Park and Waterworks; Wissahickon Creek, Schuylkill River and Boathouse Row; Frankford Arsenal (1948); Philadelphia Gazette Building (924 Arch Street); the WCAU building (Bala Cynwyd) ; Rittenhouse and Logan squares; the “Clothesline Show” at Rittenhouse Square: a ca. 1930 view of a baseball game at the Baker Bowl, i.e. National League Park (2622 North Broad St.); the power house of the Westinghouse Gas Engine Machinery (Manayunk); the attic and basement of the original United State Mint (37-39 N. 7th Street, built 1792) photographed ca. 1890 by Newell & Son; interior of the second Mint Building (Broad and Chestnut);, the construction of the Delaware River, later Benjamin Franklin, Bridge (ca. 1924), Hahnemann Hospital (1928), Philadelphia Municipal, later JFK, Stadium (ca. 1926); the interior of an unidentified bakery (53rd and Vine) photographed ca. 1905 by C.H. Miller; interior and exterior of Geo. W. Einselen, Fine Cake Bakery and Ice Cream Saloon (1372 Somerset St.) photographed 1904 by Joseph Pearce; progress photographs photographed 1926 of the property of “Philadelphia Brick Co. Required for P.R.R. Temporary Track” and photographed 1921 by J.E. Bewley of and near the 3400 block of North 5th Street ; “Stephen Girard's ‘Alleged Slave Dungeons,’ Front & Market Streets uncovered by demolition” photographed 1906-1907 by John Trautwine, likely the civil engineer (P.2017.88.37.1-7); ca. 1880s studio portraits of adult and child mummers photographed by Richter & Co.; workers on scaffolding attached to the Nixon Building (20 S. 52nd St.); an exterior view photographed ca. 1873 by Newell & Son of the carpenter shop of Clarkson Fogg in front of which numerous household implements and furniture are lined, as well as men, women, and children, including a policeman are posed (449 N. 10th St.); ca. 1868 view of the 100 block of North Third Street, including the storefront for Dr. Stoever's Bitters manufactured by Kryder & Co (121 N. Third); Maryland Metal Bldg. Co. Incorporated classroom modules for the Philadelphia School District (ca. 1924); ca. 1920 advertising photos for an unidentified lighting company of examples of their work in Philadelphia manufactories with sewing machines (Greenwald Bros., Inc., 313 Arch St. and Trio Waist Co., 821 Arch St.) and of the moulding room of S.J. Cresswell Iron Works (2250 Cherry St.); the ca. 1905 interior of the cigar store of Ramon Azogue (102 S. 8th St.);, ca. 1930 view of the hairdressing salon at the Benjamin Franklin Hotel; ca. 1895 view of the interior of the Bourse (i.e., Philadelphia Stock Exchange); and a ca. 1930s exterior view of the Roxborough Home for Indigent Women (601 Leverington Avenue). Other images show a WWI benefit parade "to Keep the War Chest Filled" (1419 N. 2nd St.); a ca. 1900 lavish display of elaborately-decorated cakes photographed by William Phillipi; a posed WWI publicity still with release statements on the verso for Eastman Kodak showing Anna B. Graham with a camera and a young girl in a nurse’s uniform photographed by William F. Langrock; the storefront of a women’s owned business (Mrs. R.T. Anderson); a ca. 1920s contact sheet of variant bust-length portraits of a young woman photographed by the Lipp Studio; and the Walter Lippincott family posed on the porch of a residence., Portrait photographs, including of engraver John Sartain (P.2017.88.77.1 & 2), African American Rev. C. M. Tanner (1869-1933)(P.2018.66.4), John McAllister, Jr. and family members, and “physio-psychism” researcher Emil Sutra (P.2018.66.2) by Philadelphia photographers and occupational, school, and organizational group portrait photographs also comprise the collection. Group portraits document the Bellview Wheelmen; a class trip to the Franklin Institute; and performers attired in leotards, including jugglers, titled “Mr. Jonathan Evans, Haines & Cheer St.” Collection also includes William Stuart McFeeters family photograph album; a small number of images depicting African American men (P.2017.88.11, P.2017.88.61, P.2017.88.76.9 & 38); an organizational group portrait with a man with dwarfism (P.2018.66.15); candid snapshots, including ca. 1900 views of women using cameras along the Schuylkill River; and two film negatives depicting the WCAU building., Title supplied by cataloger., Various photographers, including Frank B. Cassel; William Bell; Berry & Homer; J. E. Bewley; Coward & Shannon; Harry A. Derr; Eagle Photo View Co.; Empire Photo Co.; H. Fetters; S.M. Fisher; Frederick Guteknust; Hansbury Studio; Henry C. Howland; Keystone Instantaneous View Company; William J. Kuebler; William F. Langrock; Lipp Studio; Charles Luedecke; F. Mattes; Monarch Photograph & Publishing Co.; Marriott C. Morris; Robert Newell; Newell & Son; Newell Studio; C. H. Miller, C. R. Pancoast; Joseph N. Pearce; William Phillipi; William Rau; Frederick DeBourg Richards; Schreiber; George Sheridan; Alfred Taylor; John Trautwine; Universal Photo Service; and W. D. Weland, Cartes-de-visite portraits of John Sartain (P.2017.88.77.1 & 2) housed separately and with cdv portraits – sitters - S., View by Schreiber of horse cart racing (1903) housed separately and with *photo – Schreiber., Cartes-de-visite portrait photographs of John McAllister, Jr. and family members (P.2017.88.79-102) housed with the McAllister Family Portrait Collection - cartes-de-visite., Electronic inventories of collection available at repository., See Lib. Company. Annual report, 2016, p. 64-65., RVCDC, Access points revised 2022., Robert Swayne (1927-2011) was a West Chester antique dealer, collector of vernacular photographs, and local writer about the Civil War.
Date: [ca. 1860-ca. 1952]
Location: Library Company of Philadelphia | Print Department Swayne Collection [P.2017.88 & P.2018.66]

Title: [Deborah Passmore Gillingham scrapbook of prints, drawings, and specimens]
Description: Scrapbook of chiefly engravings, drawings, and specimens compiled starting in 1847 by Quaker amateur artist Deborah P. Gillingham. Contains several circa 1810s-1850s book and periodical illustrations, including from "Godey’s Lady’s Book," the "Union Magazine", and the "Literary Souvenir" (London), that depict genre, sentimental, historical, European, and literary scenes and views, as well as portraits of prominent American and European literary, religious, and political figures, particularly abolitionists. Titles of illustrations include "Cinderella"; "Harvest Wagon"; "Bolton Abbey, Wharfdale"; "Lockport, Erie Canal"; "Bit"; "The Sisters Clio"; "Steps to Ruin"; "The Rescue"; "Warming the Mitten"; "Going to School"; "Queen Henrietta Interceding for the King"; "France, Lyon"; and "Fall of Terni." Many of the "Union Magazine" illustrations are after the work of artist Tompkins H. Matteson and depict scenes with children, women, families and/or couples. Illustrations also include the 1848 comic plate "The Lost Glove" depicting an African American servant and a dandy ("Union Magazine," April 1848) and an 1838? portrait of "Joanna," the enslaved woman with whom British–Dutch colonial soldier and author of "The Narrative of a Five Years Expedition against the Revolted Negroes of Surinam" (1796, reprinted 1838) John Gabriel Stedman had a relationship. Portrait sitters include Lucretia Mott, Gerrit Smith, Elias Hicks, Thomas Clarkson, Thomas Moore, Daniel O’Connell, Alice B. Neale, and Benjamin Lundy. Illustrations also depict Philadelphia landmarks, including Franklin Institute, Schuylkill Water Works, and Pennsylvania Hospital for the Insane. Philadelphia views also include a separately-issued lithograph depicting Clermont Academy printed by Childs & Inman after George Lehman., A number of pencil works and ink drawings comprise the scrapbook with many captioned and depicting dwelling, landscape, and landmark views of Switzerland and Great Britain. Includes pencil sketch "from memory" of "Jungfrau, Switzerland" (Alps) by "E.B.E"; pencil drawing "The House in which Shakespeare was born. Henley Street. Strafford Upon Avon"; gouache and watercolors of "Chinese Fish"; pencil drawings with Chinese white captioned "Austin's Farm at Supiston Suffolk. The early residence of Robert Bloomfield" and "Mill at Bannockburn in which James 3rd was killed"; a pencil drawing of Friends Bank Meeting House inscribed "Mary Young"; pencil drawing of "Residence of George Fox" inscribed "John Young"; and two landscape watercolors by English Quaker social reformer and anti-slavery activist Elizabeth Heyrick., Scrapbook also contains several labeled botanical and material specimens from historical, Biblical, literary, and cultural landmarks and sites, as well as "Specimens of sea moss (i.e. algae) from Cape May May 1848" (one arranged in the letters "D.G.") and the hair of "E.M. Chandler." Often placed in folded sheets of paper with inscribed labels, specimens include "From the scene of Grays Elegy by Mantle Tower That Yew Tree shade"; "From the grave of Cromwell"; "Waterloo"; "Piece of South Sea Island Cloth"; "Mummy cloth unrolled by Gliddon 1851"(Egyptologist George Robbins Gliddon publically unwrapped mummies as performances in Boston and Philadelphia, 1851-1852); and "Pompei.", Additional items of note include a pencil sketch by Gillingham of "East Mount. The residence of John Pease England"; etchings depicting Suffolk landmarks by Henry Davy; the anti-slavery manuscript poem "America" signed and dated by British Quaker novelist, poet, and abolitionist Amelia Opie (Norwich 1846); the anti-slavery manuscript poem "Do as thou wouldst be done by"… signed and dated by British Quaker poet Bernard Barton (Woodbridge September 19, 1846); and circa 1847 calling cards by Chinese writing specialist Tsow Chaoong (Philadelphia 1847-1849) handwritten in English and Chinese characters “D.P. Gillingham” and "Y. M. Gillingham." A small number of circa 1900s clippings and photomechanical prints of portraits and landscapes also comprise the contents., Title supplied by cataloger., Date inferred from content., Inscribed on p. [1]: Deborah P. Gillingham 10 mo 20. 1847., Marbled paper binding., Several pages contain tissue paper overlays., Incomplete pencil sketch of dwellings on verso of drawing of "The River Side of Earlham" on p. [10]., Various artists, engravers, printers, and publishers include Childs & Inman; John Collins; Henry Davy; A. L. Dick; George Lehman; Longman, Rees, Orme, Brown & Green; Tompkins H. Matteson; Henry Sadd; John Sartain; and Thomas Sinclair., RVCDC, Access points revised 2022., Housed in phase box., Number of items missing or removed from pages., Page numbers added by cataloger lower right corner., Loose pages and inserts of gold paper removed, placed in enclosure, and housed with scrapbook in phase book., Deborah Passmore Gillingham (1820-1877), cousin of professional botanical illustrator Deborah Griscom Passmore (1840-1911), was an amateur botanical illustrator. Disowned from the Orthodox Philadelphia Meeting, Northern District in 1842, Passmore became a member of the Hicksite Green Street Meeting. She married Philadelphia wool merchant Yeamans Moon Gillingham (1817-1885) in 1844 and relocated with him to Moorestown, N.J. in 1850 following his retirement. The couple had a son Aubrey Howard Gillingham (1850-1885). In 1855 the family was recommended by the Green Street Meeting for the Eversham Monthly Meeting, N.J. At her death, Gillingham was a member of the Moorestown Monthly Meeting. Among her bequests were funds to endow beds at the Philadelphia Orthopedic Hospital and Dispensary and the Women’s Hospital.
Creator: Gillingham, Deborah Passmore, 1820-1877, compiler
Date: [ca. 1810-ca. 1910, bulk 1830-1850]
Location: Library Company of Philadelphia | Print Department albums [P.2019.6]

Title: Arthur Power Dudden Travel Ephemera Collection
Description: Collection of ephemera documenting the travels of the Charles J. Clarke family between 1865 and 1875.

Title: Arthur Power Dudden collection of railroad, steamboat, and omnibus passes, 1865-1876
Description: The collection consists of forty-two transportation passes, one telegraph pass, two membership cards, a business card, and two calling cards (Edward Hoopes, Philadelphia; and J. Knight). The passes were all issued to members of the Charles J. Clarke family and date from 1865 to 1876. Clarke was the principal of Clarke and Company, an agency that facilitated transfer of freight between lines. He is probably most remembered for being a founding member of the South Fork Fishing and Hunting Club, owners of the dam that failed in 1889, causing the Johnstown Flood., Collected by Arthur Power Dudden, professor of history and American studies at Bryn Mawr College. Dudden was born on Oct. 26, 1921. He graduated with a B.A. from Wayne State University in 1942, then served in the Navy during World War II. After the war, he attended the University of Michigan, obtaining a Ph.D. in history in 1950. He joined the faculty of Bryn Mawr College that same year, and became a full professor in 1965. He retired from Bryn Mawr in 1992. Dudden authored 9 books, and was actively involved in several professional associations. He died on Oct. 14, 2009.
Creator: Dudden, Arthur Power, 1921- 2009, collector
Date: 1865
Location: Library Company of Philadelphia | Books & Other Texts | Rare Coll Dudden Passes 113143.D (Dudden)

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