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- Title
- Europe 1931 – March – April
- Description
- Scrapbook of souvenirs, keepsakes, clipped illustrations, and manuscript documenting the European travels of Janet Morris during the spring of 1931. Morris’s travels included attending a wedding in Switzerland. Contents include personal letters received on the ship S.S. Bremen, as well as keepsakes like the ship’s log; a wedding souvenir “The Happiness of Your Home by E. Etter, Rohrschach published by The Swiss Society of Public Utility and Public Utility Society of Swiss Women”; numerous programs for musical concerts and theater performances in Germany, Italy, and France (e.g. Berner Stadttheater, Don Kosaken Chor, Societa’ Veneziana Concerti Sinfonici); mementoes from and anecdotes about the Munich Hotel and the Glyptotek (Munich); French chocolate wrappers illustrated with flowers native to Southern France ; business cards for a Parisian seamstress and hairstylist; clothing tag for the Paris department store Aux Galerie Lafayette (i.e. Galeries Lafayette); and pressed flowers., Title from manuscript note on cover., Cover illustrated with clipped color-printed illustration from program cover for the “Galas R. Karsenty” theater company. Shows an outdoor, nighttime scene where a man kisses the hand of a woman in masquerade., Janet Morris, later Butler, was the daughter of amateur photographer and philanthropist Marriott C. Morris. She attended Germantown Friends' School and Connecticut College. She married Harvey Butler in Nevada in 1961. She lived in Claremont, Ca. at the time of her death.
- Creator
- Morris, Janet, 1907-2010, compiler
- Date
- 1931
- Location
- Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2016.37.1]
- Title
- [Finale of an unidentified theatrical production]
- Description
- Depicts the entire cast of men gesturing toward center stage where the show's "female" star is hoisted on the shoulders of two cast members. In the left, a supporting player, wearing Black face and costumed as a messenger in a cap and white gloves, kneels and points with his right hand. The front row of actors kneel, many of whom are attired as women in large brimmed hats and dresses with tulle skirts. The back row of actors stand, attired in white collared shirts, ties, dark-colored jackets, and white pants. The backdrop depicts a small town street including "Bernies Antique Shop," a drug store, and a post office. "Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes.", Title supplied by cataloger., Photographer's imprint ink stamped on verso., Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Gift of Joseph Kelly, 1982., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Photo Illustrators (Firm), photographer
- Date
- [ca. 1925]
- Location
- Library Company of Philadelphia | Print Department Photo-Illustrators-11x14 [P.8882.20]
- Title
- The Star Show
- Description
- Racist trade card illustration depicting an African American man and woman. The woman is attired in a red hat with a white feather, a blue dress with a white ruffled collar, gold bracelets, red stockings, and black boots. The man is attired in a black top hat, a red plaid jacket, a white collared shirt, a yellow tie, black pants, and black shoes. He holds a cane in his right hand. Both figures are depicted with exaggerated features. Called Back was a novel that was written by English playwright Frederick John Fargus (who went by the pen name Hugh Conway) and adapted as a play in the 1880s., Title from item., Date inferred from perpetual calendar., Advertising text on verso: The Star Show, next week! Next week! Monday, Nov. 16. Afternoon and evening. F.H. Glenny's great dramatization of Hugh Conway's famous story, Called Back. A star company! A star play! Matchless scener! Don't miss this one! Called Back. Called Back. No theater goer - Man, Woman, or Child should miss this great Play. Secure your seats now, and avoid the rush! Next! Don't forget Nov. 23. That ever popular play, "Uncle Tom's Cabin," A star company, realistic scenery, and one hundred people on the stage., Gift of David Doret.
- Date
- [1885]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Star Show [P.2017.95.170]
- Title
- Mr. & Mrs. Jay Rial with Rial & Draper's Ideal Uncle Tom's Cabin
- Description
- Vignette from an advertisement for the touring stage company's production of "Uncle Tom's Cabin." Contains bust-length portraits of Jay Rial, wearing a beard and attired in a white collared shirt, a brown tie, and brown jacket, and Louise Rial, wearing her hair in curls and attired in a black dress with a gold brooch and a red shawl. Also depicted are brown dogs in recline flanking the portraits of the Rials, a miniature view of a plantation house, and palm leaves. Jay Rial, a New York theatrical manager, began tours of his production of "Uncle Tom's Cabin" circa 1881. The production was associated with novel features of live dogs and donkeys and props, such as floating cakes of ice, and was purported to have earned $1,000,000 by the end of its run. The Rials divorced in 1897., Title from item., Date inferred from dates of the theatrical production., See also trade card with duplicate design. [trade cards - Academy of Music, 1975.F.738]., Purchase 2006., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1881]
- Location
- Library Company of Philadelphia | Print Department GC - Entertainment [105879.D]
- Title
- C.H. Smith's double mammoth Uncle Tom's Cabin
- Description
- Trade card illustration of two white men seated on donkeys advertising a vaudeville production of Uncle Tom's Cabin. Both of the men are portraying the character Marks from the novel. They are attired in top hats and jackets with coattails. They both carry umbrellas under their arms. Palm trees are visible in the background of the scene., Title from item., Advertising text on recto: Two Marks & donkey "Jennie.", Advertising text on verso: Double in quantity, quality and [illegible]. [illegible] Smith's Boston Double Uncle Tom's Cabin Co., at the Ladies' and Children's Matinee and Evening Performances, at Union Hall, for two nights only. Friday & Saturday May 12 & 13, Grand Saturday Matinee. 30 famous performers. 10 comedians. 15 South Carolina Jubilee Singers. 2 Funny Topsys. 2 Marks, the Eccentric Lawyers. 2 Educated and Trick Donkeys. Pack of imported Bloodhounds. Topsy No. 1 - Miss Daisy Markoe, in her great songs, dances, banjo and xylophone solos. Topsy No. 2 - Miss Josie Sutherland, in her beautiful skip-rope and plantation dances. Grand Ice Scene - Eliza and child escape [illegible] blood hounds. They don't catch her but go for the two Marks, the two laywers. Exciting scenes between dogs and lawyers. Great Jubilee and Plantation Scenes, with old-time songs. The two Marks enter on Donkeys , and then there's lots of fun. Beautiful and Grand Closing. Eva in the [illegible], with tableau, "Gates Ajar. All to be seen with Smith's Double Uncle Tom's Cabin, thus eclipsing all other companies in the world. General Admission, 25, 35 & 50 cts. [illegible] & 35 Cts. Reserved seats on sale at Waldron & Curtis' Drug Store., Gift of David Doret.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Smith [P.2017.95.159]
- Title
- [Scrapbook with linen pages]
- Description
- Scrapbook containing scraps, cutouts, periodical illustrations, and trade cards. Contents depict sentimental, genre, and religious scenes; images of children, animals, mothers and mothering; fancy heads; patriotic, historical, and allegorical figures, including George and Martha Washington; advertisements for Philadelphia, Hartford (Conn.), and New York businesses, including promotions for druggists, patent medicines, and soap; imagery documenting the Centennial Exhibition 1876, including portraits of prominent figures; figures in European costumes; scenes of rural life and European scenery; and landscape views. Also includes a small number of views of factories and industrial buildings; a patent medicine advertisement including an African American man servant character opening a door (p. 76); a print depicting a stanza from Robert Burn’s “The Cotter’s Saturday Night” (p. 22); illustrations of Little Red Riding Hood; the periodical cartoon “A Parent’s Vengeance” (p. 53); "La Belle Chocolatiere from the original painting by Leotard now in the Dresden Gallery" (p. 57); a cutout from a women’s fashion plate (p. 77); H.M.S. Pinafore theatrical character illustrations printed by Ledger Job Printing Office (p. 64); and a calling card for Mary S. Bassett (back inside cover)., Businesses represented include B. T. Babbit (soap); Clark’s O.N.T. (thread); C. F. Rump (leather goods); Corning & Tappan (perfumes); Marburg Bros. (tobacco); Devlin & Co. (clothiers); Dundas, Dirk & Co. (pharmacists); [Hiram] Duryea’s Starch Works; Fairbanks scales (E. & T. Fairbanks & Co.); J. Milton Brewer (druggist); C. L. Hauthaway & Sons (shoe polish); Charles S. Higgins (German laundry soap); The New York Bazar (fancy goods, Phillip Isaacs, proprietor); Demorest’s Monthly Magazine (W. J. Demorest, publisher); Edwin C. Burt (shoes); E. P. & Wm. Kellogg; Samuel Gerry & Cos. (patent medicine); Alex. Boost (analytical chemist); Chas. F. Hurd & Co. (chinaware); E. P. & Wm. Kellogg (photographers & art dealers); and Willcox & Gibbs (sewing machines)., Title supplied by cataloger., Front cover stamped: Scrap Book, Various artists, engravers, and printers including F. Beard; Illman Bros.; Ledger Job Print; L. Prang & Co.; Major & Knapp; Thomas Moran; and Shober & Carqueville., Cutouts and calling card pasted to inside front and back covers., Edges of scrapbook leaves contains stitching in different colors, including yellow, green, blue, red, lilac, and purple., Purchased with funds for the Visual Culture Program., Housed in phase box., RVCDC, Description revised 2021., Access points revised 2021.
- Date
- [ca. 1876-ca. 1879]
- Location
- Library Company of Philadelphia | Print Department albums - Linen [P.2013.69.1]
- Title
- Scrapbook with periodical illustrations, comic valentines, and patent medicine advertisements
- Description
- Eccentrically-arranged scrapbook predominantly containing newspaper clippings, patent medicine almanac advertisements, and comic valentines. Also contains scraps, trade cards, and labels. Clippings, many published in the sensational periodicals “National Police Gazette” and “Days' Doings” primarily depict illustrations of murders and violence, crimes and punishments, human curiosities, animal attacks, human peril, women in distress, evocative theatrical performances, acts of daring, cross dressing and comic scenes in silhouette.