Originally part of a McAllister scrapbook of Civil War views., View of the Civil War armored vessel, with full sailing rig, out at sea. Also includes the names and titles of the "Officers of the U.S.S. Frigate 'New Ironsides'" and figures for the dimensions, weight, horse power, and armament of the ship below the image. Ship commissioned by the U.S. Navy in 1862 and built by Philadelphia machinists Merrick & Sons and shipbuilders Cramp & Sons. Ship destroyed by fire on December 16, 1866.
Creator
Rease, W. H., creator
Date
[ca. 1862]
Location
Library Company of Philadelphia Print Dept. **BW - Transportation [5779.F.61]
View of the Civil War armored vessel, with full sailing rig, out at sea. Also includes the names and titles of the "Officers of the U.S.S. Frigate 'New Ironsides'" and figures for the dimensions, weight, horse power, and armament of the ship below the image. Ship commissioned by the U.S. Navy in 1862 and built by Philadelphia machinists Merrick & Sons and shipbuilders Cramp & Sons. Ship destroyed by fire on December 16, 1866., Philadelphia on Stone, POSP 257, Originally part of a McAllister scrapbook of Civil War views.
Creator
Rease, W. H.
Date
[ca. 1862]
Location
Library Company of Philadelphia | Print Department **BW - Transportation [5779.F.61]
Exterior view of Hennigar's Photo Studio, the former site of Pickard's Photo Studio on Frankford Avenue. Includes Ye Old Dummy Depot, which served as the Frankford terminal for steam dummies that replaced horse cars on the Frankford & Southwark Railway in 1860., Real photo. Divided back. AZO stamp box with upward pointing triangles in corner., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
ca. 1907
Location
Library Company of Philadelphia | Print Department LCP postcards - Business - [P.9933.13]
Series of single and parts of sheets of illustrated letter seals containing humorous, positive, and negative admonitions. Illustrations predominantly depict modes of transportation, including a sailing ship, steam boat, and locomotive and animals, including a cat holding a rat, parrot, slug, frog, bat, and dog. Other images show a blacksmith, a well, rings, flowers, a house, a church, a couple in an embrace, and a bundle of wheat. Admonitions include "Good Eye"; "All's [Well]"; "Friendship, Love, Truth"; "Stop Your Clatter"; "Forget Me Not"; "I Bear the Hopes of Many"; "How I Love You"; "Contentment"; "Remembrance";"Fidelity"; "We Bloom Today, Tomorrow Die"; "The Road"; "You Deserve Thrashing"; "News"; "Express"; "Slow But Sure"; "Keep Dark"; "God Bless You"; "Are You Musical"; "Strike While the Iron's Hot"; and "Memory.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Miscellaneous [P.2011.10.177.1-9]
Collection of business correspondence dated between August 23, 1879 and May 5, 1898, including form letters, stationery, blank forms, billheads, and a circular. Two of the billheads contain ornamented type, decorative lettering, and an allegorical view. View includes an inset of a medieval apothecary at work surrounded by scenes of transportation and trade. Scenes show a train traveling past a large bundle and barrels, and a man standing near a horse-drawn cart loaded with bundles near a wharf by which a steam ship and sailing ship are visible on the water. Items billed include "Eng Catheters asstd," Rhubarb Root, Cuttle Bone, "Jayne's Cough Pills," Ayer's Sarsaparilla, Dandelion Root German, Garfield Tea, "Box from Fowler Mfg & Novelty Co.," Best Tooth Brush, and Dodds Kidney Pills. Collection also contains the August 1885 promotional circular "W. H. Schieffelin & Co's Soluble Pills and Granules" illustrated with images of the exhibition medals awarded to the firm, including Gold Medal, Holland International Exhibition, 1883; Paris Exposition, 1878; First Award, Sydney, 1879; Medal of Superiority, American Institute, New York, 1879; and Silver Medal, Melbourne, 1880. Medal imagery includes allegorical female figures, portrait busts, and garlands. Other correspondence relates to an invoice of goods, receipt for goods, requests for circulars from college of Pharmacy, the incorrect "William N. Clark," and an erroneous shipment of diphtheria antitoxin., Title supplied by cataloger., Printers include American Bank Note Company New York., Correspondents include G. W. Aimar & Co., Charleston, S.C. (founded in 1852); O. J. Griffin; David Hayes; M. Berliner & Co., Carry, Pa.; A. W. L. Jackson; William N. Clark; H. J. Patterson; and Polk Miller Drug Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., W.H. Schieffelin & Co. was originally founded by Effingham Lawrence in 1791. Lawrence sold the business to his brother-in-law Jacob Schieffelin and his brother John B. Lawrence in 1794 and it operated as Lawrence & Schieffelin until 1799 and the departure of Lawrence. Schieffelin continued in business and in 1805 entered into partnership with his son as Jacob Schieffelin & Son, which was reestablished in 1814 as H. H. Schieffelin & Co. following the retirement of Jacob. Henry H. retired in 1849 and his four sons assumed the firm, which became Schieffelin Brothers & Co. Between 1853 and 1859, Asher F. Randolph, John D. Dix, and William H. Schieffelin, William A. Gellatly and Joseph H. Westerfield also became partners in the business. In 1865, the four Schieffelin brothers retired and the firm became W.H. Schieffelin & Co. Schieffelin died in 1895 and William N. Clark, great-grandson of Jacob Schieffelin became president in 1895. The firm, which specialized in the manufacture of heavy chemicals and the distribution of synthetics, was incorporated as Schieffelin & Co. in 1903.
Date
[ca. 1870-ca. 1890]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - S [P.2011.46.220-228]
Series of flash cards utilized in the direct method to teach foreign languages developed in 1878 by Maxmillian Berlitz. Cards depict household furniture and utensils, including a stove, desk, book, and pen (1); a color bar, and book bindings and pencils of different colors, lengths, and widths (2); styles of fashion, fashion accessories, and parts of the body (3); fruits and flowers (4); vegetables, meat, and bread (5); clocks and clock faces (7); wild animals, including a lion and bear (10); land and water fowl, including a turkey, swan, and peacock (11); birds and small mammals, including a mouse, hare, and ostrich (12); a city street scene showing numerous forms of land and marine travel, including a railroad, horse-drawn carriages, and a steamship (14); cityscape, including a church, fountain, statuary, and municipal building (15); and an interior view of a bedroom, including a bed, fireplace, and wardrobe (16)., Date inferred from depictions of clothing., Title from label pasted on case., Prints numbered: 1-5; 7; 10-12; and 14-16., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date
[ca. 1895]
Location
Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Illustrations [P.2011.10.2.1-12]
Aerial view of the Philadelphia and Reading Railroad Company's railroad shop, yard and railroad tracks in Reading, Pennsylvania. Residential areas adjacent to the yard, farmlands and fairgrounds are visible in the distance. Seventh St. view is south to north. Probably taken September 12-16, 1922., Negative numbers: 2757., Record revised with information supplied by former Aero Service employee Carl H. Winnefeld, Jr.
Creator
Aero Service Corporation, photographer
Date
ca. 1922
Location
Library Company of Philadelphia | Print Department Aero Service [P.8990.2757]
Contains specimens of ornate borders; an amateurly-colored view of Cincinnati pasted on verso of proof periodical illustration depicting butterflies; uncut pages of a gas pipe fittings trade catalog depicting tees, crosses, elbows, bends, and sockets; an entrance notice for Bryant & Stratton Business College illustrated with a calligraphic image of a bird, likely by J. E. Soulé; a printed lease and 1877 electoral broadside; sheet music cover "Charming Waltz"; advertising print for the "Walnut Street House"; and a flower print., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., J. Emory Soulé worked as a calligrapher at Bryant & Straton Commercial College by 1870 and became the school's principal within the decade.
Date
[ca. 1858-ca. 1880]
Location
Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Miscellaneous [P.9349.217, 314, 327, 343, 362, 417-418, 421, 460, 473, 567]
Contains specimens of ornate borders; an amateurly-colored view of Cincinnati pasted on verso of proof periodical illustration depicting butterflies; uncut pages of a gas pipe fittings trade catalog depicting tees, crosses, elbows, bends, and sockets; an entrance notice for Bryant & Stratton Business College illustrated with a calligraphic image of a bird, likely by J. E. Soulé; a printed lease and 1877 electoral broadside; sheet music cover "Charming Waltz"; advertising print for the "Walnut Street House"; and a flower print., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger., Originally part of Specimens Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., J. Emory Soulé worked as a calligrapher at Bryant & Straton Commercial College by 1870 and became the school's principal within the decade.
Date
[ca. 1858-ca. 1880]
Location
Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Miscellaneous [P.9349.217, 314, 327, 343, 362, 417-418, 421, 460, 473, 567]
Disaster scene showing the carnage and melee following the collision between a Camden and Amboy mail and passenger train on route from Philadelphia to New York and a horse-drawn wagon of an elderly physician. In the background, rescue workers attend to the tangled wrecks of the derailed passenger cars. Some are smashed and lay in a ditch. The mail car remains upright and on the tracks. The horse pulling the wagon lays dead, his guts seeping out, in the left of the image. Onlookers gather on a debris-strewn hill near the overturned wagon and crash site. In the foreground, dozens of evacuated passengers and crash victims lie on the ground and assist the injured among debris and passengers' valises and personal effects. The crash occurred when the train reversed its direction to accommodate a south-bound train on the one-track system. Physician John T. Hannegan witnessed the initial passing of the railcars and assumed he had safe crossing. He and his accompanying family survived the crash., Not in Wainwright., Name of artist supplied by Peters., Philadelphia on Stone, POSP 4, Historical Society of Pennsylvania: Bb 674 C 14, Inscribed on verso: From Horace W. Smith, Oct. 18, 1866.
Creator
Collins, John, 1814-1902, artist
Date
[1855]
Location
Historical Society of Pennsylvania HSP Bb 674 C 14
On public transportation, two fashionable young men (a "pair of bloods") crowd a woman so much that her crinoline billows up, revealing her legs. The men's high opinion of themselves (as "big bugs," or men of importance) is not shared by the woman. A third man is visible in outline; each man wears a different style of hat., Text: Aint you a pretty pair of bloods, as in the cars you ride, / To croud and squeze a lady so, with room upon each side, / You are two big bugs indeed, the ladies think you are two swine, / To squeze a lady in the cars, and smash a crinoline., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Collection of illustrated ephemera, primarily tradecards, envelopes, receipts, letterheads, billheads, and labels, for predominantly Pennsylvania businesses and trades. Some trade cards and labels are embossed, die cut, or metamorphic designs. Businesses and trades include the tobacco, transportation, and rags and paper industry; manufacturers of carriages and wagons, saddlery and harnesses, musical instruments, textiles, and pins; dealers in lumber, furniture, willow ware, clothing, medicines, seeds, spices, and groceries; stationers, printers, and publishers; and a dentist and violin teacher. Also contains rewards of merit; advertising calendars; mid 19th-century miniature illustrated seals containing admonitions; an 1872 American Wood Paper Company pass; an advertising flier for the New Stevens Spring Tooth Harrow plow; tobacco silks containing portraits of prominent Native American chiefs; a reprint of the 1841 "A Plan of the Borough of Harrisburg" designed by John Probst; a wrapper for J. Geo. Hintz, a Reading, Pa. stationer; and menu for the Delavan House hotel under the proprietorship of Charles Leland in Albany, NY. Illustrations depict various subjects. The most numerous are views of storefronts, industrial complexes, modes of transportation, women, children, and animals., Title supplied by cataloger., Artists include Helena Maquire and John Probst., Various engravers and printers, including Allen, Lane & Scott; American Bank Note Co.; Calvert Lith. Co.; E. Ketterlinus & Co.; Forbes Co.; Gies & Co.; Geo. S. Harris; W. Hart; F. S. Hickman; J. H. Buffords Sons; ; Knapp Co. Lith.; Charles Magnus; Charles Mortiz; J. Ottmann Lith. Co.; Phoenix Eng. Co.; L. Prang & Co.; and Ritter & Co.,, Several of the letterheads, billheads, and envelopes contain manuscript notes, primarily numeric calculations, on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date
[ca. 1830-ca. 1910]
Location
Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection [P.2011.10]
The map was copyrighted in 1862 by Thomas Kimber Jr., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Hazard, Willis P. (Willis Pope), 1825-1913
Date
[1862]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1862 Hazard (2)5786.F.45a (McAllister)
Aerial views of the Ringling Brothers Barnum and Bailey Circus in the neighborhood of North Philadelphia. Depicts vicinity of Butler Street between 10th Street and Old York Road. Delivery trucks and wagons populate the grounds of the circus, which consists of at least five tents and side shows. Adjacent to the circus grounds are row homes, railroad tracks, a streetcar shed, the lumber yard of Charles F. Felin & Co., and Welsh Bros. Coal facility., Negative numbers: 5777, 5784-5787.
Creator
Aero Service Corporation, photographer
Date
May 5, 1926
Location
Library Company of Philadelphia | Print Department Aero Service [P.8990.5777; P.8990.5784-5787]
Contains proofs, primarily of advertising vignettes, depicting views of factories and storefronts predominantly in Ohio. Businesses depicted include manufacturers of saddlery hardware, "burial cases," sewing machines, and glass; dealers of liquor, dairy supplies, wallpaper and painter supplies; and engravers, printers, and lithographers. Vignettes often include street and pedestrian traffic. Prints also show portraits of men, women, and children; genre and satiric scenes, including the stereotype character "Uncle Remus" (portrayed in racist caricature) designed for trade cards; pictorial and border details designed for certificates, labels, and billheads; machinery and transportation vehicles; trademarks and seals; and a rocking chair. Series also contains a reward of merit designed as a stock certificate and an uncut sheet of six illustrations titled in German. Illustrations primarily depict historical and religious scenes, including the conversion of Saint Eustace., Title supplied by cataloger., Various printers, including H.J. Toudy & Co. and W.J. Morgan & Co., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Added to African Americana Digital Collection through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1860-ca. 1882]
Location
Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Proofs [P.9349.296, 308, 320, 339, 342, 344-347, 349, 351-353, 360, 365, 416, 419, 427-430, 443, 445]
Series of specimens (some proofs) depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, agriculture, buildings, animals, and machinery. Includes views of locomotives traveling railroad tracks; sailing and steam boats; mines and mine workers; distilleries and refineries; farmers, farm hands, and farm animals; female allegorical figures of liberty, justice, and bounty; and sailors, blacksmiths, and steam factory workers. Imagery also depicts Native Americans; peasants; sheep herding; the American eagle; masonic emblems; historical and patriotic figures, including George Washington and Benjamin Franklin; storefronts, factories, and government buildings, including A. Exton cracker bakery (Trenton, N.J.) and Phoenix Iron Foundry (Wilmington, Del.); military camp and solider; deers, dogs, and children with animals; state and corporate seals, including Pennsylvania; and a city block on fire and an erupted volcano., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger, Klauprech & Menzel, Stein & Jones, and Jacob Weiss., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1860-ca. 1865]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.155-162]
Series of specimens (some proofs) depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, agriculture, buildings, animals, and machinery. Includes views of locomotives traveling railroad tracks; sailing and steam boats; mines and mine workers; distilleries and refineries; farmers, farm hands, and farm animals; female allegorical figures of liberty, justice, and bounty; and sailors, blacksmiths, and steam factory workers. Imagery also depicts Native Americans; peasants; sheep herding; the American eagle; masonic emblems; historical and patriotic figures, including George Washington and Benjamin Franklin; storefronts, factories, and government buildings, including A. Exton cracker bakery (Trenton, N.J.) and Phoenix Iron Foundry (Wilmington, Del.); military camp and solider; deers, dogs, and children with animals; state and corporate seals, including Pennsylvania; and a city block on fire and an erupted volcano., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger, Klauprech & Menzel, Stein & Jones, and Jacob Weiss., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1860-ca. 1865]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.155-162]
Scrapbook of print specimens and proofs probably compiled by a printer associated with the Philadelphia lithographic firm Stein & Jones. Contains book and periodical plates and illustrations; sheet music covers; proof prints; collecting cards; trade cards (several glossed); bank notes, checks, billheads, and receipts; certificates; advertising calendars; and chromolithographed labels and scraps. Majority of contents include several plates from Thomas Allom's "China: In a Series of Views,..." (London, 1860), Albert Barnes's "Scenes and Incidents in the Life of the Apostle Paul" (Philadelphia, 1869), John Fleetwood's "The life of Our Blessed Lord and Saviour Jesus Christ" (Philadelphia, 1871) and Daniel March's "Our Father's House , or The Unwritten Word" (Philadelphia, 1871); illustrations and plates depicting genre, religious, sentimental, historical, natural history, scientific, and scenic views from children and gift books, and periodicals, including "Leila in England" and "Leila at Home" (Philadelphia: Porter & Coates, 1875-1880), "Peterson's Magazine" (plates engraved by Illman Brothers), "Ladies Companion," "Graham's Magazine," "Odd Fellow's Casket," "Transactions and Proceedings of American Entomological Society" and "Annals Lyceum of Natural History"; and several works printed by Stein & Jones and Cincinnati lithographers Klauprech & Menzel and Ehrgott & Fobriger, including trade cards, labels, tickets, invitations, certificates, receipts, checks, bank notes, sheet music covers, advertisements, and book illustrations., Bank notes, receipts, checks, and certificates document primarily Philadelphia and New York bank, coal, oil, steel, and real estate businesses, including Bank of Fashion, Belmont Petroleum Refinery, and Union College Bank. Trade cards, tickets, invitations, and labels represent primarily Philadelphia, Pittsburgh, New York, Cincinnati and Chicago businesses and organizations, including printers and art supply dealers; perfume, patent medicine, wine, dry goods, and clothing dealers; doctors and dentists; bankers and brokers; and manufacturers. The materials contain patriotic, agricultural, and transportation vignettes, views of buildings, anaglyptography (i.e., medal engraving), allegorical figures, and Centennial Exhibition (1876) imagery. Sheet music covers, predominantly printed by Ehrgott & Fobriger, depict mainly genre and Civil War scenes, portraiture, including images of entertainers, and advertisements such as "Sewing Machine Polka." Work by the Cincinnati lithographers also include several book illustrations depicting Ohio and Cincinnati asylums, institutes, seminaries, and landmarks, as well as uncut sheets of views of cemetery monuments for "The Cincinnati Cemetery of Spring Grove..." (Cincinnati, 1862). Several of the ephemera also printed by Grattan & Co., Theodore Leonhardt, and Wm. F. Murphy & Sons., Scrapbook also contains 1860s Berlin wool work patterns ("Peterson’s Ladies National Magazine"); ornate border print specimens, some with cut-out overlays; proofs and final states of textile, fruit, liquor, druggist labels, and tobacco labels printed predominantly by Stern, Jonas & Co. and Steng & Paxson and depicting romantic, patriotic, and mystical themes, including "I Am Free" logo illustrated with an African American man ; European prints, including plates from Bernard-Romain Julien "Cours Elementaire," and issued by German publisher A.H. Payne (some hand-colored); ca. 1855 Bowen & Co. plates of birds from "United States Pacific Rail Road Expedition and Survey"; color printed and numbered proof lithographs depicting Mo-Hon-Go; Shar- I-Tar-Ish; Se-Quo-Yah after plates in McKenney & Hall's "History of the Indian Tribes of North America"; Philadelphia Sketch Club signage; portraits of Catholic bishops, celebrity and political figures, and lithographers Rudolph Stein and Alfred Jones; mechanical views printed by William Boell; job printing specimen vignettes depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, entertainers, agriculture, buildings, animals, and machinery; collecting cards showing George and Martha Washington, Civil War generals, celebrities, including Lydia Thompson and Euphrosyne Parepa-Rosasea, wild life, Biblical animals, fashion, and satiric scenes; and chromolithographic scrap portraits of women., Stamped on spine: Specimens., Various artists, engravers, lithographers, and printers including Ackerman; John Alexander; Thomas Allom; William Boell; John T. Bowen,; Bowen & Co.; Byram & Slack; C. E. Wemple & Co.; Donaldson Brothers ; G. Dow; Ehrgott & Fobriger; Dominque Fabronius; Grattan & Co.; The Hatch Lith. Co.; Otto Knirsch; L. H. Bradford & Co.; Klauprech & Menzel; Theodore Leonhardt; London Printing and Publishing Company; McLaughlin Bros.; Antoine [Maurin?]; A.H. Payne; Prang & Co.; Rawdon, Wright & Hatch; William H. Rease; Sarony & Major; John Sartain; Samuel Sartain; R. Trembley; J. Shobe; Steng & Paxson; Stern, Jonas & Co.; A. B. Walter; and Wm. F. Murphy & Sons., Index of general subjects illustrated available at repository., Several items found loose in album removed and housed separately., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1852-ca. 1876]
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.9349], https://digital.librarycompany.org/islandora/object/digitool%3A120747?solr_nav%5Bid%5D=a3bf36a0044447b21c5b&solr_nav%5Bpage%5D=0&solr_nav%5Boffset%5D=0#page/3/mode/1up
Scrapbook compiled by Philadelphia banknote printer Thomas Richardson containing proofs of illustrations after the work of F. O. C. Darley from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861); portrait illustrations, some from J. B. Longacre's "National Portrait Gallery" (probably 1854 edition); and vignette specimens of the American Bank Note Company and their predecessor companies. Cooper illustrations depict scenes on the frontier and ship decks, with Native Americans, and of battles; deathbeds; and of informal meeting from his works The Oak Openings, The Redskins, The Chainbearer, The Pathfinder, The Red Rover, The Monikins, Deerslayer, Homeward Bound, Lionel Lincoln, The Pilot, Last of the Mohicans, The Wept Wish-ton Wish, The Spy, and Wing and Wing. Several also contain animals. Sitters in portrait illustrations include Lewis Cass, Giuseppe Garibaldi, David Ramsay, James Kent, Thomas C. Pope, John McLean, Stephen Decatur, Samuel Rogers, Rev. William Capers, John Binns, Washington Irving, and Noah Webster., Specimen subjects include portraits of prominent government officials, Civil War figures, businessmen, clergymen, royalty, and "fancy heads" of named and unnamed women and children; allegorical figures and scenes, including Bounty, Liberty, Arts, Agriculture, and Commerce; state and symbolic seals and insignia; naval and maritime imagery, including sailors, sailing vessels, and wharf and dock views; modes and venues of transportation, including steamboats, trains, streetcars, and rail stations; white and Black men artisans, laborers, and tradesmen, including drivers, farmers, sheep shearers, and furriers; industrial views of factory workers, mineworkers, and female loom workers, as well as mills and factories along canals and riverfronts; women at work feeding livestock, milking cows, and at a sewing machine; municipal buildings and storefronts; southern imagery, including enslaved people at work, palmetto trees, plantations, and ports; patriotic, historical, military, and scenic imagery; frontier views and scenes with Native Americans; and animals. Specimens with titles include Star of Empire (Princess Eugenie of Sweden) River Source, The Guardian, Locomotive, Autumn Fruit, Sheep Feeding, The Yarn, Trusty, Picking Grapes, The Sickle, The Death Blow, and Propeller Loading. Some specimens used as the backs of national currency., Title supplied by cataloger., Date based on publication date of specimens., Manuscript notes on front free end paper: Aunt Tillie Richardson (cousin Florence's aunt) in pencil; Scrapbook No. 3 in ink., Lincoln Monument Association of Philadelphia certificate pasted on inside front cover and issued to Thos. Richardson on July 4, 1865, signed C. J. Stille, Secy; Alex. Henry, Prest.; and James L. Claghorn, Cashr. Certificate number 6004 and illustrated with bust-length portrait of Lincoln. Charles J. Stillé, was a Philadelphia lawyer who served on the United States Sanitary Commission, and was later Provost of the University of Pennsylvania. Alexander Henry was the mayor of Philadelphia. James L. Claghorn was president of the Commercial National Bank in Philadelphia and an art collector., Stationer's label pasted on back cover: John Alexander, Stationer and Printer, 52 South Fourth St., Various artists, engravers, and printers including F.O.C. Darley, G. H. Cushman, J. Hamilton, Asher B. Durand, C. Schussele, John Sartain, Samuel Sartain, Jas. D. Smillie, E. Prudhomme, H. B. Hall, T. Phillibrown, R. Whitechurch, J. M. Butler, James Bannister, Charles Kennedy Burt, Louis Delnoce, W. W. Rice, American Bank Note Company, Toppan, Carpenter & Co, Baldwin, Bald & Cousland, and Bald, Cousland & Co., Several of the specimens contain a specimen number and/or title., Few of the specimens contain a copyright statement., Specimen #312 (p. 81) and specimen #280 (p. 71) after the work of Emanuel Leutze., Inventory of portrait sitters housed at repository., Identity of several of the artists and engravers supplied by Gene Hessler, The engraver's line: an encyclopedia of paper money & postage stamp art (Port Clinton, OH: BNR Press, 1993)., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
Creator
Richardson, Thomas, 1802-approximately 1881
Date
[ca. 1854-ca. 1861]
Location
Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]
