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Title: [The Siamese twins, Chang and Eng, aged eighteen]
Description: Full-length portrait of the conjoined twins Chang and Eng Bunker standing outdoors on grass. Shows the young men barefooted and attired in matching Thai clothing consisting of brown caps, brown tunics, and blue, striped pants. The tunics are open in the front revealing the band of skin and flesh that joined them at the chest. Chang has his right arm around Eng's shoulder, and Eng holds his hand. Eng has his left hand on Chang's waist, and Chang holds his hand. Chang and Eng Bunker were born as conjoined twins in Thailand (formerly known as Siam) to parents of Chinese descent. Chang was positioned on their left, and Eng was on their right. Merchant Robert Hunter and Sea Captain Abel Coffin brought them to the United States in 1829, where they were exhibited as curiosities. The Bunkers left their managers and later toured independently. They purchased an estate in North Carolina. Eng married Sarah Yates, and Chang married her sister Adelaide Yates and together had twenty-one children., Title from a similiar print in the Wellcome Collection., Date inferred from medium and content., Gift of David Doret., Created postfreeze.
Date: [ca. 1830]
Location: Library Company of Philadephia | Print Department portrait prints - Bunker [P.2005.14.3]

Title: Gold Dust Washing Powder
Description: Racist die cut trade card illustration advertising a cleaning agent. Image depicts a pair of smiling identical twin African American boys sitting in a wooden tub filled with soapy water. The boys each have an arm wrapped around one another and the boy on the right rests his left arm on the edge of the tub. The boys are both depicted with exaggerated features. Gold Dust Washing Powder was created in the late 1880s by the Nathaniel Kellogg Fairbank Soap Company, which was based in New York, and was distributed by the Lever Brothers Company, which was based in Cambridge, Massachusetts. The "Gold Dust Twins," "Goldie" and "Dustie," were introdued in the 1890s and were the faces of the brand until the 1950s., Title from item., Date inferred from dates of operation of business., Advertising text on verso: Best purest Gold Dust Washing Poweder does more work in less time with less labor than any other at less than half the cost. Buy our large package--it means economy to the consumer. See that the trade mark The "Twins" is on every package. Made only by The N.K. Fairbank Company, Chicago. St. Louis. New York. Boston. Philadelphia. Montreal., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - N.K. Fairbanks [P.2017.95.136]

Title: Wedding of the twins
Description: Racist trade card promoting stove manufacturer Cribben, Sexton & Co. and depicting a genre scene with African American caricatures originally created for Harper’s Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." Figures are portrayed with exaggerated features. Shows the sisters getting married a parlor. The twins are attired in white, short-sleeved wedding dresses with ruffles at the bottom and veils. The groom at the left, a squat man, is attired in beige pants; a white waistcoat with a gold pocketwatch chain; a collared shirt; and a black jacket, while the groom at the right, a tall man, is attired in blue striped pants; a white shirt; and a black tie and jacket. An African American reverend attired in a black suit stands in front of them and officiates while holding an open bible. The twin's parents stand behind the couples. The father is attired in white pants, a shirt, and a waistcoat, with a black jacket and bowtie. The mother is attired in a brown dress with a white hat decorated with a bow and sash. Behind them watching the nuptials is a woman, attired in a white mob cap and a blue dress, seated in a wooden chair. She holds a boy in her lap, attired in a green pants and a beige jacket. Three other people view the ceremony through a doorway. In the left is a woman attired in a beige dress with a white apron and a cap; in the center is a man attired in a blue collared shirt; and in the right is a woman attired in a beige dress. A table with a cake and a decanter with glasses is visible behind the reverend. Henry Cribben and James A. Sexton founded the stove manufactory Cribben, Sexton & Co. in Chicago in 1873. The Company closed in 1965., Title from item., Date deduced from history of the advertised business., Distributor's imprint printed on verso: Davison & Steinhilfer, Dealers in stoves and hardware, and a full line of universal perfect & elegant stoves and ranges always on hand, Strawberry Point, Iowa., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Cribben, Sexton & Co. [P.2017.95.38]

Title: The wooing of the twins Universal, perfect and elegant stoves and ranges. Manufactured by Cribben, Sexton & Co., Chicago, Ill
Description: Racist trade card promoting stove manufacturer Cribben, Sexton & Co. and depicting a genre scene with African American caricatures originally created for Harper’s Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." Figures are portrayed with exaggerated features. Shows the two couples sitting in wooden chairs. The twin sisters are identically attired in yellow dresses with red polka dots and white collars. In the left one sister holds a fan as she coyly looks and smiles to the man seated to her right. He is attired in black shoes; blue and white striped pants; a white collared shirt with red tie; and a green jacket. His hands are on on his knees. In the right the other sister touches her chin with her finger as she leans towards the man seated opposite her. Her suitor is attired in black shoes; red and white striped pants; a white shirt; and a black jacket with tails. In the center behind the couples is a mantel with cups, plates, and bowls placed on top. Inside the mantel is a stove with a kettle on it. In the right background, the parents of the twins are sitting in chairs. The father, attired in a blue jacket and beige pants, reads a newspaper. The mother is attired in a red dress. Henry Cribben and James A. Sexton founded the stove manufactory Cribben, Sexton & Co. in Chicago in 1873. The Company closed in 1965., Title from item., Date deduced from history of the advertised business., Distributor's imprint printed on verso: Sayles & Conover, Dealers in stoves and hardware, A full line of universal, Perfect and elegant stoves and ranges always on hand. Valparaiso, Indiana., Gift of David Doret., Forms part of a series [P.2017.95.37 & P.2017.95.38].
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Cribben, Sexton & Co. [P.2017.95.36]

Title: The wedding party off for Europe. And they have all got on the neat $2.50, gaiters made to measure at the Co-operative Shoemakers, arnt they splendid. 220 & 222 S. Halsted St
Description: Racist trade card promoting the Working Shoe Makers Co-Operative Union and depicting a scene with African American caricatures originally created for Harper’s Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." Shows the twins, attired in yellow hats decorated with a red feather and long-sleeved yellow dresses with a white collar and a red belt, standing on the deck of the ship with their husbands. The husband in the left is attired in a white collared shirt, a blue jacket, red pants, and black shoes. The other twin’s husband in the right is attired in a blue hat, a white collared shirt, a green jacket, red and white striped pants, and black shoes. The couples, newly married, are “off for Europe” and look over the ship to say goodbye to the people on the dock. In the foreground, a number of African American men, attired in hats and suits, and women, attired in hats and dresses, talk amongst themselves and wave goodbye. In the left, a man stands up over the crowd, attired in a black hat, a red jacket, and yellow pants, and throws a bouquet of flowers at the couples onto the deck. The Working Shoe Makers Co-Operative Union was active in the 1880s in Chicago, Ill., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the history of the advertised business., Advertising text printed on verso: The Working Shoe Makers. Co-Operative Union 220 & 222 S. Halsted Street, The Cheapest Custom Made Shoe Store in the City. Button & Congress Gaiters, to measure. Ladies’ Button & Laced Gaiters, to measure. Half soleing & heeling 1.00 Ladies 75 cts, Craddock & Auston, Managers., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Working [P.2017.95.194]

Title: [Series of Clarence E. Brooks & Co. Fine Coach Varnishes, cor. West & West 12th St. N.Y. racist 1880 calendar illustrations after the "Blackville" series]
Description: Series of twelve captioned illustrations from the Clarence Brooks & Co. Fine Coach Varnishes 1880 calendar portraying scenes after the racist “Blackville” series drawn by Sol Eytinge for “Harper’s Weekly” in the 1870s and depicting caricatures satirizing the social mores, customs, and daily lives of African Americans of all classes. The figures are portrayed with exaggerated features and mannerisms. The attire of the figures includes long-sleeved dresses, shirtwaists and skirts, smocks, shirt, pants, jackets, and caps, and hats. Some of the attire depicted, particularly for younger figures, is worn and/or tattered. Includes scenes from the Eytinge Blackville series within a series - “the twins” (March, May, September illustrations). Scenes are titled (sometimes with text in the vernacular) and depict “The First Ulster in Blackville” (January) of a winter scene showing African American children, attired in shirts, pants, or skirts and hats or bonnets, paused from a snowball fight as an African American man in a blue ulster (an overcoat with hood), holding a cane, and smoking walks between them; “Christmas Dinner Done!” (February) showing an older African American man, attired in an overcoat, pants, and hat, and African American boy, attired in a shirt, pants, and a hat with a scarf tied around his head and chin, in a field, and watching a rabbit run away from a trap held by the boy; “Love in Blackville. The Wooing of the Twins” (March) showing African American women twins, each being courted by an African American man within an open room that has a stove and mantle as their older African American parents “watch” from a doorway;, "April-Fools Day-An Aggravated Case (April) showing an older African American woman, with an upset expression, standing in front of a row of cabins and near a basket of cabbages on a town block, and holding a dead rat within a cabbage as she is watched by two snickering African American boys, the practical jokers, standing within the opening to an alley; "The Great Social Event at Blackville. The Wed"ding of the Twins" (May) showing two African American women twin brides and their grooms within a parlor, near a table of food, being married by a reverend in front of friends and family of all ages; "The Coaching Season in Blackville._ The Grand Start" (June) showing an African American driver pulling at the reins of an unruly four-mule team coach of which African American passengers of all ages sit in and on the cab as African American towns folk wave from a line of cabins in the background and an African American boy and dog run past the wheel of the vehicle; "The 'Fourth' in Blackville" (July) showing a fenced paddock in which an African American boy holds an American flag in one hand and a gun in the other by a group of African American children and a woman who run, cover their eyes, jump the fence, and shield each other under the sight of an African American man in the window of an adjacent cabin; “Hi Abe Come Under De Brellar! Does Your Want to Sunstruck Yerself! De Fremoniter’s Gone Up Moren a Foot!” (August) showing a group of African American children of different ages, under a torn umbrella held by the tallest child, a girl, and approaching a young African American boy, “Abe,” within a fenced yard with a pond and patches of greenery and across from a cabin in which an African American man and woman, stand and sit in the doorway;, “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville" (September) showing “the twins” on promenade with their husbands and an African American women caregiver holding their two babies as they walk on a dirt path lined by African American townsfolks of all ages who stare and also include an older woman who laughs behind a tree; "Who Struck De Futest?” (October) showing an older African American man, seated outside a cabin, and holding up a switch to two African American boys, in worn clothing, standing within the yard, near a broken object, and across from an African American girl in the cabin doorway and three boys seated and looking over a fence lining the property in the background; The “Small Breeds” Thanksgiving-Return of the First-Born from College 'Bress His Heart! Don’t he look edgecated?' ”(November) showing a young African American man portrayed in disheveled attire and manner as though drunk entering the door to his family, including a grandmother figure and a child in a high chair, at dinner around a cloth-covered table; and “No Small Breed Per Yer Uncle Abe Dis Chris'mas! Ain’t He a Cherub?” (December) showing “Uncle Abe,” an African American man holding a large, plucked turkey (with head and feet) near his chest and on a table surrounded by older women and child-aged family members who stand near a chest of drawers, a stool, and two windows with curtains visible in the background. Exterior scenes also often include a dog or cat, or a cabin or cabins, the latter marked “Clarence Brooks & Co. Fine Coach Varnishes. Cor. West & West 12th St. N.Y.” in the background; as well as fencing, groves of trees, and dirt paths. Interior scenes often include a dining table, chairs, displays of food and household items, such as a candlestick and framed prints advertising Clarence Brooks & Co. April-Fools Day image includes a cobble-stone street., Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper’s Weekly illustrations., Title supplied by cataloger., Publication information inferred from image content and similar material issued by Clarence Brooks & Co. during the early 1880s., Two of the series contains ornamented borders (P.2022.8.2 & 4)., All of the prints inscribed in pencil on the verso with the name of a month, some abbreviated, between January and December., Image for “The First Ulster in Blackville” (P.2022.8.1) originally published in Harpers Weekly, March 18, 1876., Image for “Love in Blackville. The Wooing of the Twins” (P.2022.8.3) originally published in Harpers Weekly, May 11, 1878., Image for The Great Social Event at Blackville. The Wedding of the Twins (P.2022.8.5) originally published in Harpers Weekly, July 13, 1878., Image for “The Coaching Season in Blackville._ The Grand Start” (P.2022.8.6) originally published in Harpers Weekly, September 28, 1878., Image for “The ‘Fourth’ in Blackville” (P.2022.8.7) originally published in Harpers Weekly, July 14, 1877., Image for “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville” (P.2022.8.9) originally published in Harpers Weekly, October 26, 1878., Image for “Who Struck de Futest” (P.2022.8.10) originally published in Harpers Weekly, June 13, 1874., Image for “No Small Breed fer yer Uncle Abe….” (P.2022.8.12) originally published in Harpers Weekly, January 1, 1876., Purchased with funds for the Visual Culture Program., RVCDC
Date: [1879]
Location: Library Company of Philadelphia | Print Department *ephemera - calendars - C [P.2022.8.1-12]

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