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- Title
- Scent to the legislature
- Description
- Racist cartoon expressing disdain for African Americans who were elected to office as a result of Reconstruction. Depicts a bust-length portrait of an African American man legislator, portrayed in racist caricature with grotesque features, attired in a white collared shirt, a plaid bowtie, a waistcoat, and a jacket, smiling. He is flanked by two white men legislators who hold their noses as though he had a bad "scent." Many African American legislators were targeted as the source of corruption in politics during the era., Title from item., Date of publication of 1868 is used as the content suggests that the passage of the Fourteenth Amendment has occurred. Weitenkampf suggests an earlier date of 1865 arguing that African Americans were elected to office during the early era of Reconstruction, Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1868?]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1868 Sce [5760.F.117]
- Title
- Fifteenth amendment. Bringing his crop to town
- Description
- Racist, vignetted view showing an African American man, attired in worn clothes, hauling a loaded cart pulled by a thin, horned cow. The man, attired in a wide-brimmed hat, jacket, and pants, rides the cow. His right hand holds the reigns of the yoke and his left hand holds up a stick in a striking motion. A pile of thatch fills the cart. A bag of cotton rests atop of the thatch. Townscape is visible in the background. View racistly satirizes African American civil rights and the right to vote granted to African American men in 1870 by the Fifteenth Amendment., Title and series number printed on verso., Name of photographer printed on verso., Photographer inferred to also be publisher., Date inferred from style of mount and active dates of photographer., Printed on mount: Charleston & Vicinity., Orange mount with rounded corners., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022., Jerome N. Wilson (1827-1897), a New-York born photographer, relocated his photography business to Savannah Georgia in 1865. He produced multiple genres of photographs, including cartes de visite and stereographs. His studio was enlarged and improved in 1871.
- Creator
- Wilson, J. N.
- Date
- [ca. 1870]
- Location
- Library Company of Philadelphia | Print Department stereo - misc. photo. - Wilson [P.2018.16.11]
- Title
- Effect of the Fifteenth Amendment Indignant mother, "Cum in out of dat mud right straight! Fust ting you'll know you'll be took for Irish chil'en!"
- Description
- Photographic reproduction of a drawing after a racist cartoon published in Harper's Bazar in 1871 alluding to the social and political tensions between Irish and African American people following passage of the right to vote amendment. Shows an African American woman, a broom in one hand, her other hand on her hip, at her front porch, watching her two sons playing in the dirt. The woman is portrayed in racist caricature and speaks in the vernacular. She has a rotund figure and is attired in a head kerchief, a button-down shirt, an ankle-length skirt, and an apron. Her children make a mud pie beside the porch and in front of a tall wooden fence. Another African American boy, attired in a broad-rimmed hat and slipper-like shoes too large for his feet, sits and balances himself on the fence. View also includes a dust pan, the edge of a bench, and a tall weed near the mother's feet., Title from item., Date inferred from similar cartoon published in Harper's Bazar, March 4, 1871., Purchased with the Davida T. Deutsch African American History Fund., RVCDC, Description revised 2021., Access points revised 2021.
- Date
- 1871
- Location
- Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2015.29]
- Title
- Historical monument of our country
- Description
- Allegorical print after the 1858 painting by German-born painter Johann Michael Enzing-Müller documenting the history of the United States from ca. 1000 to the 1850s. In the right foreground, Norsemen, some seated and some standing on ground marked "1000" are portrayed discovering North America, which they called Vinland. A few of the men hold bunches of grapes, a shield, or a spear. In the left foreground, Columbus stands on a shore, between a rowboat holding white men, one writing in a ledger and with his back to an enslaved Black man in shackles, and a group of Indigenous people wearing headdresses. Columbus holds a flag into the ground marked "1492" and a sword up into the air. Behind the scene Plymouth Rock with the date "1620" inscribed on it is visible. In the center of the image, white men in different era attire use tools, convene, or celebrate near a trunk, cargo, and a stone wall. Beside them, in the right, a Pilgrim family (man, woman, child) rests near a frontiersman completing a blanket tent near cattle. In the upper right, the image contains scenes representing the American Revolution, including soldiers at battle and wounded men being attended to. In the upper left, ships and trains depicted near cityscape strewn with people and from which an American flag flies represents American progress. In the upper center, the American eagle mauls the British lion and unicorn on a stone mound. At top center, on a pyramid-like structure adorned with the shields of the states of the Union, George Washington stands with his hand on the Constitution which rests on an ornate stand. To his left are the fourteen presidents who followed him standing in a line. Above them, are allegorical women figures of Liberty and Justice. An allegorical female figure holding the Declaration of Independence sits to Washington's right. Behind the Presidents and pyramid is the new U.S. Capitol building with a dome., Title from item., Date from copyright statement: Copyright 1893, by Myers, Bryn & Cranford., RVCDC
- Creator
- Enzing-Müller, Johann Michael, 1804-1808
- Date
- c1893
- Location
- Library Company of Philadelphia | Print Department ***GC-Allegories [P.2023.42.1]

