Search results

Title: Destruction of the rebel monster "Merrimac" off Craney Island May 11th, 1862
Description: Shows the ironclad, officially named Virginia, exploding after being set on fire by the Confederate Navy to avoid capture by Union forces following the evacuation of Norfolk, Virginia., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events.
Creator: Currier & Ives
Date: [1862]
Location: Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles [5779.F.52]

Title: "At the forge" Virginia
Description: Depicts a man inspecting the hoof of a white horse in front of a small forge shop decorated with advertisements. A man and a boy sit nearby., Photographer's blind stamp lower left corner., Numbered #846 on mount., Forms part of the Robert S. Redfield collection., Gift of Mary Panzer.
Creator: Redfield, Robert S., 1849-1923, photographer
Date: July 30, 1886
Location: Library Company of Philadelphia | Print Department photo - Redfield [P.9123.2]

Title: Mount Vernon, the seat of the late Genl. Washington
Description: View of the first president's Virginia estate showing the residence and grounds near the Potomac River. Shows the house and a white gentleman standing near the entrance. On the grounds, two white women with parasols promenade, an enslaved African American man leads a horse, a white man carries a sickle and a bundle of wheat, and a dog chases another horse. In the left background, a boat sails on the river., Title from item., Date inferred from provenance and publication history., Originally published as a smaller plate in William Birch's Country Seats in the United States of North America (Philadelphia: 1804), this view was revised on a larger plate and reissued as a separate print by Birch in 1812. The popular larger 1812 plate was later republished, probably by John McAllister, around 1860., Originally part of a McAllister scrapbook of views of Virginia. McAllister Collection, gift, 1886., Reaccessioned as P.9683.5., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Seymour, Samuel, 1796-1823, engraver
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department *GC - Residences - Mt. Vernon [5737.F]

Title: Ripplemead from the hill
Description: Depicts a body of water, probably the New River running through Ripplemead, Va., over which a primitive ferry has just transported a horse and wagon and its driver. To the right is a small hut with a low aperture, not a door for human beings. Perhaps it is for storage. Two young boys stand by the hut. The road leading to the ferry landing is of dirt, very rough, and full of stones., Photographer's imprint printed on mount., Title given in manuscript on mount., Slide number 73., American Lantern Slide Interchange typed on sticker on mount.
Creator: Bullock, John G., 1854-1939, photographer
Date: ca. 1890
Location: Library Company of Philadelphia | Print Department lantern - Bullock [P.9282.10]

Title: A conservative philospher
Description: Crayon's "conservative philosopher" is a Virginia boot-black named Billy Devilburg, whose tendency to philosophize about boots and social class earned him this title. Devilburg is shown in his shop, where, surrounded by boots, he holds forth on this topic. According to Crayon, Devilburg was "a specimen of his race that merited more than a casual glance." As he wrote, "time had made strong marks upon his face, but good temper and full feeding had kept out the petty wrinkles which indicate decrepitude. His broad forehead, fringed with grizzled wool, imparted an air of dignity to his countenance, his one eye beamed with honesty, while his quiet, deferential manner inspired the respect it tendered." (p. 178), Illustration in Harper's New Monthly Magazine, vol. 12, no. 68 (January 1856), p. 178., Engraving accompanies Porte Crayon's [i.e., David Hunter Srother's] "Virginia Illustrated. Adventures of Porte Crayon and his Cousins," which was published in book form in 1857. See David Hunter Strother, Virginia Illustrated (New York: Harper & Brothers, 1857)., Fels Afro-Americana Image Project, Work Scenes.
Date: [January 1856]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per H 9 62992.O v 12 n 68 January 1856 p 178, https://digital.librarycompany.org/islandora/object/Islandora%3A2871

Title: Be it known that [blank] of [blank] entitled to [blank] share in the Bank of Virginia transferable only at the said bank by the said [blank] personally or by [blank] attorney Witness the seal of the president directors and company of the Bank of Virginia at Richmond this [blank] day of [blank]
Description: At head of title: No. [blank]., Engraved., Library Company copy completed in MS.: No. 15833 ... that James D. Johnston of Giles Co. is entitled to ten shares ... this 24 day of April 1861., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Bank of Virginia
Date: [1861?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 Bank Va 14278.Q

Title: The barn, at Mt. Vernon
Description: Shows the side of the barn on the estate of George Washington in Mount Vernon, Virginia., Attributed to William and Frederick Langenheim., Title printed on mount., Yellow mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Virginia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator: W. & F. Langenheim (Firm), photographer
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - Langenheim - Views [5737.F.6b]

Title: On a Virginia turnpike
Description: View of a rural turnpike where a man driving a horse-drawn cart pulls up near a man standing in front of a wooden shed. Two African American agricultural workers, a boy carrying hay and a man carrying a sack, stand on the dirt road with their backs to the viewer and look on at the cart. A church, pastures, and a mountain range are seen in the background., Title from mount., Inscribed: Presentation Picture, 1887, Photographic Society of Philad'a., Manuscript note on verso: Photographed July, 1886. Carbutt Special Plate. Ross 11 inch Rapid Symetrical Lens. F/22 2 Seconds Exposure., The Photographic Society of Philadelphia, founded in 1862, by Charles Guillou, was one of the earliest existing amateur photography clubs in the world. The Society held annual exhibitions where the members competed for best portrait and landscape., Purchase 1991., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Bullock was a respected Philadelphia pictorial photographer, a former president of the Photographic Society of Philadelphia, and founding member of photography as art movement, Photo-Secession.
Creator: Bullock, John G., 1854-1939, photographer
Date: 1886
Location: Library Company of Philadelphia | Print Department photo - Bullock [P.9352]

Title: [Headquarters Lafayette - Headquarters Gen'l Porter. Farinholt's house and York River in the distance.]
Description: View from the Civil War showing the headquarters of General Lafayette and General Porter near Yorktown, Virginia during General McClellan's Campaign on the Peninsula. Depicts white Union soldiers, and African American men and a boy, probably freedom seekers, posed before Farinholt's dilapidated house supported by a large log. Several camp tents and the York River are seen in the background., Title from cdv photograph, Brady's Album Gallery, no. 370., Photographer given in Gardner catalogue (see LCP research file)., Date from copyright statement: Entered according to act of Congress, in the year 1862, by Gardner & Gibson, in the Clerk's Office of the District Court of the District of Columbia., During the Civil War, the U.S. government declared African American freedom seekers as "contraband of war.", Alexander Gardner was a respected photographer, businessman, and former manager of Mathew Brady's Washington, D.C. Gallery who produced the acclaimed "Photographic sketchbook of the Civil War.", Originally part of a McAllister scrapbook of Civil War views. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James F. Gibson was a prominent Civil War photographer and one-time manager of Mathew Brady's Washington, D.C. gallery who also provided images for photographer Alexander Gardner's "Catalogue of photographic incidences of the war..." and "Photographic sketchbook of the Civil War."
Creator: Gibson, James F., 1828-, photographer
Date: 1862
Location: Library Company of Philadelphia | Print Department Small Civil War Photograph Collection - stereos - identified photo. [5779.F.6h]

Title: Tobacco - Virginia
Description: View showing a tobacco field near a Virginia road. In the foreground, tobacco plants grow. An African American man and woman, possibly agricultural workers, walk near a large, wooden shed in the field. In the left, a car drives down the road towards the viewer., Title from manuscript note on verso., Date inferred from photographic medium and car in the photograph., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm)
Date: [ca. 1935]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators - Non-Philadelphia - Afro-Americana

Title: Aunt Winnie
Description: As the title suggests, the engraving is a portrait of Aunt Winnie, whom Strother's described as an "aged domestic" of "much importance" on a large Virginia estate. "Aunt Winnie," he explained, "was supposed to be upward of a hundred years old, and could count among her descendants children of the fifth generation" (one of whom stands at her side). According to Crayon, Aunt Winnie's cabin, a portion of which is visible in the portrait, "was fitted up with due regard to the comfort of the aged occupant, not forgetting the ornamental, in the shape of highly-colored lithographs and white fringed curtains." (p. 309), Illustration in Harper's New Monthly Magazine, vol. 13, no. 75 (August 1856), p. 310., Engraving accompanies Porte Crayon's [i.e., David Hunter Strother's] "Virginia illustrated. Adventures of Porte Crayon and his cousins," which was published in book form in 1857 by Harper & Brothers of New York., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Orr, John William, 1815-1887, engraver
Date: [August 1856]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per H 9 62992.O v 13 n 75 August 1856 p 310, https://digital.librarycompany.org/islandora/object/Islandora%3A2872

Title: The cook
Description: As the title suggests, the engraving is a portrait of a Virginia cook, whom Crayon described as "not merely a black woman, . . . but one bearing a patent stamp by the broad seal of Nature; the type of a class whose skill is not of books or training, but a gift both rich and rare -- who flourishes her spit as Amphitrite does her trident (or her husband's, which is all the same), whose ladle is as a royal sceptre in her hands, who has grown sleek and fat on the steam of her own genius, whose children have the first dip in all gravies, the exclusive right to all livers and gizzards, not to mention breasts of fried chickens -- who brazens her mistress, boxes her scullions, and scalds the dogs . . . ." (p. 176) Shown in her kitchen, the stout cook wears an apron and a kerchief, and is surrounded by bowls, buckets, a grill, and cooking utensils., Illustration in Harper's New Monthly Magazine, vol. 12, no. 68 (January 1856), p. 177., Engraving accompanies Porte Crayon's [i.e., David Hunter Srother's] "Virginia Illustrated. Adventures of Porte Crayon and his Cousins," which was published in book form in 1857. See David Hunter Strother, Virginia Illustrated (New York: Harper & Brothers, 1857)., Fels Afro-Americana Image Project, Work Scenes.
Date: [January 1856]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per H 9 62992.O v 12 n 68 January 1856 p 177, https://digital.librarycompany.org/islandora/object/Islandora%3A2870

Title: The ( Fort) Monroe doctrine
Description: Abolitionist cartoon depicting enslaved African Americans fleeing to Fort Monroe, which was occupied by Union General Benjamin F. Butler who had declared freedom seekers to be "contraband" of war. In the right, a white man Virginia enslaver brandishes a whip and says, "come back you black rascal." A bare-chested, barefooted, African American man attired in white shorts, responds in the vernacular, "can't come back nohow massa Dis chile's contraban." To the right of the enslaver, a barefooted African American man, attired in a brimmed hat, a white collared shirt, and striped pants with the cuffs rolled up, watches as he leans on a hoe. A number of other African American freedom seekers run toward the Fort, including a woman with a child., Title from item., Date of publication supplied by Weitenkampf., During the Civil War, the U.S. government declared African American freedom seekers as “contraband of war.”, Purchase 1986., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1861]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-3W [P.9127]

Title: Libby Prison, Richmond, Va. Card photographs of this far-famed Southern prison, for sale here 25 cents each. Copyright secured
Description: Printed on yellow card stock., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1865?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1865 Libby (2)5786.F.122a (McAllister)

Title: A narrow escape
Description: Image depicts an event that occurred in Virginia in 1858. Having learned of his master's plan to sell him, Alfred, the slave shown in the foreground, runs away from a slave trader and a constable named William Noble, both of whom appear in the background., Illustration in William Still's Underground Rail Road: a record of facts, authentic narratives, letters, &c. (Philadelphia: Porter & Coates, 1872), p. 453., Fels Afro-Americana Image Project, Resistance.
Creator: Foy, engraver
Date: [1872]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1872 Still 19214.O p 453, https://digital.librarycompany.org/islandora/object/Islandora%3A2826

Title: A plantation "corn-shucking" -- social meeting of slaves
Description: Illustration is included in Chapter XIX, "The Slave-Trader's Purchase -- A Slave Gang Bound for the South -- Distressing Scenes at Parting -- 'We'll Shuck dis Cawn Befo' We Go!'" Image shows a large, festive, night-time corn-shucking in which slaves from several neighboring plantations were said to have participated. Sitting and standing around an enormous pile of husks, the slaves strip the ears of corn and throw them into buckets. According to the text, the slaves sang while they worked, and some tried to outdo each other in husking contests., Illustration in Mary Ashton Rice Livermore's The Story of my Life, or, The Sunshine and Shadow of Seventy Years (Hartford: A.D. Worthington & Co., 1897), p. 336., Caption underneath the image reads: "Costumed in every variety of nondescript gaments, with faces of every shade of black, as diverse in aspect as were their garments in fashion, they seated themselves in groups around the mounds of unhusked corn.", Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Helmick, Howard, designer
Date: [1897]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1897 Liv 29518.O p 336, https://digital.librarycompany.org/islandora/object/Islandora%3A2840

Title: Scene in a Lynchburg tobacco factory
Description: Illustration is included in Chapter LXI, "A Visit to Lynchburg in Virginia," and corresponds with the following passage, which clearly aims to present the tobacco factories in a positive, and even romantic light: "It [Lynchburg] has thirty-five tobacco factories, employing great numbers of negroes, men, women, and children. These negroes earn good wages, work faithfully, and turn out vast quantities of the black, ugly compound known as "plug," which has enslaved so many thousands, and promoted such a sublime disregard for the proprieties in the matter of expectoration. . . . In the maufacturies the negro is the same cheery, capricious being that one finds him in the cotton or sugar-cane fields; he sings quaintly over his toil, and seems entirely devoid of the sullen ambition which many of our Northern factory laborers exhibit. The men and women working around the tables in the basements of the Lynchburg tobacco establishments croon eccentric hymns in concert all day long; and their little children, laboring before they are hardly large enough to go alon, join in the refrains." (p. 556) Correspondingly, the engraving shows four small children stripping tobacco leaves alongside the adults., Illustration in Edward King's The Great South (Hartford, Conn.: American Publishing Company, 1875), p. 557., Fels Afro-Americana Image Project, Work Scenes.
Date: [1875]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1875 King 3379.Q p 557, https://digital.librarycompany.org/islandora/object/Islandora%3A2828

Title: Terrific combat between the "Monitor" 2 Guns & "Merrimac" 11 Guns in Hampton Roads March 9 1862. In which the little "Monitor" whipped the "Merrimac" and the whole "school" of rebel steamers
Description: Shows the smaller Union ironclad and larger Confederate ironclad, officially renamed Virginia, engaged in a cannon fight. In the background, several warships engaged in battle are visible., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events., Trimmed.
Creator: Currier & Ives
Date: c1862
Location: Library Company of Philadelphia | Print Department *GC - Civil War - Campaigns & battles - Merrimac [5779.F.41]

Title: Bits of color
Description: Full-length portrait of three barefooted African American children, attired in torn and worn clothing, sitting in the doorway of a clapboard house in Roanoke, Virginia., Date from manuscript note written on mount: #351 Roanoke VA May 29, 1883., Photographer's blind stamp on recto., Forms part of the Robert S. Redfield collection., Description revised 2021., Access points revised 2021., Gift of Alfred G. Redfield, 1983.
Creator: Redfield, Robert S., 1849-1923, photographer
Date: [May 29, 1883]
Location: Library Company of Philadelphia | Print Department photo - Redfield [P.8983.22]

Title: Encampment [at Richmond]
Description: Portrait of several Union army soldiers and personnel at an encampment in Richmond, Virginia during the city's occupation. Near a row of tents, under a canopy made of branches, most of the men sit on chairs. Outside of the canopy two African American men crouch., Title from negative sleeve., Date inferred from content., Gift of Elinor Solis-Cohen, 1980., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Levy & Cohen was a partnership between two Jewish photographers from Philadelphia who in 1865 published a series of views of occupied Richmond at the end of the Civil War. The partnership dissolved in 1865 after the unexpected death of Cornelius Levy.
Creator: Levy & Cohen, photographer
Date: [1865]
Location: Library Company of Philadelphia | Print Department Glass Negatives-Levy & Cohen [P.8532.43]

Title: Encampment [at Richmond]
Description: Portrait of several Union army soldiers and personnel at an encampment in Richmond, Virginia during the city's occupation. Near a row of tents, under a canopy made of branches, most of the men sit on chairs. Outside of the canopy three African American men sit and stand., Title from negative sleeve., Date inferred from content., Gift of Elinor Solis-Cohen, 1980., Description revised 2021., Access points revised 2021., Part of a series: Levy & Cohen's Views of the Rebel Capital and its Environs., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Levy & Cohen was a partnership between two Jewish photographers from Philadelphia who in 1865 published a series of views of occupied Richmond at the end of the Civil War. The partnership dissolved in 1865 after the unexpected death of Cornelius Levy.
Creator: Levy & Cohen, photographer
Date: [1865]
Location: Library Company of Philadelphia | Print Department Glass Negatives - Levy & Cohen [P.8532.44]

Title: "Father, I cannot tell a lie: I cut the tree"
Description: Genre scene of the fictitious moment when the young George Washington confesses to his father, Augustine, a plantation owner, that he cut a cherry tree on their Virginia plantation. Depicts Washington's father holding his son's hand and comforting him. George looks up at his father and points his left hand towards the cut tree in the right. On the ground is an ax and an upturned hat. In the background, an enslaved African American man plows the pasture with a team of oxen, and an enslaved African American man and woman couple stands near the gate of a cottage, probably their dwelling., Title from date., Date based on the active dates of engraver., Gift of Mrs. Francis P. Garvan, 1978., Description revised 2021., Access points revised 2021.
Creator: McRae, John, engraver
Date: [1860]
Location: Library Company of Philadelphia | Print Department **GC - Washington [8384.F.16]

Title: The Hawks Nest or Marshalls Pillar A celebrated cliff on the Kenawha River, Virginia
Description: View of the Kanawha River at Hawks Nest or Marshalls Pillar near Ansted, West Virginia. In the right foreground, shows three men fishing on a large rock. The large Kanawha River flows towards the viewer. Trees grow along the shorelines and on the cliffs that rise in the background. The area was called Marshalls Pillar after Chief Justice John Marshall, who visited. By the Civil War, the area was named Hawks Nest. It was established as a State Park in 1935., Title from item., Date inferred from active dates of the lithographer and content., Text printed below image: Measuring 1200 feet from the top of the cliff to the river beneath., Gift of David Doret.
Creator: Bowen, John T, approximately 1801-1856?, lithographer
Date: [ca. 1840]
Location: Library Company of Philadelphia | Print Department GC - Views - United States - Virginia [P.2010.35.7]

Title: Practical illustration of the Virginia Constitution White man the bottom rail
Description: Cartoon promoting racist fears of the effects of equal rights for African Americans under Virginia's reconstructed constitution by portraying two captioned scenes where African Americans have power over white people. The first, a "Mixed School System," depicts a desegregated classroom in which a seated African American man teacher spanks a white boy as other students witness the punishment. The second scene, a "Negro Court and Jury," depicts an African American man attorney questioning a white woman witness in front of an integrated jury and audience including an African American spectator slumped over asleep in the front row of seats., Title from item., Date of publication inferred from content., Purchase 1969., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1868]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1868 Pra [7814.F]

Title: Girls passing Mansion House, [Hampton Institute, Va.]
Description: Shows a group of women students, attired in white dresses, marching in lines across a lawn at the Hampton Institute. Walking in front of the women are four African American men, attired in uniforms and caps, two of which carry an American and a "H.I." flag. They march past the Mansion House, with its columned portico. In the left background, several women walk on the grass. The Hampton Institute, originally the Hampton Agricultural and Industrial School, was founded in 1868 by the American Missionary Association to provide education for freed Black citizens after the Civil War. It was built on the grounds of a former plantation, known as Little Scotland. The school was legally chartered in 1870 and accredited as a university in 1984. Notable graduates include Booker T. Washington. The Mansion House was the original residence of the plantation built in 1828., Photograph from negative number 2013.13.465., Purchase 2001., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: April 24, 1912
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.2121]

Title: Soldiers Rest, Alexandria, Va. [graphic].
Description: Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War views, places & events., Bird's eye view of the rest station and "lodge for invalid soldiers" operated by the U.S. Sanitary Commission, a soldier relief organization. Shows an enclosed barracks flanked by tents and railroad tracks. Soldiers walk, relax, and drill on the grounds as others disembark and arrive via locomotive. Also shows the railroad roundhouse in the far left background near signage reading "Sanitary Commission Lodge for Invalid Soldiers" and "Soldiers Rest U.S. Sanitary Commission"; horse-drawn wagons travelling past and into the barracks; and the surrounding town.
Creator: Magnus, Charles., creator
Date: c1864.
Location: Library Company of Philadelphia Print Dept. *GC - Civil War - Hospitals [5779.F.57]

Title: [Business stationery of Strother Drug Co., previously W. A. Strother & Son, wholesale druggists, 906 Main Street, Lynchburg, Va.]
Description: Includes three letterheads and one billhead. Letterheads illustrated with ornamental and pictorial details, the trademark of the firm, and a vignette exterior view of the manufactory. Details include banners, sprigs of flowers, clouds, and art nouveau iconography. Trademark depicted as a mortar and pestle marked with the monogram WAS and "Semper Idem." Exterior view shows the multi-story, block long factory building in front of which cars and a train travels. Two of the prints also contain an ornament comprised of a frame resembling a belt surrounding the monogram SDC and marked "Established 1853.", Title supplied by cataloger., Printers include Corlies, Macy, & Co. Incp'd, New York; Gast, St. Louis; and Brown-Morrison Co., Lynchburg, Va., P.2011.46.233 and P.2011.46.234 completed in type on June 18th, 1896 and May 20, 1898 to Polk Miller Drug Co., Richmond, Va. from W. A. Strother, President about the exchange of Sarsparilla and Poultry Feed between the firms and the associated corroborative business discounts and fees. P.2011.46.234 annotated in red print: W.M. Strother, President, Geo. L. Marsteller, Vice Pres't, Sidney Strother, Sec'y and Treas. Strother Drug Co. successors., P.2011.46.235 completed in type to Fowlkes Haythe Co. on April 25, 1903 for "1 keg Soda 112 lbs" and "1 doz Ext. Lemon #0" for $1.80. Also contains typed notes: 25-5, case 12 and sent to C. H. Beasley & Bro. Stamped: Less 2% if paid in 10 days. Interest charged after 60 days., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date: [ca. 1890-ca. 1935]
Location: Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - S [P.2011.46.233-236]

Title: Views of the estate of George Washington, Mt. Vernon, Va
Description: Views showing the residence of Washington, known as the Mansion, in a dilapidated condition and the gate to the Washington family tomb (erected 1831). Also shows men posed on the grounds, including a man raising his hat and a young boy holding a basket in front of the tomb. Mount Vernon Ladies Association started restoration of the Mansion in 1860., Manuscript notes on versos of stereographs., Stereographs on yellow mounts with square corners., One of images [5737.F.6c] possibly by William and Frederick Langenheim., Originally part of a McAllister scrapbook of views of Virginia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: ca. 1860
Location: Library Company of Philadelphia | Print Department stereo - unidentified - non-Philadelphia - Virginia [5737.F.1b & 6c], Library Company of Philadelphia | Print Department cdv - unidentified - Residences [5737.F.1d & e; 8a]

Title: Mount Vernon--Washington's Residence
Description: Puzzle showing the eastern facade of the mansion and grounds overlooking the Potomac River in Fairfax County, Virginia owned by George Washington. White men and women promenade, white children play with a dog, cattle graze, and a white man handler walks a horse on the landscaped grounds in the foreground. George Washington, Martha Washington, and a white woman sit on the porch. An enslaved African American man servant, attired in a white collared shirt, a black jacket with tails, and black pants, stands to the left of them. The estate, originally granted to Washington's great-grandfather John Washington in 1674, was inherited by George in 1761 and purchased by the Mount Vernon Ladies Association in 1858., One of four puzzles, stored in two pieces, housed in clamshell box., Purchase 1978., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department *albums (flat) - Four Lithographic Puzzles [8418.F.2]

Title: Mount Vernon--Washington's Residence
Description: Puzzle showing the eastern facade of the mansion and grounds overlooking the Potomac River in Fairfax County, Virginia owned by George Washington. White men and women promenade, white children play with a dog, cattle graze, and a white man handler walks a horse on the landscaped grounds in the foreground. George Washington, Martha Washington, and a white woman sit on the porch. An enslaved African American man servant, attired in a white collared shirt, a black jacket with tails, and black pants, stands to the left of them. The estate, originally granted to Washington's great-grandfather John Washington in 1674, was inherited by George in 1761 and purchased by the Mount Vernon Ladies Association in 1858., One of four puzzles, stored in two pieces, housed in clamshell box., Purchase 1978., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department *albums (flat) - Four Lithographic Puzzles [8418.F.2]

Title: Mount Vernon--Washington's Residence
Description: Puzzle showing the eastern facade of the mansion and grounds overlooking the Potomac River in Fairfax County, Virginia owned by George Washington. White men and women promenade, white children play with a dog, cattle graze, and a white man handler walks a horse on the landscaped grounds in the foreground. George Washington, Martha Washington, and a white woman sit on the porch. An enslaved African American man servant, attired in a white collared shirt, a black jacket with tails, and black pants, stands to the left of them. The estate, originally granted to Washington's great-grandfather John Washington in 1674, was inherited by George in 1761 and purchased by the Mount Vernon Ladies Association in 1858., One of four puzzles, stored in two pieces, housed in clamshell box., Purchase 1978., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department *albums (flat) - Four Lithographic Puzzles [8418.F.2]

Title: Martyrdom of John Brown
Description: Print depicting the fictitious blessing of an enslaved African American baby by the radical abolitionist on his walk to the gallows in December 1859. Shows Brown in front of his Charles Town, Virginia cell, flanked by guards carrying rifles and swords. An African American woman kneels before him and holds her baby up while Brown lays his hand on the baby’s head. Spectators surround them, including white women and veterans, one with his arm in a sling. In the right, an African American woman nanny wraps her arms around her two well-dressed white boy charges., Title from original painting "John Brown's Blessing" completed in 1867 by Southern historical and genre painter Thomas Satterwhite Noble in the collections of the New York Historical Society., Purchase 1968., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department **Portrait Prints-B [7777.F]

Title: John Brown meeting the slave mother and her child on the steps of Charlestown jail on his way to execution
Description: Print depicting the fictitious meeting between John Brown and an enslaved African American mother during the radical abolitionist's walk to the gallows in December 1859. Shows Brown at the top of the steps of the Charles Town, Virginia jail being led by several white men past the mother holding and looking down at her baby. The men include a prison guard in militia-uniform attempting to push the mother aside as Brown gazes compassionately upon her; the jailor, an old bearded man in cape and hat with his hand raised in front of his chin; the jailor's friend, a balding, bearded man pointing the way to the execution; and another militia man in an old Continental" uniform with a tricorne hat labeled "76." Also includes the Virginia state flag, waving above the head of Brown in the shape of a halo inscribed, "Sic Semper Tyrannis," i.e.; "Who is the tyrant, who the conqueror?" and a stern-faced, enslaver, attired in a Virginia militia uniform, waiting impatiently at the bottom of the stairs opposite a dismembered statue of justice in a pile of rubbish., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1863, by Currier and Ives in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Text printed below the title: The artist has represented Capt. Brown regarding with a look of compassion a Slave-mother and Child who obstructed the passage on his way to the scaffold. Capt. Brown stooped and kissed the child- then met his fate., Original painting described in "A Rare Picture," an 1886 broadside probably by Ransom, in the collections of the library of Oberlin College, Oberlin, Ohio. Transcription available at repository., Purchase 1969., Reaccessioned as P.2003.18., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1863
Location: Library Company of Philadelphia | Print Department *Portrait Prints-B [7817.F]

Title: Camp Tom Casey, 26th Me. Regt. [graphic] : Col. Nathaniel H. Hubbard, commdg.
Description: Contains printed gilt frame around image., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of Civil War Views, Places & Events., View of the Union military training camp in Virginia. Shows mule-drawn wagons passing rows of tents. Also shows soldiers on the grounds.
Creator: Rosenthal, L. N. (Louis N.), creator
Date: c1862.
Location: Library Company of Philadelphia Print Dept. *GC - Civil War - Military Camps - C [5779.F.8]

Title: Fresh deviled crabs. McMenamin & Co., Hampton, Va
Description: Illustrated trade card depicting a crab on land in the foreground and a man and two women crabbing in a rowboat on a body of water in the background. Includes two other boats on the water in the distance. A circular vignette showing deviled crabs is superimposed onto the landscape view., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department **trade card - McMenamin [1975.F.1a]

Title: Crawford's statue of Washington, Capitol Square, Richmond, Va
Description: Views showing the equestrian statue sculpted by Thomas Crawford erected in the western portion of the square in 1858. Shows the sculpture on an elaborate stone pedestal and base designed by architect Robert Mills and adorned by bronze figures of prominent Virginians. Views also show neighboring buildings and posed pedestrians, including elegantly attired ladies with parasols and a gentleman with a cane., Titles from accompanying labels., Pale yellow paper mounts with square corners., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of views of Virginia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Moran, John, 1831-1903, photographer
Date: ca. 1861
Location: Library Company of Philadelphia | Print Department stereo - Moran - Monuments & statues [5737.F.17b & d]

Title: Libby Prison The only view of this notorious prison made during the Rebellion. Dick Turner stands in the foreground
Description: Exterior view of the notoriously inhumane Confederate Prison, previously a warehouse. Depicts Turner, the former commandant of the prison, standing with a small group of white people including a child, in front of rows of tents. African Americans look on from a nearby hill., Title from label mounted on verso., Date from copyright statement: Entered according to Act of Congress in the year 1865, by Levy & Cohen in the Clerk's Office, of the District Court, for the Eastern District of Pennsylvania., Gift of Elinor Solis-Cohen, 1980., Forms part of small Civil War Photograph Collection, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Levy & Cohen was a partnership between two Jewish Philadelphia photographers who in 1865 published a series of views of occupied Richmond at the end of the Civil War. The partnership dissolved in 1865 after the unexpected death of Cornelius Levy.
Creator: Levy & Cohen, photographer
Date: 1865
Location: Library Company of Philadelphia | Print Department small Civil War photo collection - cdvs - Levy & Cohen [P.8532.2]

Title: [Young African American man, possibly Jerry Stevens an enslaved man, at Raceland Plantation, Dinwiddie, Virginia]
Description: Full-length portrait of an African American man, attired in a brimmed hat, a long-sleeved shirt, and pants with large tears and holes, holding a wooden plow over his shoulder. He stands in front of a wooden building and to the left of a wooden door. In the right is a white dog with its back to the viewer., Title supplied by cataloger., Date inferred from photographic medium and content., Purchase 2011., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1885
Location: Library Company of Philadelphia | Print Department portrait photographs - miscellaneous - Stevens [P.2011.16]

Title: John Brown - the martyr. Meeting a slave mother and her child on the steps of Charlestown jail on his way to execution. Regarding them with a look of compassion Captain Brown stooped and kissed the child then met his fate
Description: Print depicting the fictitious meeting between John Brown and an enslaved African American mother on the radical abolitionist's walk to the gallows in December 1859. Shows Brown, his hands tied behind his back, standing at the door of the Charles Town, Virginia jail gazing compassionately upon the barefooted mother and her child seated to the side of him on a stair railing. In front of them stands a stern-faced, white man soldier waiting impatiently for Brown's descent down the steps., Title from item., Date from copyright statement., Access points revised 2021., Purchase 1969., Description revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1870
Location: Library Company of Philadelphia | Print Department *Portrait Prints-B [7811.F]

Title: Brady's Album Gallery
Description: Incomplete series of the "Brady Album Gallery" of Civil War views first published in 1862 by New York publishers, E. & H.T. Anthony. Contains camp scenes, views of historic residences and military fortifications, and group portraits predominately photographed by unattributed Brady technicians, James F. Gibson and George N. Barnard. Gibson and Barnard hold copyright to twenty-six of the series. Contains series No. 1, 100, 100 (variant), 289, 302 - photographed by Barnard; No. 355, 360-361, 363-372, 377-380, 382-384, 388 - photographed by Gibson; No. 423-424, 427 - copyrighted and probably photographed by Brady., Views include: the incomplete Capitol in Washington, D.C.; General McClellan's 1862 campaign on the Virginia Peninsula including Union artillery batteries near Yorktown and Union headquarters of Generals McClellan, Scott, and Lafayette; and the inflation and ascent of the Union reconnaissance air balloon, "Intrepid." Group portraits depict African American Civil War freedom seekers, Union officers, and Union soldiers., Copyrighted by Barnard & Gibson and Mathew Brady., Stamp of Philadelphia distributor, McAllister and Brother, 728 Chestnut Street, pasted on verso of two of the series., Names of the photographers supplied by "Catalogue of photographic incidents of the war from the gallery of Alexander Gardner (Washington: H. Polkinhorn, 1863)." (Transcription in LCP research file)., Gift of Jesse G. Haydock, 1981., Description revised 2021., Access points revised 2021., Forms part of Small Civil War Photograph Collection., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1862
Location: Library Company of Philadelphia | Print Department small Civil War photo collection - Brady cdv's [P.9877.1-29]

Title: Shryock, Virginia S.
Creator: Library Company of Philadelphia, creator
Date: June 5, 1890

Title: Newbold, Virginia
Creator: Library Company of Philadelphia, creator
Date: May 11, 1917

Title: Struthers, Virginia M.
Creator: Library Company of Philadelphia, creator
Date: July 3, 1884

Title: Walton, Virginia C.
Creator: Library Company of Philadelphia, creator
Date: February 2, 1911

Title: Sherwood, Mrs. (Virginia), 1832-1888.
Description: In Gleason’s pictorial drawing-room companion, vol. 7, no. 25 (December 23, 1854), p. 396., Full-length portrait of the equestrian circus performer.
Date: [1854?]

Title: Burns, Ella Virginia.
Description: Full-length portrait of the young girl holding her hands across her waist., In The American phrenological journal, vol. 29 (Jan., 1859), p. 1., At the age of four Ella Burns was a national celebrity, renowned for her captivating public readings and poetry recitations., “Without ever having been taught spelling or the alphabet, but having herself picked up a knowledge of words by intuitive quickness of eye, [Ella] takes any book of poetry presented to her and reads verses she has never before seen, with a cadence and a pronunciation which do the fullest justice to the sense and rhythm.”--P. 2.
Date: [1859?]

Title: Bought of C. L. Wright, apothecary and druggist, 21 Bollingbrook Street
Description: Billheads of the Petersburg, Va. druggist containing ornamented lettering and a vignette illustration of a mortar and pestle., P.2011.46.266 completed in manuscript to Geo. Congden on May 1, 1885 for several items, including bush peas, beet seed, quinine, tomato seed, and Late Heat Dutch Oven for $11.08., P.2011.46.267 completed in manuscript to J.C. Fern on [189-] for several items, including Bay Rum, Kendall's beet seed, and liniment for $3.95., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date: [ca. 1880 - ca. 1890]
Location: Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - W [P.2011.46.266 & 267]

Title: The marriage
Description: Engraving accompanies a fictional episode described in Letter XI, "The Marriage." Leaning over the staircase balustrade in the upper left, the story's narrator observes the scene taking place below, as does Cleopatra, an elderly slave, who watches from several steps down. In the center of the scene, mistress Rosalie forces the slaves Mima and Juniper to jump over a broomstick that stretches between two chairs. This is part of the forced marriage ceremony over which Rosalie presides. When the weeping Mima hesitates to jump, Rosalies boxes her ears with her slipper. In the background, another house-slave watches from behind a door., Plate in Emily C. Pearson's Cousin Franck's Household, or, Scenes in the Old Dominion (Boston: Upham, Ford, and Olmstead, 1853), p 168., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Hayes, George H., engraver
Date: [1853]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1853 Pear 73222.O p 168, https://digital.librarycompany.org/islandora/object/Islandora%3A2793

Title: Making salt, at Saltville, Virginia
Description: Illustration included in Chapter LXIII, "Among the Mountains -- From Bristol to Lynchburg." It shows two black men working in the salt works in Saltsville, Virginia. In the accompaying text, King wrote the following of the two subjects: "The stout negroes working over the boiling salt were both delighted and amazed when their pictures appeared in the artist's [James Wells Champney's] sketch-book; they had never seen 'no such writin' befo'.'" (p. 571), Illustration in Edward King's The Great South (Hartford, Conn.: American Publishing Company, 1875), p. 571., Fels Afro-Americana Image Project, Work Scenes.
Date: [1875]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1875 King 3379.Q p 571, https://digital.librarycompany.org/islandora/object/Islandora%3A2829

Title: Mount Vernon, Virginia , the seat of the late Genl. Washington
Description: View showing the mansion and grounds in Fairfax county, Virginia owned by the first President of the United States. The seat, originally granted to Washington's great-grandfather John Washington in 1674, was inherited by George in 1761 and purchased by the Mount Vernon Ladies Association in 1858. In the far right foreground, a handler walks a horse., Gift of S. Marguerite Brenner.
Creator: Birch, William Russell, 1755-1834
Date: [1809]
Location: Library Company of Philadelphia | Print Department Birch Country Seats - pl 7a [P.9057.55.7a]

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