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- Title
- Grand Union ball in honor of the recent brilliant victories achieved by the land and naval forces of the United States, at the Academy of Music, Tuesday evening, March 4, 1862
- Description
- Advertisement containing a gothic-style ornamental border surrounding text providing the date of the ball, names of sponsors, ticket information, and entertainment details. Border includes vignettes of cherubs; allegorical figures representing the arts including painting, sculpture, and music; a portrait of George Washington; a mythical scene; and a view. Scene shows a bare-chested woman on a horse being attacked by a tiger surrounded by symbols of industry, science, and the humanities. View shows a seventeenth-century landing party aboard a skiff. Sponsors include Alexander Henry, Commodore C.J. Pendegrast, and Capt. W.S. Ogden. Master of Ceremonies was M[iecislaw] Hlasko (a dancing and gymnastics teacher who offered drill classes at his physical institute) and music was under the direction of the Hassler Brothers., Philadelphia on Stone, POSP 97, Originally part of a McAllister scrapbook of Civil War miscellanies.
- Creator
- Weeber, L., lithographer
- Date
- [1862]
- Location
- Library Company of Philadelphia | Print Department *BW - Advertisements - A [(2)5786.F.147a]
- Title
- P.S. Duval & Co.'s steam lithographic establishment, artizan's building Ranstead Place west from no 26 South Fourth Street Philadelphia Drawings of all kinds executed on stone. Copper and steel plates transferred. Printing, plain & coloured in the neatest style and the business in all its various branches carried on with punctuality and despatch. Nota: Engineers & surveyors wishing to execute their drawings, for transferring, merchants & others, writing their circulars or price currents, for the same purposes, will be supplied with the suitable ink & paper. Portraits, landscapes, geological and other maps, plans, architectural and historical drawings, ornamental title pages, colored illustrations, show cards, checks, circulars, price currents &c &c. Labels for patent medicines, perfumery, and all description of fancy articles, can be furnished at a very moderate cost to establishments requiring large quantities
- Description
- Directory advertisement showcasing the illuminated style of chromolithography executed by the Duval firm. Contains allegorical and historical vignettes and figures within a frame comprised of floral and Gothic elements. Includes the figure of Liberty attired in the American flag, holding a sword, and standing next to symbols of the arts such as a palette and sheet music below a framed bust-portrait of George Washington adorned with flowers and a banner reading "E. Pluribus Unum." Vignettes show lithographic artisans at work at a sketch table and rolling ink on a stone in a workshop, and a montage of medievally-attired artists and intellectuals, including a cartographer, sculptor, painter, mathematician, and composer. The Duval firm operated under the name P.S. Duval & Co. 1853-1857 and from Ranstead Place 1853-1856., Published in McElroy's Philadelphia directory, for 1854... (Philadelphia: Edward C. & John Biddle, 1854), opp. p. 12a., Not in Wainwright., Philadelphia on Stone, POSA 69, Also published in Catalogue of the twenty-second exhibition of American manufactures... (Philadelphia, 1852), frontispiece.
- Creator
- Schussele, Christian, 1826?-1879, artist
- Date
- [1854]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Dir Phila 1854 10840.O.12a
- Title
- P.S. Duval & Co.'s steam lithographic establishment, artizan's building Ranstead Place west from no 26 South Fourth Street Philadelphia Drawings of all kinds executed on stone. Copper and steel plates transferred. Printing, plain & coloured in the neatest style and the business in all its various branches carried on with punctuality and despatch. Nota: Engineers & surveyors wishing to execute their drawings, for transferring, merchants & others, writing their circulars or price currents, for the same purposes, will be supplied with the suitable ink & paper. Portraits, landscapes, geological and other maps, plans, architectural and historical drawings, ornamental title pages, colored illustrations, show cards, checks, circulars, price currents &c &c. Labels for patent medicines, perfumery, and all description of fancy articles, can be furnished at a very moderate cost to establishments requiring large quantities
- Description
- Directory advertisement showcasing the illuminated style of chromolithography executed by the Duval firm. Contains allegorical and historical vignettes and figures within a frame comprised of floral and Gothic elements. Includes the figure of Liberty attired in the American flag, holding a sword, and standing next to symbols of the arts such as a palette and sheet music below a framed bust-portrait of George Washington. The portrait is adorned with flowers and a banner reading "E. Pluribus Unum." Vignettes show lithographic artisans at work at a sketch table and rolling ink on a stone in a workshop, and a montage of medievally-attired artists and intellectuals, including a cartographer, sculptor, painter, mathematician, and composer. The Duval firm operated under the name P.S. Duval & Co. 1853-1857 and from Ranstead Place 1853-1856., Published in Catalogue of the twenty-second exhibition of American manufactures... (Philadelphia, 1852), frontispiece., Not in Wainwright., Philadelphia on Stone, POSA 68, Also published in McElroy's Philadelphia directory, for 1854... (Philadelphia: Edward C. & John Biddle, 1854), opp. p. 12a.
- Creator
- Schussele, Christian, 1826?-1879, artist
- Date
- [1852]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1852 Exhib of 50574.O.15
- Title
- Washington. [label] Full madder colors. No. Yds
- Description
- Packing label, probably for Washington Mills, the Gloucester, New Jersey textile factory, established by David S. Brown in 1844, which specialized in imprinted textiles. Contains a full-length portrait of George Washington, leaning on his horse and holding a piece of correspondence inscribed "Washington victory is ours. Paul James.", Not in Wainwright., Philadelphia on Stone, POSP 268, Historical Society of Pennsylvania: Ba 61 T 693b, LCP holds copy in John Serz Scrapbook [P.9773.49d].
- Date
- [ca. 1860]
- Location
- Historical Society of Pennsylvania HSP Ba 61 T 693b
- Title
- W.H. Rease. Lithographic artist. No. 17 South Fifth Street, Philadelphia Drawings & designs of every description, executed in the best style and on the most reasonable terms. Foundries, factories, stores, machinery, portraits, views, anatomical drawings &c &c
- Description
- Print containing two variant specimens of advertisements for the prolific Philadelphia lithographer of mid-19th century advertising prints. Top specimen contains a central vignette and three border vignettes adorned with ornamental details. Central vignette shows a semi-bare breasted Columbia with the shield of the United States and the American eagle. Border vignettes show classical-style portraits of a woman and girl, and an artist at an easel, and a lithographer drawing on stone. Lower specimen contains a central vignette and two border vignettes adorned with ornamental details. Central vignette shows a man sketching next to a tree at the bank of a river. Border vignettes show bust portraits of Benjamin Franklin and George Washington. Each specimen contains different style lettering., Price calculations, including figures for mounting, binding edges,and printing inscribed on verso., Philadelphia on Stone, POSA 109, Smithsonian Institution: Archives Center - Warshaw Collection - Lithography - Vertical File 2 - Rease, Rease operated a lithographic establishment from 17 South Fifth Street 1844-1854.
- Creator
- Rease, W. H.
- Date
- [ca. 1850]
- Location
- Smithsonian Institution | Archives Center Warshaw Collection SI NMAH Archives Center - Warshaw Collection - Lithography - Vertical File 2 - Rease
- Title
- Lithography, engraving and printing establishment. Augs. Kollner designer, engraver & lithographer. Henry Camp copperplate & lithographic printer. Phoenix Block corner of Second & Dock streets Philadelphia The Public is respectfully informed this establishment offers inducements for the execution of the finest down to the coarsest work in the different branches of this business, which no other similar establishment can offer. Any order will be thankfully received and promptly executed with neatness, dispatch, and at as moderate a price as will give entire satisfaction._ Original designs, as well as copies of any description, in any manner on paper, steel, copper & stone (lithographed), also printing and transferring from steel, copper, etc. executed in a superior style
- Description
- Advertisement containing an ornamental border, vignette examples of Kollner's work, and several lines of advertising text for the collaboration between Camp and Kollner at the Phonenix Block circa 1849-1851. Vignettes, marked with variant Kollner imprints, include General Washington, accompanied by two of his officers, and dismounted from a horse that is managed by a black handler (Servant William Lee?); a line drawing of the Phoenix Block building; the back of an old man, possibly Franklin, dressed in colonial attire, and seated at his secretary; and a view showing a grand building, probably a Capitol, along a river on which vessels sail. Border also includes vignettes. Vignettes depict a military scene with an officer on horseback accompanied by another soldier on the shore of an ocean on which a ship sails; and a trade scene between a gentleman and a Native American reviewing a stack of goods of commerce at a pier. Advertisement also contains depictions of female allegorical figures representing probably Spring and Fall flanking two ornamented poles entwined with banners. The banners are marked with the subject matter and types of prints issued by the partners, including "Portraits, Landscapes, Animals, taken from life. Vignettes from books, drafts, music titles etc." and "Showbills, labels, architectures, machine d. maps, plans, business & visiting cards.", Not in Wainwright., pdck00001, Printed on recto: To Publishers, Manufactures, etc. A.K. has taken from nature and is in possession of upwards of 500 views of picturesque scenery from the states of Pennsylvania, New York, Virginia, Maryland, New Jersey, Delaware & Ohio., Philadelphia on Stone, POSA 59, Free Library of Philadelphia: Augustus Kollner Collection - Drawings, Etchings, Lithographs Box - Lithographs-Tradesmen's Cards
- Creator
- Kollner, Augustus, b. 1813, artist
- Date
- [ca. 1850]
- Location
- Free Library of Philadelphia. | Print and Photograph Collection. FLP Augustus Kollner Collection - Drawings, Etchings, Lithographs Box - Lithographs-Tradesmen's Cards
- Title
- S.F. Jacoby & Co. Importers & dealers in foreign and domestic marble in all their varieties. J.K. & M. Freedley dealers in American marble
- Description
- Advertisement for S.F. Jacoby & Co. containing a montage of three titled views showing the sites involved in its marble manufacturing operations. The scenes are separated and surrounded by an ornate border comprised of patriotic imagery on top, including an eagle clutching the American flag and shield near a bust of George Washington and the state seals of Pennsylvania and Massachusetts; filigree, foliage, and tassels decorate the central portion, where putti hold up a banner displaying the title of the central view; and a lion-mouth fountain adorns the bottom portion of the border. Upper view shows slabs of marble piled in railroad cars pulled by a locomotive at J.K. & M. Freedley's "Bay State Marble Works in West Stockbridge, Mass," and includes residences and cattle. The bustling central scene depicts slabs of marble being moved from the boats and piled onto the wharf at the "Marble Depot Chesnut [sic] St. Wharf Schuyl. Philadelphia," ready for finishing in nearby mills or to be sold by S.F. Jacoby & Co. Includes vessels on the Schuylkill River, a partial view of the Market Street Permanent Bridge (left), and adjacent manufacturing buildings and sites near the river. The bucolic bottom scene shows slabs of marble lined on the bank and hoisted by a crane onto canal boats to be transported to desinations across the country from the Key Stone Marble Works, Conshohocken, Pa.", Date supplied by Wainwright., Philadelphia on Stone, POS 668, Upper left corner torn and repaired., LCP exhibit catalogue: Made in America #68., Wainwright retrospective conversion project, edited.
- Creator
- Rease, W. H., artist
- Date
- [ca. 1850]
- Location
- Library Company of Philadelphia | Print Department **W323 [P.2257]
- Title
- In commemoration of the hundredth anniversary of American independence
- Description
- Elaborate Centennial Exhibition commemorative print depicting an arched monument containing a central full-length portrait of George Washington surrounded by vignettes; allegorical figures; and religious quotes by the first president. Washington is depicted mounted on his horse. Arch is adorned with the names of the 38 states and is flanked by columns containing views representing the industries of the North, East, South, and West. Views show a white man laborer of the North chopping a tree at a waterfront, white women loom workers of the East, an overseer on horseback watching an enslaved African American man picking cotton in the South, and a white man farmer reaping his harvest with a horse-drawn plow in the West. Columns also contain allegorical figures to represent the years 1776 and 1876. Justice and Independence (depicted as white women and holding the Declaration), and a prostrate British soldier represent the year 1776 and Peace and Liberty (depicted as white woman and holding a "Ballot"), and a seated enslaved African American man free from his shackles represent the year 1876. Monument also contains views of Independence Hall and Memorial Hall (Centennial Exhibition), the scene showing the signing of the Declaration of Independence, and allegorical figures and emblems symbolizing the classical and industrial arts. Other pictorial elements depict the all-seeing eye; American eagle, shield, and flag; vignettes showing Washington praying, and accepting the sword of surrender from Lord Cornwallis during the American Revolution; and vignette views with dimensions of Centennial Exhibition buildings. Buildings include the Art Gallery, Main Building, Agricultural Hall, Machinery Hall, and Horticultural Hall. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Improvement copyrighted 1877 The Presbyterian Philadelphia, Pa., Philadelphia on Stone, POS 370, Gift of David Doret, 2007., RVCDC, Description revised 2021., Access points revised 2021.
- Date
- 1876, 1877
- Location
- Library Company of Philadelphia | Print Department **BW - Centennial [P.2007.28.7]
- Title
- Theo. Leonhardt & Son. Commercial lithography. 324 Chestnut St. Philadelphia
- Description
- Souvenir flier in commemoration of the Centennial Exhibition and the 25th anniversary of the lithographic firm started by Theodore Leonhardt in 1851. Contains a montage of vignettes representing the work of the studio, including views of exhibition buildings and city landmarks. Views depict Memorial Hall, Masonic Temple, Academy of Fine Arts, Horticultural Hall, Independence Hall, Pennsylvania University, Girard College, and City Public Buildings (i.e., City Hall). Also includes "Birds-Eye View Centennial International Exhibition" (center), bust-length vignette portraits of George Washington and President Grant, the seal of the city, and a banner reading Theo. Leonhardt & Son. 324 Chestnut Street, Philadelphia. 1851.1876. Most of the views also show street and pedestrian traffic. Vignettes separated by borders comprised of ornate details, graphics representing modes of the arts, and cameo portraits of a Native American, soldier, sailor, and farmer. The Leonhardt lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art in West Fairmount Park., Not in Wainwright., Cover contains pictorial design., Promotional text printed on cover: We take the liberty in presenting you this souvenir as a memento of the Nations One hundredth Birthday and our Twenty-fifth Anniversary, calling your attention to our varied Specimens in the line of Commercial Lithography. Our experience in this quarter of a century enabled us to Study the Wants of the Commercial World at large, and as we have always been striving to produce the Best Work, we leave it to your own judgement [sic] to convince yourself by personal inspection. We remain Respectfully Yours, Theo. Leonhardt & Son. Philadelphia, May 1st 1876., Philadelphia on Stone, POSA 98, Historical Society of Pennsylvania: Tradecard Collection - L - May 1, 1876
- Creator
- Theo. Leonhardt & Son
- Date
- May 1, 1876
- Location
- Historical Society of Pennsylvania HSP Tradecard Collection - L - May 1, 1876, Historical Society of Pennsylvania HSP Tradecard Collection - L - May 1, 1876 - verso
- Title
- Theo. Leonhardt & Son. Commercial lithography. 324 Chestnut St. Philadelphia
- Description
- Souvenir flier in commemoration of the Centennial Exhibition and the 25th anniversary of the lithographic firm started by Theodore Leonhardt in 1851. Contains a montage of vignettes representing the work of the studio, including views of exhibition buildings and city landmarks. Views depict Memorial Hall, Masonic Temple, Academy of Fine Arts, Horticultural Hall, Independence Hall, Pennsylvania University, Girard College, and City Public Buildings (i.e., City Hall). Also includes "Birds-Eye View Centennial International Exhibition" (center), bust-length vignette portraits of George Washington and President Grant, the seal of the city, and a banner reading Theo. Leonhardt & Son. 324 Chestnut Street, Philadelphia. 1851.1876. Most of the views also show street and pedestrian traffic. Vignettes separated by borders comprised of ornate details, graphics representing modes of the arts, and cameo portraits of a Native American, soldier, sailor, and farmer. The Leonhardt lithographic studio was renamed following the partnership between Leonhardt and his son Arno circa 1874 and the firm remained in operation until the early 20th century. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art in West Fairmount Park., Not in Wainwright., Cover contains pictorial design., Promotional text printed on cover: We take the liberty in presenting you this souvenir as a memento of the Nations One hundredth Birthday and our Twenty-fifth Anniversary, calling your attention to our varied Specimens in the line of Commercial Lithography. Our experience in this quarter of a century enabled us to Study the Wants of the Commercial World at large, and as we have always been striving to produce the Best Work, we leave it to your own judgement [sic] to convince yourself by personal inspection. We remain Respectfully Yours, Theo. Leonhardt & Son. Philadelphia, May 1st 1876., Philadelphia on Stone, POSA 98, Historical Society of Pennsylvania: Tradecard Collection - L - May 1, 1876
- Creator
- Theo. Leonhardt & Son
- Date
- May 1, 1876
- Location
- Historical Society of Pennsylvania HSP Tradecard Collection - L - May 1, 1876, Historical Society of Pennsylvania HSP Tradecard Collection - L - May 1, 1876 - verso
- Title
- Centennial Westward the course of empire takes its way
- Description
- Print commemorating the 100th anniversary of the nation, celebrated at the Centennial Exhibition through an international exhibition of industry, agriculture, and art in Philadelphia. Contains the text of the Declaration of Independence and the Proclamation Emancipation bordered by several historical and allegorical vignettes, scenes, and views that symbolize the social, political, and technological progress of the country. Oval frames surround the texts, which encircle bust-length portraits of George Washington and Abraham Lincoln. The frames are adorned with banners labeled with the names of the original 13 colonies and the 38 states recognized as of 1876. Two bird's eye views showing the development of a cityscape, possibly New York City, from 1776 to 1876 are visible between the framed texts. Other images show the "Battle of Bunker Hill"; "Battle of Gettysburg"; "Surrender of Cornwallis"; "Columbus - 1492"; colonists landing at "Plymouth Rock"; "[Lafayette's] Visit to U.S. in 1824"; "A Home of 1776" with a white woman at a loom; "Franklin's Printing Press"; "Hoe's Ten Cylinder Press"; "A Home of 1876" with a white woman at a sewing machine; the marine battles of the "Constitution and Guerriere" and "Merrimac and Monitor"; Independence Hall, and the U.S. Capitol., Uncaptioned vignettes show an auction of enslaved African American people, African American children in a classroom, farmers harvesting a field by hand, a farmer harvesting a field with a horse-drawn reaper, a man traveling by horseback, a speeding train, a hand-pump fire engine of "1776" and a steam engine of "1876." Other pictorial elements include an American eagle, flags, and a view of the Main Building of the Centennial Exhibition incorporated into the title design in addition to floral vinery interweaved between the vignettes, scenes, and views., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1876, by D.T. Ames in the office of the Librarian of Congress at Washington., Letters of title illustrated with state seals., Title based on quote by Bishop George Berkley., Not in Wainwright., Philadelphia on Stone, POS 96, Gift of David Doret, 2001., RVCDC, Description revised 2021., Access points revised 2021.
- Creator
- Ames, Daniel T., artist
- Date
- 1876
- Location
- Library Company of Philadelphia | Print Department ***BW - Centennial [P.9974.2]