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Title: Outdoor group portrait of men, women, and children, Philadelphia
Description: Group portrait showing over forty people, possibly all related, dressed in summer clothes, some in bathing suits, posing on a lawn in a wooded area near Philadelphia. In the back row, a man in a bathing suit is held above the head of another man. There are several children, including an infant, seated in the first two rows., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator: Keith, John Frank, 1883-1947, photographer
Date: ca. 1931
Location: Library Company of Philadelphia | Print Department Photographs-Keith [P.8768.16]

Title: Surrounded by the flower gems of Autumn, Horticultural Hall, Fairmount Park, Philadelphia, Pa., U.S.A
Description: View of a woman standing and posing with the flowers near Horticultural Hall in West Fairmount Park., Copyrighted 1908 by William H. Rau., Title printed on mount., Photographer's imprint printed on mount., Dark gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Creator: Rau, William Herman, 1855-1920
Date: c1908
Location: Library Company of Philadelphia | Print Department stereo - Rau - Parks [P.9047.138]

Title: Combined letter box and lamp post. Patented March 9, 1858, by Albert Potts, Philadelphia The main object of this improvement is to afford increased postal facilities for the deposit of mailable matter by attaching the boxes to lamp posts at short intervals; the convenience of the light from the lamp is a desideratum the advantages of which are evident. The letter box may be constituted of wrought or cast iron of any design required, and adapted to the shaft of any lamp post; it is warranted to be water, thief, and fire proof. For particulars address the patentee as above
Description: Advertisement showing a woman placing a letter in the combined letter box and lamp post patented by iron importer Albert Potts. The box is marked "Philada. P.O. U.S.M. Letter Box, G.G. Westcott" and the woman wears a bonnet and coat. In the shadowy background, a newsboy runs nearby, a couple approaches on the sidewalk, and the office of Potts & Roberts, i.e., Albert Potts and A.C. Roberts, at the northeast corner of Third and Willow streets, is visible. The street names are posted on the "Potts & Roberts" office and neighboring buildings are partially in view., Philadelphia on Stone, POS 147, Wainwright retrospective conversion project, edited.
Date: [1858]
Location: Library Company of Philadelphia | Print Department *W76 [P.2037]

Title: [Quaint house on unidentified street between 2nd and 3rd Streets, Philadelphia]
Description: View showing a residence in a courtyard . A group of children and a woman gather in front of the dwelling near a small garden. Also shows a young child leaning on a water fountain near a picket fence in the foreground., Title supplied by cataloguer., Manuscript note by photographer on verso: Quaint House on _______ St. bet. 2" and 3.", Duplicate of P.8513.10., Retrospective conversion record: original entry, edited., Gift of Margaret Odewalt Sweeney.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: ca. 1923
Location: Library Company of Philadelphia | Print Department photo - Wilson [P.8513.106], http://www.lcpimages.org/wilson/wilson106.htm

Title: "What do you all want to do wif dat pixture tak'en contraption"
Description: Depicts an older African American woman, with a stern expression, her arms crossed in front of her body, standing next to her brick home at Jessup and Irving Streets in Philadelphia. According to the photographer, the home is "a good example of a skilled mechanics home - the middle class of from 60 to 80 years ago," and that the woman was coaxed in to allowing the photograph after he described her house as "quaint" and she as "beautiful." Today this house is connected to the one behind it on Quince Street. Plaques on Quince Street house list builder of both buildings as Henry Vollum in 1813; the architect of additions and alterations made in 1924 was Wetherill P. Trout; those involved with connecting the two buildings in 1989 were Francis Henkels, architect, Diana Fertik, designer, and Philip Johnson, builder., Title from descriptive manuscript note on verso., Photographer's manuscript note on verso: "I don't 'low no one no how to make no fotygraf of me nor my house." "Madam" we said "we are interested in quaint old residences and beautiful women and desire to have the camra [sic] record both." The picture was a natural sequence of this little speech. The house is not far from 10[th] and Locust Sts. - Jessup and Warnock Sts. Now I wonder how many know where Jessup and Warnock Sts. bisect."A good example of a skilled mechanics home, or as this and other 'wider spread' bread earners are now designated "the middle class of from 60 to 80 years ago.", Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.188], http://www.lcpimages.org/wilson/wilson188.htm

Title: "What do you all want to do wif dat pixture tak'en contraption"
Description: Depicts an older African American woman, with a stern expression, her arms crossed in front of her body, standing next to her brick home at Jessup and Irving Streets in Philadelphia. According to the photographer, the home is "a good example of a skilled mechanics home - the middle class of from 60 to 80 years ago," and that the woman was coaxed in to allowing the photograph after he described her house as "quaint" and she as "beautiful." Today this house is connected to the one behind it on Quince Street. Plaques on Quince Street house list builder of both buildings as Henry Vollum in 1813; the architect of additions and alterations made in 1924 was Wetherill P. Trout; those involved with connecting the two buildings in 1989 were Francis Henkels, architect, Diana Fertik, designer, and Philip Johnson, builder., Title from descriptive manuscript note on verso., Photographer's manuscript note on verso: "I don't 'low no one no how to make no fotygraf of me nor my house." "Madam" we said "we are interested in quaint old residences and beautiful women and desire to have the camra [sic] record both." The picture was a natural sequence of this little speech. The house is not far from 10[th] and Locust Sts. - Jessup and Warnock Sts. Now I wonder how many know where Jessup and Warnock Sts. bisect."A good example of a skilled mechanics home, or as this and other 'wider spread' bread earners are now designated "the middle class of from 60 to 80 years ago.", Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.188], http://www.lcpimages.org/wilson/wilson188.htm

Title: Logan Square, Park Boulevard, Philadelphia
Description: Scene depicting two African American women walking past the Swann Memorial Fountain at Logan Square in Philadelphia before the installation of Alexander Stirling Calder's sculpted naiad figures in 1924. In the foreground, two women walk side-by-side on the sidewalk in front of the active fountain. Walking on the inside, the woman is attired in a black dress, stockings, and shoes, and the woman walking on the outside closer to the viewer is attired in a patterned dress, black stockings, and shoes., Title from manuscript note on verso., Date inferred from content., Duplicate print of P.8513.9., Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.109], http://www.lcpimages.org/wilson/wilson109.htm

Title: Logan Square, Park Boulevard, Philadelphia
Description: Scene depicting two African American women walking past the Swann Memorial Fountain at Logan Square in Philadelphia before the installation of Alexander Stirling Calder's sculpted naiad figures in 1924. In the foreground, two women walk side-by-side on the sidewalk in front of the active fountain. Walking on the inside, the woman is attired in a black dress, stockings, and shoes, and the woman walking on the outside closer to the viewer is attired in a patterned dress, black stockings, and shoes., Title from manuscript note on verso., Date inferred from content., Duplicate print of P.8513.9., Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.109], http://www.lcpimages.org/wilson/wilson109.htm

Title: Logan Circle
Description: Scene depicting two African American women walking past the Swann Memorial Fountain at Logan Square in Philadelphia before the installation of Alexander Stirling Calder's sculpted naiad figures in 1924. In the foreground, two women walk side-by-side on the sidewalk in front of the active fountain. Walking on the inside, the woman is attired in a black dress, stockings, and shoes, and the woman walking on the outside closer to the viewer is attired in a patterned dress, black stockings, and shoes., Title from photographer's manuscript note on verso., Date inferred from content., Duplicate print P.8513.109., Digital file shows P.8513.109., Gift of Mrs. Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.9], Library Company of Philadelphia | Print Department P.8513.9, http://www.lcpimages.org/wilson/wilson109.htm

Title: United States Bank Philadelphia
Description: Constructed 1818-24 based on the designs of Philadelphia architect William Strickland. Served as Bank of the United States (i.e. Second Bank) until 1836 when the charter was not renewed. Served as the U.S. Custom House 1844-1935. Street scene in front depicts pedestrians including women, a man pushing a wheelbarrow, and a man carrying a ladder., Philadelphia on Stone, POS 778
Creator: Walton, Henry, artist
Date: [1835]
Location: Library Company of Philadelphia | Print Department BW - Banks [P.9454.2]

Title: [Unidentified African American woman]
Description: Near full-length portrait showing an African American woman attired in a narrow-brimmed, high-domed, ornamented bonnet; dark-colored, button-down shirt waist; and white skirt with ruching at the hips. A broach with a four-leaf clover detail adorns her collar. She stands between a post to her right and a stringy, hay bale-like prop to her left. She rests her left hand on the prop and holds a parasol perpendicular to the floor in her right. A photographer's head clamp is positioned to the left of the post and a backdrop illustrated with an outdoor setting is visible in the background. The studio is partially visible in the left of the image., Title supplied by cataloger., Accompanied by detached photographer's label (P.2017.14.4b)., Date inferred from "N.B." on photographer's label., Description and access points reviewed 2022.
Creator: Fenton, J., photographer
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department tintypes - photographer - Fenton [P.2017.14.4a&b]

Title: [Three-quarter length portrait of Frances W. Bruce]
Description: Three-quarter length, forward facing, seated portrait of Frances W. Bruce. Sitter has dark hair parted in the middle with ringlet curls at the sides of her face. She is attired in a dress made of a patterned fabric of decorative scrolls and with a white lace collar and cuffs. She wears two rings on her right hand. Sitter rests her right elbow on a tableclothed side table in the left. Her left hand rests on her lap and slightly clasps her right hand. Frances Wardale Bruce (1815-1892) was William Y. McAllister’s sister and spouse of physician George D. Bruce., Title supplied by the cataloger., Date and name of photographer from manuscript note on label attached to case: Frances Bruce, Feb. 1845., Pad: Red velvet., Mat: Octagon., Case: Leather. Bouquet of mixed flowers in a vase. No design on verso., William Y. McAllister was an optician and cane manufacturer in Philadelphia from 1845 to 1860.
Creator: McAllister, W. Y. (William Young), 1812-1896, photographer
Date: Feb. 1845
Location: Library Company of Philadelphia | Print Department cased photos – McAllister [P.2021.37]

Title: [Portrait of an unidentified African American woman]
Description: Bust-length, forward facing portrait of a seated, African American woman whose eyes look to the right. Sitter has long, dark hair, parted in the middle, crimped, and looped behind her ears. She wears hoop earrings and a dark-colored, long-sleeved, silk dress with a white collar and cravat. A small, decorative button or brooch is pinned in the center of the collar. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Faded red velvet with a single swirled feather design., Mat: Oval., Leather. Geometric design with a crosshatched oval surrounded by ovals, each of which has a flower in the center. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1855-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.8]

Title: [Portrait of an unidentified African American woman]
Description: Three-quarter length, forward facing portrait of a seated, African American woman. Sitter has dark hair that is parted in the middle and combed close to and tied back behind her head. She is attired in a long-sleeved, button down, plaid dress with ruffles at the cuffs and wears a matching, round, brooch necklace and earrings. She rests her right forearm on a table and her hands, forming slight fists, rest in her lap. Her cheeks and lips are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Faded red velvet. Fleur de lis in center surrounded by scrolls., Mat: Nonpareil., Case: Leather. Geometric design featuring a six-pointed star within a shield flanked by banners. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1855-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.7]

Title: [Portrait of an unidentified African American woman]
Description: Three-quarter length, forward facing portrait of a seated, African American woman. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved, silk dress with a white lace collar, and black lace, fingerless gloves. A broach adorns her collar. She rests her left forearm on a table covered in a patterned cloth. A book lies on the table. The sitter’s left hand rests on her lap. Her lips are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Dark purple velvet with a scroll design in the center., Mat: Oval., Case: Square thermoplastic. On recto is a leaf design surrounded by scrolls. This design is #3-128 reproduced in Paul K. Berg's nineteenth century photographic cases and wall frames (Huntington Beach, Ca. 92647: Huntington Valley Press, 1995.) The design on the verso is a bunch of grapes, #2-25 in Berg's book., Gift of Mary P. Dunn, 1993., Description revised 2021., Access points revised 2021., Lib. Company. Annual report, 1993, p. 17-24.
Date: [ca. 1850-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos -Dickerson Family Collection [P.9427.16]

Title: [Portrait of an unidentified African American woman]
Description: Half-length, forward facing portrait of a seated African American woman posed behind a prop window frame. Sitter rests her left elbow and right hand on the bottom edge of the frame. Her left hand rests on her shoulder, near the side of her face. She has dark, crimped hair, parted in the middle and that is pulled back into a braided crown at the back of her head. She is attired in a dark-colored, satiny dress with a plunging V-neck and that is adorned with a frilled ribbon and long sleeves with ruching below the shoulder. She also wears a white V-neck collar adorned with a broach, frilled white cuffs, hoop earrings, and a ring on her right hand. Her cheeks and lips are tinted pink. Image also includes a creeping grape vine in the right of the image. Sitter probably from or related to the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from photographic format and attire of sitter., Sitter's cheeks tinted pink., Name of daguerreotypist inferred from studio prop (window and trailing vine) visible in image., Pad: Bright red velvet with a scroll design., Mat: Oval., Case: Leather. A large floral spray with a lily and leaves, surrounded by an ornate scrolled border. Geometric design on verso., Gift of Mary P. Dunn, 1993., Library Company. Annual Report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Creator: Broadbent, Samuel, 1810-1880, photographer
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department cased photos [P.9427.13]

Title: [Portrait of an unidentified woman]
Description: Three-quarter length, forward facing portrait of a seated, African American woman. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved, silk dress with a white lace collar, and black lace fingerless gloves. A broach adorns her collar. She rests her left forearm on a table covered in a patterned cloth. A book lies on the table. The sitter’s left hand rests on her lap. Her lips are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred by sitter's attire., Pink tinting on lips., Pad: Deep purple velvet without a design., Mat: Oval., Case: Leather. Small vase of flowers in the center surrounded by ornate decorations. The"Flower Vase" design is reproduced as Plate 146 in Floyd and Marion Rinhart's American miniature case art (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Geometric design on verso., The die-engraver's name is below the design in reverse, and properly reads A[nthony] C. Paquet., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Reproduced on page 45 of Julie Winch's The Elite of our people (University Park: The Pennsylvania State University Press, 2000), Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.11]

Title: Old Chew House, [Cliveden]. Front view. [Germantown]
Description: Exterior view of the colonial residence built 1763-1767 by master carpenter Jacob Knor for Philadelphia attorney Benjamin Chew at 6401 Germantown Avenue. Shows the facade of the two-story stone building with a pediment over the front door, shuttered windows, and dormers and chimneys on the roof. On the grounds are two sculptures, a portrait bust on a pedestal and a classical female nude without a head and arms. A woman, attired in a cap, a long-sleeved dress, and an apron, stands in the open doorway of the house. Chew House, also known as Cliveden, was the site of the turning point in the Battle of Germantown in 1777. The Chew family enslaved people of African descent in the city of Philadelphia and in Germantown during the 18th and 19th centuries. The estate was the Chew family residence until 1972 when it was acquired by the National Trust for Historic Preservation., Time: 12:15, Light: Good, no sun., Purchase 2001., Description revised 2022., Access points revised 2022., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: April 19, 1884
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.243]

Title: North-east view of St. Peter's Church (Episcopal) Philada
Description: Exterior view of the Protestant Episcopal church built 1758-1761 after the designs of Robert Smith at 300-340 Pine Street. The cupola replaced in 1842 by a tower and steeple adorns the building that is surrounded by a brick wall and ironwork fencing that exposes the church cemetery. Pedestrians, prominently women, and possibly parishioners, walk on the sidewalk. A woman street vendor with her table of wares sits near the wall at the corner. Also shows several trees on the grounds of the church and a lady attired in a broad-rimmed hat with veil standing on the opposite street corner in the right of the image., Manuscript note on recto: From the East., Philadelphia on Stone, POS 511, Wainwright retrospective conversion project, edit., Historical Society of Pennsylvania:
Creator: Breton, William L., artist
Date: 1829
Location: Library Company of Philadelphia | Print Department *W253 [P.2148]

Title: [Piper & Andrews, warm air furnace manufactory. Cooking ranges. 82 North Sixth Street, Philadelphia]
Description: Advertisement showing the four-story storefront adorned with signage on the 100 block of North Sixth Street. Signage reads "Radiator Stoves Perpetual Ovens Backs & Jambs Vault & Hearth Grates. Metalic Roofing in Tin & Copper." A patron enters one of the two open entryways into the storefront that is lined with a wall of shelves holding merchandise. Clerks and employees are visible at the cellar entrance, second entry way across from the stairs to the second floor, and in the rear of the business. Pipes and stoves are displayed at the entryways. Two other workers toil at the second floor windows. To the right of the manufactory, a woman street vendor sits in front of a rickety, wooden building front, at a falling shutter used as a table lined with foodstuffs, under an awning with a frame weighted by rocks. The upper floors of a wooden building rise from behind the site of the vendor. Also shows a partial view of an adjacent factory. Partially visible and semi-legible signs, including one reading "ady's Factory" adorn the building. Henry A. Piper and R.S. R. Andrews partnered circa 1845-1847., Title supplied by cataloger., Date from Poulson inscription on recto: North Sixth Street - 1845 -., Philadelphia on Stone, POS 603, Wainwright retrospective conversion project, edited., Trimmed.
Date: [1845]
Location: Library Company of Philadelphia | Print Department *W293 [P.2172]

Title: Charles Oakford's model hat store, 158, Chestnut Street Philadelphia. Hats, caps and furs, wholesale and retail
Description: Advertisement showing the ornately furnished interior of a later store, at 624 Chestnut Street, of the the hat establishment established by Oakford in 1827. Fitting tables adorned with lavish free standing light fixtures in front of glass display cases filled with men's hats line the sides of the room. In the foreground, Oakford assists a patron seated at one of the tables on top of which a number of hats lie. Behind the men, a clerk pulls a hat from one of the cases. In the background, in front of another fitting table on which hats sit, a clerk and gentleman patron stand and discuss hats in their hands. A third gentleman patron watches the exchange from across the aisle. An arch labeled "Oakford" is visible to the center of the room that leads to the women's and children's section at the rear of the store. A clerk assists a woman patron seated near a rack of hats and across from a woman and girl as they browse. Large tiles line the floor and the ceiling is plain. Oakford operated from the site 1853-1860 before relocating to the Continental Hotel. Oakford admitted his sons to the firm in 1856., Philadelphia on Stone, POS 109, Wainwright retrospective conversion project, edited.
Date: [ca. 1854]
Location: Library Company of Philadelphia | Print Department **W58 [P.2030]

Title: [1433-1435 South Street, Philadelphia]
Description: Real estate photograph commissioned by Albert M. Greenfield & Co. probably for publication in the firm's monthly Real Estate Bulletin depicting a three-story commercial building containing empty storefronts. Building contains signage for Greenfield & Co. offering the building for sale or rent. In the left, a woman bundled against the cold sits on the front stoop. In the center, an African American man, attired in a cap, a white collared shirt, a tie, a waistcoat with a pocket watch chain, an overcoat, and pants, stands on the sidewalk with his hands in his pockets and looks left. There is a partial view of an adjoining shoe store and two automobiles., Photographer's imprint stamped on verso and embossed on recto., Manuscript notes on verso: 1433-35 South St. [and] 1433-35 South., Manuscript note on verso: S-128., Purchase 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: 1926-1929
Location: Library Company of Philadelphia | Print Department Greenfield collection [P.9789.5]

Title: View from Lemon Hill
Description: View looking south from Lemon Hill showing the Fairmount Water Works. Depicts a group of young girls with their female chaperones seated on the grounds of the estate. Also shows the old engine house and standpipe at the waterworks; the Wire Suspension Bridge at Fairmount; and cityscape in the far background. The waterworks, originally built between 1812 and 1822, were expanded until 1872., Photographer's imprint printed on recto., Publisher's imprint printed on verso., Curved pink mount with rounded corners., Inscribed in negative: 74., Printed on mount: No. 4., Retrospective conversion record: original entry, edited., Gift of Jane Carson James., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Newell & Son, a partnership between Robert and his son, Henry, was active from circa 1870 until 1897 and the death of the elder Newell.
Creator: R. Newell & Son, photographer
Date: c1876
Location: Library Company of Philadelphia | Print Department stereo - Newell - Public Utilities [P.9299.76]

Title: [Group portrait of members of the First Association of Spiritualists, Philadelphia]
Description: Depicts the members, including two African American women, on the steps of their temple completed in 1901 at 12th and Thompson Streets. Shows the men and women standing on the sidewalk, on the steps, and in front of the open door before the entrance. Mounted on the brick wall is a plaque that reads, Temple First Association of Spiritualists. Rev. Will. J. Erwood…” The First Association of Spiritualists was a religious group that began as a benevolent society in 1852 in search of spiritual truth through spirit guides, seances, and science., Title supplied by cataloger., Date inferred from postcard type and attire of the sitters., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Gift of Chris Boas, 1990., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the late 1910s to the 1940s.
Creator: Keith, John Frank, 1883-1947, photographer
Date: [ca. 1917]
Location: Library Company of Philadelphia | Print Department photographs - Keith [P.9295]

Title: [Group portrait of members of the First Association of Spiritualists, Philadelphia]
Description: Depicts the members, including two African American women, on the steps of their temple completed in 1901 at 12th and Thompson Streets. Shows the men and women standing on the sidewalk, on the steps, and in front of the open door before the entrance. Mounted on the brick wall is a plaque that reads, Temple First Association of Spiritualists. Rev. Will. J. Erwood…” The First Association of Spiritualists was a religious group that began as a benevolent society in 1852 in search of spiritual truth through spirit guides, seances, and science., Title supplied by cataloger., Date inferred from postcard type and attire of the sitters., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Gift of Chris Boas, 1990., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the late 1910s to the 1940s.
Creator: Keith, John Frank, 1883-1947, photographer
Date: [ca. 1917]
Location: Library Company of Philadelphia | Print Department photographs - Keith [P.9295]

Title: High Street Market, Philadelphia
Description: View of the interior of a High Street Market shed near Second Street. Depicts mainly female peddlers selling their meats and produce from several stalls. Shoppers, including an African American man and a boy with a basket, inspect and purchase the market goods which are displayed on wooden counters, in baskets, and on meat hooks. The High Street Market, established in the late 17th century, became housed in a permanent structure around 1709 when a market shed was built from the Town Hall to Third Street.
Creator: Birch, William Russell, 1755-1834
Date: [1804]

Title: [Bust-length portrait of an unidentified young African American woman]
Description: Bust-length portrait of an unidentified young African American woman slightly facing right. Her hair is parted in the center and pulled back, and she is attired in a high collared shirt with shoulder flounces with lace trim and a stick pin at her neck., Title supplied by cataloger., Date inferred from dates of operation of the photographer and attire of the sitter., Photographer's imprint with insignia stamped on mount., Purchase 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Gilbert, Conrad M., photographer
Date: [ca. 1893]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Gilbert [P.9853.2]

Title: [Three-quarter length portrait of an unidentified young African American woman]
Description: Three-quarter length portrait of a young African American woman standing and facing the viewer. She wears her hair tied back and is attired in a brimmed, straw hat adorned with ribbons and flowers, a high-collared shirtwaist with narrow sleeves puffed at the shoulders, a belt with a decorative clasp at the center, and several rings on her left hand. She holds flowers in her hands which she rests on top of an upholstered chair that is in front of her. In the right is a side table covered in a patterned tablecloth with two books and a basket of flowers on top of it., Photographer's imprint stamped on mount., Title supplied by cataloger., Date inferred from operation of the photography studio and attire of the sitter., Purchase 1998., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Parlor Gallery, operated by Lewis Horning, was in business at 525 South 9th Street from circa 1886 until circa 1894.
Creator: Parlor Gallery (Firm), photographer
Date: [ca. 1891]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Parlor [P.9573.1]

Title: [Three-quarter length portrait of an unidentified young African American woman]
Description: Three-quarter length portrait of an unidentified young African American woman standing and slightly facing right. She wears he hair tied back with bangs of curls on her forehead and is attired in a dark velvet basque shirt jacket with buttons down the bodice, a floral printed skirt, earrings, bracelets on both wrists, and a pin. She is posed beside a plaster tree stump, which she rests her hands on. In the background is a painted backdrop with trees., Title supplied by cataloger., Photographer's imprint stamped on mount., Date inferred from dates of operation of photographer and attire of the sitter., Purchase 2000., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Snyder & Walton, photographer
Date: [ca. 1893]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Snyder [P.9853.4]

Title: Amy Smith, April 17, 1876
Description: Half-length portrait of Smith, a young African American woman, posed to the left. She looks forward toward the viewer. She wears a plaid-patterned garment, a white, upturned collar, and a bowtie-like ribbon at her neck. Her hair is pulled back and she wears a hair band. Smith, born in Virginia resided in Philadelphia by 1870. Smith was buried at the Harmony Burial Ground, the burial ground of the African Friends to Harmony at 41st and Chestnut Street in West Philadephia. African Friends, founded in 1826, sought to provide a cemetery for low-income African Americans to be interred with dignity and respect. Several of those buried in the cemetery were associated with the Monument Baptist Church or the Mount Pisgah A.M.E. Church. The property was sold in 1910. In 2020, the remains of over 160 burials were transferred to Eden Cemetery., Title from manuscript note on mount., Photographer's imprint printed on verso., Printed on verso: No. [57860]. Duplicated any time if orderd by the original, or by a responsible person., Manuscript note on verso: died March 23d 1878., Partially purchased with funds for the Visual Culture Program., RVCDC
Creator: Reimer, Benjamin F., approximately 1826-1899, photographer
Date: [1876]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Smith [P.2023.17.1]

Title: [Canning and preserving at demonstration center at Little Wakefield, Germantown]
Description: Shows a class for young National League for Women's Service workers at the Germantown estate "Little Wakefield." In the center, an African American woman, attired in a long-sleeved dress with the sleeves rolled up to the elbows and an apron, stands behind a table over a metal basin as she demonstrates preserving techniques. A group of young women gather around her and watch. In the left, more students stand around a stove and take jars out of a metal basin and pot. The students, many in the similar attire of a white blouse and dark bloomers, take notes, observe, assist in the preserving process, and take a photo with a hand held camera. They stand outside a building on a porch that is covered with a wooden trellis with vines growing on it. A voluntary organization in support of the homefront during World War I, the League used the Little Wakefield estate as a demonstration center. They held classes in home economics and canning and preserving, grew fruits and vegetables, and cultivated bees. Little Wakefield was built by Thomas Rodman Fisher in 1829 on property adjacent to his father's estate, Wakefield, located at 1601 Lindley Avenue. La Salle University purchased the land in 1989., Title from published postcard., Date inferred from content., Photographer's blindstamp on recto., Purchase 1989., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Pancoast, Charles R., 1858-, photographer
Date: [ca. 1918]
Location: Library Company of Philadelphia | Print Department photo - Pancoast [P.9276.43]

Title: High Street, with the First Presbyterian Church. Philadelphia, 1800
Description: Lithographic facsimile of plate nine from William Birch's "Views of Philadelphia" showing a street scene with a view of the First Presbyterian Church on Market Street below Third Street. Depicts pedestrians, predominately women, traversing the sidewalk before the church and adjacent buildings; a horse-drawn dray and cart traveling the street; and a woman peddler with her basket of goods near the High Street market shed. First Presbyterian, rebuilt from 1793 to 1794 after the designs of John Trumbull, was the first building in the city with a classic temple facade. The building was razed following the relocation of the congregation., Philadelphia on Stone, POS 355, Accession number amended by cataloger., Originally part of a McAllister scrapbook of views of Philadelphia., Original engraving illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 9., Sinclair operated from 79 South Third Street circa 1840-1849.
Creator: Sinclair, Thomas
Date: [ca. 1845]
Location: Library Company of Philadelphia | Print Department *BW - Churches and meetinghouses [Log 1322.F.c]

Title: Philada. Physical Institute Prof. Hillebrand & Lewis' gymnasium. N. E. cor. 9th & Arch
Description: Advertisement containing vignettes showing male and female gym patrons participating in physical activities and the use of exercise equipment. Equipment includes parallel bars, pummel horse, pull-up bars, ropes, weights, and peg poles. Activities include shooting, fencing, boxing, gymnastics, and weightlifting. Exercise poles incorporated into the image as pictorial elements separating the vignettes. Also contains text advertising the hours of the establishment; the skills of its instructors; separate classes and drawing rooms for the different sexes; and the benefits of exercise for the "proper development of strength, health, mind and the cure of chronic affections" and the importance to ladies to produce "strength, health, beauty and grace.", Philadelphia on Stone, POS 567, See related tradecards for Hillebrand & Lewis, including one printed by Stein & Jones. [P.9349.147a and 8608.F.5b].
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department *BW - Advertisements - H [P.8729.16]

Title: [Mr. and Mrs. Fairman Rogers chaperoning coach of young ladies, May 10, 1879]
Description: Shows the Philadelphia engineer and noted coaching enthusiast and his wife Rebecca in the cab of a four-in-hand coach in a landscape setting. Several young ladies from prominent Philadelphia families sit on the deck behind the couple. Two African American groomsmen stand near the horses. Rogers was the founder of the Philadelphia Coaching Club and the first person in Philadelphia to drive a four-in-hand, which was painted by Thomas Eakins., Title supplied by cataloger., Manuscript note on verso: Saturday May 10, 1879. Mr. & Mrs. Rodgers [sic]; Hattie Meigs; Annie Williams; Lily Sturgis; Marian Rawle; Emily Newbold; Maidie Hart; Maud Potts; May McMichael; Mrs. Dick; Harriet Etting., Purchase 2010., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Schreiber & Sons
Date: May 10, 1879
Location: Library Company of Philadelphia | Print Department photo - 5x7 - Schreiber (by photographer) [P.2010.18.1]

Title: [Dr. Barnum's Self Sewer display, Great Central Fair, Philadelphia, 1864]
Description: Unmounted stereograph shows two men and a woman sitting behind sewing machines below several framed advertisements for "Dr. Barnum's Self Sewer". American flags and an American eagle form the backdrop behind the display. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Watson, A., photographer
Date: [ca. 1864]
Location: Library Company of Philadelphia | Print Department stereo - Watson - Fairs [5781.F.168f]

Title: Happy days at Fairmount
Description: View showing a group of women and children assembled on the grass on Lemon Hill estate. The Philadelphia Girls' Rowing Club boathouse, built 1860-1861 after designs by James C. Sidney for the Philadelphia Skating Club and Humane Society, is visible on the east bank of the Schuylkill River in the background., Written on negative: 75, Title from manuscript note on mount., Photographer's imprint printed on mount., Stamped on verso: Copyrighted Kiralfy Bros., Philadelphia, 1876., Pink curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Creator: R. Newell & Son, photographer
Date: c1876
Location: Library Company of Philadelphia | Print Department stereo - Newell - Parks [P.9299.70]

Title: Souvenir of the coldest winter on record. Scene on the Delaware River at Philada. during the severe winter of 1856
Description: Frolicking genre scene showing hundreds of persons skating and sledding on the frozen river in front of the old Navy Yard at Southwark. Skaters and sledders include men pushing women in chairs with blades, men pushing a sleigh of women passengers, a man pulling a boy on a sled, and a man being pulled by a dog running through a crowd of skaters. In the foreground, a couple stands and watches the activity; a woman peddler, seated on a stool, sells an apple to a boy; and a man has fallen on the ice, near a boy leaning on another boy. In the background, a sleigh ride has been fabricated with several men pushing a large pivoted pole lever to propel a toboggan of women passengers in a circle on an area free from congestion. Watch houses stand near by, with throngs of people surrounding the sheds. Moored ships, steamboats, and sailing vessels line the shore. Also shows distant cityscape., Wainwright retrospective conversion project, edited., Philadelphia on Stone, POS 704, Historical Society of Pennsylvania: Bb72 Q3
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: 1856
Location: Library Company of Philadelphia | Print Department *W342 [P.2190]

Title: Burton & Laning. Manufactory: 6th Street above Camac
Description: Advertisement showing the factory established in 1852 at Sixth and Columbia Avenue. A worker hoists a barrel up the street-side of the four-and-a-half story "Burton & Laning's Paper Hangings Manufactory" on the industrial block. Sheds, fenced factory yards, and factory buildings dominate the surrounding landscape. Image includes heavy street activity in the foreground. A horse-drawn dray is unloaded in front of the factory; a farmer transports a pile of hay via wagon; and men push handcarts, lead a dray loaded with barrels, drive a covered wagon filled with logs, and ride on horseback. Across the street from the factory, a female vendor serves a boy a cup of milk from her canister beside her. Burton & Laning were active until 1862., Philadelphia on Stone, POS 70, Wainwright retrospective conversion project, edited., Free Library of Philadelphia: Oversize Philadelphiana - Factories and Foundries (A-M).
Creator: Rease & Schell, artist
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department *W37 [P.2018]

Title: Rittenhouse Sq
Description: Group portrait of five girls and one woman in winter coats, hats, and gloves behind snow pile., Title from photographer's manuscript note on verso., Photographer's manuscript note on verso: An Allied fortress representing two Polish children and one each American, English, French, Irish, and Italian., Gift of Margaret Odewalt Sweeney., Retrospective conversion record: original entry, edited.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: ca. 1923
Location: Library Company of Philadelphia | Print Department Wilson 119b [P.8513.119b], http://www.lcpimages.org/wilson/wilson119b.htm

Title: Runn ing to a fire. A colision [sic]
Description: One of a series of satires mocking the ineptitude of Philadelphia volunteer firefighters. Shows the rushing volunteer jostling the stand of a female fruit peddler at a street corner. She looks in annoyance over her tipped fruit baskets and spilt bottle of refreshment as the firefighter rushes past, blowing the rallying trumpet call. Storefronts, including a drugstore, and a street lamp are visible in the background., Philadelphia on Stone, POS 253a, Retrospective conversion record: original entry, edited., Harrison & Weightman was a partnership between Henry G. Harrison and William N. Weightman., Free Library of Philadelphia: Philadelphiana - The Fireman (Cartoons)
Date: c1858
Location: Library Company of Philadelphia | Print Department *BW - Fires and Fire Fighting [P.8970.10]

Title: The house intended for the President of the United States, in Ninth Street Philadelphia
Description: View showing the executive mansion, originally built for President Washington, on Ninth Street below Market Street. Erected between 1792 and 1797 by the Commonwealth of Pennsylvania, the residence (completed after Washington's term in office), never housed a president, and was later purchased by the University of Pennsylvania. In the foreground, a horse-drawn cart travels the street; an African American man rides on horseback; and a white woman with a basket, possibly a peddler, sits across the street. Views of the Alms House and House of Employment are visible in the background., Retrospective conversion record: original entry, edited., Illustrated in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 13., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: W. Birch & Son
Date: 1799
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 13/P.2276.25]

Title: High Street, with the First Presbyterian Church Taken down in 1820. Philadelphia
Description: Street scene with a view of the First Presbyterian Church on Market Street below Third Street. Depicts pedestrians, predominately women, traversing the sidewalk before the church and adjacent buildings; a horse-drawn dray and cart traveling the street; and a woman peddler with her basket of goods near the High Street market shed. First Presbyterian, rebuilt from 1793 to 1794 after the designs of John Trumbull, was the first building in the city with a classic temple facade. The building was razed following the relocation of the congregation., Contains watermark: Amies Phila and dove with branch., Retrospective conversion record: original entry, edited., Illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 9.
Creator: Birch, William Russell, 1755-1834
Date: [1828]
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 9c/P.2276.17]

Title: Back to back
Description: Racist caricature ridiculing attendees of an African American dance ball. Depicts an African American man woman couple with their backs together as they learn a dance step of which the man has "cocht de figure now!" In the left, the woman looks to the left, holds a fan and handkerchief to her left side, and stands on her toes. She is attired in a headpiece consisting of feathers, ribbons, and pearls, and an off-the-shoulder, ankle-length ball gown with puff sleeves and a pleated skirt, as well as patterned stockings, slipper shoes, and jewelry, including earrings, necklace, and a bracelet. In the right, the man holds his arms to his sides, and his hands open, as he stands on his toes. He wears a mustache and is attired in a coat with a wide collar and tails, a patterned vest and shirt with turned up collar, pantaloons, patterned stockings, and black slipper shoes adorned with buckles. The figures are portrayed with oversized and exaggerated features., Title from item., Date inferred from content and name of artist., Due to the similar content of this caraciature to the prints in the original "Life in Philadelphia" series, Murrell classifies this lithograph as a part of the series., Contains one line of dialogue in the vernacular and dialect above the image: I reckon I’ve cotch de figure now!, Imagery similar to earlier work by artist "African Fancy Ball" in Lessons in dancing, : exemplified by sketches from real life in the city of Philadelphia (Philadelphia: Published by R.H. Hobson, Chesnut Street, 1828). Copy in the holdings of the American Antiquarian Society, Worcester, MA and Rosenbach Library and Museum, Philadelphia, PA., RVCDC, Description revised 2021., Access points revised 2021., Acquired in 1968.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: [ca. 1829]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [7688.F]

Title: Life in Philadelphia. "Good evening Miss..."
Description: Sexist caricature satirizing middle-class mores and depicting a white man dandy sexually harassing a well-to-do white woman as she traverses a Philadelphia street. The man stands next to her, in the right, and the woman has an aghast expression. She has a bouffant hairstyle adorned with flowers and ribbons. She wears a long hooded cape over her hourglass shape and large hair. The dandy is dressed in a corset, a top hat, coat with tails, vest, gloves, and large bow tie. He holds a walking stick toward the ground in his right hand. A handkerchief hangs out of his right coat pocket. Cityscape and two men pedestrians are seen on the street in the background., Title from item., Date from item., Inscribed: Plate 8., The symbol of a key is used in place of the name Clay., Contains five lines of dialogue above the image: “Good evening Miss, shall I have the pleasure of walking with you?” _ Me sir!! for whom do you take me, sir? __”Come, come that’s a good one!__ for whom do I take you? Why for myself to be sure!”__, William Simpson was a Philadelphia "fancy store" proprietor who published the first 11 prints of the "Life in Philadelphia" series. He also marketed the series as part of his "Artists' Repository.", Bottom corners mended., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: 1828
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9692]

Title: Life in Philadelphia. Fancy ball
Description: Social caricature showing a white man-woman couple in costume at a Philadelphia ball. The man, in the left, his head slightly turned to the right, wears a costume reminiscent of the 16th century. He is attired in red and blue striped ballooned knickers, a green brocade jacket with a red sash and cape, white ruffle collar, and a blue cap adorned with white ostrich feathers in the front. The woman, in the right and looking toward her left, is dressed in a pastorial attire. She wears a flat yellow head piece with red and blue bows on top, a white shirt with a low décolleté neckline and puff sleeves beneath a black corset, and a blue skirt with yellow trim underneath a white apron adorned with bows and a floral border. Scene also includes men and women attendees standing behind the couple., Title from print., Date from print., Inscribed: Plate 10., The symbol of a key is used in place of the name Clay., William Simpson was a Philadelphia "fancy store" proprietor who published the first 11 prints of the "Life in Philadelphia" series. He also marketed the series as part of his "Artists' Repository" and possibly helped finance the cost of production., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: 1829
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9693]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a brown coat with tails, a white bow tie, black pants, black stockings, black slipper shoes, and white gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with blue ribbons. Her head is turned toward the man and she sits on a bench with a blue cushion. She wears a large white bonnet adorned with red and blue bows and with ribbons tied into a bow under her chin. She is also attired in a maroon dress with long puff sleeves, black trim, and a laced bodice, black ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with brown hand coloring. Setting also includes a carpet with a decorative pattern., Title from item., Date supplied by article about print in Daily Chronicle, December 10, 1829, p. 2., Contains eight lines of dialogue in the vernacular and dialect above the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 12., Inscribed: Copy right secured., S. Hart & Son was a partnership between Sarah and Abraham Hart, Jewish owners of a Philadelphia stationery store who assumed the publishing of the "Life in Philadelphia" series in 1829. She reprinted the entire series of 14 prints in 1830., Described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: 1829
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9694]

Title: Life in Philadelphia. "Good evening Miss..."
Description: Sexist caricature satirizing middle-class mores and depicting a white man dandy sexually harassing a well-to-do white woman as she traverses a Philadelphia street. The man stands next to her, in the right, and the woman has an aghast expression. She has a bouffant hairstyle adorned with yellow flowers and ribbons. She wears a long pink cape with a blue hood over her hourglass shape and large hair. The dandy is dressed in a corset, a black top hat, blue coat with tails, pink vest, gloves, and large pink bow tie. He holds a walking stick toward the ground in his right hand. A white handkerchief hangs out of his right coat pocket. Cityscape and two men pedestrians are seen on the street in the background., Title from item., Date from item., Inscribed: Plate 8., The symbol of a key is used in place of the name Clay., Contains five lines of dialogue above the image: “Good evening Miss, shall I have the pleasure of walking with you?” _ Me sir!! for whom do you take me, sir? __”Come, come that’s a good one!__ for whom do I take you? Why for myself to be sure!”__, Sarah Hart was a Jewish Philadelphia stationer who with her son, Abraham Hart, a future eminent Philadelphia publisher, assumed publication of the "Life in Philadelphia" series in 1829. She, alone, reprinted the entire series of 14 prints in 1830., Reaccessioned as P.9701.2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9701.2]

Title: Promenade in Washington Square
Description: Caricature depicting a modishly dressed white couple (man and woman) strolling through Philadelphia's Washington Square near the Society Hill section of the city. The woman wears a bright yellow dress with extremely puffed leg o'mutton sleeves and a dramatically large yellow hat with a massively wide brim. Blue and yellow striped ribbons are attached to the hat and hang down from the brim. A kerchief and necklace adorn her neck. She carries a purple purse and a pink umbrella in her left hand and a pink monocle in her right. She holds the monocle close to the side of her chin. The man wears a blue waistcoat with massively puffed leg o'mutton sleeves, a plaid cravat, brown trousers, and top hat. He holds a walking cane in his left hand to the side of his waist. Both figures are depicted with corseted waists. Two fashionably dressed women, a fashionably dressed couple (man and woman) with a child, and multi-story buildings and trees are seen in the background. In the early 1800s Washington Square evolved from a pasture ground and a burial ground for the city’s African American community, indigent community, and Revolutionary War soldiers in the 18th century to a park at the request of the wealthy residents in the neighborhood., Title from item., Date inferred from dates of later plates in the series., Probably published by William Simpson., Inscribed: Plate 1., Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era. (PhD. diss., The University of Michigan, 1980), p. 86. (LCP Print Room Uz, A423.O)., Part of the digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., Accessioned in 1999.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1828]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9688]

Title: South east corner of Third, and Market Street. Philadelphia
Description: Street scene depicting the bustling southeast corner of Third and Market Streets. Several vendors, mostly women, sell meat and produce from their basic stands and baskets to the numerous patrons, including two Black women in kerchiefs and shawls, milling on Market Street. View includes the commercial business block erected in 1792 by prosperous jeweler and developer Joseph Cooke, known as "Cooke's Folly." The lavish building, containing residences and stores to be won as lottery prizes, was demolished in 1838 after several years of decay from lack of investment., Title from item., Manuscript note on recto: Presented by Thos. Marsh., Illustrated in S. Robert Teitelman's Birch's views of Philadelphia. (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 8., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: W. Birch & Son
Date: 1799
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 8/P.2276.14]

Title: South east corner of Third, and Market Street. Philadelphia
Description: Street scene depicting the bustling southeast corner of Third and Market Streets. Several vendors, mostly women, sell meat and produce from their basic stands and baskets to the numerous patrons, including two Black women in kerchiefs and shawls, milling on Market Street. View includes the commercial business block erected in 1792 by prosperous jeweler and developer Joseph Cooke, known as "Cooke's Folly." The lavish building, containing residences and stores to have been won as lottery prizes, was demolished in 1838 after several years of decay from lack of investment., Title from item., Illustrated in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982), pl. 8., Accessioned 1979., Description revised 2021., Access points revised 2021.
Creator: W. Birch & Son
Date: 1799
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 8/P.2276.15]

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