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Title: High Street in 1799 at present Market Street Philadelphia, Pa
Description: Founder's Week postcards commemorating the 225th anniversary of the founding of Philadelphia. Copies of William Birch's engraved view of High (Market) Street from Ninth depicting a detachment of the First City Troop of Philadelphia drilling on horseback. The troop promenades up the busy street where several horse-drawn carts and a dray travel and several pedestrians, including an African American man and boy (in the right), watch the guard and/or stroll the tree-lined sidewalks. A market shed is seen in the distance. The First City Troop, one of the oldest continually mounted U.S. military units, was organized in 1774 to defend against British invasion. The troop used a variety of arenas to perform drills including circuses, riding schools, and various public grounds. Founder’s Week celebrated the 225th anniversary of the founding of Philadelphia, October 4-10, 1908. There were numerous parades and activities with each day having a special designation, including Religious, Military, Municipal, Industrial, Children’s and Naval, Historical, and Athletic and Knights Templar Day., Title from item., Date from copyright statement: Copyright 1908 by P. Sander, N.Y., Series no.: 254-1., Divided backs., Gift of Clarence Wolf, 1984., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1908
Location: Library Company of Philadelphia | Print Department LCP postcards - Streets - [P.9049.43 - 44]

Title: [Portrait of an unidentified woman]
Description: Bust-length, forward facing portrait of an African American woman. Sitter has long, dark hair, parted in the middle, and looped behind the ears. She is attired in hoop earrings, a white collared chemisette, a dress with polka dots, and a dark-colored shawl. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Pad: Dark purple velvet. No design., Mat: Oval., Case: Leather. Surrounded by scrolls, a spray of lillies is in the center. Geometric design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.4]

Title: [Portrait of an unidentified woman]
Description: Three-quarter length, forward facing portrait of an African American woman. Sitter has long, dark hair, parted in the middle, crimped, and looped behind the ears. She is attired in a striped, long-sleeved dress with a wide lace collar, a brooch, black laced fingerless gloves, and a ribbon around her neck attached to a pair of spectacles. She rests her left arm on a table covered with a patterned tablecloth on which a book sits. Her right hand rests at her side below her waist. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Pad: Faded golden colored velvet. Geometric design in center surrounded by swirls., Mat: Double elliptical., Case: Leather. Geometric design: striated lines in the center within interlocking circles. Shell-like designs at the four corners. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [Philadelphia]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.5]

Title: [Portrait of an unidentified African American woman]
Description: Bust-length, forward facing portrait of a seated, African American woman whose eyes look to the right. Sitter has long, dark hair, parted in the middle, crimped, and looped behind her ears. She wears hoop earrings and a dark-colored, long-sleeved, silk dress with a white collar and cravat. A small, decorative button or brooch is pinned in the center of the collar. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Faded red velvet with a single swirled feather design., Mat: Oval., Leather. Geometric design with a crosshatched oval surrounded by ovals, each of which has a flower in the center. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1855-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.8]

Title: [Portrait of an unidentified African American woman]
Description: Half-length, forward facing portrait of an African American woman seated on a chair. Sitter has long, dark hair, parted in the middle, and tied behind her head. She is attired in a dark-colored, diagonally striped, long-sleeved dress with a lace collar, a brooch, and a long necklace. She rests her left arm on a table covered with a patterned tablecloth, and her right hand rests on her lap. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Pad: Cinnamon colored velvet with one large leaf., Mat: Octogonal., Case: Leather. Design is curved octagon within scroll and is Plate 219 in Floyd and Marion Rinhart's American miniature case art (Cranbury, NJ: A. S. Barnes and Co., Inc., 1969). Case made by William Shew who was active in Boston in the 1840s. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993 p. 17-24., Description revised 2021., Access points revised 2021.
Date: [Philadelphia]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.10]

Title: [Portrait of an unidentified African American woman]
Description: Three-quarter length, forward facing portrait of a seated, African American woman. Sitter has dark hair that is parted in the middle and combed close to and tied back behind her head. She is attired in a long-sleeved, button down, plaid dress with ruffles at the cuffs and wears a matching, round, brooch necklace and earrings. She rests her right forearm on a table and her hands, forming slight fists, rest in her lap. Her cheeks and lips are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Faded red velvet. Fleur de lis in center surrounded by scrolls., Mat: Nonpareil., Case: Leather. Geometric design featuring a six-pointed star within a shield flanked by banners. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1855-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.7]

Title: [Portrait of an unidentified woman]
Description: Half-length, forward facing portrait of an African American woman. Sitter has long, dark hair, parted in the middle with ringlet curls on either side of her face, and tied behind her head. She is attired in a long-sleeved dress with a lace collar, a brooch, and a ring. She rests her right arm on a table covered with a patterned tablecloth, and she clutches a purse in her right hand. Her left hand rests on her lap. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred by sitter's attire., Pad: Faded red silk., Mat: Nonpareil., Case: Leather. Geometric design: A striated circle in the center within a striated oval. Nonpareil border. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.6]

Title: [Portrait of an unidentified African American woman]
Description: Three-quarter length, forward facing portrait of a seated, African American woman. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved, silk dress with a white lace collar, and black lace, fingerless gloves. A broach adorns her collar. She rests her left forearm on a table covered in a patterned cloth. A book lies on the table. The sitter’s left hand rests on her lap. Her lips are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Pad: Dark purple velvet with a scroll design in the center., Mat: Oval., Case: Square thermoplastic. On recto is a leaf design surrounded by scrolls. This design is #3-128 reproduced in Paul K. Berg's nineteenth century photographic cases and wall frames (Huntington Beach, Ca. 92647: Huntington Valley Press, 1995.) The design on the verso is a bunch of grapes, #2-25 in Berg's book., Gift of Mary P. Dunn, 1993., Description revised 2021., Access points revised 2021., Lib. Company. Annual report, 1993, p. 17-24.
Date: [ca. 1850-ca. 1860]
Location: Library Company of Philadelphia | Print Department Cased photos -Dickerson Family Collection [P.9427.16]

Title: [Portrait of an unidentified African American woman]
Description: Three-quarter length, front facing portrait of a seated African American woman. Sitter has dark hair, parted in the middle, crimped, and looped behind her ears. She is attired in a dark-colored, silk dress with long, bell-shaped sleeves with trim details and ruching below the shoulder. She also wears a lace collar and cuffs. A pin adorns the front of her collar. She rests her left forearm on a book which sits atop a table covered in a patterned cloth in the right of the image. A ribbon adorns her left wrist and she wears a ring on her left forefinger. Her right hand rests in her lap. Her lips and upper cheeks are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Tinting on sitter's lips and upper cheeks., Pad: Deep purple velvet without a design., Mat: Oval., Case: Leather. Case design showing small vase of flowers in the center surrounded by ornate decorations is called "Flower Vase Motif" and is Plate 146 in Floyd and Marion Rinhart's American miniature case art (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Geometric design on verso., Die-engraver's name on case design reads A[nthony] C. Paquet., Gift of Mary P. Dunn, 1993., Library Company. Annual Report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.15]

Title: [Portrait of an unidentified African American woman]
Description: Three-quarter length, forward facing portrait of an African American woman seated on a chair with an ornate, wooden back. Sitter has long, dark hair, parted in the middle, crimped, and looped behind her ears. She wears hoop earrings and a dark-colored, long-sleeve button-down, silk dress with a lace collar and cuffs. A broach adorns her collar. She also rests her right forearm and hand on a book which sits atop a table covered in a patterned cloth in the left of the image. She wears a ring on her right hand and her left hand, in a slight fist, rests in her lap. Her cheeks are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from photographic format and attire of sitter., Tinting on cheeks., Pad: Dark red velvet with a scroll design., Mat: Oval., Case: Leather. A large floral spray with a lily and leaves, surrounded by an ornate scrolled border. Same design on verso., Gift of Mary P. Dunn, 1993., Library Company. Annual Report, 1993, p. 17-24., Reproduced on cover and on page 45 of Julie Winch's The Elite of our people (University Park: The Pennsylvania State University Press, 2000)
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.12]

Title: [Portrait of an unidentified woman]
Description: Three-quarter length, forward facing portrait of a seated, African American woman. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved, silk dress with a white lace collar, and black lace fingerless gloves. A broach adorns her collar. She rests her left forearm on a table covered in a patterned cloth. A book lies on the table. The sitter’s left hand rests on her lap. Her lips are tinted pink. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred by sitter's attire., Pink tinting on lips., Pad: Deep purple velvet without a design., Mat: Oval., Case: Leather. Small vase of flowers in the center surrounded by ornate decorations. The"Flower Vase" design is reproduced as Plate 146 in Floyd and Marion Rinhart's American miniature case art (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Geometric design on verso., The die-engraver's name is below the design in reverse, and properly reads A[nthony] C. Paquet., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Reproduced on page 45 of Julie Winch's The Elite of our people (University Park: The Pennsylvania State University Press, 2000), Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.11]

Title: [Portrait of an unidentified woman]
Description: Half-length, forward facing portrait of an African American woman seated on a chair. Sitter has long, dark hair, parted in the middle, and looped behind her ears. She is attired in a dark-colored, long-sleeved dress with a white chemisette with a collar and under sleeves, a brooch, and a ring. She rests her left arm on a table covered with a patterned tablecloth, and her right hand rests on her lap. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from sitter's attire., Pad: Faded red velvet with small floral spray in center surrounded by scrolls., Mat: Nonpareil., Case: Leather. Case design of a bouquet of flowers in an urn within a nonpareil border is called "The Romanesque Urn" and is Plate 141 in Floyd and Marion Rinhart's American miniature case art (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993 p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.14]

Title: Philada. Physical Institute Prof. Hillebrand & Lewis' gymnasium. N. E. cor. 9th & Arch
Description: Advertisement containing vignettes showing male and female gym patrons participating in physical activities and the use of exercise equipment. Equipment includes parallel bars, pummel horse, pull-up bars, ropes, weights, and peg poles. Activities include shooting, fencing, boxing, gymnastics, and weightlifting. Exercise poles incorporated into the image as pictorial elements separating the vignettes. Also contains text advertising the hours of the establishment; the skills of its instructors; separate classes and drawing rooms for the different sexes; and the benefits of exercise for the "proper development of strength, health, mind and the cure of chronic affections" and the importance to ladies to produce "strength, health, beauty and grace.", Philadelphia on Stone, POS 567, See related tradecards for Hillebrand & Lewis, including one printed by Stein & Jones. [P.9349.147a and 8608.F.5b].
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department *BW - Advertisements - H [P.8729.16]

Title: S.E. corner of 22nd & Green Sts. Philada
Description: Exterior view of the front and east elevations of the three-story brick row houses at 2146-2148 Green Street. Includes the side entrance of the corner property and a street lamp. Two women, three girls, and a baby in a carriage pose on the corner. Also shows a partial view of a horse-drawn streetcar (labeled "40" on the rear) turning the corner and heading east on Green Street., Title from manuscript note on verso., Initials and date from manuscript note on verso: J.B. 9/10/61., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: September 10, 1861
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Streets [P.9751.1]

Title: [Crowd outside the Evening Telegraph office, Betz Building, South Broad Street, Philadelphia]
Description: View looking east from Broad Street showing a crowd gathered on the sidewalk in front of the Evening Telegraph office in the Betz Building (i.e., Lincoln Building) built 1891-1892 after designs by William H. Decker on South Broad Street. Includes a partial view of a car travelling north on Broad Street and a woman walking west toward the photographer. The spectators read hand-written notes on the chalkboard in front of the offices., Title supplied by cataloger., Gray mount with rounded corners., The Public Ledger Company purchased The Evening Telegraph in 1918., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Date: [ca. 1918]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Events [P.9047.1]

Title: Fairmount Park
Description: View of a woman standing against the rail of a rustic bridge spanning a stream in Fairmount Park., Title from manuscript note below image on mount., Distributor's stamp on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Parks [P.2003.14]

Title: [Piper & Andrews, warm air furnace manufactory. Cooking ranges. 82 North Sixth Street, Philadelphia]
Description: Advertisement showing the four-story storefront adorned with signage on the 100 block of North Sixth Street. Signage reads "Radiator Stoves Perpetual Ovens Backs & Jambs Vault & Hearth Grates. Metalic Roofing in Tin & Copper." A patron enters one of the two open entryways into the storefront that is lined with a wall of shelves holding merchandise. Clerks and employees are visible at the cellar entrance, second entry way across from the stairs to the second floor, and in the rear of the business. Pipes and stoves are displayed at the entryways. Two other workers toil at the second floor windows. To the right of the manufactory, a woman street vendor sits in front of a rickety, wooden building front, at a falling shutter used as a table lined with foodstuffs, under an awning with a frame weighted by rocks. The upper floors of a wooden building rise from behind the site of the vendor. Also shows a partial view of an adjacent factory. Partially visible and semi-legible signs, including one reading "ady's Factory" adorn the building. Henry A. Piper and R.S. R. Andrews partnered circa 1845-1847., Title supplied by cataloger., Date from Poulson inscription on recto: North Sixth Street - 1845 -., Philadelphia on Stone, POS 603, Wainwright retrospective conversion project, edited., Trimmed.
Date: [1845]
Location: Library Company of Philadelphia | Print Department *W293 [P.2172]

Title: Charles Oakford's model hat store, 158, Chestnut Street Philadelphia. Hats, caps and furs, wholesale and retail
Description: Advertisement showing the ornately furnished interior of a later store, at 624 Chestnut Street, of the the hat establishment established by Oakford in 1827. Fitting tables adorned with lavish free standing light fixtures in front of glass display cases filled with men's hats line the sides of the room. In the foreground, Oakford assists a patron seated at one of the tables on top of which a number of hats lie. Behind the men, a clerk pulls a hat from one of the cases. In the background, in front of another fitting table on which hats sit, a clerk and gentleman patron stand and discuss hats in their hands. A third gentleman patron watches the exchange from across the aisle. An arch labeled "Oakford" is visible to the center of the room that leads to the women's and children's section at the rear of the store. A clerk assists a woman patron seated near a rack of hats and across from a woman and girl as they browse. Large tiles line the floor and the ceiling is plain. Oakford operated from the site 1853-1860 before relocating to the Continental Hotel. Oakford admitted his sons to the firm in 1856., Philadelphia on Stone, POS 109, Wainwright retrospective conversion project, edited.
Date: [ca. 1854]
Location: Library Company of Philadelphia | Print Department **W58 [P.2030]

Title: [Chestnut Street looking east from below Fifteenth Street, Philadelphia]
Description: Shows several businesses on the 1200-1500 blocks of Chestnut Street. Businesses include Commonwealth Trust Company building built 1901 after the designs of James Windrim & Son (1201-1205 Chestnut); the Crozier Building and American Baptist Publication Society built between 1896-1899 after the designs of Frank Miles Day & Bro. (1420-1422 Chestnut); Child's Restaurant built circa 1906 (1425-1427 Chestnut); Colonnade Hotel built in 1868 and razed in 1925 (1500-1506 Chestnut); the Pennsylvania Building built circa 1903 after the designs of McClure & Sphar (1501-1515 Chestnut); and Showell, Fryer & Co., grocers (1517 Chestnut). Electric signs adorn several of the buildings, including signage for Cafe L'Aiglon adorning the Pennsylvania Building. Also shows several pedestrians, including two African American women, walking on the sidewalks and cars parked in the street., Title supplied by cataloger., Date inferred from attire of the people and dates of operation of the businesses depicted., Purchase 2002., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1915]
Location: Library Company of Philadelphia | Print Department photo -unidentified - Streets [P.2002.17.3]

Title: Combined letter box and lamp post. Patented March 9, 1858, by Albert Potts, Philadelphia The main object of this improvement is to afford increased postal facilities for the deposit of mailable matter by attaching the boxes to lamp posts at short intervals; the convenience of the light from the lamp is a desideratum the advantages of which are evident. The letter box may be constituted of wrought or cast iron of any design required, and adapted to the shaft of any lamp post; it is warranted to be water, thief, and fire proof. For particulars address the patentee as above
Description: Advertisement showing a woman placing a letter in the combined letter box and lamp post patented by iron importer Albert Potts. The box is marked "Philada. P.O. U.S.M. Letter Box, G.G. Westcott" and the woman wears a bonnet and coat. In the shadowy background, a newsboy runs nearby, a couple approaches on the sidewalk, and the office of Potts & Roberts, i.e., Albert Potts and A.C. Roberts, at the northeast corner of Third and Willow streets, is visible. The street names are posted on the "Potts & Roberts" office and neighboring buildings are partially in view., Philadelphia on Stone, POS 147, Wainwright retrospective conversion project, edited.
Date: [1858]
Location: Library Company of Philadelphia | Print Department *W76 [P.2037]

Title: Mrs. Lena Mason's Chautauqua meetings, Aug. 1st - Sept. Phila, Pa
Description: Postcard showing an African American Chautauqua meeting. Depicts African American men, women, and children gathered near several tents. In the foreground, an African American woman and man, possibly Mrs. and Mr. Mason, stand and look at the viewer next to a wooden chair with a hat on top of it. Chautauqua meetings, developed from the Lyceum Movement, were traveling tent shows providing education and entertainment to early 20th-century audiences., Title and date from item., Photographic paper company's imprint on verso: Mermont Photo Paper Co., New York., Purchase 2001., Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1908
Location: Library Company of Philadelphia | Print Department LCP postcards - Events [P.9933.9]

Title: Runn ing to a fire. A colision [sic]
Description: One of a series of satires mocking the ineptitude of Philadelphia volunteer firefighters. Shows the rushing volunteer jostling the stand of a female fruit peddler at a street corner. She looks in annoyance over her tipped fruit baskets and spilt bottle of refreshment as the firefighter rushes past, blowing the rallying trumpet call. Storefronts, including a drugstore, and a street lamp are visible in the background., Philadelphia on Stone, POS 253a, Retrospective conversion record: original entry, edited., Harrison & Weightman was a partnership between Henry G. Harrison and William N. Weightman., Free Library of Philadelphia: Philadelphiana - The Fireman (Cartoons)
Date: c1858
Location: Library Company of Philadelphia | Print Department *BW - Fires and Fire Fighting [P.8970.10]

Title: Anna Dickinson
Description: Bust-length portrait of the Philadelphia Quaker orator, lecturer, author, abolitionist, and women's rights activist. Dickinson, wearing her hair tied back with curls around her face and attired in a patterned dress with a white lace collar, a brooch, and drop earrings, faces slightly left., Title from manuscript note on verso., Probably by Philadelphia photographer Peregrine Cooper., Gift of Richard P. Morgan, 1996., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - sitter - Dickinson [P.9516.3]

Title: Ledger carriers annual greeting 1862 Girard College (Philadelphia)
Description: View of Girard College at Girard Avenue facing northwest from Corinthian Avenue including Founder's Hall and the eastern and western outbuildings. Street scene in the foreground includes a streetcar drawn by a team of six horses; elegantly dressed white pedestrians strolling, including men and women couples; and an African American man leaning against a pole smoking a pipe. The college buildings, designed by Philadelphia architect Thomas Ustick Walter in the Greek Revival style, were constructed from 1833-1847. Girard College was established through a bequest from Stephen Girard, a Philadelphia financier and philanthropist, for the creation of a school for poor white male orphans., Title from item., After drawing by Augustus Kollner published as plate 9 of a series of fifty-four lithographs executed by Isidore Laurent Deroy issued as a bound volume in New York and Paris by Goupil, Vibert and Company from 1848 to 1851 under the title "Views of American Cities.", Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1861]
Location: Library Company of Philadelphia | Print Department *PhPr - Education - Girard [1883.F.182]

Title: Louis L. Peck manufacturer & dealer in burning fluid varnishes, pine oil, virgin & sp[iri]ts of turpentine absolute, apothecaries, deodorized and fluid alcohol, of a superior quality linseed oil, white lead, lamps of every description, German & English bronzes, Dutch metal, sand paper, &c Hecker's farina, family flour, & Hope Mills pure ground spices. Flour & farina store, 101 S. Front St. Varnish Store, 15 Dock Street. Lamp, pine oil & fluid store, 3 & 5 N. Eighth St. Philadelphia
Description: Advertisement showing the busy street corner at Front and Walnut streets near the Delaware River with a view of the building containing the oil manufactory, and the flour and farina store. The scene is depicted within a lithographed tromp l'oeil wood frame containing an inset of an exterior view of Peck's Works at Dock Street. Delivery wagons and drays traverse the business-lined streets, including one for Peck's driven by an African American man. Pedestrians walk the sidewalks and cross the intersection, and a white boy rolls a hoop past a white woman peddler sewing by her food stand. Visible in the background are the busy Walnut Street Ferry wharf and Smith and Windmill Islands in the Delaware River. Louis L. Peck's varnish business operated from around 1848 until 1855., Title from item., Date supplied by Wainwright., Printed below the image: Orders for the City, Country, or Shipping put up, with Care and Despatch, at the lowest market prices., Philadelphia on Stone, POS 444, Reproduced in Edwin Wolf's Quarter of a millennium (Philadelphia: The Library Company of Philadelphia, 1981, rev. 1990), p. 177., LCP exhibition catalogue: Made in America #79., Lithograph reproduced on the cover of Nicholas B. Wainwright's Philadelphia in the romantic age of lithography (Philadelphia: The Historical Society of Pennsylvania, 1958). Proof of cover in the Library Company's collections (W222.1)., Accessioned 1982., Description revised 2021., Access points revised 2021., Wagner & M'Guigan, was an early successful experimenter in chromolithography, winning a silver medal at the 1844 Franklin Institute exhibition.
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department **W222 [P.2134]

Title: [Life in Philadelphia miniatures]
Description: Five cartes-de-visite size racist and sexist social caricatures derived from the series "Life in Philadelphia," including figures in brightly colored and ornately patterned fashion. Lines of dialogue are included below the images. Depicts a scene of a white man sexually harassing a white woman, their fashion caricatured (P.9717.1); a thwarted celebration of the election of Andrew Jackson centered on an African American man and boy portrayed in caricature (P.9717.2); a discussion of hot weather between an African American man and woman portrayed in caricature (P.9717.3); a dance ball centered on an African American man and woman portrayed in caricature ((P.9717.4); and the purchase of silk stockings by an African American woman portrayed in caricature (P.9717.5). The prints are captioned respectively: "Good Evening Miss..."; "Why for you hurrah for General Jackson?"; "How you find yourself dis hot weder Miss Chloe?"; "Shall I hab de honor to dance de next quadrille...?"; and "Have you any flesh colored silk stockings...?" The scenes also contain detailed backgrounds that include cityscape, pedestrian traffic, figures at celebration, bucolic scenery, the interior of a ballroom with white attendees, and the interior of a clothing store attended by a white man clerk speaking with a French dialect. The African American figures are portrayed with exaggerated features and stances. The white woman figure is portrayed with an exaggerated silhouette because of her fashion comprised of a bell-shaped overcoat and dress., Title supplied by cataloguer., Date inferred from content., P.9717.1 contains lines of dialogue below the image: Good evening Miss, shall I have the pleasure of walking with you._ Me Sir!! for whom do you take me, Sir?_ Come that’s a good one!-for whom do I take you? Why for myself to be sure., P.9717.2 contains lines of dialogue in the vernacular and dialect below the image: Hurrah! Hurrah for General Jackson. Why for you hurrah for General Jackson – you black Nigger – I’ll larn you better – I’m a ministration man., P.9717.3 contains lines of dialogue in the vernacular and dialect below the image: How you find yourself dis hot weder Miss Chloe? Pretty well I tank you Mr. Cesar, only I aspire too much., P.9717.4 contains lines of dialogue in the vernacular and dialect below the image: Shall I habe de honour to dance next Quadrille wid you Miss Minta. Tank you Mr. Cato wid much pleasure only I’, engaged for de next nine Set!”, P.9717.5 contains lines of dialogue in the vernacular and dialect below the image: Have you any Flesh color’d Silk Stockings young Man? Oui Madame! Her is von pair of de first quality., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London) [P.9717.1-.5]

Title: Life in Philadelphia. The cut direct. or getting up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O).
Date: [ca. 1832]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [7893.F.2]

Title: Life in Philadelphia. The cut direct. or getting up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his other hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Print Room Uz, A423.O)
Date: [ca. 1832]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) (P.9718a)

Title: Life in Philadelphia. The cut direct. or how to get up in the world
Description: Racist caricature portraying nouveau riche African Americans as prejudiced against lower class African Americans. Depicts an African American bootblack greeting an elegantly dressed African American couple who feign ignorance of the man's acquaintance after their return from New York. The raggedly dressed bootblack, while holding his rod of boots in one hand, uses his free hand to grab the hand of "Casar." "Casar" dressed in a hat and overcoat looks suspiciously at their joined hands. He states that the bootblack has mistaken his identity as his wife, dressed in a large bonnet with feathers and a veil and a dark overcoat, confirms the mistake and adds, "we are Guinea People, you Imperdent Nigger.", Charles Ingrey was one of the premier London lithographic printers of the 1830s., Nancy Davison's E.W. Clay: American Political Caricaturist of Jacksonian America (PhD. diss., The University of Michigan, 1980), p. 80-81. (LCP Uz, A423.O).
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9718b]

Title: Testimonial banquet to Ms. Eugenia M. Neal. Daughter Ruler Keystone Temple, No. 448 I.B.P.O.E.W., Dec. 8, 1930. O. V. Catto Elks Home, Philadelphia
Description: Panoramic group portrait photograph depicting over one hundred African American men and women, of all ages, at a testimonial banquet of the Improved Benevolent Protective Order of Elks of the World for Eugenia Neal (1873-1949). The attendees, attired in evening wear, sit at rows of tables and a few booths in the right of the room. Attendees wear suits, tuxedos, and evening and cocktail dresses. Most of the sitters do not smile and face the camera. Some are turned away or eating. Some of the men wear their I.B.P.O.E.W. fezzes. In the right background, one woman has an arch of flowers over her. The tables are covered in white tablecloths and lined with plates of food, serving platters, and silver pitchers. In the background, at the back of the room, a small band of men musicians is seated next to a woman at a piano. Streamers and a paper bell adorn the ceiling. The O.V. Catto Elks Lodge began in 1903 as a chapter of the Improved Benevolent Protective Order of Elks of the World established in 1897 with a mission to "practice charity by providing and performing charitable services in our communities throughout the world and by promoting harmony, friendship, and unity among our esteemed members." By 1926, the Lodge had over 3000 members, and in 1929, it relocated to a new building that included a boxing ring, basketball court, and rooftop garden, at 16th and Fitzwater. Eugenia Neal, born Eugenia Brisby in Virginia, worked as a typesetter in Philadelphia by 1920. Married to Moses Neal in 1896, the couple resided in Atlantic City before relocating to Philadelphia by 1910. As a Daughter Ruler, Neal lead the Keystone Temple with her male counterpart, Exalted Ruler, and "under their leadership, all Elks shall show[ed] truth in activities and live[d] to help others, while promoting Brotherly and Sisterly Love to all.", Title and date from item.
Date: [1930]
Location: Library Company of Philadelphia | Print Department framed graphics [P.2023.5]

Title: Chinatown, Philadelphia, Pa. [900 block Race Street]
Description: View of Chinatown on the 900 block of Race Street in Philadelphia. In the right, shows the exterior of the Far East Chinese Restaurant at 907-909 Race Street built after the designs of Thomas Ustick Walter in ca. 1827 and later altered with 907 raised one story and 909 raised two stories. There are Chinese architectural details on the balcony and awning which reads, 907 Far East Chinese Cafe. A white man police officer and a white woman stand under the awning and face the viewer. Buildings extend on both sides of the street including another restaurant with a sign that reads, 917 Cafe. Men and women pedestrians walk on the sidewalks. The Far East Chinese Restaurant operated from circa 1906 to 1952., Title from item., Date inferred from medium and content., Divided back., Library Company copy has manuscript message and address written on verso and is postmarked, Philadelphia, Pa. Jul 13, 1911 4:30 P.M., Gift of Linda Kimiko August.
Date: [ca. 1911]
Location: Library Company of Philadelphia | Print Department LCP Postcards - Streets - Race [P.2023.27.2]

Title: Chinatown by moonlight Philadelphia, Pa. [900 block Race Street]
Description: View of Chinatown on the 900 block of Race Street in Philadelphia. In the right, shows the exterior of the Far East Chinese Restaurant at 907-909 Race Street built after the designs of Thomas Ustick Walter in ca. 1827 and later altered with 907 raised one story and 909 raised two stories. There are Chinese architectural details on the balcony and awning which reads, 907 Far East Chinese Cafe. A white man police officer and a white woman stand under the awning and face the viewer. Buildings extend on both sides of the street including another restaurant with a sign that reads, 917 Cafe. Light emanates through windows and from the signs on the buildings, and the moon shines from above. Men and women pedestrians walk on the sidewalks. The Far East Chinese Restaurant operated from circa 1906 to 1952., Title from item., Date inferred from medium and content., Divided back., Library Company copy has manuscript message and address written on verso and is postmarked, Philadelphia, Pa. Jul 17, 1915 1[0] A.M., Gift of Linda Kimiko August.
Date: [ca. 1915]
Location: Library Company of Philadelphia | Print Department LCP Postcards - Streets - Race [P.2023.27.3]

Title: [View of the Centennial Machinery Hall with people from all nations]
Description: Block-printed wallpaper depicting an exterior view of Machinery Hall designed by Henry Pettit and Joseph M. Wilson for the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia. Horse-drawn carriages bring visitors to and from the Hall. A large crowd of spectators walk on the grounds. In the foreground, people from various nationalities and ethnicities are represented including Native Americans attired in feather headdresses; two men, including a Black man, attired in fez hats; two Chinese men, one carrying a fan, attired in conical hats and robes; two Arab men in white headdresses and robes; and a Scottish man attired in a kilt. Other spectators include a man attired in a sailor’s uniform, men and women couples, and young boys., Title supplied by cataloger., Date inferred from content., Gift of David Doret., RVCDC
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department ***Doret and Mitchell Collection – Prints [P.2022.62.3.49]

Title: W.W. Knight Son & Co. 509, Commerce St. between 5th. & 6th & Market and Arch Sts. Formerly 619, Market St. Philadelphia Skates of all kinds for sale here. Also in cases of 50 & 100 pairs, assd. from 25 c. to 1.50 & 50 c. to $2.50. Skate straps of all kinds constantly on hand. Fine cast steel skates. Maleable iron do. American skates, German & English skates. Also a full assortment of American, English & German hardware
Description: Display card containing a skating scene, possibly on the Schuylkill River. Shows dozens of persons in winter attire skating, as well as men pushing women in chairs with blades, and a man pulling a boy on a sled. Also shows a female peddler with her basket, a man fallen on the ice, and another adjusting his skates in the foreground across from a skating boy. In the background, a single span bridge spans the river near hill sides from which the top of an observation tower rises., Copyrighted by W.W. Knight & Son, & Co., Philadelphia on Stone, Library of Congress: DLC/PP-1997:105 Queen - 9 prints/10 drawings/1 photo (A size) W.W. Knight
Date: c1860
Location: Library of Congress | Prints and Photographs Division LOC DLC/PP-1997:105 Queen - 9 prints/10 drawings/1 photo (A size) W.W. Knight

Title: High Street, with the First Presbyterian Church Taken down in 1820. Philadelphia
Description: Street scene with a view of the First Presbyterian Church on Market Street below Third Street. Depicts pedestrians, predominately women, traversing the sidewalk before the church and adjacent buildings; a horse-drawn dray and cart traveling the street; and a woman peddler with her basket of goods near the High Street market shed. First Presbyterian, rebuilt from 1793 to 1794 after the designs of John Trumbull, was the first building in the city with a classic temple facade. The building was razed following the relocation of the congregation., Contains watermark: Amies Phila and dove with branch., Retrospective conversion record: original entry, edited., Illustrated in S. Robert Teitelman's Birch's Views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 9.
Creator: Birch, William Russell, 1755-1834
Date: [1828]
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 9c/P.2276.17]

Title: Views of Philadelphia
Description: Collection of prints from the various editions and restrikes of Birch's "Views of Philadelphia," originally published in 1800 as The City of Philadelphia, in the State of Pennsylvania North America; as it appeared in the year 1800. Four editions of the views, purchased through subscription and totaling 44 unique plates including a map of the city and title page with vignette, were published by William Birch in Philadelphia from 1800 until 1828. First and largest edition contained 29 plates, the pictorial views drawn by Thomas Birch and engraved by Samuel Seymour between 1798 and 1800; with the map and title page executed by script engraver William Barker. Bookseller Robert Campbell is listed as a seller on many of these plates, but appears to have been disassociated with the project before publication of the bound volume. Second edition of 22 plates was published in 1804. Third edition of 14 plates was published in 1809. Fourth edition of 12 plates was published between 1827 and 1828. The first and second edition were printed by Philadelphia printer, Richard Folwell. The later editions, predominately completed by William Birch alone, contained reissues of selected plates from the first edition as well as new engravings of prominent city structures erected after 1800. In the 1840s restrikes of five plates were produced by bookseller Robert Desilver, and in the 1860s, twelve by the antiquarian John McAllister, Jr; many of the restrikes originally published in the fourth edition. Collection also contains the second edition copper plate of the Bank of Pennsylvania, and the fourth edition copper plate of The Late Theatre in Chestnut Street., Series of late 18th and early 19th-century views of principal sections of the city of Philadelphia including primary streets, government buildings, local landmarks, and financial, religious, educational, and benevolent institutions. The series, the first of its kind in the United States, was created to attract new citizens and to illustrate to an international audience the vitality of the nation's premiere city. The views focus on structures, but also contain lively depictions of daily street life in Philadelphia. Plates depict Philadelphia's Delaware River port with the Penn Treaty Tree; several street views including Arch Street, High (Market) Street, and Third Street; city markets; city banks, such as the Bank of the U.S.; the State House (Independence Hall); Congress Hall; prominent churches, such as Christ Church; Pennsylvania Hospital; Library and Surgeon's Hall; Chestnut Street Theatre; the Alms House; Walnut Street Jail; the Water-Works; and the Schuylkill Bridge., See S. Robert Teitelman's Birch's views of Philadelphia. (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000)., Snyder, "William Birch: His Philadelphia views," The Pennsylvania magazine of history and biography 73 (July, 1949), p. 271-315., Snyder, "Birch's Philadelphia views: New discoveries," The Pennsylvania magazine of history and biography 88 (April, 1964), p. 164-173., Description revised 2021., Access points revised 2021., William Birch, trained in England, was a Philadelphia engraver, miniaturist, and enamel painter. He also engraved and published in 1804 "The Country Seats of the United States of North America."
Creator: Birch, William Russell, 1755-1834
Date: 1800-1860, bulk 1800
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 1 - Sn 43]

Title: Second Street north from Market St. wth. Christ Church. Philadelphia
Description: Street scene showing Second Street north from Market Street in Philadelphia, including Christ Church and the Old Courthouse and market. Depicts the busy street corner with people riding horses, driving and loading carts, conducting business, and walking and performing errands. In front of the Courthouse, vendors sit and sell their goods while nearby a constable on horseback is flanked by citizens. An African American boy carrying a basket strolls across Second Street. He walks toward two men and a child convened together and a man on horseback traveling toward the church (his back to the viewer). A dog runs in front of the horse. Christ Church, a Protestant Episcopal Church, was built between 1727 and 1744 and was founded as part of a provision of the original charter given to Pennsylvania founder William Penn. The Old Courthouse, completed in 1710 was the town hall, seat of the Legislature, market house, and the Pennsylvania statehouse until Independence Hall was opened in 1748. The Courthouse was demolished in 1837., Title from item., Illustrated in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982), pl. 15., Accessioned 1979., Description revised 2021., Access points revised 2021.
Creator: Birch, William Russell, 1755-1834
Date: [1828]
Location: Library Company of Philadelphia | Print Department Birch, William-Views of Philadelphia [Sn 15c/P.2276.33]

Title: Second Street north from Market St. wth. Christ Church. Philadelphia
Description: Street scene showing Second Street north from Market Street in Philadelphia, including Christ Church and the Old Courthouse and market. Depicts the busy street corner with people riding horses, driving and loading carts, conducting business, and walking and performing errands. In front of the Courthouse, vendors sit and sell their goods while nearby a constable on horseback is flanked by citizens. An African American boy carrying a basket strolls across Second Street. He walks toward two men and a child convened together and a man on horseback traveling toward the church (his back to the viewer). A dog runs in front of the horse. Christ Church, a Protestant Episcopal Church, was built between 1727 and 1744 and was founded as part of a provision of the original charter given to Pennsylvania founder William Penn. The Old Courthouse, completed in 1710 was the town hall, seat of the Legislature, market house, and the Pennsylvania statehouse until Independence Hall was opened in 1748. The Courthouse was demolished in 1837., Title from item., Illustrated in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982), pl. 15., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Birch, William Russell, 1755-1834
Date: [1828]
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 15c/P.8718]

Title: High Street Market, Philadelphia
Description: View of the interior of a High Street Market shed near Second Street. Depicts mainly female peddlers selling their meats and produce from several stalls. Shoppers, including an African American man and a boy with a basket, inspect and purchase the market goods which are displayed on wooden counters, in baskets, and on meat hooks. The High Street Market, established in the late 17th century, became housed in a permanent structure around 1709 when a market shed was built from the Town Hall to Third Street.
Creator: Birch, William Russell, 1755-1834
Date: [1804]

Title: Arch Street ferry, Philadelphia
Description: View of the Arch Street ferry terminal on the Delaware River. Depicts Philadelphia's busy waterfront and includes sailing ships, warehouses, bartering merchants, and dock workers weighing, as well as loading, barrels and bundles of produce onto carts. Others, including white women, are fishing and looking out onto the river. To the far left of an unoccupied dock, dock workers, including an African American man, move large bundles. At the turn of the 19th century ferries were the main source of transportation to Southern New Jersey. New Jersey provided much of the fresh produce sold at Philadelphia markets., Inscribed: 1., Title from item., Illustrated in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000), pl. 4., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Birch, William Russell, 1755-1834, engraver
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 4c/P.2276.7]

Title: Girard's Bank, late the Bank of the United States, in Third Street Philadelphia
Description: Street scene with a view of the Bank of the United States on Third Street. Shows groups of men in conversation, couples strolling the sidewalk, and individuals walking up the bank's steps. View also includes, horse-drawn carts traveling in the street and, in the right, an African American man laborer working with wood scraps in front of a nearby building. Designed by Samuel Blodget, Jr., the building was completed in 1797 and housed the first Bank of the United States until the revocation of the bank's charter by Congress in 1811. Purchased by wealthy Philadelphian Stephen Girard, the building became "Girard's Bank" and operated there for the next twenty years., Title from item., Illustrated in S. Robert Teitelman's Birch's views of Philadelphia (Philadelphia: Free Library of Philadelphia, 1982, rev. 2000), pl. 17., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Birch, William Russell, 1755-1834, engraver
Date: [1828]
Location: Library Company of Philadelphia | Print Department Birch's views [Sn 17c/P.2276.38]

Title: North-east view of St. Peter's Church (Episcopal) Philada
Description: Exterior view of the Protestant Episcopal church built 1758-1761 after the designs of Robert Smith at 300-340 Pine Street. The cupola replaced in 1842 by a tower and steeple adorns the building that is surrounded by a brick wall and ironwork fencing that exposes the church cemetery. Pedestrians, prominently women, and possibly parishioners, walk on the sidewalk. A woman street vendor with her table of wares sits near the wall at the corner. Also shows several trees on the grounds of the church and a lady attired in a broad-rimmed hat with veil standing on the opposite street corner in the right of the image., Manuscript note on recto: From the East., Philadelphia on Stone, POS 511, Wainwright retrospective conversion project, edit., Historical Society of Pennsylvania:
Creator: Breton, William L., artist
Date: 1829
Location: Library Company of Philadelphia | Print Department *W253 [P.2148]

Title: Bethel African Methodist Episcopal Church, Philada Founded in 1794 by the Revd. Richard Allen, Bishop of the first African Methodist Episcopal Church in the United States. Rebuilt in 1805
Description: Exterior view of the rough cast second edifice of the African American church at 125 South 6th Street. Pedestrians and church attendees, predominately women, stroll the sidewalk and enter the house of worship adorned with a simple stone tablet inscribed, "Bethel Church." Known as "Mother Bethel," the church was formed from African American congregants discriminated against by the Methodist Episcopal Church. The 1805 building, the site of the first convention of the Unified African Methodist Episcopal Church, stood until 1841 when a third building was erected on the site., Title from item., Kennedy and Lucas, operated by David Kennedy and William B. Lucas, printed the city's first commercial lithographs, a series of church subjects drawn by W.L. Breton, probably including "Mother Bethel.", Philadelphia on Stone, POS 39, Wainwright retrospective conversion project, edited., Description revised 2021., Accessioned 1965., Access points revised 2021.
Creator: Breton, William L., artist
Date: July 1829
Location: Library Company of Philadelphia | Print Department W26 [7500.F]

Title: N. E. view of the old court house in Market Street Philada
Description: View showing the courthouse built 1707 by carpenter Samuel Powell, and adjoining market sheds built 1710, on North Second Street above Market Street. Broadsides adorn the facade of the building containing a balcony and bell tower. In front of the court house, market patrons and vendors, predominately women, tend to stands and mill in the street. Also shows neighboring buildings and the rear of a horse-drawn wagon traveling in the street past the shed. The court house was utilized as the town hall, seat of the Legislature, market house and the Pennsylvania statehouse until Independence Hall was opened in 1748. Building demolished in 1837., Philadelphia on Stone, POS 496, Wainwright retrospective conversion project, edited., Free Library of Philadelphia: Castner 25:76 and 27:65., Historical Society of Pennsylvania:, See companion print: S. W. view of the old court house in Market Street, Philada. at the time of its being taken down (7th April 1837). [W326, P.2184]
Creator: Breton, William L., ca. 1773-1855, artist
Date: 1837
Location: Library Company of Philadelphia | Print Department W243 [P.2101]

Title: London Coffee House
Description: Exterior view of the coffee house and merchants' exchange at the southwest corner of Front and Market streets in Philadelphia during the colonial era. An auction of enslaved African American people occurs outside the coffee house and pedestrians traverse the sidewalks and street, including an African American woman carrying a basket on her head. Views of the adjacent printing house and book store of "Pennsylvania Journal" publisher, William Bradford, are visible. Erected in 1702 and established as a coffee house in 1754 by Bradford, the site was a public center for social and economic activities during the later 18th century, including auctions of enslaved people. Razed in 1883., Title from item., Plate published in John F. Watson's Annals of Philadelphia...(Philadelphia: E.L. Carey & A. Hart, 1830), opp. p. 339., Philadelphia on Stone, POS 442, Gift of James Rush., Description revised 2021., Access points revised 2021.
Creator: Breton, William L., lithographer
Date: [1830]
Location: Library Company of Philadelphia | Print Department BW - Hotels, Inns, Taverns [9245.Q.20], http://www.lcpimages.org/afro-americana/F-London.htm

Title: A scene in the Golden Dragon, 1526 Market Street, Philadelphia's most beautiful restaurant
Description: Interior view of the Golden Dragon restaurant located at 1526 Market Street, Philadelphia and depicting the dining room crowded with patrons. Shows the large room filled with diners sitting at white table-clothed tables and standing in a row. The men and women, finely attired in suits, dresses, hats, and jewelry, look at the viewer. Plates of food and cups and glasses are visible on the tables. In the left, a Chinese man waiter, attired in a tuxedo, stands with probably menus under his arm. In the background, musicians, attired in tuxedos, are seated with musical instruments in front of a backdrop of peacock feathers. The dining room ceiling is decorated with multiple-colored fabrics. Charlie Kerr (1890-1976) was a jazz drummer and orchestra leader in the 1920s to the late 1940s., Title from item., Date inferred from medium and content., Text printed on verso: Philadelphia, Pa., 19[blank], Dear [blank], Greetings from the beautiful Golden Dragon, where I dined today. "Charlie" Kerr's Orchestra is great., Series no. on verso: 2690 N., See related: Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112] - sheet number 112B04., Sheet number: 112A05., Divided backs.
Creator: Brightbill, George M., collector
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112]

Title: A scene in the Golden Dragon, 1526 Market Street, Philadelphia's most beautiful restaurant
Description: Interior view of the Golden Dragon restaurant located at 1526 Market Street, Philadelphia and depicting the dining room crowded with patrons. Shows the large room filled with diners sitting at white table-clothed tables and standing in a row. The men and women, finely attired in suits, dresses, hats, and jewelry, look at the viewer. Plates of food and cups and glasses are visible on the tables. In the left, a Chinese man waiter, attired in a tuxedo, stands with probably menus under his arm. In the background, musicians, attired in tuxedos, are seated with musical instruments in front of a backdrop of peacock feathers. The dining room ceiling is decorated with fabrics. Charlie Kerr (1890-1976) was a jazz drummer and orchestra leader in the 1920s to the late 1940s., Title from item., Date inferred from medium and content., Text printed on verso: Philadelphia, Pa., 19[blank], Dear [blank], Greetings from the beautiful Golden Dragon, where I dined today. "Charlie" Kerr's Orchestra is great., See related: Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112] - sheet number 112A05., Sheet number: 112B04., Divided backs.
Creator: Brightbill, George M., collector
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112]

Title: [Portrait of an unidentified African American woman]
Description: Half-length, forward facing portrait of a seated African American woman posed behind a prop window frame. Sitter rests her left elbow and right hand on the bottom edge of the frame. Her left hand rests on her shoulder, near the side of her face. She has dark, crimped hair, parted in the middle and that is pulled back into a braided crown at the back of her head. She is attired in a dark-colored, satiny dress with a plunging V-neck and that is adorned with a frilled ribbon and long sleeves with ruching below the shoulder. She also wears a white V-neck collar adorned with a broach, frilled white cuffs, hoop earrings, and a ring on her right hand. Her cheeks and lips are tinted pink. Image also includes a creeping grape vine in the right of the image. Sitter probably from or related to the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from photographic format and attire of sitter., Sitter's cheeks tinted pink., Name of daguerreotypist inferred from studio prop (window and trailing vine) visible in image., Pad: Bright red velvet with a scroll design., Mat: Oval., Case: Leather. A large floral spray with a lily and leaves, surrounded by an ornate scrolled border. Geometric design on verso., Gift of Mary P. Dunn, 1993., Library Company. Annual Report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Creator: Broadbent, Samuel, 1810-1880, photographer
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department cased photos [P.9427.13]

Title: Die Hessen vom General Washington am 25ten Dec. 1776 zu Trenton uberfallen, werden als Kriegsgefangne in Philadelphia eingebracht
Description: Scene depicting General George Washington and his bodyguard on horseback marching the Hessian prisoners captured on Christmas 1776 over a Philadelphia drawbridge. Spectators line the bridge, including a woman and an African American man., Inscribed upper left corner: S.iii., Plate 6 from Matthias Sprengel. Historisch-genalogischer Calendar oder Jahrbuch... (Leipzig: bey Haude und Spener von Berlin, 1783). (LCP Am 1783 Spre, Log. 5059.D)., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Chodowiecki was a prominent German engraver and painter who specialized in prints of historical subjects.
Creator: Chodowiecki, Daniel, 1726-1801, etcher
Date: [1783]
Location: Library Company of Philadelphia | Print Department *GC - American Revolution [P.8935.6]

Title: Promenade in Washington Square
Description: Caricature depicting a modishly dressed white couple (man and woman) strolling through Philadelphia's Washington Square near the Society Hill section of the city. The woman wears a bright yellow dress with extremely puffed leg o'mutton sleeves and a dramatically large yellow hat with a massively wide brim. Blue and yellow striped ribbons are attached to the hat and hang down from the brim. A kerchief and necklace adorn her neck. She carries a purple purse and a pink umbrella in her left hand and a pink monocle in her right. She holds the monocle close to the side of her chin. The man wears a blue waistcoat with massively puffed leg o'mutton sleeves, a plaid cravat, brown trousers, and top hat. He holds a walking cane in his left hand to the side of his waist. Both figures are depicted with corseted waists. Two fashionably dressed women, a fashionably dressed couple (man and woman) with a child, and multi-story buildings and trees are seen in the background. In the early 1800s Washington Square evolved from a pasture ground and a burial ground for the city’s African American community, indigent community, and Revolutionary War soldiers in the 18th century to a park at the request of the wealthy residents in the neighborhood., Title from item., Date inferred from dates of later plates in the series., Probably published by William Simpson., Inscribed: Plate 1., Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era. (PhD. diss., The University of Michigan, 1980), p. 86. (LCP Print Room Uz, A423.O)., Part of the digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., Accessioned in 1999.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1828]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9688]

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