Green decorative border on tp; birds and flowers., "To Miss Anna Taylor.", "Charles Kinkel, author of "Charming Waltz," "Mountain Belle Schottisch," &c.", Publisher's Plate# 3782.4., Handwritten signature at top of tp: Miss Carrie Hughes., In poor condition - badly discolored and stained., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Kinkel, Charles, cmp
Date
c1864
Location
Library Company of Philadelphia | Books Rare Sheet Music Whi 7518.F.12
Arranged by J. M. Lander., Quadrille "as performed by Helmsmüller's band at the Wooden Spoon Promenade Concert music hall New Haven, June 19, 1865.", "Respectfully dedicated to the cochleaureati of [18]'66, Yale College.", Illustration: color lithograph of the crest of the Yale "Cochlearureati," with an arm holding a wooden spoon above a shield, which has crossed wooden spoons in the upper left quarter and an upside down Phi Beta Kappa key in the lower right. The words "Super Sinistram Lugemus [We feel bad over the left]" written diagonally across the shield in a blue sash. "Honi soit qui mal y pense [Shame upon him who thinks evil of it]" written on either side of shield and "In hoc signo vinces [In this sign you will conquer]" underneath., Lithographer: F. Mayer & Co., 96 Fulton St., N.Y., Publisher's Plate# 3171-8; Number 7 1/2 in 6 pointed star on tp., Pencilled signature at top of tp which has been partially cut off: Miss Carrie Hughes., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Date
c1865
Location
Library Company of Philadelphia | Books Rare Sheet Music Woo 2518.F.28
Landscape view shows a woman seated and leaning next to a tree near a creek., Attributed to John Moran., Title stamped on mount., Distributor's stamp, printed in red ink, pasted on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Moran, John, 1831-1903
Date
[ca. 1862]
Location
Library Company of Philadelphia | Print Department stereo - Moran - Views [P.9326.1]
Genre scene depicts two young peasant girls in an embrace and holding bunches of grapes. Proof vignette, bust-profile portraits printed in the upper corners and show women attired in hats, earrings, collars, and shirtwaists., Inscribed upper right corner: 83., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.51b]
Comic genre photograph showing a smiling young woman putting a skewer through a door latch., Title from photographer's manuscript note on verso., Photographer's label pasted on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Creator
Cremer, James, 1821-1893
Date
[ca. 1868]
Location
Library Company of Philadelphia | Print Department stereo - Cremer - Genre [P.9299.16]
Album containing amateurly-cut, primarily bust-length silhouettes of men and women. Majority include caricatured or non-descript features. Small number of the prints depict full-length silhouettes, including a man holding an eye glass, a man holding a book near a table, and a man holding a filled basket. Also includes a silhouette of a tall male figure and squat female figure and corresponding pencil sketch. Many silhouettes also include hair adornments and other fashion details., Inscribed on verso of front cover: Barbara A. Townshind, Stanley Place, May 1804., End papers and verso of back cover contain semi-legible pencil inscribed verse., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.
Creator
Townshind, Barbara A.
Date
May 1804
Location
Library Company of Philadelphia | Print Department albums [P.9723]
Glass negative showing a fallen arbor vitae tree extending over a riverbed. A man stands on the tree, with one leg bent, while three women sit on the trunk to either side., Photographer remarks: Good neg., Time: 10, Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
October 15, 1886
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1049]
Glass negative showing a large, leafy palm tree set in a garden at Long House. Other trees and foliage surround the palm while a woman stands beneath it with her hands folded., Photographer remarks: Susie K. Lough beneath., Time: 1:00 PM, Light: Good sun., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
March 27, 1889
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1469]
Film negative showing a woman standing beneath a palm tree looking to her right. Trees and other foliage grow behind the palm tree in the background., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
ca. 1900-ca. 1930
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.65.5]
On verso, printed inside ornamental border signed "Childs sc.", with an illustration signed "Childs sc.", a poem: Light house. Star of hope to the benighted, First to greet the wanderer's eye: Joy in hearts hath oft been lighted, When thy beams shone on the sky! Harbinger that bliss is coming, Glimmer by the dark blue sea! And upon the ocean roaming, I will sing in praise of thee!, Library Company copy inscribed to Mary Morgan from Carrie Smith., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[ca. 1865?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1865 Reward 79129.O .3
On verso, printed inside ornamental border signed "Childs sc.": Good children. Good children are generally happy. We have seen many little boys and girls that were unhappy, simply because they were naughty. One naughtly word or deed will cast a cloud over any bright and smiling face., Library Company copy inscribed to Mary Morgan from Carrie Smith, Jan. 24, 1865., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[ca. 1865?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1865 Reward 79129.O .2
Printed in gold ink., Library Company copy inscribed to Mary Morgan by C. Smith., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[ca. 1865?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1865 Reward 79129.O .1
"Arranged and adapted to English words by C. Everest.", Illustration: Color lithograph of a wistful young woman is standing by a fence., On tp: Popular Song (Volkslied) fur eine Singstimme mit Piano., Lyrics are in English and German., Illustrated Popular Songs No. 13; Price: 27 kr; the number 3 in a 6 pointed star on tp. Publisher's Plate #450., This is No. 44 of "Vocal Beauties.", Handwritten pencil inscription at top of tp: Blanche Harker; Second page blank; in good condition., Retrospective conversion record: original entry.
Date
c1860
Location
Library Company of Philadelphia | Books & Other Texts | Rare *Sheet Music Ah My 9551.F (Beitler)
Arranged by Theodore von La Hache., Civil War song (Confederacy) for piano., Dedication: To the arranger's friend, Mr. Auguste Davis., Op. 537; Number 6 on tp; Page 10 lists Popular Music Published by Blackmar & Co.; "Bonnie Blue Flag" was a very popular Confederate song during the Civil War, and became the national air of the Southern Confederacy. It was sung in Jackson, Mississippi at the Mississippi Convention which passed the secession act on January 9, 1861. Later, as other states seceded, additional verses were added to cover each state in the Confederacy; Included in "Early American Sheet Music" by Dichter and Shapiro, p.119; See also discussion of this piece in "Music for Patriots, Politicians and Presidents" by Vera Brodsky Lawrence (New York, Macmillan Publishing Co., Inc.) pp.358-359., Bound between pages 6 and 7 is a sheet of handwritten music which does not appear to belong to the Improvisation. The reverse side of this sheet is a handwritten song entitled, "Call Me Back Again"., Inscribed "Miss Carrie Hughes, Deauville (?) Oct. 15"., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Macarthy, Harry, 1834-1888, cmp
Date
c1862
Location
Library Company of Philadelphia | Books Rare Sheet Music Imp 7518.F.30
Scroll border on tp; In a small oval underneath the word Southern are two crossed cannons., Civil War military march for piano., This piece is one of 26 included in the collection "Southern Military Music!; Publisher's Plate# Bl.114.; Page 8 lists new pieces published by A.E. Blackmar, "Southern Wholesale Agent for Knabe & Co's, R. Nunns' and Guild & Co's Pianos; also Prince & Co.'s Melodeons and Organs.", Badly stained., Handwritten signature at top of tp: Miss Carrie Hughes., Retrospective conversion record: original entry., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Young, Charles, cmp
Date
c1864
Location
Library Company of Philadelphia | Books & Other Texts | Rare Sheet Music Gen 7518.F.7
Woman in long dark dress with scarf draped over her head stands under arched entrance to house at top of steps. Woman poses with head tilted looking at camera with right hand on hip, and left arm raised with elbow resting on arch hand on head., Woman depicted in this photograph also appears in Wilson photographs P.8513.6, P.8513.116a, and P.8513.116b., Gift of Margaret Odewalt Sweeney., Duplicate: P.8513.6: same neg., Retrospective conversion record: original entry, edited.
Creator
Wilson, G. Mark (George Mark), 1879-1925, photographer
Date
ca. 1923
Location
Library Company of Philadelphia | Print Department Wilson 89 [P.8513.89], http://www.lcpimages.org/wilson/wilson89.htm
Depicts woman in dress sitting in windowsill under arched windowframe with legs crossed, hand resting on knee, looking out the window at camera on ground below., Woman depicted in this photograph also appears in Wilson photographs P.8513.6, P.8513.89, and P.8513.116a., Gift of Margaret Odewalt Sweeney., Retrospective conversion record: original entry, edited.
Creator
Wilson, G. Mark (George Mark), 1879-1925, photographer
Date
ca. 1923
Location
Library Company of Philadelphia | Print Department Wilson 116b [P.8513.116b], http://www.lcpimages.org/wilson/wilson116b.htm
Depicts woman in long, dark dress, dark stockings, and dark, shiny shoes with scarf draped over her head standing next to building wall, beneath a window. Wooden pail sits on ground next to her. Left hand rests on her hip as she looks at camera., Woman depicted in this photograph also appears in Wilson photographs P.8513.6, P.8513.89, and P.8513.116b., Gift of Margaret Odewalt Sweeney., Retrospective conversion record: original entry, edited.
Creator
Wilson, G. Mark (George Mark), 1879-1925, photographer
Date
ca. 1923
Location
Library Company of Philadelphia | Print Department Wilson 116a [P.8513.116a], http://www.lcpimages.org/wilson/wilson116a.htm
Depicts woman standing outside house in front of French doors wearing a long dark dress, necklace, and low-heeled shoes. Her right hand rests on door handle and right foot rests on step into house., Gift of Margaret Odewalt Sweeney., Duplicate: P.8513.7: same neg., Retrospective conversion record: original entry, edited.
Creator
Wilson, G. Mark (George Mark), 1879-1925, photographer
Date
ca. 1923
Location
Library Company of Philadelphia | Print Department Wilson 105 [P.8513.105], http://www.lcpimages.org/wilson/wilson105.htm
Depicts woman in patterned dress, white stockings, and black and white shoes leaning on beam of building (perhaps barn or stable), holding pail, looking at camera., Woman depicted in this photograph also appears in Wilson photographs P.8513.81, P.8513.86., Gift of Margaret Odewalt Sweeney., Retrospective conversion record: original entry, edited.
Creator
Wilson, G. Mark (George Mark), 1879-1925, photographer
Date
ca. 1923
Location
Library Company of Philadelphia | Print Department Wilson 86 [P.8513.86], http://www.lcpimages.org/wilson/wilson86.htm
Depicts two women leaning against brick wall, with their arms around each other's waists facing camera., Gift of Margaret Odewalt Sweeney., Retrospective conversion record: original entry, edited.
Creator
Wilson, G. Mark (George Mark), 1879-1925, photographer
Date
ca. 1923
Location
Library Company of Philadelphia | Print Department Wilson 83 [P.8513.83], http://www.lcpimages.org/wilson/wilson83.htm
Depicts young woman in patterned dress standing on path into woods., Title from manuscript note on verso., Photographer's manuscript note on verso: If you're in a big city and without acquaintances, get a camra [sic] or something that looks like one, wander around looking serious and either taking pictures or appearing to take them; act critically, slowly and deliberately. If in one Sunday afternoon you do not greet, or are not greeted by at least 10 people, then you are hopeless. Boys if you make a photo such as this, the rest is easy. Obtain the address and send her a print via F.O.B. [Free on Board--shipping is responsibility of buyer] yourself., Gift of Margaret Odewalt Sweeney., Retrospective conversion record: original entry, edited.
Creator
Wilson, G. Mark (George Mark), 1879-1925, photographer
Date
ca. 1923
Location
Library Company of Philadelphia | Print Department Wilson 96 [P.8513.96], http://www.lcpimages.org/wilson/wilson96.htm
Gift of David Doret and Linda G. Mitchell, 2022., Label on the verso from Montclair Art Museum (Montclair, N.J.) (Double Head Study), Gift of Mr. and Mrs. Ethan D. Alyea. 1964.51., Bust-length, forward-facing portrait study of two white women. In the left, shows an older woman with brown ringlet curls framing her forehead and attired in a white lace day cap tied in a bow under her chin and a dark-colored dress with a white lace collar. In the right, shows a young woman with her dark brown hair parted in the middle and tied back and attired in dress with a white neckline. There is an additional portrait of a woman on the verso of the canvas. A cut out in the frame reveals the eyes of the portrait. A photocopy reproduction is taped to the back. Bust-length portrait of a white woman with her blonde hair tied back and attired in drop earrings, a multi-stranded necklace, and a light blue dress.
Photograph showing three women wearing light colored dresses and hats climbing up wooden scaffolding. The woman on the highest rung reaches her hand down to help another woman., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
ca. 1880-ca. 1900
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.2067]
In The magic staff : an autobiography of Andrew Jackson Davis (New York, 1857), plate opposite p. [19]., Facsimile signature: Mary F. Davis., Mary Fenn Davis divorced her first husband, Samuel G. Love (1821-1893), in order to marry celebrity spiritualist Andrew Jackson Davis (1826-1910) in 1855. In 1885, Andrew Jackson Davis had their marriage annulled after he discovered that he had made a mistake thirty years earlier when he determined that he and Mary Fenn Davis were soul mates. He then married Della E. Markham (1839-1928). Already a temperance lecturer when she met Andrew Jackson Davis, Mary Fenn Davis worked alongside her husband in writing and editorial projects during their marriage., Waist-length portrait of Mrs. Davis, dressed simply with a lace collar and a brooch at her neck.
In Hammond, L.M. Trials and triumphs of an orphan girl; or the biography of Mrs. Deiadamia Chase, physician and phrenologist (Cortland, N.Y., 1859), frontispiece., Mrs. Chase, orphaned in childhood, became a physician who advocated the use of phrenology., Waist-length portrait of Mrs. Chase., Another portrait appears in: American phrenological journal, v. 15 (May, 1852), p. 100.
Waist-length portrait of Mrs. Wells wearing bonnet., In Smith, John Jay, ed. Letters of Doctor Richard Hill and his children (Philadelphia, 1854), plate preceding p. 171., Mrs. Wells was the fifth daughter of physician Richard Hill and of prominent Quaker lineage, belonging to the Hill, Lloyd, Moore, and Partridge families of Philadelphia., “Rachel married in Philadelphia Richard Wells, an English gentleman, and had two sons and three daughters, of whom many descendants are known to us.”--P. xviii.
Bust-length portrait of Mrs. Scott, wearing a necklace and earrings, and holding a child., In Smith, John Jay, ed. Letters of Doctor Richard Hill and his children (Philadelphia, 1854), plate preceding p. 115., Mrs. Scott was the fourth daughter of physician Richard Hill and of prominent Quaker lineage, belonging to the Hill, Lloyd, and Moore families of Philadelphia., “Harriett married John Scott, and had one daughter, Mary, who died young, and a son, John -- called Jock in the letters -- who grew up and held an official appointment in India; he died about the same period with his widowed mother. She seems to have been an affectionate, timid, and sorrowful woman; her married life, entered upon without her father’s consent, was not entirely happy; her husband was much older than herself.”--P. xvii-xviii.
Waist-length portrait of the poet, wearing a garment fastened by a brooch, with lace visible beneath., In Scott, Julia H. Memoir of Julia H. Scott (Boston, 1853), frontispiece., Facsimile signature: Thine, Julia H. Scott., Mrs. Julia H. Scott, an early 19th-century writer of poetry and prose, frequently wrote on romantic themes such as nature, death, and spirituality.
In Hale, S.J. Woman's record (New York, 1853), p. 757. "Illustrated by two hundred and thirty portraits, engraved on wood by Lossing and Barritt.", Bust-length portrait of the writer
Full-length portrait of the actress in costume as Medea. She wears Grecian robes and drapes a long beaded necklace around her head and across her chest. A brooch with a portrait on it adorns her right sleeve and she wears a bracelet beaded with pearls., In Frank Leslie’s illustrated newspaper, vol. 3, no. 59 (Jan. 24, 1857), p. 128., “Miss Heron’s style is her own. She has endeavored throughout her career to perfect such abilities as were most natural to herself : hence her success in producing powerful emotions upon her audiences. At first she is rather quiet - almost tame, some would suppose - but she gradually warms up with the progress of the play, and closes the performance with some of the most powerful effects it is possible to imagine. In most of her scenes she is perfectly natural, and refuses to use any of the trickeries which have so long defaced the efforts of some of our best actors.”--P. 128., Another portrait found in: Ballou’s pictorial drawing-room companion, vol. 14, no. 8 (Apr. 4, 1857), p. 177.
In Hale, S.J. Woman's record (New York, 1853), p. 578. "Illustrated by two hundred and thirty portraits, engraved on wood by Lossing and Barritt.", Bust-length portrait of the writer, wearing eyeglasses.
In Ellet, E. F. The women of the American revolution (New York, 1848), v.2, plate opposite p. 191., Facsimile signature: C Beekman., Waist-length portrait of Mrs. Beekman, wearing necklace.
In Gilbert, A. Memoir of Frances Wright (Cincinnati, 1855), frontispiece., Facsimile signature: Frances Wright., Three-quarter length portrait of the writer, seated at a table, holding a rolled document; a book and pens nearby., Another portrait appears in Illustrated news, vol. 1, no. 3 (Jan. 15, 1853), p. 45.
Waist-length portrait of Mrs. Taylor wearing a dress over a lace undergarment and holding a letter in one hand. Landscape scene visible through a window., In Lot, Jones. Memoir of Mrs. Sarah Louisa Taylor. 4th ed. (New York, 1846), frontispiece.
In Phelps, A.C. Life of Christ and other poems (Boston, 1852), frontispiece., Facsimile signature: Adalisa [sic] Cutter Phelps., Waist-length portrait of the writer, with an open book nearby.
In Godey's Lady's book 32 (January, 1846), frontispiece., Waist-length portrait of the writer, seated holding a portfolio labeled Sketches., The original painting, by Thomas Sully, is now located in the Pennsylvania Academy of the Fine Arts, Philadelphia, Pa.
In Lee, M.E. Poetical remains of the late Mary Elizabeth Lee (Charleston, S.C., 1851), frontispiece., Facsimile signature: Yours, in joy & Sorrow, Mary E. Lee., Waist-length portrait of the writer holding a book.
In Duyckinck, E.A. Cyclopaedia of American literature (New York, 1855), v. 2, p. 680. "The engravings are by Mr. W. Roberts."—Preface, v. 1, p. x., Facsimile signature: Estelle Anna Lewis., Bust-length portrait of the writer.
Bust-length portrait of Mrs. Lamar, wearing a beaded sautoir over her left shoulder., In Smith, John Jay, ed. Letters of Doctor Richard Hill and his children (Philadelphia, 1854), plate preceding p. 45., Mrs. Lamar was the second daughter of physician Richard Hill and of prominent Quaker lineage, belonging to the Hill, Lloyd, and Moore families of Philadelphia., “Mary married Thomas Lamar, and had no child, and I know little of her character or her history farther than that she was a woman of the world, fond of high life, &c., and what the letters reveal.”--P. xvii.
In Hale, S.J. Woman's record (New York, 1853), p. 657. "Illustrated by two hundred and thirty portraits, engraved on wood by Lossing and Barritt.", Bust-length portrait of the writer
In Edmond, A.M. Broken vow (Boston, 1845), frontispiece., Facsimile signature: Amanda M. Edmond., Three-quarter length portrait of the writer, seated holding a closed book, with another book nearby.