Die-engraver's imprint stamped on lower left corner of case: C. Loekel Phila., Cased photographs retrospective conversion project., Pad: Red velvet. Urn in center, fancy scrolls all around., Mat: Double elliptical. Label on mat: Collins, 3d & Chesnut., Case: Leather. One rose, buds and leaves in a scalloped border. The design of the case is called Forget Me Not and is plate 174 in American Miniature Case Art by Floyd and Marion Rinhart (Cranbury, New Jersey: A. S. Barnes and Co. Inc., 1969.) Rare. Highly prized by collectors. A token of remembrance. The die-engraver was Charles Loekle, Phila., ca. 1855. Geometric design of interlocking scrolls on verso.
Creator
Collins, photographer
Date
ca. 1850
Location
Library Company of Philadelphia | Print Department Cased photos [P.9584]
Waist-length portrait of a seated young woman facing forward. She wears a bonnet on her head and her dress is adorned with a large lace collar and cuffs. Her right arm rests on a table., Cased photographs retrospective conversion project. Hand colored pink on cheeks., Pad: Red velvet embossed "Willard Market St. Ab 16th Philada." Geometric border., Mat: Fancy nonpareil., Case: Leather. Geometric design with a small oval surrounded by fanciful leaves within four scrolls. Same design on verso.
Creator
Willard, Oliver H., d. 1876, photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department Cased photos [P.9636.2]
Comic genre scene set at a shoemaker's shop depicting a cobbler's assistant measuring the stocking foot of a woman, who is seated with her skirt slightly raised. Her female companion and the shoemaker, who has stopped work on a boot, watch with concern. Also shows a painted backdrop adorned with shoes and cobbler's tools., Distributor's imprint printed on mount: Sold by Underwood & Underwoood, New York, London, Toronto Canada, Ottawa Kansas., Buff mount with rounded corners., Negative number printed on mount: 337A., Title printed in six different languages on verso., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Littleton View Co.
Date
c1893
Location
Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Genre [P.2005.19.10]
Diamond-shaped advertisement with ornamental border containing a vignette-size, waist-length portrait of a young lady stroking her hands through her long tresses., Leonhardt operated from 114 So. 3rd Street circa 1868-1871., Philadelphia on Stone, POSP 202, Gift of Margaret Robinson.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.46]
Letters CXC and CXCI only, removed from the whole work, describing London in a cold and snowy winter., Library Company copy is tipped at p. 683 of Peter Collinson's copy of William Maitland's The history of London (London: Samuel Richardson, 1739); followed by a leaf of Collinson's MS. notes.
Creator
Newcastle, Margaret Cavendish, Duchess of, 1624?-1674
Date
1664
Location
Library Company of Philadelphia | Books & Other Texts | Rare *U Eng Maitland (bw) 12049.F.13
In Young, A. Madame Young's Guide to health; her experience and practice for nearly forty years; a true family herbal (Rochester, N.Y., 1858), frontispiece., Young was a practicing physician who authored Madame Young's Guide to health, a manual intended to instruct women in the use of herbal and family medicine., "Of all men, the physician should be a liberal-minded man-- ever anxious to learn all that will enable him to be of benefit to his suffering fellow-creatures. He should never conclude that he has nothing more to know, or that he can find all knowledge in any one system, or theory, of practice; he should ever be ready to learn, from every body. He who expects to find out all that can be known, in one train of reasoning, or round of study, is like a man traveling upon a circle"--P.146-147., Bust-length portrait of Madame Young, wearing a bonnet, eyeglasses, and a cross necklace.
Waist-length seated portrait of Mrs. Benjamin wearing bonnet, holding staff., In The American phrenological journal, vol. 20 (Nov., 1854), p. 101., "She was with the army all through the Revolutionary War. She was in Albany during the hard winter of 1780, and at West Point two or three years, while the army was stationed there ; and when it left under General Washington, she followed. Her business was cooking and washing for her husband and other soldiers. She speaks distinctly of riding horseback through the streets of Philadelphia on the way to Yorktown and also of embarking on board ship at the head of Elk river, and of cruising down Chesapeake Bay, and landing (I think) at James River.”--P. 101., Also known as Sarah Osborn.
Waist-length portrait of the writer wearing a locket containing the portrait of her husband and holding a small portrait of her three sons., In Corwin, Jane H. The harp of home (Cincinnati, 1858), frontispiece., Facsimile signature: Yours with respect Jane H Corwin., Mrs. Jane H. Corwin was a newspaper writer who frequently published pseudonymously. Two letters attached to the Library Company copy reveal that, in the years following the book’s initial publication, her husband died and her three surviving sons fought in the Civil War, and the losses suffered rendered her penniless.
Waist-length portrait of Mrs. Cunningham, seated., In Frank Leslie’s illustrated newspaper, vol. 3, no. 63 (Feb. 27, 1857), p. 192., Mrs. Emma Augusta Cunningham was accused of murdering Dr. Harvey Burdell, a wealthy dentist from whom she rented a suite of rooms and with whom she was romantically involved. The murder and subsequent trial caused a media frenzy and, though she was ultimately acquitted of the crime, her innocence came into question when it was found that she was neither married to Burdell nor pregnant with his child, as she initially claimed. The murder remains unsolved.
In: Comfield, A.S. Alida, or, Miscellaneous sketches (New York, 1849), frontispiece., “Optimum vitae genus eligito nam consuetudo faciet jucundissimum.”, Amelia Stratton Comfield was the wife of John F. (or John L.?) Comfield., Waist-length portrait of the writer wearing a short-sleeved dress; based on oil painting by David Rogers., For image of painting of Mrs. Comfield, press link below.
In Trial of Mrs. Margaret Howard, for the murder of Miss Mary Ellen Smith (Cincinnati, 1849), title vignette., Mrs. Margaret Howard was tried for stabbing her husband’s mistress to death; she was acquitted on grounds of insanity., Bust-length portrait of the murderess, wearing a bonnet or head scarf.
Full-length portrait of the singer holding a fan and wearing a full-skirted tiered dress., In Frank Leslie’s illustrated newspaper, vol. 4, no. 91 (Aug. 29, 1857), p. 193., Miss Juliana May was an American opera singer who first achieved fame in Europe.
Full-length portrait of a woman [i.e., Mrs. Morley?] wearing an off the shoulder evening dress, pearl strands around her head, elbow length gloves, and earrings. Holding a fan in one hand and a handkerchief in the other, she stands beside a harpsichord before an open balcony., In Day is closing o’er the billow (New York, [1834-1839?]), cover., “Sung by Mrs. Morley. The words by Jonas B. Phillips Esq. Arranged from a popular Italian aria and dedicated to Mrs. Habicht of Boston by Clerc W. Beames”., “Mrs. Morley contributed to the entertainment and gave satisfaction. Her voice appears to be a mezzo-soprano of considerable power and flexibility, with good intonation.” -- Ives, E. Musical review and record of musical science, literature, and intelligence (New York, 1839), p. 375.
Waist-length portrait of Miss Helen Cunningham, wearing necklace., In Frank Leslie’s illustrated newspaper, vol. 3, no. 63 (Feb. 21, 1857), p. 192., Miss Helen Cunningham was the daughter of Mrs. Emma Augusta Cunningham. Miss Cunningham was a tenant in Dr. Harvey Burdell’s mansion and a witness at the sensational trial of his murder.
Waist-length portrait of Miss Augusta Cunningham, seated., In Frank Leslie’s illustrated newspaper, vol. 3, no. 63 (Feb. 21, 1857), p. 192., Miss Augusta Cunningham was the daughter of Mrs. Emma Augusta Cunningham. Miss Cunningham was a tenant in Dr. Harvey Burdell’s mansion and a witness at the sensational trial of his murder.
In Read, T.B. Female poets of America (Philadelphia, 1849), plate opposite p. 225, Facsimile signature: Amelia B. Welby, Waist-length portrait of the writer.
In Hale, S.J. Woman's record (New York, 1853), p. 828. "Illustrated by two hundred and thirty portraits, engraved on wood by Lossing and Barritt.", Bust-length portrait of the writer., Another portrait appears in Kirkland, C.M. The book of home beauty (New York, 1852), plate opposite p. 48.
Album with locks of hair sewn onto the pages in loops of stylized flowers with colored drawings of flowers. The hair was assembled by Margaret Williams. Family names contained in the book are: Williams, Barmore, Mary, Washburn, Lee, Holden, Pullen, Armstrong, Darlen, Underhill, McIntyre, Rasnell, Halsted, Marshall, Philips, and Smith., Exhibited in: the Library Company's exhibition, Picturing Women (2004) ; and the Living Book: New Perspectives on Form and Function (2017-2018).
Album containing amateurly-cut, primarily bust-length silhouettes of men and women. Majority include caricatured or non-descript features. Small number of the prints depict full-length silhouettes, including a man holding an eye glass, a man holding a book near a table, and a man holding a filled basket. Also includes a silhouette of a tall male figure and squat female figure and corresponding pencil sketch. Many silhouettes also include hair adornments and other fashion details.
Shoulder-length portrait of the writer wearing a bonnet and eyeglasses., In Wyatt, Sophia. The autobiography of a landlady of the old school, with personal sketches of eminent characters, places, and miscellaneous items (Boston, 1854), frontispiece., Mrs. Wyatt operated a hotel with her husband in New Hampshire and traveled extensively throughout the country in the early 19th century. As a young woman she worked as a schoolteacher.
In Lee, J. Religious experience and journal of Mrs. Jarena Lee (Philadelphia, 1849), frontispiece., Waist-length portrait of black preacher, seated at table with pen in hand; inkwell, books, and other papers also on table.
Bust-length portrait of Alice, wearing a bonnet., In Thomas, Isaiah. Eccentric biography; or, Memoirs of remarkable female characters, ancient and modern (Worcester, 1804), plate preceding p. vii., Alice, known variously as Black Alice and Alice of Dunk’s Ferry, was a native of Philadelphia and a slave, born to parents who had come from Barbados. She is said to have been 116 at the time of her death in 1802. In extreme old age Alice received many visitors who enjoyed hearing stories about early Philadelphia and its famous first settlers, including William Penn and Thomas Logan. Alice was also a lifelong worshiper at Christ Church in Philadelphia., “Being a sensible intelligent woman, and having a good memory, which she retained to the last, she would often make judicious remarks on the population and improvements of the city and country; hence her conversation became peculiarly interesting, especially to the immediate descendents of the first settlers, of whose ancestors she often related acceptable anecdotes.”--P. 9.
Depicts a slender young woman, her sleeves rolled up, wearing an apron over her long skirt and a bonnet, carrying a spray of flowers in her left hand and a basket over her right arm. She stands in a narrow dirt road., Photographer's imprint printed on mount., Title and date given in manuscript on mount.
Creator
Bullock, John G., 1854-1939, photographer
Date
1888
Location
Library Company of Philadelphia | Print Department lantern - Bullock [P.9282.8]
Contains central vignette showing a female allegorical figure seated in a chariot pulled by lions. She wears a crown, and holds a key and sceptor. Figure possibly personifies earth or represents the republic of the United States., Includes verse: Love thy Maker-let it be duty and delight to thee. When the day breaks o'er the hill. At the sunset hour so still. Let each living creature share Thy warm love & be they care; Let what'er thine eyes may see Form a link twixt heaven & thee., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date
[ca. 1850]
Location
Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Rewards of Merit [P.2011.10.155]
Group portrait showing three young women, each wearing a long dark dress, sitting on a set of white marble steps in Philadelphia. They are wearing jewelry. There is a handsome double door behind them that appears to be framed in marble., Kodak postcard., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1927
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.2008.10.47]
Portrait of a young woman with dark hair wearing a two-piece dress standing in front of a stone porch in Philadelphia. Her blouse is plain with an inset of striped fabric and some embroidery. The skirt is full-length and made of striped fabric. Patent leather shoes complement her dress. Behind her is a decorative iron grille on a cellar window., Defender postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 228., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1928
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.2008.10.133]
Portrait of a woman dressed in an ankle-length pleated skirt with a dark jacket and a light-colored vest standing in front of a porch in Philadelphia. She also wears a hat with a pompom on top, dark leather gloves, and laced up dress shoes. She stands in front of a large brick house with a porch over a stone foundation. The cellar window is protected by a wrought iron screen., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1931
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.2008.10.131]
Portrait of a young woman, her hair neatly combed, standing on a path in a woodland. She wears a long sleeveless flower-printed dress that is trimmed with a dark ribbon bow and a necklace., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1931
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.2008.10.152]
Portrait of a young woman with neatly combed hair and a dress with pleats and matching jacket standing in front of a screened window and a screened cellar window in Philadelphia. The jacket is a bit blurred because of the wind. There is a big bow at the neck of her dress and she also wears a bead necklace and holds a purse. The window frame is very worn and in need of paint. A lace curtain hangs in the window behind her., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1931
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.8649.18]
Portrait of a young woman, about twenty years of age, dressed in a dark velvet overblouse, a light-colored pleated silken skirt and dress shoes, standing, hands on hips and smiling, in front of a window of a brick house in Philadelphia. In the window two children and an adult watch from inside the activity outside on the sidewalk. The cellar window is protected by a wrought iron screen which is attractively painted., The unidentified young woman is also the subject of John Frank Keith photographs P.2008.10.92 and P.8649.36, in which she wears the same clothing., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1931
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.8649.23]
Portrait of a young woman posing in a two-piece dress in front of the stone wall of a porch in Philadelphia. She wears stockings and high-heeled shoes. Her dark hair is cut short. The large cellar window behind her is protected by a carefully painted wrought iron screen., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1931
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.8649.33]
Illustrated trade card depicting a woman relaxing in a hammock in a yard adjacent to a dwelling with a balustrated porch., Advertising text printed on verso illustrates and promotes hammock attachments, including the anchor rope and spreader, sold by G.M. Lee, Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1881]
Location
Library Company of Philadelphia | Print Department trade card - Saratoga [1975.F.787]
Group portrait showing two women, arms around each other, standing in front of a wooden house in Philadelphia that is in need of paint and a restoration of the foundation. The woman on the left wears an unbelted vertically striped dress with white stockings and heels. The woman to the right wears a dark "good" dress; her slip is showing. She wears white stockings and heels as well., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1931
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.2008.10.13]
Group portrait showing two young women, one in a suit, the other in a two-piece dress, both wearing white stockings and high heeled shoes, standing in front of a stone porch in Philadelphia. They have their arms around each other. Their hair is neatly combed and both wear lipstick., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1931
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.2008.10.69]
Group portrait showing two women who could be mother and daughter, both in their best dresses, standing with arms around each other in front of a window in a brick house in Philadelphia. The older woman on the right wears a dress with an ornate collar and cuffs. The window has open shutters and a fringed shade., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1931
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.2008.10.77]
Group portrait showing two well dressed women in hats standing in front of a tall wooden fence with horizontal slats. The fence probably divides residential backyards., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1931
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.8649.3]
Group portrait showing three young women, dressed up in their best dresses with stockings and dress shoes, standing in front of the window of a brick house in Philadelphia. Behind them, from inside the house, two small children and an adult can be seen looking out the window at the activity on the sidewalk. Two of the women wear glasses., The young woman in the middle is also the subject of John Frank Keith photographs P.2008.10.92 and P.8649.23, in which she wears the same clothing., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1931
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.8649.36]
Portrait showing a young woman dressed in a skirt and belted four-pocket jacket standing in front of a window with open shutters in Philadelphia. Paint peels from the wooded clapboard and shutters in front of which she stands., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1917
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.8649.51]
Landscape view shows a woman seated and leaning next to a tree near a creek., Attributed to John Moran., Title stamped on mount., Distributor's stamp, printed in red ink, pasted on verso., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Moran, John, 1831-1903
Date
[ca. 1862]
Location
Library Company of Philadelphia | Print Department stereo - Moran - Views [P.9326.1]
Portrait showing a young woman standing in front of a brick house in Philadelphia, in between two windows on the first floor and two cellar windows. She wears a dress with two large pockets, a wide fabric belt, and a ruffle collar around the neck, and white shoes laced up to her calves with white stockings. The cellar windows are protected by wrought iron screens., Photographer's imprint stamped on verso: John Frank Keith, 2042 North 6th St., Phila., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1920
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.8649.28]
Group portrait showing two young women standing, arms around each other's waist, in front of an open window in Philadelphia. They both wear cotton dresses and one wears a necklace., Cyko postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 233., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1915
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.2008.10.28]
Group portrait showing two smiling women with their arms around each other sitting on marble steps in front of an intricately carved door in Philadelphia. One woman wears a dark belted jacket with white trim., Cyko postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 233., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1918
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.2008.10.12]
Group portrait showing two young women, one with her arm around the shoulders of the other, standing in front of a brick building in Philadelphia. They both wear dark dresses and dress shoes., Azo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 223., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1920
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.2008.10.118]
Group portrait showing four women standing in a backyard in Philadelphia. They wear jewelry and fine dresses made of embellished material., Kruxo postcard., See Robert Bogdan and Todd Weseloh’s “Real Photo Postcard Guide: The People’s Photography,” (Syracuse: Syracuse University Press, 2006), p. 231., Keith was a Philadelphia photographer who specialized in portraiture, mainly of working-class Philadelphians in South Philadelphia and Kensington from the 1910s to the 1940s.
Creator
Keith, John Frank, 1883-1947, photographer
Date
ca. 1917
Location
Library Company of Philadelphia | Print Department Photographs-Keith [P.2008.10.156]
Comic genre photograph showing a smiling young woman putting a skewer through a door latch., Title from photographer's manuscript note on verso., Photographer's label pasted on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Creator
Cremer, James, 1821-1893
Date
[ca. 1868]
Location
Library Company of Philadelphia | Print Department stereo - Cremer - Genre [P.9299.16]
Album containing amateurly-cut, primarily bust-length silhouettes of men and women. Majority include caricatured or non-descript features. Small number of the prints depict full-length silhouettes, including a man holding an eye glass, a man holding a book near a table, and a man holding a filled basket. Also includes a silhouette of a tall male figure and squat female figure and corresponding pencil sketch. Many silhouettes also include hair adornments and other fashion details., Inscribed on verso of front cover: Barbara A. Townshind, Stanley Place, May 1804., End papers and verso of back cover contain semi-legible pencil inscribed verse., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Housed in phase box.
Creator
Townshind, Barbara A.
Date
May 1804
Location
Library Company of Philadelphia | Print Department albums [P.9723]