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Title: [Print specimens depicting African Americans from the Thomas Richardson and American Bank Note Company scrapbook]
Description: Includes predominantly banknote specimens showing enslaved, free, and possibly free African American men, women, and children. Images depict an African American man driver hauling a wagon filled with hay (p. 38); an African American man farm hand tending to horse in a farmyard (p. 38); enslaved men harvesting a field of grain (p. 45); an African American man cart driver hauling bundles up an incline (p. 50); enslaved men picking cotton juxtaposed with a townscape vista (p. 54); African American men workers collecting sap from trees under the view of a white foreman on horseback (p. 61); enslaved men, women, and children cutting and loading sugar cane onto a wagon at a “Sugar Plantation” (p. 66); an African American man driver leading “The Mule Team” on a country road (p. 67); African American men workers “Breaking Hemp” (p. 68); and a proof copy of an illustration from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861) depicting a scene by a hearth from “The Spy” with an African American male servant looking over the shoulder of a white woman housekeeper (p. 26). Majority of specimens include roadside scenery or plantation or residential buildings in the background. “Sugar Plantation” view also shows a steamboat on a river in the background., Title supplied by cataloger., Date inferred from the active dates of the partnerships of the printers in the imprints and content., Artists include F. O. C. Darley and Louis Denoce., Printers include American Bank Note Co.; Baldwin, Bald & Cousland; and Bald, Cousland & Co., Some items contain specimen number printed in lower right corner. Includes 131, 144, and 212., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
Date: [ca. 1855-ca. 1857]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]

Title: [Louisa A. White photograph album]
Description: Photograph album of portraits of unidentified middle-class African Americans including fourteen men, eleven women, and three babies., Various photographers from New York, Rhode Island, and Philadelphia. Philadelphia photographers include J. Fenton, J.W. Hurn, Parlor Galleries, and Comly T. Santman., Title supplied by cataloger., Date from manuscript inscription written on inside cover: Louisa A. White, Wishes & Regards of Anna Gibbs Philadelphia, With the best, Christmas 1878., Missing front cover, back cover, spine, and back pages., Gold gilded pages, edges cut with leaf design., Purchase 1996., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1878]
Location: Library Company of Philadelphia | Print Department albums [P.9505]

Title: Original & selected poetry &c
Description: Friendship album of Amy Matilda Cassey, a middle-class African American woman active in the antislavery movement and African American cultural community, containing contributions dating from 1833 until 1856. Contains original and transcribed poems, prose, and essays on topics including slavery, womanhood, religion, friendship, female refinement, death, and love. Also contains drawings, watercolors, and gouaches of flowers and a rustic, residential scene, possibly in New York. Contributors, including many women from the antebellum African American elite community, are prestigious reformers and abolitionists active in the anti-slavery, scholarly, educational, and cultural community of the antebellum North, including Philadelphia, New York, Boston, and Baltimore., Contains the following contributions: entry by African American abolitionist Frederick Douglass, dated Philadelphia 1850, about his "coarse" contribution in an album of "refined" entries; an original sonnet, "Fallen Bird," and essay, "The Abolition Cause," by anti-slavery activist, author, and editor, William Lloyd Garrison, dated Philadelphia 1833; floral watercolors and calligraphed poems by Philadelphia Quaker activist, educator, and artist Sarah Mapps Douglass; essay, "Moral Reform," dated Philadelphia 1834, by Harrisburg businessman and activist William Whipper; calligraphed version of Washington Irving's poem, "The Wife," by New York African American engraver Patrick Henry Reason dated New York 1839; poem about "Friendship" dated 1837 by anti-slavery activist Robert Purvis; prose on faith penned in 1853 by women right's activist and abolitionist Lucy Stone;, floral watercolors, poems and prose on friendship, womanhood, abolition, and remembrance by Philadelphia Female Anti-Slavery Society associates Rebecca Buffum, Susan C. Wright, and sisters Hannah L. Stickney and Mary T. Stickney, and sisters Mary Forten (p.10), Margaretta Forten, and Sarah Forten Purvis, as well as their sister-in-law Mary Virginia Wood Forten (p.22); memorials to his deceased wife and daughter by Baltimore African Methodist Episcopal Bishop Daniel Alexander Payne written in 1849; and an essay by abolitionist Reverend Isiah George DeGrasse dated Bridgewater 1836. Additional contributions by Baltimore anti-slavery activist Emily Willson; anti-slavery activists Ann Warren Weston and Elizabeth Le Brun (Stickney) Gunn; Philadelphia barber and activist John Chew; abolitionist James Miller M'Kim; University of Glasgow trained activist James McCune Smith; Boston reformer Wendell Phillips; C.L.R., possibly Charles L. Reason, abolitionist and brother of engraver Patrick Henry Reason; A.W.H., possibly Quaker abolitionist Anna W. Hopper, and E.G., possibly Quaker abolitionist Elizabeth Garrigues., Also includes sketches and a poem by probably Lydia A. Bustill and unattributed watercolors and sketches possibly by Amy Matilda Cassey., Title from item., Inclusive range of dates inferred from entries inscribed with dates., Embossed and gilt morocco binding with blue moiré silk doublures., Lib. Company Annual Report 1998, p. 25-35., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Cassey, an abolitionist, temperance and civil rights activist and founding member of the multiracial Philadelphia Female Anti-Slavery Society and the African American literary and science society, Gilbert Lyceum, was the daughter of New York black community leader, Reverend Peter Williams. She was the wife of Philadelphia businessman and civil rights activist Joseph Cassey, and later married Boston anti-slavery lecturer Charles Lenox Remond.
Creator: Cassey, Amy Matilda, 1808-1856
Date: [ca. 1833-ca. 1856]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764]

Title: The girl graduate: her own book
Description: Memory book compiled by Philadelphia High School for Girls student Mildred Davis Zaiser (later Cope) containing snapshot portraits with signatures and addresses of her classmates, including three African American students; prose and essays by her fellow students about their school experiences, teachers and classes; transcriptions of the class yell, motto, and commencement address; and class autographs and lists of class officers. Also contains an inserted snapshot photograph depicting four young well-dressed women in “Washington DC 5/9/14” (p. 31); snapshot photograph depicting history instructor “Miss Isabel W. Franklin” (p. 57); professional group portrait photograph showing the student members of “The Captain Ball Team of A prime 8” (a few of the girls hold a stuffed cat, a ball, and the school banners); anecdotal entries titled “Class Prophecy, And how it comes out” and “Class History”; tongue-in-cheek “Last Will and Testament” essay of student bequests to school instructors and departments; and a copy of the commencement announcement. “Miscellaneous” section contains several essays colloquially describing classes and written and signed by Zaiser’s fellow students, including ‘Physics Hour” written by Lucy Seiber (p. 169-171); “Mathematics Hour” written by Emily M. Woodward and Blanche Rostow (p. 172-177); “Drawing Hour” incomplete and unsigned (p. 178-179); “Physiology Hour” written by Marie Zaun (p. 181-184); “Gymnasium Hour” written by Della Martin (p. 185 -188); and “English Hour” written by Lillian Schivare (p. 189). Notes by Zaiser detailing the class flower and colors and her graduation gown and presents and the prose “Who’s Who in A8” written by Dorothy Noe (p 141-143) also comprise the manuscript content of the book. Captain ball is a game similar to basketball played on an area marked with six circles with the goal to pass the ball to the player in the end circle., Portrait sitters (p. 15-29) include: Rheba Luberoff, 1928 N. 7th St., Phila; Mary Olivell, 341 S. Lawrence St., Phila; Helen Mahoney, 1502 Hollywood St., Phila; Della Markie, 4118 Pechin St., Rox.; Minnie Mayerle, 2406 Sedgely St., Phila.; Minnie Mayerle, 2406 Sedgely St., Phila.; Della Markie, 4118 Pechin St., Rox.; Minnie Mayerle, 2406 Sedgely St., Phila.; Florence Martin, 1234 N. 54th St., W. Phila ;Lea Meisel, 630 N. 55th St., W. Phila.; Mattie Miller, 3859 Olive St., W. Phila. (African American student); Dorothy Noe, 3311 N. 17th St. [830 Windsor Square, Phila – crossed out in different hand]; Tillie Mellanoff, 634 Hoffman St., Phila.; Mary Patterson, House of Correction, Holmesburg; Helen Pechin, N.E. Cor. 20th St. and Columbia Ave., Phila.; Lillian Pollard, 5339 Lena St., Germantown; Helen Radcliffe, 801 E. Washington Lane [6213 Germantown Ave G’m’t – crossed out in different hand]; Blanche Rostow, 1222 N. 7th St., Phila; Marion Schurer, 1103 Fairmount Ave., Phila.; Lillian Schware, 1342 Poplar St., Phila.; Lucy Seiber, 7024 Second St. Pike, Lawndale, Phila.; Elva Smith, 2502 N. Garnet St., Phila.; Fannie Still (later Lloyd)(abolitionist William Still’s granddaughter), 1607 Bainbridge St., Phila.; Helen Taylor, Upsal and Sullivan Sts.; Esther Tittman, 419 Moore St., Phila; Arabella Turney, 2334 S. 17th St., Phila.; Rosalie Tutleman, 5230 N. Broad St., Phila.; Grace Wilhelm, 1524 Parker St., Phila.; Annie Wood, 762 N. Uber St., Phila. (African American student); Emily Woodward, 518 W. Venango St., Phila.; Mildred Davis Zaiser, 4548 Manayunk Ave., Rox.; Marie Zaun, 122 E. Gorgas Lane, Mt. Airy; and Alberta Goodwin, President of the Graduating Class, Feb. 1915., The portraits are bust-length and the sitters are posed in profile, facing forward, and looking down upon books. Most of the young women wear their hair long and swept back and up. Some wear their hair bobbed or with bangs. The attire of most of the students include white or patterned blouses and neckties and neckerchiefs. Some also wear necklaces and/or jackets or smocks or ribbon headbands., Book illustrated with art nouveau-style pictorial, border, and ornamental details depicting images of young women in flouncy dresses reading newspapers, holding brownie cameras, writing invitations and in a journal; views of desks and shelves containing objects associated with studying, school, and young women, including books, ink wells, candlesticks, a box of letters, and flowers; and borders and ornaments composed of rose and floral designs., Bound in limp olive suede with blind-embossed design and gilt titling on front cover. Cover stamped with design composed of book, quill pen, and a bough of greenery with banner., Title stamped in gilt on cover: The Girl Graduate: Her Own Book., Contains inscription: This book belongs to [Mildred Davis Zaiser]. Graduated from [The Philadelphia High School for Girls. 17th and Spring Garden Sts.] Inscription in art nouveau-style border shaped like a frame and composed of flowers and branches., Title page illustrated with art nouveau-style border composed of vinery, roses, and the bust of a young woman attired in a flouncy blouse and with a yellow ribbon in her hair., Table of Contents: Date. Flower. Colors 11; Class Yell. Motto 13; Class Photographs 15; Class Autographs 33; Class Officers 49; The Teachers 53; Class Prophecy 61; Her Invitations 75; The Programmes 83; Social Events 95; Press Notices 113; Her Gowns 125; The Presents 133; Jokes and Frolics 141; Baccalaureate Sermon 161; Miscellaneous 169., Several editions of "The Girl Graduate" with variant cover designs and a loose leaf version were published 1906-ca. 1927., Purchase 2015., Description revised 2022., Access points revised 2022., Mildred Zaiser Cope (1897-1981) was raised in a German section of Philadelphia and noted as the "German Dictionary" by her classmates at her graduation in 1915. She still lived with her parents in 1920 when she worked as a clerk for the Board of Education. By 1930 she had married William Cope and lived in Norwalk, Connecticut., Louise Perrett (b. 1878) was an illustrator who studied under Howard Pyle. She was also an instructor at the Art Institute of Chicago circa 1920s. She partnered with Sarah K. Smith on several memory albums first published by Reilly and Britton Co. in the early 1900s. By 1940 she was an art teacher at the Elizabeth Peabody House in Boston.
Creator: Perrett, Louise, illustrator
Date: [ca. 1915]
Location: Library Company of Philadelphia | Print Department albums [P.2015.2]

Title: [Deborah Passmore Gillingham scrapbook of prints, drawings, and specimens]
Description: Scrapbook of chiefly engravings, drawings, and specimens compiled starting in 1847 by Quaker amateur artist Deborah P. Gillingham. Contains several circa 1810s-1850s book and periodical illustrations, including from "Godey’s Lady’s Book," the "Union Magazine", and the "Literary Souvenir" (London), that depict genre, sentimental, historical, European, and literary scenes and views, as well as portraits of prominent American and European literary, religious, and political figures, particularly abolitionists. Titles of illustrations include "Cinderella"; "Harvest Wagon"; "Bolton Abbey, Wharfdale"; "Lockport, Erie Canal"; "Bit"; "The Sisters Clio"; "Steps to Ruin"; "The Rescue"; "Warming the Mitten"; "Going to School"; "Queen Henrietta Interceding for the King"; "France, Lyon"; and "Fall of Terni." Many of the "Union Magazine" illustrations are after the work of artist Tompkins H. Matteson and depict scenes with children, women, families and/or couples. Illustrations also include the 1848 comic plate "The Lost Glove" depicting an African American servant and a dandy ("Union Magazine," April 1848) and an 1838? portrait of "Joanna," the enslaved woman with whom British–Dutch colonial soldier and author of "The Narrative of a Five Years Expedition against the Revolted Negroes of Surinam" (1796, reprinted 1838) John Gabriel Stedman had a relationship. Portrait sitters include Lucretia Mott, Gerrit Smith, Elias Hicks, Thomas Clarkson, Thomas Moore, Daniel O’Connell, Alice B. Neale, and Benjamin Lundy. Illustrations also depict Philadelphia landmarks, including Franklin Institute, Schuylkill Water Works, and Pennsylvania Hospital for the Insane. Philadelphia views also include a separately-issued lithograph depicting Clermont Academy printed by Childs & Inman after George Lehman., A number of pencil works and ink drawings comprise the scrapbook with many captioned and depicting dwelling, landscape, and landmark views of Switzerland and Great Britain. Includes pencil sketch "from memory" of "Jungfrau, Switzerland" (Alps) by "E.B.E"; pencil drawing "The House in which Shakespeare was born. Henley Street. Strafford Upon Avon"; gouache and watercolors of "Chinese Fish"; pencil drawings with Chinese white captioned "Austin's Farm at Supiston Suffolk. The early residence of Robert Bloomfield" and "Mill at Bannockburn in which James 3rd was killed"; a pencil drawing of Friends Bank Meeting House inscribed "Mary Young"; pencil drawing of "Residence of George Fox" inscribed "John Young"; and two landscape watercolors by English Quaker social reformer and anti-slavery activist Elizabeth Heyrick., Scrapbook also contains several labeled botanical and material specimens from historical, Biblical, literary, and cultural landmarks and sites, as well as "Specimens of sea moss (i.e. algae) from Cape May May 1848" (one arranged in the letters "D.G.") and the hair of "E.M. Chandler." Often placed in folded sheets of paper with inscribed labels, specimens include "From the scene of Grays Elegy by Mantle Tower That Yew Tree shade"; "From the grave of Cromwell"; "Waterloo"; "Piece of South Sea Island Cloth"; "Mummy cloth unrolled by Gliddon 1851"(Egyptologist George Robbins Gliddon publically unwrapped mummies as performances in Boston and Philadelphia, 1851-1852); and "Pompei.", Additional items of note include a pencil sketch by Gillingham of "East Mount. The residence of John Pease England"; etchings depicting Suffolk landmarks by Henry Davy; the anti-slavery manuscript poem "America" signed and dated by British Quaker novelist, poet, and abolitionist Amelia Opie (Norwich 1846); the anti-slavery manuscript poem "Do as thou wouldst be done by"… signed and dated by British Quaker poet Bernard Barton (Woodbridge September 19, 1846); and circa 1847 calling cards by Chinese writing specialist Tsow Chaoong (Philadelphia 1847-1849) handwritten in English and Chinese characters “D.P. Gillingham” and "Y. M. Gillingham." A small number of circa 1900s clippings and photomechanical prints of portraits and landscapes also comprise the contents., Title supplied by cataloger., Date inferred from content., Inscribed on p. [1]: Deborah P. Gillingham 10 mo 20. 1847., Marbled paper binding., Several pages contain tissue paper overlays., Incomplete pencil sketch of dwellings on verso of drawing of "The River Side of Earlham" on p. [10]., Various artists, engravers, printers, and publishers include Childs & Inman; John Collins; Henry Davy; A. L. Dick; George Lehman; Longman, Rees, Orme, Brown & Green; Tompkins H. Matteson; Henry Sadd; John Sartain; and Thomas Sinclair., RVCDC, Access points revised 2022., Housed in phase box., Number of items missing or removed from pages., Page numbers added by cataloger lower right corner., Loose pages and inserts of gold paper removed, placed in enclosure, and housed with scrapbook in phase book., Deborah Passmore Gillingham (1820-1877), cousin of professional botanical illustrator Deborah Griscom Passmore (1840-1911), was an amateur botanical illustrator. Disowned from the Orthodox Philadelphia Meeting, Northern District in 1842, Passmore became a member of the Hicksite Green Street Meeting. She married Philadelphia wool merchant Yeamans Moon Gillingham (1817-1885) in 1844 and relocated with him to Moorestown, N.J. in 1850 following his retirement. The couple had a son Aubrey Howard Gillingham (1850-1885). In 1855 the family was recommended by the Green Street Meeting for the Eversham Monthly Meeting, N.J. At her death, Gillingham was a member of the Moorestown Monthly Meeting. Among her bequests were funds to endow beds at the Philadelphia Orthopedic Hospital and Dispensary and the Women’s Hospital.
Creator: Gillingham, Deborah Passmore, 1820-1877, compiler
Date: [ca. 1810-ca. 1910, bulk 1830-1850]
Location: Library Company of Philadelphia | Print Department albums [P.2019.6]

Title: Original & selected poetry &c
Description: Album belonging to Martina Dickerson, a young middle-class African American Philadelphian, probably created as a pedagogical exercise, with twenty-two contributions dating from 1840 until around 1846. Contains original and transcribed poems, prose, and essays on topics including love, friendship, sympathy, courage, and female refinement. Also includes drawings, primarily of flowers. Identified contributors are mainly Black elite scholars active in the African American anti-slavery and cultural community of mid-19th century Philadelphia., Contains the following contributions: calligraphed title page by abolitionist James Forten, Jr.; prose on "Literature," "The Album," and "The Year" by entrepeneur and abolitionist James Forten, Sr. or his son, James, Jr.; prose entitled "Perserverance" by tailor, abolitionist, and civil rights activist John C. Bowers; prose, sketches, and watercolors by Quaker abolitionist, educator, and artist, Sarah Mapps Douglass; watercolor and transcribed poem, "The First Steamboat on the Missouri," by Sarah's brother, artist, community activist, and abolitionist, Robert Douglass; essay entitled "Sympathy" by William Douglass, pastor and historian of the St. Thomas Episcopal Church in Philadelphia; transcription from Wordsworth's "Excursion" by educator and anti-slavery activist Charles L. Reason; gouache of a bunch of flowers by A.H.H., probably Ada Howell Hinton, an African American educator and anti-slavery activist; and prose, poems, and gouache by Mary M. MacFarland, V.E. Macarty, Y.J. Grice, Rebecca F. Peterson, H.D. Shorter, C.D.R., and J.F.V., Title from item., Inclusive range of dates inferred from entries inscribed with dates., Embossed and gilt morocco binding., Lithograph title page, "Flowers," containing flower illustration hand-colored with gouache and watercolor., Blank album published in London by Wm. & Hy. Rock., Lib. Company. Annual Report 1993, p. 17-25., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Dickerson, a pupil of African American educator Sarah Mapps Douglass, was the daughter of African American activists, Martin and Adelia Dickerson, and step-father Samuel Van Brackle.
Creator: Dickerson, Martina, 1829-1905
Date: [ca. 1840-ca. 1846]
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q]

Title: [Family photograph album of views of Eastern and Central Pennsylvania]
Description: Family snapshot photograph album photographed and compiled by a Lorah family member, possibly Mary (Lorah) Rismiller and containing portraits of family members and friends and views of Eastern and Central Pennsylvania during family visits and excursions between 1907 and 1916. Album pages are annotated with the name of town visited and often the date of the visit. The photographs are captioned with descriptive or identifying titles and/or annotated with the names of the sitters photographed. Towns and cities visited include Houtzdale, Pa. in 1910; Emaus, Pa. in 1911; Duncannon, Pa. in 1911; Millerstown, Pa. ; Philadelphia, Pa.; Ocean Grove, N.J.; Atlantic City, N.J.; Camden, N.J.; Mexico, Pa. in 1915; and Wernersville, Pa. in 1916. Imagery includes views of businesses and industries, several churches, schools, residences, and recreational areas, as well bridges, streetscapes, cityscapes, and landscapes. Sites depicted show the Houtzdale Coal Mining Region, including views of workers, the entrance, the breaker “after the fire,” and the air shaft; Camden, N.J. Alms House Hospital and Stables; Edwin Glass near the brick oven of a bake shop and “Novelty works” (Duncannon, Pa.); a duck farm (Emaus, Pa.); the Office of Dr. M.J. Stine, Old & New Shirt Factory of B.W. Paget & Son, a wooden tripod structure “Devils Catcher,” and Slaughterback Hill (Millerstown, Pa.); the Juniata River; a bridge and shirt factory (Mexico, Pa.) and South Mountain Park (Wernersville, Pa.), Several photographs document the facilities and staff, including Mary’s brother W. C. Lorah, at the State Hospital at Wernersville. The views show the “Filtering Bed,” “Turburcular” [sic] ward, “Stables,” the “Reservoir,” “Refectory,” “Day Room,” “Isolation Building,” “Laundry/Cold Storage,” “Industrial Building,” “Green Houses,” “Infirmary Force,” (i.e. hospital attendants); and the “Dormitory.” Also contains views from the Lorah family hometown of Blandon, Pa., including the “Lorah House”; views of the railroad, including tracks, stations, and bridges; camping along the Delaware River; and the Camden Carnival., Portrait photographs show men, women, and children posed in front of residences, in yards and public spaces, and on outings. Several of the portraits depict Mary Ritzmiller’s mother Ellen Becker Lorah, as well as niece Selena Lorah, and nephew Merit O. Lorah (as a baby), and brother W.C. (William Chester) Lorah. Other portraits depict a group portrait of “J. Benson employees” posed in front of a shoe store in Holzdale; “Mrs. Lukens” posed from her wheelchair; and an out of focus view of W.C. Lorah “Among the Fens.” Portraiture also includes a portrait taken in Blandon and captioned “Black Annie” and shows an older Black woman standing on the steps of probably a general store and attired in a kerchief, heavy jacket, and skirt. She wears a tambourine at her waist and walks with a cane. A few portraits depict women in chicken coops and Ellen Lorah holding a goose. Several portraits are also annotated with humorful and wry-toned captions, including a series of images of individuals posed to represent “Sports," “Obeying,” “Cherubs,” “Temptation,” and “Just for Fun.” Many of the photographs include objects of the everyday, including horse-drawn vehicles, water pumps, wash tubs and a hand-powered washer, baby carriages and rockers and other children’s furnishings, dolls and stuffed animals, and an automobile. Album also contains portraits of friends from and views of Toledo and Gibsonburg, Ohio in June 1907., Title supplied by cataloger., Date from content., Stamped on front cover: Photographs., Photographs arranged in diagonal patterns on p. [24-30]., Many of the pages contain titles., Majority of images annotated with a caption., Mary Lorah Rissmiller (1883-1959), daughter of Allen Lorah (1849-1922) and Ellen Becker Lorah 1856-1917), was born in Blandon, Pa. and married railroad freight laborer William Rismiller (1879-1959) in 1903. Her siblings included Daniel Clement Lorah (b. 1874), Josiah Curtis Lorah (1876-1957), Allen Harvery Lorah (1886-1967), and William Chester Lorah (1888-1918).
Creator: Rismiller, Mary Lorah, 1883-1959
Date: [1907-1916]
Location: Library Company of Philadelphia | Print Department albums [P.2022.14]

Title: [Scrapbook with linen pages]
Description: Scrapbook containing scraps, cutouts, periodical illustrations, and trade cards. Contents depict sentimental, genre, and religious scenes; images of children, animals, mothers and mothering; fancy heads; patriotic, historical, and allegorical figures, including George and Martha Washington; advertisements for Philadelphia, Hartford (Conn.), and New York businesses, including promotions for druggists, patent medicines, and soap; imagery documenting the Centennial Exhibition 1876, including portraits of prominent figures; figures in European costumes; scenes of rural life and European scenery; and landscape views. Also includes a small number of views of factories and industrial buildings; a patent medicine advertisement including an African American man servant character opening a door (p. 76); a print depicting a stanza from Robert Burn’s “The Cotter’s Saturday Night” (p. 22); illustrations of Little Red Riding Hood; the periodical cartoon “A Parent’s Vengeance” (p. 53); "La Belle Chocolatiere from the original painting by Leotard now in the Dresden Gallery" (p. 57); a cutout from a women’s fashion plate (p. 77); H.M.S. Pinafore theatrical character illustrations printed by Ledger Job Printing Office (p. 64); and a calling card for Mary S. Bassett (back inside cover)., Businesses represented include B. T. Babbit (soap); Clark’s O.N.T. (thread); C. F. Rump (leather goods); Corning & Tappan (perfumes); Marburg Bros. (tobacco); Devlin & Co. (clothiers); Dundas, Dirk & Co. (pharmacists); [Hiram] Duryea’s Starch Works; Fairbanks scales (E. & T. Fairbanks & Co.); J. Milton Brewer (druggist); C. L. Hauthaway & Sons (shoe polish); Charles S. Higgins (German laundry soap); The New York Bazar (fancy goods, Phillip Isaacs, proprietor); Demorest’s Monthly Magazine (W. J. Demorest, publisher); Edwin C. Burt (shoes); E. P. & Wm. Kellogg; Samuel Gerry & Cos. (patent medicine); Alex. Boost (analytical chemist); Chas. F. Hurd & Co. (chinaware); E. P. & Wm. Kellogg (photographers & art dealers); and Willcox & Gibbs (sewing machines)., Title supplied by cataloger., Front cover stamped: Scrap Book, Various artists, engravers, and printers including F. Beard; Illman Bros.; Ledger Job Print; L. Prang & Co.; Major & Knapp; Thomas Moran; and Shober & Carqueville., Cutouts and calling card pasted to inside front and back covers., Edges of scrapbook leaves contains stitching in different colors, including yellow, green, blue, red, lilac, and purple., Purchased with funds for the Visual Culture Program., Housed in phase box., RVCDC, Description revised 2021., Access points revised 2021.
Date: [ca. 1876-ca. 1879]
Location: Library Company of Philadelphia | Print Department albums - Linen [P.2013.69.1]

Title: [Thomas Richardson and American Bank Note Company scrapbook]
Description: Scrapbook compiled by Philadelphia banknote printer Thomas Richardson containing proofs of illustrations after the work of F. O. C. Darley from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861); portrait illustrations, some from J. B. Longacre's "National Portrait Gallery" (probably 1854 edition); and vignette specimens of the American Bank Note Company and their predecessor companies. Cooper illustrations depict scenes on the frontier and ship decks, with Native Americans, and of battles; deathbeds; and of informal meeting from his works The Oak Openings, The Redskins, The Chainbearer, The Pathfinder, The Red Rover, The Monikins, Deerslayer, Homeward Bound, Lionel Lincoln, The Pilot, Last of the Mohicans, The Wept Wish-ton Wish, The Spy, and Wing and Wing. Several also contain animals. Sitters in portrait illustrations include Lewis Cass, Giuseppe Garibaldi, David Ramsay, James Kent, Thomas C. Pope, John McLean, Stephen Decatur, Samuel Rogers, Rev. William Capers, John Binns, Washington Irving, and Noah Webster., Specimen subjects include portraits of prominent government officials, Civil War figures, businessmen, clergymen, royalty, and "fancy heads" of named and unnamed women and children; allegorical figures and scenes, including Bounty, Liberty, Arts, Agriculture, and Commerce; state and symbolic seals and insignia; naval and maritime imagery, including sailors, sailing vessels, and wharf and dock views; modes and venues of transportation, including steamboats, trains, streetcars, and rail stations; white and Black men artisans, laborers, and tradesmen, including drivers, farmers, sheep shearers, and furriers; industrial views of factory workers, mineworkers, and female loom workers, as well as mills and factories along canals and riverfronts; women at work feeding livestock, milking cows, and at a sewing machine; municipal buildings and storefronts; southern imagery, including enslaved people at work, palmetto trees, plantations, and ports; patriotic, historical, military, and scenic imagery; frontier views and scenes with Native Americans; and animals. Specimens with titles include Star of Empire (Princess Eugenie of Sweden) River Source, The Guardian, Locomotive, Autumn Fruit, Sheep Feeding, The Yarn, Trusty, Picking Grapes, The Sickle, The Death Blow, and Propeller Loading. Some specimens used as the backs of national currency., Title supplied by cataloger., Date based on publication date of specimens., Manuscript notes on front free end paper: Aunt Tillie Richardson (cousin Florence's aunt) in pencil; Scrapbook No. 3 in ink., Lincoln Monument Association of Philadelphia certificate pasted on inside front cover and issued to Thos. Richardson on July 4, 1865, signed C. J. Stille, Secy; Alex. Henry, Prest.; and James L. Claghorn, Cashr. Certificate number 6004 and illustrated with bust-length portrait of Lincoln. Charles J. Stillé, was a Philadelphia lawyer who served on the United States Sanitary Commission, and was later Provost of the University of Pennsylvania. Alexander Henry was the mayor of Philadelphia. James L. Claghorn was president of the Commercial National Bank in Philadelphia and an art collector., Stationer's label pasted on back cover: John Alexander, Stationer and Printer, 52 South Fourth St., Various artists, engravers, and printers including F.O.C. Darley, G. H. Cushman, J. Hamilton, Asher B. Durand, C. Schussele, John Sartain, Samuel Sartain, Jas. D. Smillie, E. Prudhomme, H. B. Hall, T. Phillibrown, R. Whitechurch, J. M. Butler, James Bannister, Charles Kennedy Burt, Louis Delnoce, W. W. Rice, American Bank Note Company, Toppan, Carpenter & Co, Baldwin, Bald & Cousland, and Bald, Cousland & Co., Several of the specimens contain a specimen number and/or title., Few of the specimens contain a copyright statement., Specimen #312 (p. 81) and specimen #280 (p. 71) after the work of Emanuel Leutze., Inventory of portrait sitters housed at repository., Identity of several of the artists and engravers supplied by Gene Hessler, The engraver's line: an encyclopedia of paper money & postage stamp art (Port Clinton, OH: BNR Press, 1993)., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
Creator: Richardson, Thomas, 1802-approximately 1881
Date: [ca. 1854-ca. 1861]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]

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