Search results

Title: Mrs. S. A. Lingle, 734 Spring Garden St
Description: Advertisement depicting a woman shopkeeper showing a hat to a woman and two girls near a hat display., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department Ph Pr - 8 x 10 - Advertisements - L [(7)1322.F.471x]

Title: [Fashion print showing a couple attired in Quaker costume]
Description: Fashion print showing a young couple in plain dress on promenade. The man wears a broad-rimmed hat, white cravat, and suit. The woman wears a poke bonnet and a plain dress with a large white collar and puff sleeves. Each holds or wears gloves., Date from manuscript note on recto: Costume 1844., Philadelphia on Stone
Date: 1844
Location: Library Company of Philadelphia | Print Department BW - Fashion [P.2005]

Title: Life in Philadelphia. "Good evening Miss..."
Description: Sexist caricature satirizing middle-class mores and depicting a white man dandy sexually harassing a well-to-do white woman as she traverses a Philadelphia street. The man stands next to her, in the right, and the woman has an aghast expression. She has a bouffant hairstyle adorned with yellow flowers and ribbons. She wears a long pink cape with a blue hood over her hourglass shape and large hair. The dandy is dressed in a corset, a black top hat, blue coat with tails, pink vest, gloves, and large pink bow tie. He holds a walking stick toward the ground in his right hand. A white handkerchief hangs out of his right coat pocket. Cityscape and two men pedestrians are seen on the street in the background., Title from item., Date from item., Inscribed: Plate 8., The symbol of a key is used in place of the name Clay., Contains five lines of dialogue above the image: “Good evening Miss, shall I have the pleasure of walking with you?” _ Me sir!! for whom do you take me, sir? __”Come, come that’s a good one!__ for whom do I take you? Why for myself to be sure!”__, Sarah Hart was a Jewish Philadelphia stationer who with her son, Abraham Hart, a future eminent Philadelphia publisher, assumed publication of the "Life in Philadelphia" series in 1829. She, alone, reprinted the entire series of 14 prints in 1830., Reaccessioned as P.9701.2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9701.2]

Title: Promenade in Washington Square
Description: Caricature depicting a modishly dressed white couple (man and woman) strolling through Philadelphia's Washington Square near the Society Hill section of the city. The woman wears a bright yellow dress with extremely puffed leg o'mutton sleeves and a dramatically large yellow hat with a massively wide brim. Blue and yellow striped ribbons are attached to the hat and hang down from the brim. A kerchief and necklace adorn her neck. She carries a purple purse and a pink umbrella in her left hand and a pink monocle in her right. She holds the monocle close to the side of her chin. The man wears a blue waistcoat with massively puffed leg o'mutton sleeves, a plaid cravat, brown trousers, and top hat. He holds a walking cane in his left hand to the side of his waist. Both figures are depicted with corseted waists. Two fashionably dressed women, a fashionably dressed couple (man and woman) with a child, and multi-story buildings and trees are seen in the background. In the early 1800s Washington Square evolved from a pasture ground and a burial ground for the city’s African American community, indigent community, and Revolutionary War soldiers in the 18th century to a park at the request of the wealthy residents in the neighborhood., Title from item., Date inferred from dates of later plates in the series., Probably published by William Simpson., Inscribed: Plate 1., Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era. (PhD. diss., The University of Michigan, 1980), p. 86. (LCP Print Room Uz, A423.O)., Part of the digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., Accessioned in 1999.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1828]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9688]

Title: Regine. I.S. Custer, Son & Co. Philadelphia
Description: Illustrated trade card for the millinery and fancy goods store of I.S. Custer, Son & Co. in Philadelphia depicting a head portrait of a woman, Regine, wearing a hat flanked by vignettes of hats. Includes cranes in the top and bottom panels., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department *trade card - Custer [1975.F.160]

Title: French millinery, and fancy dress making establishment
Description: Caption title., Blank order form, p. [3], dated: 183[blank]., Madame Gaubert is listed in Philadelphia directories from 1831 to 1842; she is listed at this address from 1831 to 1833, but by 1835 is listed at 221 Chestnut Street., Printed on p. [1] and [3] only., Not in Checklist Amer. imprints., Library Company copy has Mme. Gaubert's MS. notes.
Creator: Gaubert, Madame
Date: [between 1831 and 1834?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1831 Gaubert 14395.Q

Title: The Philadelphia dandies. A group of fashionables. "Shoot folly as it flies."
Description: Caricature lampooning "fashionable" middle-class Philadelphians depicting two scenes of “belles” being greeted. The first scene portrays a white belle, in the right, being greeted by a white dandy, in the left, who holds up a monocle in his left hand and asks, "How do you do?" They are each bent over and face each other. The dandy is attired in a white ruffled shirt, blue waistcoat, tan pants, and grey boots with spurs. He holds down a black top hat from which a cane hangs in his right hand. The belle is attired in a large green bonnet that curves at the back of her head and that is adorned with feathers and a ribbon, a pink, long-sleeved, knee-length, belle-shaped dress, and boots. She holds a green umbrella up in her right hand toward the raised arm of the dandy and the back of her dress has risen up. A pug-like jumps up and barks at her from behind. She responds that she is “rather cold.” The second scene depicts a white belle being greeted by a "fashionable" white woman and girl whose hand she holds. The women and girl are all similarly attired in large bonnets adorned with flowers, long-sleeved, high waisted, calf-length dresses in pink or green, and boots or ankle-laced shoes. They are also portrayed with stooped postures and accentuated posteriors. The woman with the child also holds a pink purse in the same hand as that of the girl who also wears pantalettes and holds a green parasol in her left hand. A third woman wearing a mortarboard style hat adorned with feathers, a long-sleeved, calf-length, high-waisted dress with under skirt, and boots, holds a spear-shaped umbrella over her shoulder and "marches" passed them in the right. Also, shows a pug-like dog standing in the left by the women who greet each other., Title from item., Date inferred from content., Contains two bubbles of dialogue within image of first scene: How do you do? How do you do? Madam! How is it with you today? It is rather Cold, sir!-, This caricature is similar in content to the prints from the series, "Life in Philadelphia" (London Set), and has been catalogued as part of the series., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Kensett, Thomas, 1786-1829, engraver
Date: [ca. 1820-ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9720]

Title: Philadelphia fashions, 1837
Description: Racist cartoon depicting middle class African American Philadelphians used to arouse Northern anti-Black fears that well-to-do African Americans threatened the racial status quo. Depicts a physically attractive and elegantly dressed African American man and woman couple who have stopped during a stroll. The woman, attired in a large bonnet, elegant gown, and holding a parasol asks in the vernacular, "What you look at Mr. Frederick Augustus?" The man, attired in a suit, a top hat, and holding a walking cane in one hand and a monocle to his eye with the other answers, "I look at dat White loafer wot looks at me. I guess he from New York." The man and woman also each wear broaches depicting portraits. The couple are possibly prominent African American Philadelphians Frederick Augustus Hinton and Elizabeth Willson Hinton., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1837, by H.R. Robinson in the Clerk's Office of the Dist Court of the U.S. of the Southern District of N. York., Due to the similar content of this caricature to the prints from the series, "Life in Philadelphia," the lithograph has been catalogued as a part of the series., Purchase 1958., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., E.W. Clay (1799-1857), born in Philadelphia, was a prominent caricaturist, engraver, and lithographer who created the "Life in Philadelphia" series which racially lampooned middle-class African American Philadelphians of the late 1820s and early 1830s.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1837
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1837 - Phi [6281.F]

Title: Baxter's panoramic business directory of Philadelphia Chestnut Street from Seventh to Eighth, (south side)
Description: View showing the south side of the 700 block of Chestnut Street (700-732). Addresses printed below the buildings. Businesses with signage include W. L. Germon's Photographic Rooms (700); Frederick, Penabert & Germon, photographers (702); Jules Hauel & Co., perfumer, and Meyer & Warne, silverplaters (704); Winchester & Co., gentleman's furnishing store (706); John W. Proctor & Co., cloaks and mantillas (708); Cornelius & Baker, manufacturer of gas light fixtures (710); Hancock & Co. (712); Charles Desilver, publisher and bookseller, and Samuel W. Pepper, jeweler, and Edward W. Carryl, home furnishings (714); T. H. Peters & Co., perfumers (716); Warner, Miskey & Co., manufacturer of gas light fixtures (718); Spieler's Photographic Rooms, and Mrs. E. W. Brown's Dressmaking establishment, and Sarmiento & M'Grath, tailor (720); Lee & Walker, piano store (722); Glenn & Co., perfumers, and Mooney Manley & Co., importers of millinery goods, and Stern & Freeman, manufacturer and importer of artificial flowers (726); McAllister & Brother, opticians (728); Grover & Baker, sewing machines (730); and Duff & Co.'s Commercial College and R.K. Stewart, trimmings (732). Includes pedestrian traffic., Printed on recto: Copyright Secured., Copyrighted by Baxter & Neff., Contains several lines of advertising text below the image promoting the value of a Business Directory that was to depict panoramas of "Chestnut, Market, Third, Second, and Front streets" and the "City Front." Also promotes the directory's detail to architectural characteristics of each building; its use as a future reference; its mutual benefits; and "Its Permanency." Text also solicits subscriptions from businesses in return for a "view of their buildings"; an "Advertising card"; and "one hundred plates of the entire square for their own distribution.", Also contains notice that King & Baird will print the plates on paper of the "best quality," "Terms of subscription," and advertisements for D. W. C. Baxter & Co., publishers, and Baxter & Harley, engravers, below the image., Originally part of a McAllister scrapbook of views of Philadelphia., Variant of 1322 1/2.F.18 and P.2006.1.15a&b.
Creator: Baxter, De Witt Clinton, ca. 1829-1881, engraver
Date: 1859, c1857
Location: Library Company of Philadelphia | Print Department Baxter - Chestnut Street - 1859 [1322 1/2.F.19]

Title: [Stevens-Cogdell and Sanders-Venning family portrait collection]
Description: Primarily studio portraits and snapshots of members of the Venning line of the middle-class Philadelphia African American family descended from the 19th-century white South Carolinian Richard Walpole Cogdell (1787-1866), and Sarah Martha Sanders (1815-1850), a Black enslaved woman. Includes professionally photographed group portraits depicting the family's participation in the Philadelphia African American music community of the early 20th century, including: the Mendelssohn Singing Society; Sid Stratton's Orchestra; the Treble Clef Mandolin and Guitar Club; and the Soap Box Social, a minstrel club associated with the African American political club, Citizen's Republican Club. Other formal portraiture includes the graduation portrait for the South Philadelphia High School for Girls class of 1921, including Lillie Venning and contralto Marian Anderson, and a group portrait of the Citizens Republican Club (ca. 1910). Collection also contains studio portraits and snaphots photographed during family summer excursions to Pleasantville and Atlantic City, New Jersey; portraits of family friends and family members through marriage; silhouettes of members of the Cogdell family cut by Master Hankes, i.e., Jarvis F. Hanks (ca. 1828); and an album (ca. 1860-ca. 1913) containing portraits of members of the Venning family and of unidentified sitters., Sitters include members from the Cogdell family, the Venning family, the Capps family, and the Saunders family. Cogdell family members include: Cecilia Cogdell, wife of Richard Walpole Cogdell, and three of their sons - James Gordon Cogdell, George Burgess Cogdell, and John Walpole Cogdell. Venning family members include: Richard Cogdell and Sarah Sanders' daughter, Julia Sanders Venning, her husband Edward Y. Venning (a contractor), and his brother, Richard DeReef Venning (a government clerk). Julia Sanders Venning and Edward Y. Venning's children - Louise Sanders Venning, Miranda Cogdell Venning (a school principal), Oliver Casey Venning (family historian), George Edward Venning (postal worker), Sarah (Sallie) Venning (Holden) (substitute teacher), and her husband William B. Holden (caterer). George Edward Venning and Julia Capps Venning's children - Mary Venning, Martha Venning (Bowie), and her husband Charles Bowie. Capps family members include: Julia Capps Venning's father Augustus Capps (butler), and her siblings, Lillie Capps Adams (educator/musician), Oscar Capps (post office clerk), Adolphus Capps (an undertaker), Berkley Capps (bellman), and Meta Capps (Thomas). Other sitters include family members George Saunders; Agnes Saunders; Georgine Rex Saunders (Chew); Mary Saunders (Patterson) (soprano and music instructor of Marian Anderson); Susan Saunders (Williams); Richard Sanders Chew; and Charles Sanders Chew; and acquaintances African American bibliophile and Tribune columnist William C. Bolivar, African American undertaker Joseph Seth, and Mrs. and Dr. Perry., Title supplied by cataloger., Date inferred from content., Date of silhouettes inferred from active dates in Charleston, S.C. of silhouettist Jarvis F. Hanks. See Charleston Courier, March 13, 1828, 2 and "For A Few Days," Charleston Courier, March 31, 1928, 3., Various photographers, including the following Philadelphia photographers: Bell Studio; Frederick Gutekunst; H.D. Garns & Co.; Moses S. Hagaman; Charles Hagemann & Co.; Frank W. Harris, Jr.; Miles & Foster; Parlor Gallery; Charles M. Sullivan; and Daniel Slutzky Studio., Sitters identified by descendants, from manuscript notes on versos, and/or accompanying photographic prints., P.9367.32, ca. 1900 pastel portrait of possibly Clara, nurse to children and grandchildren of Sarah Sanders and R. W. Cogdell, after ca. 1875 tintype photographed by J. Fenton (729 South St., Phila.), P.2012.37.1.23b, Richard DeReef Venning Album, Stevens-Cogdell/Sanders-Venning Collection., Lib. Company. Annual Report, 1991, p. 26-31., Gift of descendants Cordelia H. Brown, Lillie V. Dickerson, Mary Hinkson Jackson, and Georgine E. Willis in honor of Phil Lapsansky., LCP exhibit catalogue: African American Miscellany p. 45., Genealogical chart available at repository., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Middle-class African American family active in the Philadelphia African American political, social, educational, and cultural community from the 1850s to the 20th century. The family was involved in several prominent local African American institutions, including the St. Thomas P.E. Church, Church of the Crucifixion, Central Presbyterian Church, the Colored Institute of Youth, and the Citizens Republican Club.
Date: [ca. 1830 - ca. 1940, bulk 1910-1925]
Location: Library Company of Philadelphia | PRINT. Stevens-Cogdell/Sanders-Venning Collection [P.9367.1-51]

Main menu