Search results

Title: Manju Ōsaka saiken zu
Description: Map showing Osaka, Japan oriented with north to the left. The map depicts detailed street grids, numerous waterways, including rivers and canals, with all annotations in Japanese.
Creator: Itamiya, Zembē
Date: [ Bunkyū 3 [1863]
Location: Library Company of Philadelphia | Print Department **maps- Asia 3507.Q.3

Title: A View of central section of British fortress city Singapore
Description: Drawing depicting a view of Singapore. Shows several streets with multi-storied buildings, including a domed-building and a church with a steeple. Numerous trees grow along the fence-lined streets and properties. In the background, the water is visible, probably the Singapore Strait. The British occupied Singapore from 1819 to 1942., Title from item., Date inferred from content and active dates of the artist., Gift of David Doret and Linda G. Mitchell, 2019.
Creator: Graeff, Henry F., artist
Date: [ca. 1940]
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Drawings & Watercolors [P.2019.66.16]

Title: [Full-length portrait of an unidentified Asian man]
Description: Full-length portrait of an unidentified, young, Asian man attired in a white collared shirt, bowtie, waistcoat, jacket, pants, and dress shoes. He stands looking directly at the viewer with his hands at his sides. Studio backdrop includes a side table and a vase full of flowers., Title supplied by the cataloger., Date inferred from active dates of the photographer., Photographer's imprint on recto: "Bartholomew, Lansdale, PA" and a monograph of "JCB.", John C. Bartholomew (1862-1943) began his career as a traveling photographer with a portable studio where he stopped in Quakertown, Perkasie, Sellersville, Souderton and Telford, Pa. He opened a photography studio in Wilkes-Barre, Pa. in 1882. He then moved and opened a studio in Lansdale, Pa. in 1891, where he worked photographing portraits and local landmarks and landscapes until his death.
Creator: Bartholomew, John C, 1862-1943, photographer
Date: [ca. 1895]
Location: Library Company of Philadelphia | PRINT PRINT cabinet card portraits - photographer - Bartholomew [P.2025.17]

Title: [Half-length portrait of an unidentified Japanese woman]
Description: Half-length portrait of an unidentified Japanese woman. The woman wears her hair tied up with numerous kanzashi (decorative hair ornaments), which protrude all around her head. She is attired in a patterned kimono, and sits kneeling with her hands on her lap as her eyes look to the left. Behind her is a wooden stool., Title supplied by cataloger., Date inferred from content., Manuscript note written on recto: Hair, dress, Japan., Manuscript note written on verso: Japanese fashion.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv - unid. photographer - unid. female sitters [P.9057.80] (Brenner)

Title: On the river, Canton, China
Description: Shows the busy Pearl River in Canton (i.e. Guangzhou), China. In the center, a large ship, with steam paddles and a smokestack, is beside a wooden dock. In the foreground are sampans, some with people attired in conical hats and holding poles. In the background, numerous boats of various sizes and buildings along the shoreline are visible., Title from item., Date inferred from content., Text printed on verso: On the River, Canton, China. Lat. 23 degrees N.; Long. 113 degrees E. About one hundred miles from Hongkong on the delta of the Pearl or Canton River is the great city of Canton, the port of outlet for southern China, and one of the largest cities of China. This is one of the most thickly populated parts of the world, and stretching back from the river are miles and miles of fertile fields in which the industrious Chinese raise three crops a year. The city itself is built very closely. Throngs of people crowd the streets, which are incredibly dirty and so narrow that only a strip of sky can be seen overhead. On the river are boats of every description, modern steamers, Chinese junks, sampans, and houseboats. More than a hundred thousand people live in these boats, which are sometimes seventy-five feet long by fifteen feet wide. Such a boat usually has three rooms-a hallroom, a living room, and a sleeping room. These rooms can be broken up easily into additional rooms by the use of screens. The cooking and washing are done in the stern of the boat outside the house proper. Sometimes a family may have a flock of ducks or geese. These are put into the water in the morning and taken on board in the evening. The waters have many fish so the family usually have fish and rice for their food. The houseboats are pushed along by long poles or heavy oars. Sometimes you see little children playing about these houseboats fastened by ropes tied about their waists or with little barrels on their backs which, in case of their falling overboard, will keep them afloat until they are rescued by father or mother. Canton used to be a treaty port. What does that mean? Are all the Chinese seaports now open for trade? Copyright by the Keystone View Company., Gift of Christine Nelson, 2023., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator: Keystone View Company
Date: [ca. 1905]
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Views [P.2023.73.17]

Title: Bp. Staley of Honolulu
Description: Half-length portrait of Bishop Thomas Nettleship Staley. He wears his hair parted to the left and is attired in a clerical collar and jacket. He looks to the right and his hands rest on his lap. Thomas Nettleship Staley (1823-1898) was the Anglican Bishop of Honolulu from 1861 to 1870. He formed the Hawaiian Reformed Catholic Church (later the Anglican Church of Hawai'i) and helped found St. Alban's College ('Iolani School)., Title from manuscript note written on recto under the image: Bp. Staley of Honolulu., Date inferred from content., Gift of S. Marguerite Brenner, 1984.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Staley [(3)5750.F.51a]

Title: Tsow Chaoong. Canton
Description: Calling card for the Boston Chinese Museum "Writing Master" Tsow Chaoong. Includes a border containing flowers, birds, and cherubs. Chaoong's name also printed in Chinese characters. The Boston Chinese Museum, established following the first official trade agreement between the U.S. and China (Wanghsia Treaty of 1844), operated 1845-1847 in Boston before traveling to Philadelphia. The Museum operated in Philadelphia 1847-1849 and New York 1849-1850 before closing. Chaoong produced custom made cards for visitors that contained their names and places of birth in Chinese characters that were accompanied by his calling cards., Title from item., Date inferred from content., Originally part of a McAllister scrapbook of views of Philadelphia., Card described in Ronald J. Zboray's "Between "Crockery-dom" and Barnum: Boston's Chinese Museum, 1845-47" American Quarterly, June 2004, pp. 292.
Date: [ [ca. 1847]
Location: Library Company of Philadelphia | Print Department ephemera - Cards - C [(6)1322.F.127]

Title: Chinese gent and lady
Description: Full-length portrait of a Chinese man and Chinese woman seated at a table. In the left, the woman, attired in a decorative headdress and a dress with large, full sleeves, sits on a carved, wooden chair with her feet on a wooden footrest. In the right, the man, attired in a cap, a traditional robe with fur at the cuffs, and cloth slip-on shoes, sits with his legs crossed and faces the viewer. A vase of flowers and possibly a tea set are on a tablecloth-lined table in-between the man and woman., Title from publisher's printed series list on verso with thirty other titled views (No. 1-36)., Date inferred from content., Series number (No. 28) also written in manuscript note on mount below image., Photographer's imprint printed on verso above titled series list., Publisher's imprint printed on mount., Orange mount with rounded corners., Manuscript note on verso: S.R. Marrines., Retrospective conversion record: original entry, edited., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James., Indianapolis photographer D. R. Clark was included in one of eight observation parties sponsored by the United States government to gather information about the December 8, 1874 Transit of Venus. His party traveled to Vladivostock, Russia.
Creator: Clark, D. R., photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - Miscellaneous - Clark - Non-Phila. [P.9299.5]

Title: [Full-length portrait of Imperial Japanese Troupe member Koman Sumidagawa]
Description: Full-length portrait of Koman Sumidagawa, a top spinner in the Imperial Japanese Troupe. She wears her hair tied back with two kanzashi (decorative hair ornaments), and is attired in a kimono with a brooch at the neck, and geta (sandals with a raised wooden base). She sits on a wooden chair and holds a book in her left hand on her lap. Her right elbow rests on a desk. On top of the desk is a vase with flowers, a book, and papers. A curtain drapes down in the right. Richard Risley Carlisle (1814-1874), known as Professor Risley, assembled and managed a group of eighteen Japanese acrobats and musicians from Yokohama, Japan called the Imperial Japanese Troupe. They toured America in 1867, performing in Philadelphia in March. They then travelled to Europe, including Britain, France, Belgium, and Spain., Title supplied by cataloger., Date inferred from content and active dates of photographer at address in his imprint., Photographer's imprint printed on verso.
Creator: Keeler, F. S. (Francis S.), photographer
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department cdv portraits - photographer - Keeler [P.9573.37]

Title: Group of old Japanese
Description: Full-length, forward-facing, group portrait of seven Ainu men. Shows a row of four men sitting cross-legged on the floor with a row of three men sitting in chairs. The barefooted men have long, white and gray hair and beards and are attired in patterned robes. A woven mat hangs behind them. The Ainu are an indigenous people from the northern region of the Japanese archipelago, particularly Hokkaido. The Ainu culture is distinctive, with a language that is unrelated to Japanese., Title from manuscript note written on recto., Date inferred from content., Manuscript note written on verso: A group of Japanese old men.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv - unid. photographer - group portrait - misc. [P.9057.73] (Brenner)

Title: [Bust-length portrait of an unidentified Asian American woman]
Description: Bust-length portrait of a young unidentified Asian American woman. The woman, wearing her hair parted in the middle with tight curls close around her head and attired in a light-colored fur shawl and earrings, looks at the viewer., Title supplied by cataloger., Date inferred by the attire of the sitter., Gift of Joseph Kelly, 1982.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1950]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators – Non-Philadelphia-Women – Portraits

Title: Japanese Com.'s Dwelling
Description: Oblique, exterior view of the front and side elevations of the Japanese Commissioner's Dwelling designed by Matsuo-Ehe for the Centennial Exhibition in Philadelphia. Two men sit on the ground in front of the building. The walkway leading to the building is visible in the foreground. The dwelling was used to house Japanese workers. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Series number on negative illegible., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9600.6]

Title: The genuine Murray & Lanman Florida Water the richest of all perfumes
Description: Illustrated trade card promoting Murray & Lanman’s perfume and depicting a full-length profile of a woman, possibly meant to be Asian, carrying a parasol over her shoulder. The woman wears her hair tied up in a bun and is attired in a pink and yellow, kimono-style dress, with a white collar, and pink shoes. She stands on the grass in front of a large fountain and dangles an object in front of her face, observing it closely. Murray & Lanman, the partnership between perfumer Robert I. Murray and David Trumbull Lanman, formed in 1835 in New York City. The firm's style changed to David T. Lanman & Co., then Lanman & Kemp in 1861., Title from item., Date from copyright statement: Copyright 1881 by Lanman & Kemp, N.Y., Advertising text printed on verso: Always a favorite. Time has proved beyond a question that our claim to the title of “Imperishable Perfume” for our Murray & Lanman’s Florida Water is based upon absolute facts. It is to-day, as when first it appeared, winning immediate favor with all classes. The sweetest, the richest, the most delicate, the most lasting of all perfumes. Where, except in this delicious floral water, can one find such a rare combination of excellencies? Since the introduction of Murray & Lanman’s Florida Water, numberless rivals and imitations have been foisted upon the public, to live their day and fall into the neglect which, sooner or later, attends pretentious inferiority. The genuine article is known by the words, “Lanman & Kemp, New York,” Printed in water-mark on every leaf of the little pamphlet wrapped around each bottle. This mark also protects our other preparations., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: 1881
Location: Library Company of Philadelphia | Print Department trade card - Murray [1975.F.598]

Title: [Wu Ying Ding]
Description: Bust-length portrait of Wu Ying Ding, attired in a tight-fitting cap and a shirt with a Mandarin collar and frog closures, facing slightly right. Hu Quang Yung exhibited a selection of his collection, including cloisonne, bronzes, and ceramics, at the 1876 Centennial Exposition in Philadelphia. Yung's nephew, Wu Ying Ding, attended the Centennial as an envoy with the objects., Title supplied by cataloger., Date inferred from active dates of the photographer., Manuscript note written on verso: To General Mrs. Basban, With best Compliments of Wu Ying Ding, Mandarin of China, N.Y., Feb. 17, 1877., Text printed on verso: No. [996]. In ordering duplicates please send no. as above, and name., Gustavus Gerlach and Gustavus Fromhagen were Philadelphia photographers who were in partnership from circa 1875 to 1878.
Creator: Gerlach & Fromhagen, photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Ding [P.9664]

Title: Chinese prisoner
Description: Full-length portrait of an unidentified Chinese man with his queue tied to a ladder. The man, wearing a queue hairstyle and attired in a blue robe, belt, and cloth slip-on shoes, stands facing to the left with his hands inside his sleeves at his waist and his right foot forward. His hair is tied to a ladder that leans against the wall in the right. The manuscript inscription labels the man as a "Chinese prisoner.", Title from manuscript note written on recto under the image: Chinese prisoner., Date inferred from content., Gift of S. Marguerite Brenner, 1984.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv - unid. photographer - unid. men sitters [P.9057.71]

Title: [Bust-length portrait of Li Hongzhang]
Description: Bust-length portrait of Chinese statesmen Li Hongzhang, also known as Li Hung Chang. He wears a mustache and is attired in a beaded Chinese court necklace and a shirt with a Mandarin collar and decorated with an image of a crane., Title supplied by the cataloger., Date inferred from active dates of the photographer., Photographer's imprint printed on verso: F. Gutekunst, 712 Arch St., Philadelphia., Distributor's label on verso: 816 Chestnut Street, Earles' Galleries, Philadelphia., Gift of Dr. Milton and Joan Wohl, 1991.
Creator: Gutekunst, Frederick, 1831-1917, photographer
Date: [ca. 1885]
Location: Library Company of Philadelphia | PRINT PRINT cabinet card portraits - sitter - Hung [P.9363.21]

Title: B.T. Creighton, chemist & pharmacist, N.E. cor. 3rd & Washington Ave., Phila Prescriptions compounded at all hours of day or night, from pure drugs, at reasonable prices and only by graduates in pharmacy
Description: Trade card promoting druggist B.T. Creighton and depicting a rectangular paddle fan. In the left, shows the hand-held fan decorated in red, blue, white, and gold with a butterfly. Stems of leaves behind the fan., Title from item., Date inferred from active date of advertised business., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William Helfand.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - C [P.9828.5698]

Title: [Asian decorative motifs]
Description: Illustrated trade card depicting Asian decorative motifs, including bamboo, a crane, and a fan. In the left a dragonfly flies over a stalk of bamboo. In the center is a large Asian character, possibly meant to be Chinese, surrounded by a geometric border. In the right, a crane stands on one leg among reeds and a hand-held fan is spread open., Title supplied by cataloger., Date based on medium and content., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Misc [1975.F.1034]

Title: Kiriu Kosho Kuwaisha The first Japanese manufacturing and trading company
Description: Illustrated trade card promoting the Kiriu Kosho Kuwaisha, a Japanese manufacturing and trading company, and depicting two dragons with text in English and Japanese. Kiriu Kosho Kuwaisha was founded in 1873 and displayed their goods at the Centennial Exhibition in Philadelphia in 1876. The firm opened a branch in New York in 1877. The firm closed in 1891., Title from item., Date inferred from dates of operation of the advertising business., Text printed on recto: Bronzes, lacquered, pottery and porcelain wares. Tea, silk, curiosities and other Japanese manufactures. No. 16 Takekawacho, Tokio, Japan. English correspondents Alexandra Palace Park Co., Muswell Hill, London. Branch House Sumpya, Hong Kong. Austrian Agent, C. Torou, Wallzeille, No. 1, Vienna., Advertising text printed on verso: Our firm, Kiriu Kosho Kuwaisha, (The First Japanese Manufacturing and Trading Company,) is established for the purpose of encouraging the Japanese industries, and of promoting the greatest possible perfection therein. Kan Gio Rio, (the Bureau of Industry,) fully co-operates with our firm, and we are authorized by that Bureau to sell all the Teas they manufacture. Fancy and useful articles, of the finest as well as the cheapest quality, sold at the lowest possible prices, Wholesale and Retail. Orders by mail promptly attended to. (See other side.), Purchased with partial funds for the Visual Culture Program.
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department trade card - Kiriu [P.2024.7]

Title: John Griffeth. Furniture warerooms, 119 N. Second St., Philad'a, PA A full assortment of chamber and parlor suits, mattresses and bedding, &c
Description: Trade card promoting John Griffeth's furniture store and depicting Asian decorative motifs and objects, including fans, a parasol, cranes, and mountains. Shows vignettes of: a parasol and two fans in a blue and white porcelain container; two standing cranes, one eating a frog; and two mountain peaks. John Griffeth established his furniture business in 1880., Title from item., Date inferred from dates of operation of business advertised., Purchased 2015.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Berman Trade Card Collection - Griffeth [P.2015.56.316]

Title: [ Ships departing from California](Amerikashū Karuharunoyakō shuppan no zu)
Description: Left sheet of a triptych depicting an American ship leaving the “port of California,” (probably San Francisco) bound for Japan. Shows the ship sailing in the water. A number of sailors stand on the deck and three sailors climb on the ship’s rigs. An American flag flies on the mast. In the right foreground, two white men stand on rocks and watch the ship. The print was produced shortly after Japan’s first diplomatic embassy was sent to the United States in 1860., Title and date based on similar copies held at the Harvard Art Museum and Metropolitan Museum., Printed signature reading "Gountei Sadahide ga.", Gift of Davida Deutsch in memory of Molly Roth., Sadahide Hashimoto or Sadahide Utagawa (1807-1873) was a Japanese artist active in Yokohama and known for his renderings of foreigners, especially Westerners. He was selected as part of the Japanese delegation to the Paris International Exposition of 1867.
Creator: Utagawa, Sadahide, 1807-1873, artist
Date: 1862
Location: Library Company of Philadelphia | Print Department *GC - Transportation [P.2016.35]

Title: Cathay Restaurant, 1221-23 Chestnut St., Philadelphia, Pa Music, dancing, broadcasting
Description: Interior view of the Cathay Restaurant located at 1221-1223 Chestnut Street, Philadelphia. Shows the view from the second-floor staircase, looking down at the main dining room on the first level and the balcony sections that flank the main stairway. Depicts on the first floor, a line of red tray holders for waitstaff in the left and rows of white table-clothed dining tables and chairs. On the balconies are additional rows of white table-clothed dining tables and chairs. The edges of the balcony are lined with different-colored figurine lamps with fringed shades. Colored paper lanterns and a chandelier hang from the ceiling. The Cathay restaurant, also called the Cathay Tea Garden, was a Chinese restaurant that had a large dance floor where musicians and bands played. They also broadcasted a live radio show. The restaurant closed in 1973., Title from item., Date inferred from medium and content., Numbered 95415 on verso., Sheet number: 112A03., Divided back.
Creator: Brightbill, George M., collector
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Hotels and Restaurants - Bingham through Green's - 112]

Title: [The Siamese twins, Chang and Eng, aged eighteen]
Description: Full-length portrait of the conjoined twins Chang and Eng Bunker standing outdoors on grass. Shows the young men barefooted and attired in matching Thai clothing consisting of brown caps, brown tunics, and blue, striped pants. The tunics are open in the front revealing the band of skin and flesh that joined them at the chest. Chang has his right arm around Eng's shoulder, and Eng holds his hand. Eng has his left hand on Chang's waist, and Chang holds his hand. Chang and Eng Bunker were born as conjoined twins in Thailand (formerly known as Siam) to parents of Chinese descent. Chang was positioned on their left, and Eng was on their right. Merchant Robert Hunter and Sea Captain Abel Coffin brought them to the United States in 1829, where they were exhibited as curiosities. The Bunkers left their managers and later toured independently. They purchased an estate in North Carolina. Eng married Sarah Yates, and Chang married her sister Adelaide Yates and together had twenty-one children., Title from a similiar print in the Wellcome Collection., Date inferred from medium and content., Gift of David Doret., Created postfreeze.
Date: [ca. 1830]
Location: Library Company of Philadephia | Print Department portrait prints - Bunker [P.2005.14.3]

Title: [Construction of the Ridge-8th Street Subway]
Description: Aerial views of the Ridge-8th Street Subway (later known as the Broad-Ridge Spur) under construction. The approach to the Benjamin Franklin Bridge at 5th and Race Streets and the adjacent Franklin Square are visible, as is the area bounded roughly by Callowhill to the north, Market Street to the south, Front Street to the East and 10th Street to the west. The Ridge-8th Street Subway opened in 1932., Title supplied by cataloger., Date from manuscript note on negative sleeve: Eighth st. Subway, Frank. Square; Phila. Pa.; June 13, 1931., Negative numbers: 14407n.
Creator: Aero Service Corporation, photographer
Date: 1931
Location: Library Company of Philadelphia | Print Department Aero Service [P.8990.14407n]

Title: Omai a native of Ulaietea, brought into England in the year 1774 by Tobias Furneaux esqr. commander of his majesty's sloop Adventure Humbly inscribed to the Right Honble John Earl of Sandwich, first commissioner for executing the office of the Lord High Admiral of Great Britain and Ireland; &c. &c. &c. By his lordship's most devoted humble servant, Fras. Bartolozzi
Description: Full-length portrait of Mai (known as Omai in Britain,) a young indigenous man from Raiatea, who became the second Pacific Islander to visit Europe. Mai is depicted with long, black hair, barefooted, attired in a white robe, and has tattoos on his hands. He holds a feather taumi (gorget) in his right hand and a carved wooden headrest, which may have doubled as a stool, under his left arm. Mai acted as an interpreter to James Cook and joined the crew of the H.M.S. Adventure, traveling to London in 1774. During his two-year stay in England, he became admired by London high society and painted and sketched by a number of artists including Sir Joshua Reynolds, William Hodges, William Parry, and Nathaniel Dance. Mai returned to Tahiti in 1776., Title and date from item.
Creator: Bartolozzi, Francesco, 1727-1815, engraver
Date: October 25, 1774
Location: Library Company of Philadelphia | Print Department **portrait prints - O [(3)5750.F.180a]

Title: [B.L. Dai looking at books of the Nashi who inhabit the high mountains between China & Tibet several hundred years ago. Now in The Library of Congress]
Description: Photograph depicting B.L. Dai, attired in a suit and tie, standing in front of shelves of folio books at the Library of Congress's Oriental Division on Jan. 9, 1931. He holds open a book of pictographs, probably Dongba, the script of the Nashi language. The Nashi (or Nakhi, Naxi) people inhabit the foothills of the Himalayas., Title supplied by cataloger from manuscript note on verso: Books of the Nashi who inhabit the high mountains between China & Tibet several hundred years ago. Now in the Library of Congress., Corporate photographer and publisher from stamp on verso: This credit line should not be omitted, altered, or abbreviated: Underwood & Underwood Studios. This photograph is realeased for use in one publication only and must not be used for trade or advertising purposes, copied, loaned, syndicated or rented. Underwood & Underwood, Inc. 1230 Connecticut Ave, Washington, D.C., Label on the front, Underwood & Underwood, Washington., Identity of sitter from duplicate photograph in the collections of the Library of Congress., Retrospective conversion record: original entry, edited., Gift of William H. Allen.
Creator: Underwood & Underwood
Date: 1931
Location: Library Company of Philadelphia | Print Department photo- Underwood & Underwood [P.8512.11]

Title: Columbia trading with all the world
Description: Allegorical print depicting "Columbia" (i.e., the United States) as a white woman with brown hair, on the deck of a ship. She holds a caduceus and disperses treasures from a horn of plenty held by "Wisdom," who is portrayed as a white woman attired in a helmet, armor, a skirt, and sandals. Wisdom holds a spear in her left hand and gives the treasures to three male figures representing the country's international trade partners. Figures depicted are: Africa as a Black man attired in a headpiece shaped like an elephant's head and leaning on a tusk of ivory; Asia as a bearded man with a light-brown color skin tone attired in a turban; and South America as a man in a feathered headpiece carrying a bow., Title from item., Date inferred from content., Possibly published in London and not the United States., Revised state. Previous title and imprint faintly visible and illegible below image., Gift of Dr. Mary DeWitt Pettit, 1965., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1789-ca. 1800]
Location: Library Company of Philadelphia | Print Department *GC - Allegories [7737.F]

Title: South China Restaurant
Description: Clipping from a serial advertising the South China Restaurant located at 913 Race Street, Philadelphia and containing typography and pictorial elements. Includes Chinese characters and text promoting lunch and dinner at the restaurant. A black border surrounds the text., Title from item., Date inferred from content., Text printed on recto: Authentic Delicious Oriental Dishes, Luncheon 35¢ Dinner 50¢, Facilities for Parties; Modern and Pleasant. Phone--Mar. 9140., Gift of Linda Kimiko August.
Date: [ca. 1939]
Location: Library Company of Philadelphia | Print Department ephemera - advertisements - South [P.2023.27.5]

Title: Paul Lee & bride
Description: Three-quarter length studio portrait of Paul Lee and his newlywed wife in wedding attire. Shows the couple standing and facing the viewer. In the left, Paul is attired in a white collared shirt, a white bowtie, a black jacket with tails, black pants, and white gloves. In the right, the Chinese woman is attired in a veil with a decorative headband going across her forehead and the tulle rising up behind her head and flowing down her back; a short-sleeved, empire-waisted, tea-length, white wedding dress; a necklace; and white gloves. She cradles a floral bouquet in her arms. In the background is a decorated studio backdrop., Title from manuscript note on verso: Paul Lee & Bride., Date inferred from design of verso of postcard: Divided back; AZO stamp box with triangles in the corner (upward pointing triangles at top, and downward pointing triangles at the bottom)., Gift of Jean Gallagher.
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department Jean Gallagher Photograph Collection [P.2022.7.33]

Title: Porcelain ware, Japanese Court
Description: View showing porcelain ware, mostly vases, in a stall in the Japanese Court within the Main Building designed by Henry Pettit and Joseph M. Wilson at the Centennial Exhibition in Philadelphia. Vases, bowls, and jars of various sizes are displayed on tiered tables and on the carpeted floor. Framed artwork hangs on the walls. A small decorative table is in the left. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Advertisements printed on verso for twelve businesses including Centennial Photographic Company, Gilbert & Bacon, Partridge's Dining Rooms, The Crosscup & West Wood and Photo-Engraving Co., Starkey & Palen, Amos Hillborn & Co., A. & G. Taylor, Hale & Kilburn Mfg. Co., Wm. J. Dornan, I.H. Wisler, Eichmann & Meier, and R. Levick, Son & Co., White curved mount with rounded corners., Gift of Mr. Saul Koltnow., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9022.5]

Title: Japanese Com. Dwelling
Description: Exterior view of the front elevation of the Japanese Commissioner's Dwelling designed by Matsuo-Ehe for the Centennial Exhibition in Philadelphia. Shows the front entrance and porch, wooden lattice-work on the first floor, and wooden panels on the second floor. Also shows an ornate folding screen in the front doorway. The dwelling was used to house Japanese workers. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., Series number on negative illegible., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9600.5]

Title: Ruins of the National Theatre, s.e. cor. of Chestnut and Ninth St
Description: Watercolor showing a view of the ruins of the National Theatre built in 1837 at 824-836 Chestnut Street, which was razed by fire on July 5, 1854. Shows partial fragments of the brick walls left standing. A broadside or poster is pasted on a fragment of the brick wall in the center. Bricks and debris are visible on the ground. Partial view of unburnt adjacent building in the left and in the background. The fire also destroyed the neighboring Philadelphia Museum known as the Chinese Museum built circa 1836-1838 after the designs of Isaac Holden at Ninth and Sansom Streets. The museum served as an exhibition space including the display of Nathan Dunn's Chinese artifact collection, and as a concert, public meeting, and lecture space., Title and date from manuscript note on accompanying mount., Manuscript on the note reads "R.H. Wells" but is likely mistaken and probably should read "C.H. Wells" who created many sketches for Charles A. Poulson., Originally part of Poulson scrapbook of illustrations of Philadelphia.
Creator: Wells, C.H., (Charles H.), approximately 1832-1884, artist
Date: March 1857
Location: Library Company of Philadelphia | Print Department *drawings & watercolors - Wells [P.8756.11]

Title: A high caste lady's dainty "lily feet" - as they really are - China
Description: Stereograph depicting a Chinese woman's feet on display. Shows the woman from the waist down attired in a tunic and pants with stripes at the bottom. She holds a closed fan in her hands on her lap. Her bare feet are exhibited on a cloth-covered box. The left foot points to the viewer, while the right foot is shown from the side displaying the heel and the toes bent over the arch. A newspaper in English is draped behind her legs., Beige mount with rounded corners., Contains Sun Sculpture trademark on mount., Title printed on mount., Date from copyright statement: Copyright 1900 by Underwood & Underwood., Title printed in six different languages, including French, German, and Spanish on verso., Gift of Linda Kimiko August.
Creator: Underwood & Underwood
Date: 1900
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood [P.2023.43.4]

Title: [Full-length portrait of Maung Shaw Loo]
Description: Full-length, forward-facing portrait of Maung Shaw Loo, attired in traditional Burmese clothes, including a gaung baung (head wrap); a light-colored shirt; a striped longyi (sarong or long skirt); and a floor-length, striped cloth cape around his shoulders. He stands with his right hand on the back of a wooden chair. A curtain hangs in the right, and a patterned carpet is visible on the floor. Maung Shaw Loo (1839-1929) was born in Burma (Myanmar) and traveled to the United States in 1858. He attended the University of Lewisburg (later renamed Bucknell University) in Pennsylvania, graduating in 1864. He earned a medical degree from Cleveland Medical College in 1867, becoming the first Western-trained Burmese physician. He returned to Burma and continued work as a physician and educator., Title supplied by cataloger., Date inferred from sitter's time in Lewisburg, Pa., Photographer's imprint on verso: E.L. Mowry, Photographer, Lewisburg, Pa.
Creator: Mowry, E.L, photographer
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Loo [P.2024.2]

Title: Kanrokuro Nakayama
Description: Bust-length portrait of Kanrokuro Nakayama. He wears his hair parted to the left and is attired in a white collared shirt, tie, and jacket. Kanrokuro Nakayama (1855-1934) attended Harvard Law School from 1877 to 1880. He returned to Japan and became Secretary to the Minister of the Interior., Title and date from manuscript note written on verso: Khanrokuro Nakayama, 5 April 1878., Photographer's imprint on verso: G.W. Pach, Photographer, No. 841 Broadway, Cor. 13th St. New York. Branches at Harvard and Yale. Poughkeepsie, Long Branch, and West Point, Ocean Grove. For duplicates order [214]., Gift of E. Perot Walker, 1980.
Creator: Pach, G.W, photographer
Date: 1878
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Nakayama [P.8514.28]

Title: Pretty Hula Girls, Honolulu, Hawaii
Description: Photograph showing four Hawaiian women playing musical instruments and dancing outside at Punch Bowl Mountain in Honolulu. The women wear their long hair down and are attired in flower leis around the crown of their heads and around their necks, white chemise shirts, and skirts. Two women sit holding a gourd and a guitar. Behind them, two women stand with their left arms out as they dance the hula., Title from item., Date from copyright statement: Copyright 1901, by B. L. Singley., Text printed on verso: We here see a group of hula dancers, with leis of fragrant leaves and flowers crowning their heads and cast about their necks, a very pretty custom of the Hawaiians, especially worn on festive occasions. The hula hula has always been a feature of court festivities and also a common entertainment of the islanders, often danced in the lanai or open parlor of the home. The ancient hula was not danced to the accompaniment of musical instruments but rhythmic measures muttered by old men who kept time by striking a gourd; in the modern version of the dance, the lissom dancers, trained from childhood to delight the senses, sway their graceful figures to the music of the flute, guitar and other stringed instuments and the beat of the tom-tom. The white chemise and airy skirt with garlands about head and shoulders and sometimes ankle decorations form the dress of the dusky hula girls. This view was taken in the crater of Punch Bowl Mountain, an extinct volcano., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator: Keystone View Company
Date: 1901
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits & Genre [P.2014.12.5]

Title: Japanese bronze and silver birds
Description: View showing a bronze and silver sculpture depicting two birds and flowers on display at the Japanese Court within the Main Building designed by Henry Pettit and Joseph M. Wilson at the Centennial Exhibition in Philadelphia. Shows the sculpture of two birds standing on a rock with blooming flowers. It rests on a tablecloth lined table. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Gift of Raymond Holstein.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department Holstein stereo - Centennial Photo. Co. [P.2011.47.509]

Title: B. Miller, segars, tobacco, stationery, toys &c., 1822 S. Seventh St., Phila
Description: Trade card promoting tobacco merchant B. Miller and showing two boys pulling the hair of a Chinese man depicted in racist caricature. In the right, the Chinese man, wearing an exaggeratedly long queue hairstyle and attired in a blue tunic, yellow pants, and black shoes, is pulled on his back onto a wooden box and grasps the sides with his hands. In the left, a white boy, attired in a white hat with a blue ribbon, a pink-striped shirt, blue pants, and black shoes, holds the man's hair and pulls back with his feet lifted off the ground. The white boy, attired in a yellow hat with an orange ribbon, a white shirt, yellow pants, and black shoes, stands facing left and pulls the man's hair over his shoulder with his feet lifted off the ground. Broadsides pasted on the fence in the background read,"Hoodlumism at discount education" and "Soiety [sic] for converting heathen." A building is visible in the right background., Title from text stamped on verso., Date inferred from content., Purchased 2015., See related: Berman Trade Card Collection - Weymann [P.2015.56.939]., RVCDC
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Berman Trade Card Collection - Miller [P.2015.56.591]

Title: The Dancing Chinaman. An amusing cut-out
Description: Racist caricature of a Chinese man printed as a paper toy marionette. Depicts the man wearing a queue hairstyle, attired in a green tunic with yellow trim, red pants with green trim, yellow socks, and black cloth slip-on shoes, and with long fingernails. He smiles broadly and holds two fingers up on each hand. Printed in segments of head, torso, and separate arms and legs with instructions on how to cut the pieces out and attach them with strings to sticks to make a puppet. In the right, shows a diagram with the constructed toy and two white hands holding the sticks to make him dance., Title from item., Date from copyright statement: Copyright 1909, by the North American Company., Published in the September 12, 1909 Sunday supplement of the North American newspaper., Text printed on recto: Directions: Paste this sheet upon a sheet of heavy cardboard: let it dry thoroughly, and cut out pieces around heavy black lines. Join parts together by knotting a piece of string on either side, as in diagram. (A to A, B to B, C to C, D to D and E to E.) Then take two sticks about eight inches long (two pencils will do), cut two pieces of black thread about twenty-four inches long: fasten them at either side of figure’s head (1 and 2) and at each end of one stick, as in diagram. Cut two pieces of black thread about six inches long, make them fast at bottom of arm and knee (Nos. 3, 4, 5 and 6), as in diagram. Cut then at either end of other stick, as in diagram. Hold stick No. 1 in left hand and No. 2 in right hand, let feet of figure touch floor and tilt stick No. 2 up and down in a seesaw manner. With a little practice you will be able to work your marionette in first-class order., RVCDC, Larry Semon (1889-1928) worked as a cartoonist for Philadelphia and New York newspapers before becoming an actor, director, producer, and screenwriter during the silent film era.
Creator: Semon, Larry, 1889-1928
Date: 1909
Location: Library Company of Philadelphia | Print Department *GC- Paper toys - Dancing [P.2024.71.1

Title: Japanese bronze stork
Description: View showing a bronze sculpture of a stork on display at the Japanese Court within the Main Building designed by Henry Pettit and Joseph M. Wilson at the Centennial Exhibition in Philadelphia. Shows the large stork with its beak facing upwards. It stands in front of a painted backdrop of trees with a stone pillar in the right. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title on negative., Date from item., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by date range 1776-1876., White curved mount with rounded corners., Gift of Raymond Holstein.
Creator: Centennial Photographic Co.
Date: 1876
Location: Library Company of Philadelphia | Print Department Holstein stereo - Centennial Photo. Co. [P.2011.47.528]

Title: Handy guide map through the grounds of the Sesqui-Centennial International Exposition of Philadelphia, Pa. 1776. 1926
Description: Map showing the exhibition grounds near Broad Street, Pattison Avenue, Packer Avenue, and Moyamensing Avenue in South Philadelphia. Shows the replica Liberty Bell, the lagoon, Edgewater Lake, ships in the Navy Yard, and buildings identified by number. Number 41 is the "Japanese Village"; number 61 is the "White exhibition building of India fashioned after famous Taj Mahal. Arts and crafts of India, profusely displayed"; and number 66 "Chinese village and amusements.", Copyright Applied For., Includes "Notice:" See Corresponding Numbers on Reverse Side for Information. This map is intended as an aid in locating the various buildings and exhibits, but cannot be expected to be absolutely correct in every minute detail., Includes price: 10 [cents]., Includes "Key to Reference Numbers Indicated Upon Map on Reverse Side" numbered 1-76 on verso., Includes advertisements for Howard Biddle Printing Company (314 Locust Street) and Lincoln Photo-Engraving Co. (44 North 4th Street) on verso.
Date: [1926]
Location: Library Company of Philadelphia | Print Department *maps - Philadelphia - 1926 [P.2011.47.2091]

Title: Japanese embassy. City councils of Philadelphia, June 9th, 1860
Description: White silk ribbon commemorating the June 9, 1860 stop in Philadelphia of the Japanese Embassy, which traveled to the United States in 1860 to ratify the Treaty of Amity and Commerce, also known as the Harris Treaty. In the center, shows a banner depicting hands shaking surrounded by Japanese characters with an eagle at the top of the pole and red ribbons, tassels, and fringe. Beneath are a Japanese flag and an American flag on crossed flagpoles decorated with gold tassels. Green leaves are woven between the poles., Title and date from item.
Date: [ca. 1860]
Location: Library Company of Philadelphia | PRINT PRINT McA 10090.F (McAllister) [Box 1, folder 19] [1322.F]

Title: [Peace Jubilee, Naval Day, Japanese cruiser Kasagi on the Delaware River]
Description: Photograph showing the Japanese cruiser Kasagi in the Naval Parade on the Delaware River during the Peace Jubilee on October 25, 1898. The cruiser has two engine stacks and American and Japanese flags fly on the masts. Buildings along the shore are visible in the left background. Philadelphia honored the end of the Spanish-American War with the Peace Jubilee celebration from October 25-28, 1898. In addition to war ships, the naval procession included yachts, steamers, tugs, barges, and rowboats. The last warship in the line was the Kasagi, recently built at William Cramp & Sons’ shipyard in Philadelphia. Captain Kashiwabara, with the Japanese officers and crew, lined the deck in full dress., Title supplied by cataloger., Date inferred from date of event., Gift of Albert L. Doering.
Creator: Doering, William Harvey, 1858-1924, photographer
Date: October 25, 1898
Location: Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.277]

Title: [Peace Jubilee, Naval Day, Japanese cruiser Kasagi on the Delaware River]
Description: Photograph showing the Japanese cruiser Kasagi in the Naval Parade on the Delaware River during the Peace Jubilee on October 25, 1898. The cruiser has two engine stacks and American and Japanese flags fly on the masts. Buildings along the shore are visible in the left background. Philadelphia honored the end of the Spanish-American War with the Peace Jubilee celebration from October 25-28, 1898. In addition to war ships, the naval procession included yachts, steamers, tugs, barges, and rowboats. The last warship in the line was the Kasagi, recently built at William Cramp & Sons’ shipyard in Philadelphia. Captain Kashiwabara, with the Japanese officers and crew, lined the deck in full dress., Title supplied by cataloger., Date inferred from date of event., Gift of Albert L. Doering.
Creator: Doering, William Harvey, 1858-1924, photographer
Date: October 25, 1898
Location: Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.277]

Title: Chinatown, Philadelphia, Pa. [900 block Race Street]
Description: View of Chinatown on the 900 block of Race Street in Philadelphia. In the right, shows the exterior of the Far East Chinese Restaurant at 907-909 Race Street built after the designs of Thomas Ustick Walter in ca. 1827 and later altered with 907 raised one story and 909 raised two stories. There are Chinese architectural details on the balcony and awning which reads, 907 Far East Chinese Cafe. A white man police officer and a white woman stand under the awning and face the viewer. Buildings extend on both sides of the street including another restaurant with a sign that reads, 917 Cafe. Men and women pedestrians walk on the sidewalks. The Far East Chinese Restaurant operated from circa 1906 to 1952., Title from item., Date inferred from medium and content., Divided back., Library Company copy has manuscript message and address written on verso and is postmarked, Philadelphia, Pa. Jul 13, 1911 4:30 P.M., Gift of Linda Kimiko August.
Date: [ca. 1911]
Location: Library Company of Philadelphia | Print Department LCP Postcards - Streets - Race [P.2023.27.2]

Title: Chinatown by moonlight Philadelphia, Pa. [900 block Race Street]
Description: View of Chinatown on the 900 block of Race Street in Philadelphia. In the right, shows the exterior of the Far East Chinese Restaurant at 907-909 Race Street built after the designs of Thomas Ustick Walter in ca. 1827 and later altered with 907 raised one story and 909 raised two stories. There are Chinese architectural details on the balcony and awning which reads, 907 Far East Chinese Cafe. A white man police officer and a white woman stand under the awning and face the viewer. Buildings extend on both sides of the street including another restaurant with a sign that reads, 917 Cafe. Light emanates through windows and from the signs on the buildings, and the moon shines from above. Men and women pedestrians walk on the sidewalks. The Far East Chinese Restaurant operated from circa 1906 to 1952., Title from item., Date inferred from medium and content., Divided back., Library Company copy has manuscript message and address written on verso and is postmarked, Philadelphia, Pa. Jul 17, 1915 1[0] A.M., Gift of Linda Kimiko August.
Date: [ca. 1915]
Location: Library Company of Philadelphia | Print Department LCP Postcards - Streets - Race [P.2023.27.3]

Title: [Full-length group portrait of Imperial Japanese Troupe members Denkichi, Sentarō, Yonekichi, and Rinzō Hamaikari]
Description: Full-length group portrait depicting the Hamaikari family, who were members of the Imperial Japanese Troupe. From left to right, shows brothers Denkichi, Sentarō, Yonekichi, and their father Rinzō Hamaikari. Denkichi and Rinzō wear chonmage hairstyles, which are shaved in the front with a top knot. They are attired in kimonos and sandals and carry swords in scabbards at their waist. Sentarō and Yonekichi wear their hair in top knots and are attired in long-sleeved shirts, striped pants, and sandals. Denkichi and Rinzō sit in wooden chairs, while Yonekichi stands with his right arm on Sentarō’s shoulder, who is seated on a small wooden stool and looks down. In the background is a backdrop with a column and a two-handled urn. Richard Risley Carlisle (1814-1874), known as Professor Risley, assembled and managed a group of eighteen Japanese acrobats and musicians from Yokohama, Japan called the Imperial Japanese Troupe. They toured America in 1867, performing in Philadelphia in March. They then travelled to Europe, including Britain, France, Belgium, and Spain. Rinzō Hamaikari played the flute and his sons were acrobats., Title supplied by cataloger., Date inferred from content and active dates of photographer at address in his imprint., Photographer's imprint printed on verso.
Creator: Keeler, F. S. (Francis S.), photographer
Date: [ca. 1867]
Location: Library Company of Philadelphia | Print Department cdv portraits - photographer - Keeler [P.9573.36]

Title: Chinatown. Looking north on Hutchinson Street which dead ends into Race Street
Description: View from Hutchinson Street towards the 900 block of Race Street, Philadelphia. Shows in the foreground a partial view of a car and the buildings flanking Hutchinson Street. In the center, depicts an exterior view of the four-story building at 919-921 and the three-story building at 923 Race Street. Part of the sign for the Shanghai Garden Restaurant at 919 is visible. The neighboring business has a storefront glass window which reads, "Hong Tai & [Co.] 921 Chinese Good[s]" with a display of merchandise. The adjacent building reads, "Fook Lee Co. 923" on the storefront glass window, and a seated man is visible inside., Title and date from label on verso., Photographer's imprint stamped on verso: Photo by Phila. Inquirer, Oct. 2, 1955., Gift of Linda Kimiko August.
Creator: Irving, William, photographer
Date: Oct. 2, 1955
Location: Library Company of Philadelphia | Print Department photo - Irving (Phila Inquirer) [P.2023.27.6]

Title: Ask for Liebig Company's extract of meat
Description: Trade card promoting the Liebig Company and showing three Japanese boys, depicted in racist caricature, bowing to an oversized container with a label inscribed: "Extractum carnis Liebig manufactured by the Liebig's Extract of Meat Company limited, London..." Shows the boys, attired in yellow pants; colorful tunics of blue, red, or green; and green and red cloth slip-on shoes, kneeling and bowing. The figure in the middle and in the right wear chonmage haircuts with a braid. In the left, a Japanese-style building and archway are visible. Von Liebig, a German-born chemist, who developed a manufacturing process for meat extract in 1840, established the Liebig Extract of Meat Company in 1865. The extract was marketed as an alternative to meat., Title from item., Date inferred from dates of operation of advertising business., Advertising text printed on verso: Ask for Liebig Company’s extract of meat. Being the finest meat-flavouring ingredient. None genuine without the fac-simile of Baron Liebig, the inventor’s signature in blue color across the label. Avoid all imitation extracts. Directions. Beef-tea. Efficient tonic in all cases of weakness and digestive disorder. Dissolve a quarter of a tea-spoonful of Liebig Company’s extract in a breakfast cup of boiling hot water, and plenty of salt, this will make a strong and clear beef-tea. You may add according to taste a tea-spoonful of Madeira, Sherry or Port wine or the yolk of a fresh egg, or a trifle of fresh butter or some bread or a boiled potato. A slight addition of Worcestershire sauce is liked by many. This beef-tea acts as a pleasant tonic especially when taken in the morning, and may well be taken several times a day. Soups. A variety of excellent meat and vegetable soups may be made with the aid of the Liebig Company’s extract and any soup will acquire at once strength and fine flavor by a slight addition of extract. Vegetable soup. Potato, pea, rice soup, etc. Boil the vegetables, etc. sufficiently with a little fat, a few bones or some slices of meat, or some fresh butter, add extract and salt according to taste. Sauces. Both strength and flavor imparted by the extract. Night-cap. This beef-tea soothes and settles the stomach, allays brain excitement and induces sleep. “The most admirable and successful Night-Cap.” Dr. Harry Lobb., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., RVCDC
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Liebig [1975.F.296]

Title: Costume guerriers Japonais
Description: Interior view of the Japanese display, including samurai armor, at the Exposition Universelle in Paris. Shows a mannequin attired in Japanese samurai armor, carrying a bow, and mounted on a horse. In the left is another mannequin attired in samurai armor stands and holding a spear. A sign reading "Couvernement Du Taichiou De Satsousma" rests at the foot of the display. In the right is a norimono, a Japanese palanquin or litter. Nets hang down from the ceiling. In the left background is a partial view of more objects, including another mannequin. The Exposition, held April 1-November 3, 1867, celebrated the technological and economic progress of the Second French Empire, as well as originated the classification system followed by proceeding international exhibitions. It was the first time Japan exhibited in a national pavilion at a world’s fair., Title printed on mount., Date inferred from content., Blindstamped on mount: Concession Unique., Yellow mount with rounded corners., Photographer's imprint printed on verso: M. Leon & J. Levy Ferrier, Sucrs. de Ferrier pere et fils et Soulier, 113, Boulevard de Sebastopol, 113 Paris. Vues sterescoptique sur verre de L'Exposition Universelle de 1867 ainsi que de tour les Pays, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: M. Leon & J. Levy
Date: 1867
Location: Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Stereographs [P.2008.36.40]

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