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Title: Christmas entertainment of the 28th Regiment, Penna. Vol's. (Col. John W. Geary,) at Camp Goodman, Point of Rocks, Md. Stage manager, Lieut. Thos. H. Elliott. Acting do. Lieut. Gilbert L. Parker. Leader of orchestra, Lieut. J.G. Warwick. Ethiopian director, Corp. Wm. Roberts, Jr. Programme. Afternoon at three o'clock
Description: The 28th Infantry Regiment of the Pennsylvania Volunteers was organized in June 1861 and mustered out July 18, 1865. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 1, p. 418, and F.H. Taylor, Philadelphia in the Civil War 1861-1865, p. 57., The Geary Thespian Corps of the 28th Regiment held its third performance Jan. 21, 1862 and its fourth performance Feb. 22, 1862, both at Camp Goodman; James L. Warwick, band leader, mustered out Sept. 9, 1862., Imprint from colophon., Last page blank., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Geary Thespian Corps
Date: [1861]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 Geary (2)5786.F.143b (McAllister)

Title: Mr. T.D. Rice As the original Jim Crow
Description: Full-length, caricatured portrait depicting T.D. Rice, known as the "father of American minstrelsy." Depicts Rice as his African American racist shyster character of "Jim Crow." He is portrayed with exaggerated features and mannerisms. He stands, attired in torn and worn clothing, in an exaggerated pose with his right hand on his hip as his left hand tips his hat. His attire includes a jacket, vest, collared shirt, pantaloons, stockings, and slip one shoes. He stands in a fenced in pasture with two cabins in the distant background. Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. Jim Crow (mid to late 19th century) was a Minstrel character representing enslaved/rural Black manhood as foolish, lazy, interested in shirking labor., Title from item., After the caricature illustration originally created around the 1820s, often reproduced on sheet music covers of the 19th century. See Hugh Honour's The Image of the Black in western art (Cambridge: Harvard University Press, 1989), part 2, vol. IV, p. 62-63., Description of Blackface minstrelsy and minstrel characters from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Purchase 1992., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department portrait prints - Rice [P.9369]

Title: Third entertainment of the Geary Thespian Corps, of the 28th Regiment, Penn, Vol's, (Col. John W. Geary,) at Camp Goodman, Point of Rocks, Md. on the evening of January 21st, 1862, at six o'clock. ... The drama, in two acts, of The last man, or The miser of Eltham Green. ... To conclude with The Toodles
Description: The 28th Infantry Regiment of the Pennsylvania Volunteers was organized in June 1861 and mustered out July 18, 1865. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 1, p. 418, and F.H. Taylor, Philadelphia in the Civil War 1861-1865, p. 57., Printed area, including ornamental border, measures 23.8 x 10.6 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Geary Thespian Corps
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1862 Geary (2)5786.F.144b (McAllister)

Title: [Finale of an unidentified theatrical production]
Description: Depicts the entire cast of men gesturing toward center stage where the show's "female" star is hoisted on the shoulders of two cast members. In the left, a supporting player, wearing Black face and costumed as a messenger in a cap and white gloves, kneels and points with his right hand. The front row of actors kneel, many of whom are attired as women in large brimmed hats and dresses with tulle skirts. The back row of actors stand, attired in white collared shirts, ties, dark-colored jackets, and white pants. The backdrop depicts a small town street including "Bernies Antique Shop," a drug store, and a post office. "Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes.", Title supplied by cataloger., Photographer's imprint ink stamped on verso., Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Gift of Joseph Kelly, 1982., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators-11x14 [P.8882.20]

Title: The fourth entertainment of the Geary Thespian Corps, of the 28th Regiment, Penn'a Vol's, (Col. John W. Geary,) will be given in commemoration of Washington's birth-day, at Camp Goodman, Point of Rocks, Md. on Saturday evening, February 22, 1862, (or if inclement, on the first fair evening) at six o'clock. ... The drama, in three acts, of Don Caesar de Bazan. ... The farce of Turning the tables. ... Ethiopian melange. ... Concluding with a grand national tableau vivante, by members of the corps. Introducing Vive l'America, by the band. The principal dresses used in Don Caesar de Bazan, have been kindly loaned the regiment by S. Samuels Sanford, Esq., of Sanford's Opera House, Philadelphia, to whom the corps is much indebted
Description: The 28th Infantry Regiment of the Pennsylvania Volunteers was organized in June 1861 and mustered out July 18, 1865. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 1, p. 418, and F.H. Taylor, Philadelphia in the Civil War 1861-1865, p. 57., Printed area, including ornamental border, measures 31.6 x 11.6 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Geary Thespian Corps
Date: [1862]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1862 Geary (2)5786.F.144a (McAllister)

Title: Jim Crow, the American mountebank performing at the Grand Theatre
Description: Full-length, caricatured portrait depicting Thomas D. Rice, known as the "father of American minstrelsy." Depicts Rice in Blackface as his African American racist shyster character of "Jim Crow" during his first performance in London. He is portrayed with exaggerated features and mannerisms. He dances and sings a version of the minstrel standard, "Jim Crow," in front of an audience of white British men, including the King. The song, which pokes fun at Americans, refers to William Blackstone and William Pitt Chatham, two influential English jurists, who wrote about early American law and politics. Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes. Jim Crow (mid to late 19th century) was a Minstrel character representing enslaved/rural Black manhood as foolish, lazy, interested in shirking labor., Title from item., Date inferred from content., Text printed on the recto: I come from America a long time ago, Since which I larn to wheel about & jump Jim Crow, Him used to study Blackstone ebry morn & arter noon, Me charm de House where Chatham died & dance inde saloon. Wheel about & turn about & do jis so. Ebry time I wheel about I jumpt Jim Crow., Description of Blackface minstrelsy and minstrel characters from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Accessioned 1982., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1836]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1836 Jim [P.8738]

Title: American Celebrities Albums
Description: Two volume set of albums containing predominately cartes-de-visite photographic portraits of prominent American 19th-century figures in politics, education, and the arts, ca. 1870.
Date: 1869

Title: American celebrities album
Description: Two volume set of albums containing predominately cartes de visite photographic portraits of prominent American 19th-century figures in politics, education, and the arts. Portraits depict actors, artists, authors, Congressmen, educators, governors, military leaders, physicians, publishers, religious leaders, social reformers, scientists, and U.S. presidents and their spouses. Includes mostly vignette and bust-length portraits and a small number of full length portraits. Also contains a small number of trimmed portrait engravings, tintypes, and a photo-collage depicting evangelist D. L. Moody with the under photograph copyrighted 1877. Small number of sitters are unidentified., Men sitters include P. T. Barnum; Henry Ward Beecher; John Brown; Ned Buntline; Samuel Clemens; Jefferson Davis; O. S. Fowler; Oliver Wendell Holmes; Abraham Lincoln; Samuel Morse; Thomas Nast; Hiram Powers; Winfield Scott; Gerrit Smith; Cornelius Vanderbilt; John Wanamaker; Brigham Young; Native American chiefs Ouray, Spotted Tail, and Sitting Bull; and African Americans Frederick Douglass and performer "Blind" Tom. Women sitters include presidential spouses Frances Cleveland and Lucretia Garfield; reformers Susan B. Anthony and Victoria Woodhull; authors Louisa May Alcott, Helen Hunt (Jackson), Harriet Beecher Stowe; sculptors Harriet Hosmer and Vinnie Ream; and performers Maria Albani, Charlotte Cushman, and Kate Field., Title from item's cover., Photographers include Mathew Brady, E. & H. T. Anthony; Jeremiah Gurney; and George Kendall Warren., Majority of sitters identified by a manuscript note on the album page or on portrait or an inscribed label., Brown leather bindings with gilt, stamped in gilt on front boards: Volume I: American Celebrities. Vol. I.; Volume II: American Celebrities. Vol. II. Stamped in gilt on spines: Album., Purchase 1985., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., See "American Celebrities Album" item-level records for digital images of all identified individual sitters.
Date: [ca. 1870-ca. 1890]
Location: Library Company of Philadelphia | Print Department albums [P.9100.1 & 2]

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