Search results

Title: The lips of the wise disperse knowledge
Description: Set in a school room, the image shows a white schoolmaster, who appears to be teaching a group of young African American boys to read. Holding books, the boys are grouped around him., Cover page of the Slave's Friend (New York: Published by R.G. Williams, for the American Anti-Slavery Society, 1836), vol. 1, no. 1 (1836)., Accompanied by the caption: "The lips of the wise disperse knowledge. -- Prov. xv.7.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1836]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per S 63 54051.D v 1 n 1 cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2884

Title: [African American toddler and baby in a pile of cotton]
Description: Copy print of a circa 1925 print depicting two babies, outdoor, in a large pile of cotton. In the left, the toddle, attired in a beaded necklace with a white cloth wrapped around its waist, sits up with some cotton in its hands and looks to the right at the infant. In the right, the infant lies in the cotton with its arms out., Title supplied by cataloger., Date inferred from photographic medium and content., Photographer's imprint stamped on verso., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1950]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators - Non-Philadelphia - Portraits - Babies

Title: Joe Michl's fifty little orphans
Description: Small display card depicting a montage of children's and baby's faces, heads, and busts, including one African American child. Two children, prominently shown in the foreground, hold hands, and a cigar. Some children wear bonnets and ribbons on their heads. A few children wear outfits with lace collars and shoulder straps with bows. Most of the "little orphans" smile, while others cry and frown. Michel established his cigar business as a partnership in Decatur in 1858. He predominantly operated as a sole proprietor from 1863 to 1903. His cigars were known for their standard of excellence., Contains hole for hanging in upper edge., Advertising text on verso: Smoke the "Little Orphan" cigar. Best on Earth for 5 Cents. Manufactured by Jos. Michl., Decatur, Ill., Purchased with funds for the Visual Culture Program., George S. Harris started his printing business in 1847, and in 1872, he partnered with his son George T. Harris and renamed the business George Harris & Son.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department *trade card - Michel [P.2013.59]

Title: Bits of color
Description: Full-length portrait of three barefooted African American children, attired in torn and worn clothing, sitting in the doorway of a clapboard house in Roanoke, Virginia., Date from manuscript note written on mount: #351 Roanoke VA May 29, 1883., Photographer's blind stamp on recto., Forms part of the Robert S. Redfield collection., Description revised 2021., Access points revised 2021., Gift of Alfred G. Redfield, 1983.
Creator: Redfield, Robert S., 1849-1923, photographer
Date: [May 29, 1883]
Location: Library Company of Philadelphia | Print Department photo - Redfield [P.8983.22]

Title: [Full-length portrait of an unidentified African American baby boy]
Description: Full-length portrait of an unidentified African American toddler. Shows the child, attired in a white frock, white stockings, and boots, seated on a large, decoratively carved wooden chair with its hands on the arm rests. The child sits on a patterned throw blanket with fringe that is draped over the chair., Title supplied by cataloger., Manuscript note about provenance on verso: "Sometime in the later 1950s I found this in the secret drawer [?] an old blanket [?] that reportedly came from New Jersey.", Stamped on verso: Post Cards Finished While You Wait., Gift of Sydney Kaplan, 1983., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Archers Studios, photographer
Date: [ca. 1910]
Location: Library Company of Philadelphia | Print Department Portrait Photographs - Misc. - Photo - Archers [P.8938]

Title: Three Black crows
Description: Racist, satiric postcard depicting three young African American boys perched from oldest to youngest on a branch as "Black crows." The boys are attired in loin clothes. The middle child is crying with his hands over his eyes and falling off the branch. In the left, the oldest boy attempts to hold him up. The youngest, a baby, pats the middle child's shoulder with his right hand., Title from item., Date from copyright statement: Copyrighted, 1899., Accessioned 1999., RVCDC, Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1899
Location: Library Company of Philadelphia | Print Department LCP postcards - Genre [P.9725.2]

Title: " Wish you'd hush"
Description: Racist postcard depicting an African American boy looking exasperated at the crying African American baby beside him. The children are shown from the waist up and are bare-chested. The older boy has a glistening substance around his mouth and on his cheeks. The baby holds, possibly, ice in their hands., Title from item., Publication information and date from copyright statement: Copyrighted, 1905, and published by Knaffl & Bro., Knoxville, Tenn., Accessioned 1999., RVCDC, Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1905
Location: Library Company of Philadelphia | Print Department LCP postcards - Genre [P.9725.3]

Title: "Watching Grandma smoke"
Description: Genre scene depicting an older African American woman, attired in a head kerchief, a long-sleeved, patterned dress, and a striped apron, smoking a pipe. She is seated on the steps to the open doorway of her dilapidated, wooden house surrounded by her three young grandchildren who intently watch her. A small, barefooted girl, attired in a dress and a torn and worn jacket, sits with her legs stretched out across the bottom step. A barefooted boy, attired in a shirt, a jacket, and shorts, sits on the next up above with his right leg crossed over his left knee and looks up at his grandmother. Standing in the doorway is a girl, attired in a dress, a jacket, and shoes, who looks down with her hands at her side., Photographer's imprint stamped on mount., Title from manuscript note by photographer on verso., Signed by photographer on verso., Manuscript note on verso: No. 4. Class A., Gift of Elsie Wood Harmon, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre scenes of African Americans, at national and international photography exhibitions. His photographs won several prizes.
Creator: Wood, George Bacon, 1832-1909, photographer
Date: [ca. 1886]
Location: Library Company of Philadelphia | Print Department photo - Wood [P.8743.529]

Title: Negro children in America
Description: Card depicting two African American women taking care of African American children in a nursery. In the foreground, three African American children sit on the floor and play with toys. In the left, the girl, attired in a blue dress, yellow socks, and black shoes, plays with blocks. In the middle, the girl, attired in a white shirt and green and red dress, holds a white girl doll costumed in an orange dress. In the right, the girl, attired in a red stocking cap, a yellow shirt, blue pants, and green socks, holds her right hand to her mouth. Beside her on the floor is a white girl doll costumed in a blue dress and a stuffed dog. Behind the seated group, two children stand and pull toys out of a container. In the left, the girl, attired in a white cap and a pink romper, leans over the container. In the right, the girl, attired in an orange dress, carries a teddy bear. In the right background, the woman, attired in a long-sleeved white dress, sits on a wooden chair with a baby wrapped in a yellow blanket on her lap. In the left background, the woman, attired in a long-sleeved pink shirt, a purple skirt, and a white apron, leans over a crib to help a young child attired in a red shirt. Two framed pictures are on the wall., Title from item., Text printed on verso: Bible Picture Card. Vol. 1, no. 14. Second Quarter. January 4, 1942. The Peanut Cow. Miss Mary’s class had met on Sunday morning. Ethel’s brown face seemed very thoughtful. “I want to tell you something,” she said after awhile. “Yesterday I was out walking. I saw six little children. They were very thin. I wish we could help them in some way.” The class was very still. They were thinking hard. “I know!” cried one of the girls. “Let’s parch peanuts and sell them. Then we can buy milk for these children.” Each day the class met. They parched peanuts and took them to be sold. They bought good rich milk with their money. “Those children need fruit.” Ethel said one day after one of her classes. “We learned today that everyone should have fruit.” “But it takes all our peanut money to buy milk,” said one of the girls. “Maybe the other boys and girls at Browning Home would like to help,” suggested Miss Mary. “Put a milk bottle in the lunch room. They can put in their extra pennies, nickels and dimes.” “Let’s call it the Peanut Cow,” suggested Ethel. Eagerly they watched the Peanut Cow. It grew fuller and fuller. How happy they were! Now they could buy both fruit and milk. Verse to Remember: “We are God’s fellow-workers.” I Corinthians 3:9. Published quarterly in sets of 13 at 4 cents per set per quarter. The Methodist Publishing House, 353 Prairie Ave., Providence, R.I. Executive and Editorial Offices, 810 Broadway, Nashville, Tennessee. Entered as second-class matter, September 15, 1941, at the post office at Providence, R.I., under the act of March 3, 1879. c. 1942, by Whitmore & Stone., Gift of David Doret.
Date: 1942
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Negro [P.2017.95.250]

Title: Strike me pink if it ain't yo' anniversary!
Description: Racist, greeting card depicting a caricature portrayed with exaggerated features of an African American child's face. The oversized child's face looks directly at the viewer and purse's their lips. The interior image has a depiction of the same child with pink skin color. The child speaks in the vernacular to "strike me pink if it ain't yo' anniversary." The card is printed on pink paper., Title from item., Date inferred from history of the publisher., Manuscript written on recto: Louis & Ellis- from Wendy & Shie. The "me" in "strike me pink" is crossed out and "us" in written in manuscript., Text printed on interior: Ah hopes yo' has a million mo' each one bettah dan de one befo'!, Manuscript written on interior: drawings of four stick figures, each with an illegible name. "An hopes yo'" has been crossed out and "We" and "yos" is written in manuscript., Gift of David Doret.
Date: [after 1913]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Strike [P.2017.95.251]

Title: [African American child touching the hair of a crying white baby]
Description: Racist, trade card specimen depicting a caricature an African American child, portrayed with exaggerated features, touching the hair of a crying white baby. Shows the barefooted, smiling, African American child, attired in a long-sleeved white layette, seated behind a white child. Both of their hands touch the hair on top of the head of the white baby seated below, who cries with a look of alarm on their face., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 20 [P.2017.95.231]

Title: The Union Pacific Tea Co
Description: Racist trade card illustration depicting an interior scene with two African American women, a toddler, and a cat. One woman, who is thin and gaunt, stands and is attired in a long dark colored robe, a shawl, a head scarf, and shoes. The other woman, who is larger, is seated in a rocking chair and attired in a long sleeved dress, an apron with a star pattern, a headwrap, and shoes. The toddler is seated on the floor in the background. A broken chair and framed picture of a person kneeling are visible in the background of the image. A cat is seated on the floor in the foreground. All of the African Americans in the illustration are depicted with exaggerated features., Title from item., Text printed on recto: "Aunty Fat, and Auntie Lean.", List of firm's branches printed on verso., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Union [P.2017.95.178]

Title: Down where the cotton blossoms grow
Description: Postcard depicting a group portrait of African American cotton pickers, predominantly women and children, in a cotton field. Show the workers stopped from their work and posed toward the viewer. One of the women holds a baby. A wooded area is seen in the background., Date inferred from postmark: New Orleans, May 13, 1911, 9AM., Addressed in manuscript to: Miss Ester Wilson, 318 N. Jardin St., Shenandoah, Penna. Signed H.F.M., Contains cancelled one-cent stamp printed in green ink and depicting Benjamin Franklin in profile., Printed on verso: Made in U.S.A., Gift of George R. Allen., Divided back., Lipsher Specialty Co. operated 1909-1914 and published views of and around New Orleans.
Date: [ca. 1911]
Location: Library Company of Philadelphia | Print Department LCP postcards - Non-Pennsylvania [P.2013.65.20]

Title: [Eagle Starch Enamel Manufacturing Co., Frankford, Phila., Pa.]
Description: Racist trade card promoting Eagle Starch Enamel Manufacturing Co. and depicting three smiling African American children, portrayed in caricature. In the center, the toddler stands attired in a white dress with a large collar and blue sash, white stockings, and tan shoes. Flanking the toddler, the boy, attired white shirt with a large circular collar, a black jacket, black breeches, stockings, and shoes, and the girl, attired in a pink, brimmed hat, a yellow, long-sleeved dress with a pink sash, pink stockings, and white shoes, hold a wreath of leaves over the toddler’s head., Title supplied by cataloger., Date inferred from content., Contains advertising text printed on verso listing five reasons to use eagle satin gloss starch enamel., Purchase 1998., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Eagle [P.9577.16]

Title: Reed's, for clothing, furnishings, hats, shoes, 918-920-922 Chestnut St., Philadelphia Best quality, lowest prices
Description: Trade card for Jacob Reed's Sons and depicting African American children, portrayed in racist caricature, sledding. Shows ten African American children, attired in short-sleeved pajamas, in a toboggan sledding down a snow-covered slope. One child plays a horn. The child at the back holds on with their leg outside the toboggan. White spectators watch from the side of the incline, and other toboggans are seen in the distance at the top of the slope. Jacob Reeds Sons was established in 1825 by Jacob Reed and operated as a premier men's clothing store until 1983. The business, assumed by Reed's sons in 1877, relocated to 920-22 Chestnut Street by 1883. By the early twentieth century, the firm sold men's and young men's clothing, as well as specialty, chauffeur’s, military, and uniform clothing., Title from item., Date from copyright statement: Copyright 1887 by The Bufford's Sons Lith. Co., Printed lower right corner: 794., Description revised 2022., Access points revised 2022., Purchased with funds from the Walter J. Miller Trust for the Visual Culture Program., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Duplicate image of: trade cards - P [113418.O], Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1887
Location: Library Company of Philadelphia | Print Department trade card - R [P.2011.42.1]

Title: Cotton field
Description: Depicts African American women and children picking and collecting cotton in the field. In the center, an African American woman, attired in a short-sleeved dress, stands facing left with a bag slung over her shoulder. In the left, a child looks at the viewer, and an African American woman, attired in a dress with the sleeves rolled to the elbows and an apron, holds cotton in her hands in front of a large basket filled with cotton. In the right, a young girl holds a large basket filled with cotton on her head. Two more women and a child look at the viewer. In the background is a house and trees., Contains paper label on verso printed by Jas. L. Gow, including photographer's imprint and advertisement: A large stock of Views of Negro Groups, Cabins, Teams, Cotton Fields, and Plants, etc. kept constantly on hand. Also, Florida, Georgia, and South Carolina Views., Yellow mount with rounded corners., Advertised in The Philadelphia photographer, March 1875, p. 96., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James A. Palmer (1825-1896) was an Irish American photographer who produced thousands of stereographs about life in Aiken, South Carolina and Georgia, specializing in photographs of the African American community.
Creator: Palmer, J. A., photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - miscellaneous photographer - Palmer [P.2002.4.6]

Title: 2nd and Brown St. A stevedore, a family
Description: Depicts an African American dock worker in his work clothes posed outside of his Philadelphia home with his four children. The children are dressed in old, worn clothes. In the left, the teenaged boy, attired in a knit cap, a coat, pants, and shoes, has a stern expression as he looks at the viewer. Beside him stands the African American man, wearing a mustache and attired in a cap, a sweater, torn and worn coveralls, and boots. In the center, the boy, attired in shirt, a coat with a belt at the waist, torn and worn shorts, socks, and worn shoes, stands with his hands at his sides. In the right, the young boy, attired in a hat, an oversized coat, socks, and shoes, and the boy, attired in a hat, a collared shirt, a coat, shoes, socks, and shoes, look at the viewer with their hands at their sides., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: Three wives. Wife no. 3 is in the house "fussingup". No Sir-ee you is not gwan to took mah picture in deese ol' c'los., Reproduced in Frederic M. Miller, Morris J. Vogel, and Allen F. Davis' Still Philadelphia: A photographic history, 1890-1940 (Philadelphia: Temple University Press, 1983), p. 164., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.92], http://www.lcpimages.org/wilson/wilson92.htm

Title: The guessing. Smith, Stevenson & Co., Byxbee house block, Meriden
Description: Racist trade card illustration advertising a competition to guess the weight of a horse. Image depicts a smiling African American child peering out from beneath a folded blanket with fringe. The upper left corner of the blanket is folded and bears advertising text and the word "Honey." Underneath the folded flap of the blanket is a branch with two roses. The child is depicted with exaggerated features. Smith, Stevenson & Co. was a clothing store in Meriden, Connecticut., Title from item., Advertising text on recto: I's gwine to guess de weight ob Meriden Girl, shuah!, Advertising text on recto: The Guessing on the weight of the bay mare Meriden Girl, will close Thursday, December 21st. We make this announcement that all may have a chance to guess before the box is closed. The mare will be weighed Christmas morning as before stated., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Smith [P.2017.95.158]

Title: Dey's de irons to make de angels' robes white and smooth in de colored folk's heaven
Description: Racist trade card illustration promoting Mrs. Potts' Cold Handle Sad Iron and depicting three African American winged angels. In the foreground is an African American woman attired in a white headwrap, along-sleeved white dress, and white flat shoes. She stands with her arms wide and holds irons in both hands. In the left is a smaller boy angel who stands with his hands on his hips and in the right is an identically posed girl angel. All three figures are depicted with exaggerated figures. A box of text is superimposed over the woman angel's torso. Three irons are depicted on verso along with a disembodied hand demonstrating the detachable handle., Title from item., Advertising text printed on verso: Mrs. Potts' Cold Handle Sad Iron. Advantages: A cold detachange walnut handle, are lined with nonconducting cement. Heat quicker than other irons. Retain the heat longer. Require no holder or cloth. Do not burn the hand. Are double pointed, iron both ways, the best in use, cheap., Distributor's imprint printed on verso: Smith, Seltzer & Co., Sixth & Market Sts, Philadelphia, PA., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Mrs. Potts [P.2017.95.135]

Title: " We's done all dis s'mornin'."
Description: Racist scene showing, in the foreground, a young, African American girl and boy standing behind a large basket of cotton in a cotton field. The girl faces the camera and the boy looks behind him and with his head turned away. The girl wears a bonnet, dark-color, long-sleeved shirt, and a light-color skirt. The boy wears a long-sleeve, light-color, smock-like shirt. In the background, African American men, women, boys, and girls work in the field or are posed to stand and face the camera. One man sits, high up, on bales., Date from copyright statement: Copyright 1899, by B. L. Singley., Title from item., Title printed in five different languages, including Italian, French, and German, on verso., Cruved buff mount with rounded corners., Several lines of text printed on verso about the "rich resources" of the state of Arkansas, including fertile soil for a "variety of crops"; "grazing lands"; mountains: "all kinds of building stones"; rivers; "excellent common school system and several higher institutions of learning"; and "Hot Springs." Text concludes: "The cotton fields once the dread of the Virginia slave, have lost nothing of their picturesqueness with the abolition of slavery, and nowhere in the United States can primitive negro life be better studied.", Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator: Keystone View Company
Date: 1899
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Work [P.2018.16.2]

Title: Scene of camp life
Description: Busy scene showing numerous activities occurring simultaneously at a military camp. In the center, Union Generals look at a map while sitting and standing under a canopy made from an American flag. In the background, soldiers drill on horseback, with cannons, and in lines near rows of tents. In the left, two barefooted African American men and a child approach a Zouave. A white man soldier stands with a rifle and looks on while another white man soldier leans upon a cannon., Title from item., Date inferred from content., Create postfreeze., Originally part of a McAllister scrapbook of Civil War Views, Places & Events. McAllister Collection, gift, 1886., Trimmed., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department GC - Civil War - Military Camps [5779.F.90f]

Title: L. S. Plaut & Co., 715, 717, 719 Broad St., Newark, N. J
Description: Trade card for L. S. Plaut & Co.'s boys' clothing department depicting African American children, portrayed in racist caricature, sledding. Shows ten African American children, attired in short-sleeved pajamas, in a toboggan sledding down a snow-covered slope. One child plays a horn. The child at the back holds on with their leg outside the toboggan. White spectators watch from the side of the incline, and other toboggans are seen in the distance at the top of the slope. L. S. Plaut & Co., established as "The Bee Hive" in 1870 by Leopold Fox and L. Simon Plaut, was a premier department store in Newark, N.J. The firm tenanted 715-719 Broad Street by the 1880s., Title from item., Date from copyright statement: Copyright 1887 by The Bufford's Sons Lith. Co., Printed lower right corner: 794., Stamped on recto: Harvey Cooley., Advertising text on verso: The Largest in the State. The Bee Hive Boy's Clothing Department. See our values in Short Pant Suits, at $2.48, $3.48 and $4.98. See our values in Short Pants, at 49c., 62c., and 98c. See our values in Overcoats, at $2.23, $3.48, and $4.98. Men's Shoes, Fine-Make Goods, all at Very Low Prices. Text accompanied by illustration showing a white boy attired in a cap, overcoat, pants, and boots., Duplicate image of: trade cards - R [P.2011.42.1], RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1887
Location: Library Company of Philadelphia | Print Department trade card - Plaut [113418.D]

Title: An unpleasantness in Swampoodle
Description: Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting an altercation in the post-Reconstruction African American and Irish northeast Washington, D.C. working-class neighborhood "Swampoodle." The figures are drawn with racist and caricatured features and mannerisms. In the center, an African American woman holds an ax up to another African American woman who stands with her hands at her hips, and with a look of surprise on her face. A third African American woman to the left of the woman with an ax attempts to reach for the weapon, while a fourth African American woman holds a switch and looks on with a stunned expression. Beside the stunned woman, a small African American boy stands in front of a fifth African American woman leaning over to pick up a rock. In the far left, an African American police officer is being led by an African American boy to the group of women. A shadowy depiction of a crowd of men, women, and children, some holding up brooms and sticks, is visible in the background. Scene also includes wash buckets, switches, and weeds on the ground near the central figure's feet. The central figures wear worn shirts and long skirts or dresses. The woman threatended wears the most worn cloths and rags on her feet. Three of the women wear kerchiefs and two wear aprons. Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to be based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title printed on mount., Date from copy right statement printed on mount: Copyright 1887., Written in lower left of original print: Copyright 1887., Written in lower right of original print: Mrs. R. Colburn., Purchased with the Davida T. Deutsch African American History Fund., RVCDC, Description revised 2022., Access points revised 2022.
Date: 1887
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2015.22 & P.2020.16.6]

Title: Cotton field
Description: Depicts African American men, women, and children picking and collecting cotton in the field. In the center, an African American man, attired in a long-sleeved shirt that is open at the chest, holds a handful of cotton that he puts in a bag strapped across his chest as he looks at the viewer. In front of him is a basket full of cotton. In the left, an African American woman, attired in a head kerchief, a plaid, long-sleeved dress, and a dark-colored apron, stands and looks at the viewer. To the left, two people are bent over at the waist picking cotton. Two children and two women stand in the field and look at the viewer. In the background is a house and trees., Yellow mount with rounded corners., Contains paper label on verso printed by Jas. L. Gow, including photographer's imprint and advertisement: A large Stock of Views of Negro Groups, Cabins, Teams, Cotton Fields, and Plants, etc. kept constantly on hand. Also, Florida, Georgia, and South Carolina Views., Advertised in The Philadelphia photographer, March 1875, p. 96. [LCP Per P 81]., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James A. Palmer (1825-1896) was an Irish American photographer who produced thousands of stereographs about life in Aiken, South Carolina and Georgia, specializing in photographs of the African American community.
Creator: Palmer, J. A., photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - miscellaneous photographer - Palmer [P.2002.4.5]

Title: I'm not to blame for being white, sir!
Description: Critical satire portraying the humanitarian sympathies of Massachusetts senator and abolitionist Charles Sumner as hypocritical toward whites. Depicts a well-dressed Sumner walking down a city street. He has stopped to hand coins to a barefoot, African American child carrying a basket. A white girl, attired in torn and worn clothes, carries sticks and holds out her hand to him, as well. Behind Sumner, two young white women witness the scene., Title from item., Publication information supplied by Weitenkampf., Probably drawn by Dominique C. Fabronius., Lib. Company. Annual report, 1972, p. 63., Purchase 1972., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1862]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1862-11 [8033.F.2]

Title: [African American primary school classroom]
Description: Depicts two African American women teachers overseeing a class of African American grade school children. The younger children play on the floor and at tables with blocks. The older ones sit and read on benches lining the wall. On the floor, a group of girls play with white dolls as others ride on tricycles and push a carriage. In the left, a teacher stands by two blackboards; one board lists the names of good and bad boys, and the other of good and bad girls. Stencils of animals and playing children decorate the walls., Title supplied by cataloger., Date inferred from attire of the people., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8846.29]

Title: Burholme Park outing. "Ice Cream."
Description: Depicts a smiling African American woman serving ice cream from a barrel to African American children with disabilities in Burholme Park, Philadelphia. The children, most with crutches, surround the barrel eating their ice cream. In the foreground, the young girl sits holding a dish of ice cream while her crutches lie on the grass in front of her. Three boys and one girl stand and hold dishes of ice cream. People stand and sit on benches in the background. Burholme, originally the country seat of railroad magnate Joseph Waln Ryerss and an Underground Railroad station during the Civil War, became a public park at the death bequest of Ryerss' son, Robert, in 1868., Title from duplicate print., Date inferred from attire of the people., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8817.15a]

Title: Burholme Park outing. "Ice Cream."
Description: Depicts a smiling African American woman serving ice cream from a barrel to African American children with disabilities in Burholme Park, Philadelphia. The children, most with crutches, surround the barrel eating their ice cream. In the foreground, the young girl sits holding a dish of ice cream while her crutches lie on the grass in front of her. Three boys and one girl stand and hold dishes of ice cream. People stand and sit on benches in the background. Burholme, originally the country seat of railroad magnate Joseph Waln Ryerss and an Underground Railroad station during the Civil War, became a public park at the death bequest of Ryerss' son, Robert, in 1868., Title from manuscript note on verso., Date inferred from attire of the people., Photographer's blind stamp on recto., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8817.15]

Title: 923 Olive St. (house torn down)
Description: Real estate photograph commissioned by the Jackson-Cross Company depicting African American children leaning against a building adjacent to a vacant lot scattered with debris. Nine boys and girls stand against the wall. The girl in the left holds a broom. The Jackson-Cross Company, established around 1876, was a Philadelphia real estate firm in operation until 1998., Label on recto: Jackson-Cross Company, Lincoln-Liberty Building, Philadelphia., Title from manuscript note on recto., Date inferred from content., Purchase 2000., Description revised 2022., Access points revised 2022.
Date: [ca. 1940]
Location: Library Company of Philadelphia | Print Department Jackson-Cross [P.9784.7]

Title: Room 5, Lincoln School, Pittsburg, Pa
Description: Elementary school class portrait, including African American children, posed outside their school. Shows the forty-six boys and girls sitting and standing in six rows facing the viewer. In the second row from the bottom, a white girl holds up a slate that reads, Room 5 Lincoln School, Pittsburg, Pa. 1896. The young white woman teacher is seated in the left., Title from item., Gift of Perot Walker, 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1896]
Location: Library Company of Philadelphia | Print Department group portrait photographs - education [P.8684.34]

Title: Chapel in negro cemetery on 47 St. no. of Lancaster Ave
Description: Depicts the dilapidated chapel at Olive Cemetery on Girard Avenue between Merion and Belmont Avenues in Philadelphia. In the right, African American children sit in and stand near the chapel's doorway. Four young children sit within the covered doorway and look at the viewer. A small boy stands beside the door and faces the viewer. Olive Cemetery, established in February 1849, was one of the city's largest African American administered business enterprises which by the late 19th century had failed due to mismanagement., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: This cemetary [sic] will soon make way for modern buildings (1925). Romanesque., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.239], http://www.lcpimages.org/wilson/wilson239.htm

Title: Chapel in negro cemetery on 47 St. no. of Lancaster Ave
Description: Depicts the dilapidated chapel at Olive Cemetery on Girard Avenue between Merion and Belmont Avenues in Philadelphia. In the right, African American children sit in and stand near the chapel's doorway. Four young children sit within the covered doorway and look at the viewer. A small boy stands beside the door and faces the viewer. Olive Cemetery, established in February 1849, was one of the city's largest African American administered business enterprises which by the late 19th century had failed due to mismanagement., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: This cemetary [sic] will soon make way for modern buildings (1925). Romanesque., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.239], http://www.lcpimages.org/wilson/wilson239.htm

Title: Bread St. bel. Arch St. A Jewish family and a delegation of the darktown brigade
Description: Exterior view of depicting the entrance of a Jewish family’s brick house north of Arch Street in Philadelphia. In the right, a white man, attired in a cap, a collared sweater, pants, and shoes, holds a broom and sweeps in front of the door. In the left, four white women peer out of two first-floor shuttered windows and look at the viewer. Underneath the windows five young African American children sit, attired in winter hats and coats. Smoke from a fire in the street wafts in front of the children., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: Wisp of haze near centre of picture is smoke from a fire in the street opposite the house. Certin [sic] rooms in the building had just been papered and a bonfire was made of the refuse. This house is about 125 yrs old. Note the splendid condition of the brick work and mortor [sic] joints. Bricks were carfully [sic] made in those days. The proper proportion and careful selection of loam, shale and sand was an art. Then too the drying and baking of the brick was of vast importance and was done with the utmost attention towards the securing of the best results. These bricks were baked with wood fires, as was the lime on which they were laid. Explain why wood baked lime and bricks are superior to the coal baked product., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.84], http://www.lcpimages.org/wilson/wilson84.htm

Title: Court. Lombard St. W. of 7
Description: Depicts the courtyard between the brick residences of 710 and 714 Lombard Street, Philadelphia. An African American man, attired in a brimmed hat, a white shirt, dark-colored pants, and shoes, stands in the courtyard near 710 facing the viewer. In the right, several children, including African Americans, sit on the stoop of the opposite residence. Chairs are visible in the courtyard., Title from manuscript note on verso., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department photo - Wilson [P.8513.88], http://www.lcpimages.org/wilson/wilson88.htm

Title: Court. Lombard St. W. of 7
Description: Depicts the courtyard between the brick residences of 710 and 714 Lombard Street, Philadelphia. An African American man, attired in a brimmed hat, a white shirt, dark-colored pants, and shoes, stands in the courtyard near 710 facing the viewer. In the right, several children, including African Americans, sit on the stoop of the opposite residence. Chairs are visible in the courtyard., Title from manuscript note on verso., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department photo - Wilson [P.8513.88], http://www.lcpimages.org/wilson/wilson88.htm

Title: Bread St. bel. Arch St
Description: Exterior view of depicting the entrance of a Jewish family’s brick house north of Arch Street in Philadelphia. In the right, a white man, attired in a cap, a collared sweater, pants, and shoes, holds a broom and sweeps in front of the door. In the left, four white women peer out of two first-floor shuttered windows and look at the viewer. Underneath the windows five young African American children sit, attired in winter hats and coats., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: (without wisp of smoke). Mortor [sic] was mixed in those days in a huge mortor [sic] box. The lime was slacked by shoveling it into the box, permitting water to flow into the box and keeping the mass in constant motion with a hoe, thereby preventing the lime from being burned or killed, when properly slacked, it was run off into a basin of sand, where it was mixed with the sand and made ready for use., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.97], http://www.lcpimages.org/wilson/wilson97.htm

Title: Bread St. bel. Arch St
Description: Exterior view of depicting the entrance of a Jewish family’s brick house north of Arch Street in Philadelphia. In the right, a white man, attired in a cap, a collared sweater, pants, and shoes, holds a broom and sweeps in front of the door. In the left, four white women peer out of two first-floor shuttered windows and look at the viewer. Underneath the windows five young African American children sit, attired in winter hats and coats., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: (without wisp of smoke). Mortor [sic] was mixed in those days in a huge mortor [sic] box. The lime was slacked by shoveling it into the box, permitting water to flow into the box and keeping the mass in constant motion with a hoe, thereby preventing the lime from being burned or killed, when properly slacked, it was run off into a basin of sand, where it was mixed with the sand and made ready for use., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Wilson, G. Mark (George Mark), 1879-1925, photographer
Date: [ca. 1923]
Location: Library Company of Philadelphia | Print Department Wilson [P.8513.97], http://www.lcpimages.org/wilson/wilson97.htm

Title: P.J. Brankin, artistic painter, no. 1815 N. Fifth Street, Philadelphia
Description: Trade card promoting painter P.J. Brankin and depicting a racist genre scene of an African American man being teasingly awoken by African American children. Figures are caricaturized and portrayed with exaggerated features. Shows a man, attired in a red, checkered shirt, blue pants, and one black boot, lying on his back, his right knee up, atop a large, white bundle. The boot on his left foot has fallen to the ground near his hat lying in front of the bundle. His left foot is bare. In the right, two mischievous boys peer around and over the bundle. The former, attired in a blue shirt, crouches to the ground from behind the bundle while the latter, attired in a yellow shirt with orange polka dots and orange pants, stretches out his right arm to poke the man's face with a piece of straw. In the background is a steamboat on a river. P.J. Brankin (1853-1928) was a house and sign painter who served as a president of the Master Painters' Association. By the 1920s, he was building and selling houses., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from the history of the advertised business and visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Brankin [P.2017.95.17]

Title: C.L. Jones & Co. tulip soap
Description: Trade card promoting soap manufacturers C.J. Jones & Co. and depicting a racist genre scene of an African American man being teasingly awoken by African American children. Figures are caricaturized and portrayed with exaggerated features. Shows a man, attired in a red, checkered shirt, blue pants, and one black boot, lying on his back, his right knee up, atop a large, white bundle. The boot on his left foot has fallen to the ground near his hat lying in front of the bundle. His left foot is bare. In the right, two mischievous boys peer around and over the bundle. The former, attired in a blue shirt, crouches to the ground from behind the bundle while the latter, attired in a yellow shirt with orange polka dots and orange pants, stretches out his right arm to poke the man’s face with a piece of straw. In the background is a steamboat on a river. Charles L. Jones founded the soap manufacturing firm C.L. Jones & Co. in 1845 in Cambridge, Massachusetts, with meat packer Charles Valentine, who wanted a way to use tallow. Valentine died in 1850, and Jones took charge of the business until his death in 1879. His brothers, Henry E. and Frank H. Jones, carried on the company until 1903., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from the history of the advertised business and visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - C.L. Jones [P.2017.95.21]

Title: Wm. M. Smith, 474 Broad Street
Description: Racist trade card depicting a snowy scene with several African American figures. At the center of the image is an African American man attired in a long button-down coat with a hood walking past a group of children. He stands with his left hand in his pocket and holds a cane in his right hand. Small hosues, bare trees, a fence, and several people are visible in the background. Three children in the right foreground of the image look up at the man in the center and adog in the left of the image runs in front of him. The figures are portrayed with exaggerated features. William M. Smith owned a clothing store in Newark, New Jersey in the late 19th century., Title from item., Advertising text on verso: 2424. Two thousand, four hundred and twenty-four Customers, whose names and measurements are registered on our books, will attest to the superiority of the "Domestic Shirt" over all others in make, material, fit, and economy. Factory attached to the Store, No. 474 Broad Street opposite Orange St. where the public are cordially invited to examine our Shirts in every stage of manufacture. N.B. The Otto Gas Engine Furnishing the power to run our machines is a marvel of mechanical ingenuity. Wm. M. Smith, 474 Broad Street, Opp. Orange Street., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Smith [P.2017.95.160]

Title: [African Americans picking cotton with a cotton compress]
Description: Racist, trade card specimen depicting African Americans picking cotton on a plantation. In the left foreground, shows an African American man, attired in a hat, a long-sleeved shirt, pants, and shoes, carrying a basket on his back filled with cotton. In the right, two African American children sit on the ground and fill a basket with cotton. In the background, is a large, wooden compress or cotton press. An African American man, with a basket of cotton at his feet, puts cotton into the compress. Another man stands in the right of the stairs leading to the compress with a basket of cotton. In the right background is a building and two women crouching on the ground and another man standing. In the top of the card is an additional illustration depicting a pine tree falling over. In the foreground is a bird on a branch, and a house is visible in the background., Title supplied by cataloger., Publication information and date from the copyright statement: Copyright by Robinson Eng. Co. Boston U.S.A. 1881., Gift of David Doret.
Date: 1881
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 28 [P.2017.95.239]

Title: " We's done all dis s'mornin'."
Description: Racist scene showing, in the foreground, a young, African American girl and boy standing behind a large basket of cotton in a cotton field. The girl faces the camera and the boy looks behind him and with his head turned away. The girl wears a bonnet, dark-color, long-sleeved shirt, and a light-color skirt. The boy wears a long-sleeve, light-color, smock-like shirt. In the background, African American men, women, boys, and girls work in the field or are posed to stand and face the camera. One man sits, high up, on bales., Dates from copyright statements on recto and verso: Copyright 1899, by B. L. Singley. Made in U.S.A. and Copyright, 1913, by the Keystone View Company., Title from recto of item., Title printed in five different languages, including Italian, French, and German, on verso., Variant title on verso: 9506-"We'se done all dis's mornin',"-Picking cotton on a Mississippi plantation., Several lines of text printed on verso, often describing in racist terms, the culture, conditions, and economics of the cotton industry in the South., Curved grey mount with rounded corners., Gift of David Long., RVCDC, Description reviewed 2022., Access points revised 2022., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator: Keystone View Company
Date: 1899, ([printed] 1913)
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Work [P.2018.16.3]

Title: Rapid transit in Southern Mississippi
Description: Racist scene showing an African American family comprised of the parents and eleven children traveling in an open wagon pulled by two oxen. The parents, each holding a baby, sit on the cab as the older children stand in the bed of the wagon. A wood shack, with three small windows, a door, and dilapidated fencing stands in the background. Two African American women, each holding a baby, stand in front of the building. The women and girls wear cotton shirtwaists, skirts, or smock dresses, and kerchiefs or a wide-brimmed hat. The man and boys wear long-sleeved shirts, pants, and hats or caps., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Title printed in six different languages, including French, German, and Spanish on verso., Gift of David Long., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator: Underwood & Underwood
Date: 1895
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Portraits & Genre [P.2018.16.9]

Title: Sapolio
Description: Racist trade card promoting soap manufacturer Enoch Morgan's Sons Company and depicting the caricature of an African American child’s head emerging out of a watermelon. The child, portrayed with exaggerated features, smiles as their eyes look to the right. The green watermelon is ripped open revealing pink flesh and black seeds. Enoch Morgan's Sons Company began manufacturing Sapolio soap in 1869 in New York. Peruvian company Intradevco Industrial SA purchased Sapolio in 1997., Title from item., Publication information from copyright statement: Copyrighted 1882, by Donaldson Brothers., Advertising text printed on verso: One cake will do more work and will do it better than Three Cakes of any other mineral or scouring soap ever made. Enoch Morgan's Sons Sapolio. Better and cheaper than soap. For all house cleaning purposes. It will clean paint, marble, oil cloths, bath tubs, crockery, kitchen utensils, &c. It will polish tin, brass, copper and steel wares of all kinds better than Emery or Rotten Stone. Ask for it. Take no other as a substitute for it. It is the best and cheapest scouring soap. Hand Sapolio, for every day use, is the best and cheapest toilet and bath soap in the market. Removes stains of all kinds, and leaves the skin white and soft. Prevents chapping of hands. Illustration of a white man looking at the bottom of a pan that reflects his face as a mirror., Gift of David Doret.
Date: 1882
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Enoch [P.2017.95.60]

Title: Lily White "the flour the best cooks use," Valley City Milling Co. Grand Rapids, Mich
Description: Racist trade card illustration depicting a vignette of a smiling African American infant sitting in a yellow high chair. A cup of water is overturned on the table attached to the high chair and water spills over the edge. The baby gestures toward the cup with her right hand puts her left index finger in her mouth. The barefoot child is attired in a blue, red, and white plaid dress and a white bib with red embroidery. Lily White flour was manufactured by the Valley City Milling Company, which was established in 1884 and eventually became known as the Grand Rapids Roller Mills., Title from item., Advertising text on verso: Your children will not hanker after cake and other injurious dainties so much if you provide them wiht light, sweet tasting bread made of Lily White, "the flour the best cooks use." This bread has the good old fashioned bread flavor which children like and the more they eat of it the better their general health will be. Give them more bread and less meat. Always for sale by the dealer who gave you this card. Valley City Milling Co. Grand Rapids, Mich., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Valley [P.2017.95.181]

Title: Compliments of Villa Park Improvement Co
Description: Racist trade card illustration depicting two African American girls and one boy standing near a fence and fending off two wild turkeys. The boy stands behind the two girls and is attired in a cap, a long brown coat, tan gloves, and black shoes. The older girl is attired in a red hat with a dark-colored ribbon, a yellow jacket, red gloves, red stockings, and black boots. She wields a stick in her right hand and holds the younger girl with her left. The younger girl is attired in a blue and white cap and a blue jacket. All of the children are depicted with exaggerated features. The Villa Park Improvement Company was based in New Jersey and James Moses, a Trenton businessman, was the organization's president during the 1890s., Title from item., Advertising text on recto: Compliments of Villa Park Improvement Co. Be sure to read the circular. It is interesting. Especially about the free life insurance and free car far. An ideal location for a home. Great value as an investment. No interest, no taxes, two trolley lines. Public school on the plot. Main office, 39 Muirhead Street. Branch office, Corner Hamilton and Quintin Avenues., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Villa [P.2017.95.183x]

Title: Marriage certificate. This certifies that [blank] of [blank] and [blank] of [blank] united in holy matrimony according to the ordinance of God and the laws of [blank] at [blank] on the [blank] day of [blank] A.D. [blank]. Witnesses [blank] [blank]
Description: Marriage certificate containing a scene with an African American bride, groom, and reverend, pictorial details, and an ornamented border. Scene depicts the bride, in the left, in right profile, standing, and attired in a long-sleeved white wedding dress and bridal cap with floor length veil draped down her back. She holds a large bouquet from which ribbons stream and she bows her head slightly forward. In the right, the groom, in left profile, stands, attired in a dark suit with morning jacket and a boutonniere adorning the lapel. His head is slightly bowed. Between them, facing the viewer, stands an older reverend, attired in a clerical waistcoat and pants. He is balding with tufts of grey hair by his ears. He holds a Bible at his midriff. Ferns adorn the background. Pictorial details, surround the scene and text of the certificate, and include two Black putti; a vignette depicting the clasped hands of a Black bride and groom; and tropical greenery. The ornamented border is composed of ribbons and a chain link., Title from item., Name of publisher inferred and date from copyright statement: copyrighted 1910 P.P. and F. Co. Chi., Description of print (No. 1900) included in 1911 trade catalog for the Consolidated Portrait and Frame Co., p. 135a. Description reads: Good Luck Marriage Certificate. This certificate was printed and designed especially for the negro race. There is no other certificate so far as we know, exclusively for them., RVCDC, Purchased with partial funds from the Davida Tenenbaum Deutsch Women's History Fund.
Date: 1910
Location: Library Company of Philadelphia | Print Department *GC - Certificates - Marriage [P.2023.7]

Title: Waterbury Drug Store, established 1797. Leavenworth & Dikeman, Exchange Place, Waterbury, Conn
Description: Series of illustrated trade cards containing "Fishing" showing a white man and woman couple fishing in a rowboat with a pet dog that has its head in their picnic basket; "Caught on the fly" depicting a white man attached to the hook of his own fishing rod as he stands next to a stream; "We met by chance, or waiting for the swell" showing a white man floating on a wave in the ocean and colliding with a white woman as she stands in the ocean near other white women and children; "What are the wild waves saying sister?" depicting a boy, attired in overalls and a wide-brimmed hat, standing next to his sister, attired in a bonnet and long-sleeved dress, looking out at the ocean with their backs to the viewer; "Oh, come and see us" showing a group of white children standing in a pond jeering at an older, white man who stands on dry land in the foreground; and "Scoot, brother scoot!" depicting an African American boy and girl holding hands and scurrying from the approaching waves of the ocean. Leavenworth & Dikeman, the partnership between Elisha Leavenworth and Nathan Dikeman, operated in Waterbury, Connecticut between 1850-1890., Title from item., Date inferred from dates of operation of advertised business., Four prints [P.9828.7033-7036] printed by Phoenix Card Co., N.Y., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Helfand Patent Medicine Trade Card Collection - Pharmacists - W [P.9828.7031-7036]

Title: [Double-sided proof print containing a racist caricature of an African American mother and her children and a comic genre scene with a bookmaker]
Description: Left panel depicts an African American mother, portrayed in racist caricature, with her three children in the doorway of a home in the country. The mother, attired in a red headkerchief with white polka dots, a white shirt with pink polka dots and the sleeves rolled to the elbows, a green skirt, and a white apron with blue stripes, stands smiling with her arms crossed. Sitting in front of her are three young barefooted children attired in pink short-sleeved dresses. The children suck on the tubes of their nursing bottles. A small black dog, a cat with two kittens, and a pig gather and watch children. At the right of the door, a barrel rests under a drain pipe. A food tray lies nearby, and a horseshoe hangs above the door. The right panel shows "Joe McK.. Bookmak[er]" accepting bets, seated at his table, outside a stadium. The older white man bookie, attired in a gray bowler hat, a white collared shirt, a red polka dot vest, blue and white striped pants, and yellow shoes, smokes a cigar and accepts money from a young white man waiting at the head of the line. Also shows the backs of men leaving the bookie and headed toward the "Grand Stand" visible in the background., Title supplied by cataloger., Date from copyright statement: Copyright 1905 by J. Hoover & Son Phila., Printed lower left corner: 2039., Gift of S. Robert Teitelman, 2007., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Hall, Bernhard, 1859-1935, artist
Date: 1905
Location: Library Company of Philadelphia | Print Department political cartoons - 1905 Proof [P.2007.23.8]

Title: 1888-1889 third supplement to catalogue of electrotypes from A. Blanc, Horticultural Engraver, No. 314 N. Eleventh St. Philada., Pa., U.S.A Registered Cable Address, "Blanc, Philadelphia."
Description: Catalog, including section “New Electros of Vegetables for 1889,” of electrotype specimens for the premier Philadelphia horticultural engraver and lithographer containing images of flowers, plants, fruits, and vegetables. Varieties of flowers, plants, fruits, and vegetables represented include begonias, carnations, chrysanthemums, ferns, pansies, poppies, roses, verbena, corn, melons, lettuces, onions, peppers, pumpkins, squashes, and tomatoes. Illustrations include specimen numbers and prices (ranging from $.50-$10), and most include titles. Images predominantly depict sentimental and genre views of women, children, and animals containing or bordered by flowers; baskets of fruit or flowers; wilderness scenes; insects; single letters and words embellished with floral details; potted plants and flowers; flower bushes; residential views containing flowers; flower and vegetable vignettes; bean pods; single, fields, patches, and bushels of fruits and vegetables; and gardening tools and agricultural implements and equipment., Other specimens depict reproductions of lithographs; female representations of months of the year; “Bulbs grown in Bamboo rod”; a montage, including a crate with packages of bulbs; "Craig’s New Chrysanthemum, Mrs. A. Blanc"; "The Philadelphia Prize Chrysanthemum of 1888"; "Cornfield"; "Insect Destroyers" (i.e., insect destroying insects); and "Odds and Ends" showing bottles of herbs. Also includes a photomechanical studio portrait of an African American boy and girl attired in winter coats and hats, a racist metamorphic montage showing a melon morph into a caricaturized African American figure; and an illustrated advertisement with testimonials promoting W. M. Giradeau’s Seminole Watermelon. Contents also include statements describing the flowers depicted; promoting made to order cuts and the possibility for the addition of text (mortised); noting possible alterations, including “each cut separate” and reductions in price; and indicating "3/4 natural size.", Cover annotated in pencil with date: 1890., Some leaves contain page numbers: 58-134., Cover contains photomechanical illustrations of a studio portrait showing a seated, barefoot girl in simple attire, holding a basket of roses under her arm, and holding a flower to her nose with the other. Attire includes a wide-brimmed hat adorned with several flowers. Grass and flowers rest at her feet. Portrait bordered by a large pictorial detail depicting two stemmed roses. Portrait is specimen 4817 in catalog., Contains promotional text to "Dear Sir" and dated Philadelphia, September 1, 1888 on inside front cover. Text advertises "list of new electrotypes, issued since last year’s supplement … that will enable you to give your catalogue an entirely different appearance" and references how it’s "an important item to the Horticultural trade" and Blanc’s stocks of electros are a “trifling expense” compared to original cuts. Text also explains the deferment of the reprinting of an entirely new catalog due to his addition of a large number of new electros, as well as ordering information including the necessity of a signed order sheet in which purchaser agrees not to sell or loan the electros; ability to make to order any cut for exclusive use; no discounts excepting for orders amounting to over $100; terms strictly cash with order; and cuts ordered to be mailed require a 10% additional fee for postage. Text also advertises "List of My Catalogues," including "Catalogue of Fruit and Tree Cuts"; "Cuts for Catalogue Covers'; "Lawn Views"; and "Sheets of Potato Cuts, Oats, Wheat, Grasses, etc."; their prices of 15 to 20 cents each or $1 for set, which is deductible from orders amounting to $5; and note about "Correspondence en Francais.", Several specimens include Blanc's copyright statement or name., Includes order sheet inscribed with addition equations., Back cover and end pages missing, RVCDC, Description revised 2022., Access points revised 2022., Purchased with funds for the Visual Culture Program., See the Albert Blanc entry in the Philadelphia on Stone Biographical Dictionary of Lithographers., See the Edward Stern & Co. entry in the Philadelphia on Stone Biographical Dictionary of Lithographers., William M. Giradeau (b. 1852), owner of Girardeau Seed Company in Monticello, Fla., developed the first commercial machine for separating seeds from watermelons, making Jefferson county, the top watermelon seed supplier in the world by 1884.
Creator: Blanc, Albert, 1850-
Date: [1888]
Location: Library Company of Philadelphia | Print Department albums - Blanc [P.2013.69.2]

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