Search results

Title: [Parting scene; Old Kentucky Home]
Description: This parting scene illustrates a verse from Foster's song. Standing on the front porch of the old Kentucky home, a black woman cries into a handkerchief as she watches a black man walking away. He is followed by another man on a horse., Plate in Stephen Collins Foster's My Old Kentucky Home (Boston: Ticknor and Company, 211 Tremont Street, 1888), n.p., The following verse is printed on the opposite page: "The time has come when the darkeys have to part, -- / Then my old Kentucky Home, good-night!", Fels Afro-Americana Image Project, Scenes from Daily Life.
Creator: Kilburn & Cross
Date: [1888]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1888 Foster 70524.O n.p., https://digital.librarycompany.org/islandora/object/Islandora%3A2836

Title: [Family ties broken up]
Description: A black man in tattered clothing is dragged away from his family by four white men acting on behalf of his purchaser. The man's wife and three small children have been purchased by another slaveholder, and the family will be separated., Illustration in the American Anti-Slavery Almanac, for 1838 (Boston: Published by D.K. Hitchcock, 1837), p. 15., Caption underneath the image reads: "The purchaser of the husband has sent to have him dragged away. As he does not wish for the 'balance' of the family, they have been taken by different purchasers.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1837]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1837 Ame Ant 52047.D.2 p 15, https://digital.librarycompany.org/islandora/object/Islandora%3A2751

Title: The cruelties of slavery
Description: Holding a whip in his right hand, a slaveowner moves to strike a female slave kneeling beneath him. The slave reaches her arms toward her baby, who dangles by one wrist from the slaveowner's left hand. To the right, another slaveowner looks on as mother and child are separated. In the left background, four bound slaves march off in single file., Caption title vignette in the Anti-Slavery Record (New York: Published by R.G. Williams, for the American Anti-Slavery Society, 1835-1837), vol. I, no. 5 (May, 1835), p. 49., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [May 1835]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per A 245 16998.D v 1 n 5 cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2856

Title: "Old Joseph, the Patriarch"
Description: Engraving accompanies a fictional episode described in Letter IV, "The 'Purchases' -- Old Joseph." Episode takes place on Christmas Eve in the cabin of the coachman Rafe, the slave seated on the log near the fireplace to the extreme right. Rafe has learned that he will soon be sold, and thus separated from his wife, who sits to his right, and their young child, who rests on her lap. Other slaves cluster around the couple, trying to comfort them. Leaning on his walking stick, Old Joseph (described as "the beau ideal of a patriarch, at once humble, dignified and venerable") stands and faces the group, offering words of wisdom and consolation. Interior is furnished with a bench, a chest of drawers, a large chair, and stools of varying sizes. The men's discarded top hats are placed throughout the room, as are assorted utilitarian and domestic objects, such as pots and pans, an umbrella, and an axe. In the foreground, a book, quite possibly the Bible, rests on a stool., Frontispiece for Emily C. Pearson's Cousin Franck's Household, or, Scenes in the Old Dominion (Boston: Upham, Ford, and Olmstead, 1853)., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Hedge, Franklin, b. ca. 1830, engraver
Date: [1853]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1853 Pear 73222.O frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2792

Title: [Thomas Cooper]
Description: Image depicts Thomas Cooper, a Maryland slave who escaped to Philadelphia, where he settled, found work, married, and raised a family. In this scene, Cooper's former owner, having learned of his whereabouts, has seized and handcuffed him, and is taking him back to Maryland. His wife and children beg for his release in vain. According to the accompanying text, Cooper's Philadelphia employers had offered to pay the slaveowner a large sum in return for his release, but their offer was refused., Illustration in the American Anti-Slavery Almanac, for 1838 (Boston: Published by D.K. Hitchcock, 1837), p. 19., Caption underneath the image reads: "Consider the desolation which would be brought upon YOUR family, if the head of it should be taken away. The slaves suffer, in such cases, FAR MORE than we, for they have few pleasures except those they derive from their companions in wo [sic].", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1837]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1837 Ame Ant 52047.D.2 p 19, https://digital.librarycompany.org/islandora/object/Islandora%3A2753

Title: [Thomas Cooper]
Description: Image depicts Thomas Cooper, a Maryland slave who escaped to Philadelphia, where he settled, found work, married, and raised a family. In this scene, Cooper's former owner, having learned of his whereabouts, has seized and handcuffed him, and is taking him back to Maryland. His wife and children beg for his release in vain. According to the accompanying text, Cooper's Philadelphia employers had offered to pay the slaveowner a large sum in return for his release, but their offer was refused., Cover of the American Anti-Slavery Reporter, vol. 1, no. 3 (March, 1834), p. 33., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Brown, G. L., engraver
Date: [March 1834]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per A 247 75432.O v 1 n 3 front cover, https://digital.librarycompany.org/islandora/object/Islandora%3A2861

Title: [Consequences of emancipation]
Description: In the foreground center, a black man reads aloud from the Bible while a girl kneels and prays before him. In their immediatie proximity, a mother holds her two small children. Behind them, several figures perform various chores and tasks. A group congregates in the middle-ground, and what looks to be a representation of Monticello is visible in the background., Front cover of the American Anti-Slavery Almanac, for 1837 (Boston: Published by N. Southard & D.K. Hitchcock, 1836)., Two captions appear underneath the image: "A sketch from God's description of the 'Consequences of Emancipation.' Psa. 58." and "We hold these truths to be self-evident -- that all men are created equal.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1836]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1836 Ame Ant 16996.D cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2745

Title: [Mother taken away]
Description: Having been sold by her former mistress ("a wicked woman, a slaveholder, and a member of the Presbyterian church") to a new owner, a Kentucky slave shrieks and cries as she is torn away from her two children, ages seven and nine. The woman's new owner smokes and calmly looks on., Illustration in the American Anti-Slavery Almanac, for 1838 (Boston: Published by D.K. Hitchcock, 1837), p. 17., Verse underneath the image reads: "Ev'n her babes, so dear, so young, / And so treasured in her heart, / That the cords which round them clung, / Seemed its life, its dearest part; / These, ev'n these, were torn away! / These, that, when all else were gone, / Cheered the heart with one bright ray, / That still bade its pulse beat on!", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1837]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1837 Ame Ant 52047.D.2 p 17, https://digital.librarycompany.org/islandora/object/Islandora%3A2752

Title: Future rulers of Florida U.S.A
Description: Racist scene showing an African American family of a mother, father, and four children seated on the porch to a wooden dwelling. In the left, the mother breastfeeds her youngest child, a baby. She is seated next to her three older, but young children. The father sits to the right on the other side of the children who sit and stand. He has his arm behind the next to youngest child. The mother is attired in a kerchief, plain shirtwaist, and long, plain skirt. The father wears a vest, shirt sleeves, pants, and work boots. The children are attired in worn shirts and the oldest also in worn pants., Title printed on negative., Yellow mount with curved corners., Date inferred from format of stereograph., Gift of Ivan Jurin., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department stereo - unid. photo - Portraits & Genre [P.2019.2.2]

Title: [Portrait of an African American family]
Description: Family portrait of several generations of a middle-class African American family posed in front of a Christmas tree. The family, attired in suits and dresses, sit and stand in the living room. In the foreground, an African American boy sits on the floor, crossed legged, and smiles at the viewer. Behind him, seven men and women sit on chairs. Two young girls sit on the laps of the older men. Nine men and women stand behind the chairs. In the background, the top of a decorated Christmas tree is visible., Title supplied by cataloger., Date written on recto: Mosby 1936., Purchase 1993., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1936
Location: Library Company of Philadelphia | Print Department group portrait photographs - family [P.9410.31]

Title: H. Rendtorff, wholesale and retail dealer in stoves and hardware, 291 & 293 North Ave., Chicago
Description: Racist trade card depicting an interior scene of a set of African American conjoined twin sisters, their mother, their father, and their male suitor. The twins curtsy and their suitor bows his head. The twins are attired in a yellow and red dotted dress with a roffled hem and white collars. Their mother is attired in a blue and red dress with a white apron. The twins' father is attired in a green jacket, a white collared shirt, a yellow bow tie, red pants, and black boots. The twins' suitor is attired in a black jacket, a white collared shirt, a red bow tie, red and blue striped pants, and black shoes. He holds a brown hat in his right hand to his chest. Visible in the background of the scene are framed works of art on the wall, a table, a vase with flowers, a window, and a clock. All of the figures are portrayed with exaggerated features. The illustration is based on a racist series of African American caricatures originally created for Harper’s Weekly in 1878 by Sol Eytinge that satirized the courtship, marriage, and the start of families by "The Twins." A Bismarck Range stove is depicted on the verso of the trade card. Herman Rendtorff was a Chicago stove and hardware merchant whose business operated throughout the latter half of the 19th century., Title from item., Text printed on recto: Introduction of the Twins., Advertising text printed on verso: The celebrated Bismark Range. Manufactured by Burdett, Smith & Co., Troy, New York, And 34 River St., Chicago, Ill., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Rendtorff [P.2017.95.148]

Title: [An emancipated family]
Description: Domestic scene showing the household of an emancipated black family. In the center of the scene, a woman stands with her infant child. She is flanked by her young son, who stands to the left, and by her husband and a third child, who are seen at the right. Seated on a low stool, the husband reads from a book, presumably the Bible. Some work gear and instruments hang on the wall: a basket, a straw hat, and two hoes. Another family can be seen through an open doorway, and a church is visible in the distant background., Cover page of Negro's Friend: on the ease, safety, and advantages of liberating the enslaved Negroes; and on compensation to their masters (London: Printed by Bagster and Thoms, 1830?)., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [1830?]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1830 Neg Fri 67066.D front cover, https://digital.librarycompany.org/islandora/object/Islandora%3A2731

Title: [African American woman nursing a baby on a porch in the presence of a man]
Description: Stereograph depicting an African American mother seated on the porch steps and nursing her baby. The woman, wearing her hair tied up in braids and attired in a polka-dotted shirt and a checked skirt, cradles an infant on her lap as it suckles on her breast. Seated in the right, the African American man, attired in a hat, a long-sleeved white shirt, a ring, and pants, looks over at the mother and child. On the porch is a wooden chair beside the closed door., Title supplied by cataloger., Orange mount with rounded corners., Manuscript note on verso: Herr Klebenice?, Gift of David Long, 2002., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Genre [P.2002.8.5]

Title: An emancipated family
Description: Domestic scene showing the household of an emancipated black family. In the center of the scene, a woman stands with her infant child. She is flanked by her young son, who stands to the left, and by her husband and a third child, who are seen at the right. Seated on a low stool, the husband reads from a book, presumably the Bible. Some work gear and instruments hang on the wall: a basket, a straw hat, and two hoes. Another family can be seen through an open doorway, and a church is visible in the distant background., Cover page of the American Anti-Slavery Almanac, for 1836 (Boston: Published by Webster & Southard, c1835)., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [c1835]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1835 Am Ant 65753.D cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2741

Title: [African American family in front of their Pennsylvania residence]
Description: Depicts the African American family of four women, two men, and a boy posed in front of their two-story house with a porch, trellis, and picket fence. In the left, an older African American man, wearing white hair, stands behind the picket fence and looks directly at the viewer. A woman, wearing her hair tied up in a bun and attired in a long-sleeved dress with decorative stripes at the bottom, stands with her left arm resting on top of the open gate and looks to the left. Three women, attired in brimmed hats and long-sleeved dresses, stand resting an arm on the picket fence. The barefooted boy, attired in a cap, a shirt, a collared jacket, and pants that end just below the knees, stands next to a dog. In the right, the man, wearing a mustache and attired in a bowler hat, a shirt, a jacket, pants, and shoes, holds the reins as he sits on top of a horse, which stands on the sidewalk in front of the house., Title supplied by cataloger., Mount has decorative gold border., See accompanying manuscript notebook United States View Company's Instructions to Salesmen. (P.9502)., Gift of Martha Graybill, 1988., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., The United States View Company, was established by Newton Graybill and Lewis Garman of Richfield, Pennsylvania in the 1890s. It was one of several view companies which employed operators and salesmen to photograph and sell the prints of small town residents posed in front of their homes and community buildings.
Creator: United States View Company, photographer
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department photo - United States View Company - residences [P.9253.74]

Title: A bran new coon in town
Description: Racist, satiric postcard depicting an African American family (portrayed as racist stereotypes) welcoming a “new” member, a baby. Shows the grandfather standing and weighing the infant on a hand held scale, as the grandmother, attired in a head kerchief, a floral shirt, a skirt, and an apron, cradles the baby’s head. In the right, the father smiles as he stands leaning down with both hands clutching a small table. In the center, a young boy sits at the table eating as he looks up at the baby. In the left, the mother sits smiling beside a stove as she pours water from a kettle into a cup., Title from item., Date from copyright statement: Copyright, 1898, and published by Knaffl & Bro., Knoxville, Tenn., Originally published in an 1898 edition of Leslie's Weekly as part of "The Blackville Gallery" series under the title "Weighing the Christmas Baby.", RVCDC, Accessioned 1999., Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1898
Location: Library Company of Philadelphia | Print Department LCP postcards - Genre [P.9725.1]

Title: Rapid transit in Southern Mississippi
Description: Racist scene showing an African American family comprised of the parents and eleven children traveling in an open wagon pulled by two oxen. The parents, each holding a baby, sit on the cab as the older children stand in the bed of the wagon. A wood shack, with three small windows, a door, and dilapidated fencing stands in the background. Two African American women, each holding a baby, stand in front of the building. The women and girls wear cotton shirtwaists, skirts, or smock dresses, and kerchiefs or a wide-brimmed hat. The man and boys wear long-sleeved shirts, pants, and hats or caps., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Title printed in six different languages, including French, German, and Spanish on verso., Gift of David Long., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator: Underwood & Underwood
Date: 1895
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Portraits & Genre [P.2018.16.9]

Title: The light-running New Home sewing machine, D.S. Ewing, general agent, 1127 Chestnut St. Phila, PA
Description: Racist trade card illustration depicting an African American family riding a donkey and leaving their small cabin, which is likely located on or near a plantation. The family consists of a father, son, mother, and baby. Surrounding the family are two small dogs, two children waving goodbye on a wooden fence, a child who tugs the donkey's tail, a woman bidding the group farewell with her arms outstrethced, and a man who sits on the steps of the cabin in the background. A second cabin is visible in the background of the image behind the wooden fence. The father is attired in a yellow coat, a white and black top hat, and shoes. The son is attired in a white dotted shirt, a hat, plaid yellow pants, and shoes. The mother is attired in a yellow shirt, a white bonnet, a blue dotted shirt and shoes. She holds the baby in a wrapped blanket and gestures toward the onlookers behind her. A sign shaped like an arm with a hand pointing its index finger is situated beside the wood fence and reads "New home." In the upper right corner is a circular image of a New Home sewing machine. Daniel S. Ewing was a Philadelphia merchant who sold sewing machines at his eponymous store. The store was located in Philadelphia on Chestnut Street., Title from item., Text on recto: We's gwine to get a new home we is!, Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - New Home [P.2017.95.140]

Title: Bits of nature and some art products, in Fairmount Park, at Philadelphia, Penna
Description: Volume of compiled prints and drawings by lithographer, etcher, and artist Augustus Kollner primarily depicting landscapes of Fairmount Park and originally published in his "Bits of Nature ...," one of four volumes in his 1878 series of small folio pictures. Also contains views of Philadelphia and Bucks and Montgomery counties. Several of the prints also show park and riverscape; residences and estates; animals, including canal mules, horses, cows, and dogs; park visitors, including an African American family, children, and persons on foot and on horseback; steamboats, rowboats, and other vessels on the Schuylkill River; and rock formations. Other views show wharf workers at lunch and a cliff-side residence at North Twenty-Seventh Street near the park., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Titles include Thos. Moore’s Cottage, Phila. Park; Schuylkill River, Fairmount Park, Phila. (Columbia Bridge); Prospect from Ridgeland and Fairmount Park, Phila.; (In Fairmount Park) Sweet Briar Mansion, in 1843; In Ravine near Sweet Briar Fairmount Park, Phila.; Schuylkill River below the Falls, Fairmount Pk. Phila.; Belmont and Waterworks. Mount Pleasant, Fairmount Park, Philada.; In Wissahickon Valley, Fairmount Park, Philada.; Peters Island, Fairmount Park, Philada.; Schuylkill Riv. above Fairmount Dam, Philada. in 1843; Phila. 1842; Schuylkill River Pa.; Pt. Pleasant, Pa.; Near Willow Grove Penna.; Life Scenes in Fairmount Park; Near East Park, Phila./ "S.E. corner 27th & [Arben?]"; Schuylkill Valley Pa (dated 1893).; Delaware Riv. [Easton?]; Life Scenes in Park; City Wharf Scene (dated 1894); and West Phila [illegible] near Sweet [Briar?] West Phila., Title from title page., Maroon leather binding, stamped in gilt on cover: Bits of Nature. A. Kollner., Spine stamped: Bits of Nature. Kollner., Prints variably signed AK; A. Kollner; A. Kollner fc.; From nate. and etchd by A. Kollner; and Kollner, fect., Titles on the stone or plate. Some annotated with inscribed titles., Two of prints [*Am 1878 Kol, 2086.F.15 and 16] printed on recto of proofs. Proofs depict "Life Scenes in Park" and "The Christian Soldier.", Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator: Kollner, Augustus, 1813-1906
Date: [1878-1894]
Location: Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F]

Title: [Migrating African Americans emancipated from enslavement]
Description: Drawing by Alexander Kitzmiller, a 24-year-old Pennsylvania German, prisoner Number 4780 at Eastern State Penitentiary. Depicts two African American families of freedom seekers emancipated from enslavement, portrayed in racist caricature, migrating on horseback and on foot. In the left, an African American man, barefoot and attired in a yellow hat, a blue collared shirt, and orange and white patterned pants, rides on a mule with his son and daughter. Behind him walking on foot is a boy, attired in a soldier’s cap, a red collared shirt with a red tie, and blue pants with suspenders and the African American mother, attired in a red head kerchief, hoop earrings, a yellow dress, and yellow and black shoes, who holds the arm of her daughter. The young girl, attired in a blue hat and a red and white striped dress, carries a Black doll. In the right, another family walks, including an African American man, attired in a yellow hat, a red and white striped collared shirt with a brown tie, white pants, and black boots, who carries a bundle on a stick; an African American woman, attired in a white head kerchief, hoop earrings, a red dress, and yellow and black shoes, who carries a baby on her shoulder, and a boy, attired in a soldier’s cap, an orange collared shirt, blue pants with suspenders, and brown shoes, who has his hand in his pants pocket. Adaption of Francis B. Schell's illustration, "Arrival at Chicksaw Bayou of the negro slaves of Jefferson Davis, from his plantation on the Mississippi," published in Frank Leslie's Illustrated newspaper on August 8, 1863., Title supplied by cataloger., Date inferred from content and tenure dates of S.W. Woodhouse as physician at Eastern State Penitentiary., Manuscript note on verso: Presented to me by a German prisoner in the State Penitentiary of Pennsylvania during my residency there. S.W. Woodhouse, M.D., Woodhouse was a Philadelphia surgeon, naturalist, and pioneer ornithologist who served as resident physician at the Eastern State Penitentiary from 1862 to 1863., Lib. Company. Annual report, 1997, p. 37., Purchase 1997., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kitzmiller, Alexander, approximately 1839-, artist
Date: [1863]
Location: Library Company of Philadelphia | Print Department Drawings & Watercolors - Kitzmiller [P.9547]

Title: Wedding of the twins
Description: Racist trade card promoting stove manufacturer Cribben, Sexton & Co. and depicting a genre scene with African American caricatures originally created for Harper’s Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." Figures are portrayed with exaggerated features. Shows the sisters getting married a parlor. The twins are attired in white, short-sleeved wedding dresses with ruffles at the bottom and veils. The groom at the left, a squat man, is attired in beige pants; a white waistcoat with a gold pocketwatch chain; a collared shirt; and a black jacket, while the groom at the right, a tall man, is attired in blue striped pants; a white shirt; and a black tie and jacket. An African American reverend attired in a black suit stands in front of them and officiates while holding an open bible. The twin's parents stand behind the couples. The father is attired in white pants, a shirt, and a waistcoat, with a black jacket and bowtie. The mother is attired in a brown dress with a white hat decorated with a bow and sash. Behind them watching the nuptials is a woman, attired in a white mob cap and a blue dress, seated in a wooden chair. She holds a boy in her lap, attired in a green pants and a beige jacket. Three other people view the ceremony through a doorway. In the left is a woman attired in a beige dress with a white apron and a cap; in the center is a man attired in a blue collared shirt; and in the right is a woman attired in a beige dress. A table with a cake and a decanter with glasses is visible behind the reverend. Henry Cribben and James A. Sexton founded the stove manufactory Cribben, Sexton & Co. in Chicago in 1873. The Company closed in 1965., Title from item., Date deduced from history of the advertised business., Distributor's imprint printed on verso: Davison & Steinhilfer, Dealers in stoves and hardware, and a full line of universal perfect & elegant stoves and ranges always on hand, Strawberry Point, Iowa., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Cribben, Sexton & Co. [P.2017.95.38]

Title: It stands at the head. "Domestic" sewing machine
Description: Racist trade card promoting Domestic Sewing Machine Company and depicting a caricaturized genre scene of an African American family looking to their right at a billboard on the side of a building. The figures are portrayed with exaggerated feaures. Shows an older, squat man, a woman, and three children seated and standing in a horse-drawn cart halted on a dirt road. An older boy stands behind the cart. The man, attired in a top hat; a ragged jacket; a shirt with bowtie; and pants with patches on the knees and suspenders sits smiling and holding in his hands a stick and the reins of his horse that wears blinders. The woman, attired in spectacles; a straw hat with a decorative ribbon that is tied under her chin in a bow; a long-sleeved dress; and a shawl stands up inside the cart. She holds a baby in her left arm and points at the billboard with her right hand. A boy attired in a long shirt and pants sits beside the man in the front of the cart. Behind the man, a girl attired in a bonnet stands. The boy outside of the cart is barefooted and attired in a cap; a shirt; and ragged pants with a hole at the knee, and carries a basket. A dog, its tail between its legs, hunches underneath the cart. In the left, the billboard is illustrated with a sewing machine in the center of a star with the advertising text around it. Text reads: "It stands at the head : Copyrighted by the "Domestic" Sewing Machine Co. The star that leads them all. Unequalled for simplicity of construction ease of operation and durability. The light running "Domestic" sewing machine." In the distant right background a house is visible. William S. Mack & Co. and N.S. Perkins founded the Domestic Sewing Machine Company in 1864 in Norwalk, Ohio. The White Sewing Machine Company bought the company in 1924., Title from item., Date deduced from history of the advertised business., Distributor's imprint printed on recto: E.R. Bumps, jeweller, Waldoboro, ME., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Domestic [P.2017.95.51]

Title: Freedom to the slaves. Proclaimed January 1st 1863, by Abraham Lincoln, President of the United States. “Proclaim liberty throughout all the land unto all the inhabitants thereof”__ Lev. XXV 10
Description: Civil War print evoking the Emancipation Proclamation depicting a freed, enslaved family with Abraham Lincoln in an outdoor setting. Shows Lincoln standing in the right, bearded, attired in a suit, and pointing the finger of his right hand into the air (and to the heavens) while his left hand is being kissed by the African American father of the family. The man, attired in shirtsleeves tucked into striped pants, kneels, and holds the right hand of Lincoln with his left hand as he kisses it. His right arm is by his side and his right hand holds a yellow, brimmed hat to the ground. Part of a broken shackle is under Lincoln’s foot by the left knee of the man. Behind the African American man, stands his African American woman partner holding a baby to her chest. She holds the baby’s arm with her left hand and their bottom with her right. A young child in a thigh-length smock with ragged edges stands at her right side. The woman wears a tied, green-striped head band around her forehead, a shawl with stripes, and a pink sheath dress with a floral pattern. Patches of grass are visible in the foreground and the roof and chimney of a dwelling are visible in the background., Title from item., Date inferred from content., Purchased in part with the Davida T. Deutsch African American History Fund., Description revised 2022., Access points revised 2022.
Creator: Currier & Ives
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department *GC - Emancipation [P.2020.21]

Title: Pore lil' Mose sends his Pa a valentine
Description: Racist cartoon containing vignettes about an African American family, portrayed in racist caricature, with the boy prankster Pore Lil' Mose giving valentines to his gal Happy Lil' Sal and his Pa. In the left, shows Miss Sally Sunbeam, portrayed in caricature and wearing her hair in pigtails with yellow bows and attired in a pink dress with a white ruffled collar, yellow stockings, and boots, standing with her dog. She smiles and holds up the valentine while Mose looks on from behind a fence. Below is a vignette depicting Pa angrily holding and reading his “comic” valentine, “Moses Pryor shif’less coon quit his job de first of June never works again till fall hates to ever work at all.” Mose’s mother, attired in a red headkerchief with white polka dots, a yellow shawl, and a blue dress, smiles as she looks over Pa’s shoulder. A younger brother, attired in a red and white sailor shirt with a green bow and green pants, stands behind Pa and scowls with his hands in his pockets. The next vignette, shows Mose fleeing the kitchen with only his legs visible running out the door as a mule looks on. Pa, tripping over the cat, flies through the air head down and legs up and carrying a stick in his hand. Ma leans back with her hand on her head as the plates, cutlery, and coffee pot are thrown from the kitchen table. In the top right is a portrait of Uncle Jack, wearing white hair and attired in a black top hat, a white and red striped shirt, a yellow vest with red polka dots, blue pants, red socks, and brown shoes, standing with his hands in his pockets. The image of Pa’s valentine depicts a racist caricature of an African American man stealing a chicken at night under the moonlight. Contains 21 lines of text written in the vernacular explicating the scenes ending with the line "Pore Lil' Mose.", Title from item., The "Por Lil' Mose" series was published in the New York Herald from 1901 until 1902., Purchase 1978., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Richard Felton Outcault (1868-1928) is renowned as the creator of the first published full page comic. He is also the creator of "Buster Brown."
Creator: Outcault, Richard Felton, 1863-1928, artist
Date: [ca. 1901]
Location: Library Company of Philadelphia | Print Department political cartoons - 1901 Por [8391.F]

Title: No. 10 The event Or where "2 pair is better than 4 of a kind"
Description: Tenth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows the tall husband of one of the twins, twin babies in hand, arriving at the home of the other twin and her husband after the birth of their twins. In the right, the twin lies in bed under the covers as “Dr. Black” turns to the entryway and prepares to give her a spoonful of medicine. Near them is the bed-ridden twins' husband, seated and feeding one baby twin a bottle as the other rocks in a cradle. To his right, the “grandmother,” attired in a bonnet, glasses, polka dot dress, and apron raises her hands in excitement as she greets the arriving husband of the twin's sister. A stool, framed pictures, and a sideboard adorn the room., Title from item., Name of publisher from other photographs in series., Date from copyright statement inscribed in original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.9]

Title: True blue
Description: Poster commemorating the service of African American men during World War I. Shows an African American family gathered in a living room decorated with floral wall paper and looking at the framed portrait, hung above a fireplace, of an African American service man, likely the father of the family. In the right, the mother, attired in a beige sheath dress, holds a toddler attired in white pajamas in her arms while her daughter, attired in a white night gown, and holding a black baby doll in her left hand, stands next to her. The daughter stands in front of her older, seated brother. The older son, attired in a beige uniform, sits in an arm chair. The toddler and daughter reach and point toward the portrait on the wall. Decorative flags adorn the upper edge of the framed portrait showing the man in uniform. A fire burns in the fireplace and a portrait of George Washington, a portrait of Woodrow Wilson, a vase of flowers, a bust, and a clock adorn the mantle. On the wall to the right of the father's portrait, hangs a framed portrait of Abraham Lincoln. A patterned rug, a cat asleep by the fire, and a window displaying a service flag comprise the scene as well. Sheer curtains and a bowl-shaped vase of flowers also adorn the window., Name of publisher and date from copyright statement: [copyright symbol of "c" in circle] 1919 By E. G. Renesch, Chicago., Description revised 2022., Access points reviewed 2022.
Date: 1919
Location: Library Company of Philadelphia | Print Department *GC - Soldiers [P.2016.61]

Title: Saturday evening
Description: Photographic reproduction of a print drawn by Helen M. Colburn, daughter of New Jersey artist Rembrandt Lockwood, depicting an African American family returning from a market trip. The figures are drawn with racist and caricatured features and mannerisms. Shows in the left, a bare-footed, young boy, attired in a long-sleeved shirt, breeches, and suspenders, striding next to and looking up at this mother who carries a watermelon on her head. She smokes a pipe and walks with her hands on her hips. She is attired in a bonnet that covers much of her face, shift dress, and apron. Behind her, in the center of the image, the father of the family walks next to a black dog and with two large cabbages tucked into his arms. He slightly frowns and is attired in a short-brimmed hat, long-sleeved shirt, vest and pants. In the right, is an older son, who looks at the viewer. He carries a large basket of produce over his left arm. He is attired in a wide-brimmed hat, long-sleeved shirt, long apron, and pants. In the background, a wooden fence and the tops of trees are visible. Image also shows a white woman, wearing her long, light-colored hair down on her shoulders, and attired in a wide-brimmed hat, and long-sleeved, narrow silhouette dress with an overskirt walking between the fence and the family. Robinson, married to Washington U.S. Treasury clerk Rollinson Colburn, lived in the Capitol between circa 1870 and her death in 1912. In 1887 eight of her works, some purported to be based on her own eye-witness accounts during the 1870s, showing African American life in the city were published as a collectible series of photographs. Occassionally, Colburn described and signed her descriptions of the scenes on the versos of the photographs., Title from item. Title printed on mount and written on original print., Date from copy right statement printed on mount: Copyright 1887., Written in lower right of original print: Mrs. R. Colburn., RVCDC, Description revised 2022., Access points revised 2022., Purchased with the 2019 Junto Fund.
Date: 1887
Location: Library Company of Philadelphia | Print Department photos - 5 x 7 - unidentified - Events [P.2020.16.4]

Title: Sunday. Yer looks lubly Ephraim, and it all comes using dat Higgins soap
Description: Racist trade card promoting Higgins' soap and depicting a caricature of an African American family getting ready for church. The family is portrayed with exaggerated features and speak in the vernacular. In the center, the husband/father stands smiling attired in a white ruffled shirt, a red and white bow tie, a yellow waistcoat, a long black jacket, red and white checked pants, black shoes, and white gloves. The wife/mother, attired in a bonnet decorated with a blue bow and flowers, a red shawl, a blue dress with black stripes, a yellow bow tie, and black shoes, smiles as she adjusts the bowtie on her husband and says, “yer looks lubly Ephraim, and it all comes using dat Higgins soap.” Their son, attired in a yellow hat with a black band, a red shirt with a white lace collar, green pants, red socks, and black shoes, looks up at the couple carrying a red book in his left hand. In the left, behind the couple, are two more children. The girl in the left is attired in a white head kerchief, a yellow shirt with orange stripes, a white skirt, red stockings, and black shoes. The boy in the right is attired in a blue cap, a blue shirt with a white collar, blue pants, red and white striped socks, and black shoes. A print depicting a red building and two people is pasted on the wall in the right background. The Charles S. Higgins Company, established by Higgins’s father W. B. Higgins in Brooklyn in 1846, manufactured "German Laundry soap" beginning around 1860, when Charles assumed the business. The laundry soap was packaged in a wrapper illustrated with an African American woman washing in a tub. By the early 1890s, Charles S. Higgins left the firm still operated under his name and formed Higgins Soap Company. Court proceedings over trademarks and tradenames ensued and Higgins Soap Company became insolvent by the mid 1890s., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Higgins' [P.2017.95.81]

Title: Emancipation: the past and the future
Description: Emancipation print contrasting African American life during and after slavery. Central scene portrays the interior of a free person’s home where several generations of the family socialize around a "Union" stove as the mother cooks. The horrors of slavery are depicted through scenes of the flogging, branding, selling, and capturing of enslaved people. The forthcoming results of freedom are depicted through scenes of the exterior of a free person’s cottage, African American children attending public school, and African Americans receiving payment for their work. Also depicted are: a baby angel freeing the shackles of a kneeling enslaved man as the angel, who has the year 1863 above his head, is held by Father Time; Thomas Crawford’s statue of freedom; and the hellhound Cerberus fleeing liberty., Title from item., Originally published in Harper's weekly, January 24, 1863., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1865-3 variant [(10)1540.F]

Title: The past and the future
Description: Emancipation print contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. The horrors of slavery are depicted through scenes of the flogging, branding, selling, and capturing of enslaved people. The forthcoming results of freedom are depicted through scenes of the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work. Also depicted are: a baby angel freeing the shackles of a kneeling enslaved man as the angel is held under the year 1863 by Father Time; Thomas Crawford's statue of freedom; and the hellhound Cerberus fleeing liberty. The Great Central or Sanitary Fair of 1864 was organized by the Philadelphia division of the United States Sanitary Commission to raise money for their soldier relief organization. Although emancipation was a popular theme of the fair, African Americans were excluded from the exhibition., Title from item., Date inferred from content., Inscribed: Price [Fif?]ty Cents., Originally published in "Harper's weekly," January 24, 1863., LCP exhibition catalogue: African American Miscellany, p. 22., Accessioned 1987., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Nast, Thomas, 1840-1902, artist
Date: [1864]
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1865-3a variant [P.9177.30]

Title: On the march to the sea
Description: Civil War scene from Union General William Tecumseh Sherman's notorious campaign across Georgia in 1864 and 1865 depicting the depredation and destruction of countryside near the Atlantic coast. Amidst smoke, Sherman sits on his horse, looks through a scope, and scouts the horizon. Around him, white men Union soldiers and an African American man dismantle railroad tracks, and further down the line a railroad car has been set on fire. Newly free African Americans leave on foot and by raft. In the right, an African American family of a mother, father, son, and grandfather, attired in worn and torn cloths, carry bundles as they travel over the dismantled railroad tracks. The mother holds her son’s one hand while he uses the other to rub his eyes. The father rests his hand on the back of the grandfather. Behind them, two Union soldiers cut down a telegraph pole. In the background, Union soldiers round up cattle, burn homesteads and a bridge, and fire upon retreating Confederate soldiers. In the lower margin is a portrait of Sherman., Title from item., Plate signed by Darley lower right corner., Manuscript note on verso: Acc. No. 0479; Gift Minnie Owen., See Nancy Finlay's Inventing the American past: the art of F.O.C. Darley (New York: New York Public Library, 1999), p. 28 and opp. p. 32., Accessioned 2000., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Ritchie, a New York painter and prolific engraver of portraits and genre scenes, produced many engravings after the works of the premier illustrator of the 19th century and native Philadelphian, F.O.C. Darley.
Creator: Ritchie, Alexander Hay, 1822-1895, engraver
Date: c1868
Location: Library Company of Philadelphia | Print Department **GC-Civil War [P.9854]

Title: Emancipation
Description: Emancipation print depicting a series of scenes contrasting African American life during and after slavery. Central scene portrays the interior of a free person's home where several generations of the family socialize around a "Union" stove as the mother cooks. Below this scene is a portrait of Lincoln and above it a depiction of Thomas Crawford's statue of freedom, as well as the hell hound Cerberus fleeing Liberty. Scenes to the right display the horrors of slavery including the flogging, branding, selling, and capturing of enslaved people. Scenes to the left display the forthcoming results of freedom including the exterior of a free person's cottage, African American children attending public school, and African Americans receiving payment for their work., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1865, by J.W. Umpehent, in the Clerk's Office of the District Court of the United States, for the Eastern District of Pennsylvania., Originally published in Harper's weekly, January 24, 1863., McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Nast was a cartoonist and illustrator most known for his work for the 19th-century periodical "Harper's Weekly."
Creator: Nast, Thomas, 1840-1902, artist
Date: 1865
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1865-3R [5792.F]

Title: Reading the Emancipation Proclamation
Description: Print depicting a white Union soldier reading the Emancipation Proclamation to families of enslaved African Americans in a cabin. The families are depicted with anxious and solemn mannerisms. Family members surround the officer near a dining table and hearth. An older boy holds a torch providing the officer with light. The father watches over the soldier's shoulder. Other figures, including a "young woman with two children, the house servant of her [enslaver], not belonging to the cabin but happened to be in on the occasion" pray, cheer, and cling to their mothers. Interior also includes a side of bacon hanging next to a ladder, a drying line with cotton balls handing from it above the hearth, and a cradle. Contains portrait of Abraham Lincoln below the image. The Emancipation Proclamation, effective January 1, 1863, granted African Americans not only their right to freedom but the right to join the Union Army., Title from item., Date from copyright statement., After painting by Henry Walker Herrick exhibited at the National Academy of Design in New York in 1865. Exhibited by "possessor" Lucius Stebbins., Publisher and copyright holder Stebbins published complementary pamphlet "Emancipation Proclamation of January 1st, 1864 [sic]" that included "Description of the Engraving." Description: Old man at the right with folded hands, Grand-father; Old lady at the left with cane in hand, Grand-mother; man leaning on ladder, the father; woman with child in her arms, the mother; lad swinging his hat, oldest son; one holding torch, second son; little girl, oldest daughter; infant in the arms of its mother. Young woman with two children, the house servant of her master, not belonging to the cabin but happened to be in on the occasion. Party reading, Union Soldier. The internal view of the Cabin is true to nature. The stone chimney, garret, ladder, side of bacon, rough cradle, piece of sugar cane and cotton balls, &c, all combine to give a correct idea of the slaves' home. Lincoln Financial Foundation copy of pamphlet accessible at Internet Archive., Lib. Company. Annual report, 1993, p. 44., LCP exhibition catalogue: An African American Miscellany p. 22., Purchase 1993., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lucius Stebbins (1810-1901), born in Massachussets, worked in Hartford, Connecticut, in the businesses of map coloring and subscription book publishing (American Publishing Company).
Creator: Watts, James W., -1895, engraver
Date: 1864
Location: Library Company of Philadelphia | Print Department **GC-Emancipation [P.9429]

Title: Emancipation Freedom for all, both black and white!
Description: Print depicting the Emancipation Proclamation for both African Americans and whites including equal opportunity to education. Depicts Lincoln raising his right hand and holding the "Emancipation Proclamation" in his left hand in the center between a poor white family and an enslaved African American family. Both families, attired in torn and worn clothing, stand and kneel as they hold their clasped hands up toward Lincoln, who treads upon broke shackles and a serpent. A "Spelling Book" lies on the ground near them. In the background, Union soldiers stop a white man enslaver from whipping a shackled and enslaved African American woman and children enter "Public School, No. 1." From the roof of the school waves a flag inscribed "Education to all Classes." Contains text from the Proclamation above the image, "and by virtue of the power and for the purpose of the aforesaid, I do order and declare that all persons held as slaves, within designated States and parts of States are, and henceforward shall be free!", Title from item., Date from copyright statement: Entered according to the act of Congress A.D. 1865 by J.L. Magee in the Clerk's Office of the District Court of the Eastern District of Pennsylvania., Magee, a lithographer, painter, and cartoonist, established his own firm in Philadelphia in 1850., LCP exhibition catalogue: Negro History, p. 77., Accessioned 1999., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1865
Location: Library Company of Philadelphia | Print Department GC - Emancipation [P.9702]

Title: [Series of Clarence E. Brooks & Co. Fine Coach Varnishes, cor. West & West 12th St. N.Y. racist 1880 calendar illustrations after the "Blackville" series]
Description: Series of twelve captioned illustrations from the Clarence Brooks & Co. Fine Coach Varnishes 1880 calendar portraying scenes after the racist “Blackville” series drawn by Sol Eytinge for “Harper’s Weekly” in the 1870s and depicting caricatures satirizing the social mores, customs, and daily lives of African Americans of all classes. The figures are portrayed with exaggerated features and mannerisms. The attire of the figures includes long-sleeved dresses, shirtwaists and skirts, smocks, shirt, pants, jackets, and caps, and hats. Some of the attire depicted, particularly for younger figures, is worn and/or tattered. Includes scenes from the Eytinge Blackville series within a series - “the twins” (March, May, September illustrations). Scenes are titled (sometimes with text in the vernacular) and depict “The First Ulster in Blackville” (January) of a winter scene showing African American children, attired in shirts, pants, or skirts and hats or bonnets, paused from a snowball fight as an African American man in a blue ulster (an overcoat with hood), holding a cane, and smoking walks between them; “Christmas Dinner Done!” (February) showing an older African American man, attired in an overcoat, pants, and hat, and African American boy, attired in a shirt, pants, and a hat with a scarf tied around his head and chin, in a field, and watching a rabbit run away from a trap held by the boy; “Love in Blackville. The Wooing of the Twins” (March) showing African American women twins, each being courted by an African American man within an open room that has a stove and mantle as their older African American parents “watch” from a doorway;, "April-Fools Day-An Aggravated Case (April) showing an older African American woman, with an upset expression, standing in front of a row of cabins and near a basket of cabbages on a town block, and holding a dead rat within a cabbage as she is watched by two snickering African American boys, the practical jokers, standing within the opening to an alley; "The Great Social Event at Blackville. The Wed"ding of the Twins" (May) showing two African American women twin brides and their grooms within a parlor, near a table of food, being married by a reverend in front of friends and family of all ages; "The Coaching Season in Blackville._ The Grand Start" (June) showing an African American driver pulling at the reins of an unruly four-mule team coach of which African American passengers of all ages sit in and on the cab as African American towns folk wave from a line of cabins in the background and an African American boy and dog run past the wheel of the vehicle; "The 'Fourth' in Blackville" (July) showing a fenced paddock in which an African American boy holds an American flag in one hand and a gun in the other by a group of African American children and a woman who run, cover their eyes, jump the fence, and shield each other under the sight of an African American man in the window of an adjacent cabin; “Hi Abe Come Under De Brellar! Does Your Want to Sunstruck Yerself! De Fremoniter’s Gone Up Moren a Foot!” (August) showing a group of African American children of different ages, under a torn umbrella held by the tallest child, a girl, and approaching a young African American boy, “Abe,” within a fenced yard with a pond and patches of greenery and across from a cabin in which an African American man and woman, stand and sit in the doorway;, “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville" (September) showing “the twins” on promenade with their husbands and an African American women caregiver holding their two babies as they walk on a dirt path lined by African American townsfolks of all ages who stare and also include an older woman who laughs behind a tree; "Who Struck De Futest?” (October) showing an older African American man, seated outside a cabin, and holding up a switch to two African American boys, in worn clothing, standing within the yard, near a broken object, and across from an African American girl in the cabin doorway and three boys seated and looking over a fence lining the property in the background; The “Small Breeds” Thanksgiving-Return of the First-Born from College 'Bress His Heart! Don’t he look edgecated?' ”(November) showing a young African American man portrayed in disheveled attire and manner as though drunk entering the door to his family, including a grandmother figure and a child in a high chair, at dinner around a cloth-covered table; and “No Small Breed Per Yer Uncle Abe Dis Chris'mas! Ain’t He a Cherub?” (December) showing “Uncle Abe,” an African American man holding a large, plucked turkey (with head and feet) near his chest and on a table surrounded by older women and child-aged family members who stand near a chest of drawers, a stool, and two windows with curtains visible in the background. Exterior scenes also often include a dog or cat, or a cabin or cabins, the latter marked “Clarence Brooks & Co. Fine Coach Varnishes. Cor. West & West 12th St. N.Y.” in the background; as well as fencing, groves of trees, and dirt paths. Interior scenes often include a dining table, chairs, displays of food and household items, such as a candlestick and framed prints advertising Clarence Brooks & Co. April-Fools Day image includes a cobble-stone street., Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper’s Weekly illustrations., Title supplied by cataloger., Publication information inferred from image content and similar material issued by Clarence Brooks & Co. during the early 1880s., Two of the series contains ornamented borders (P.2022.8.2 & 4)., All of the prints inscribed in pencil on the verso with the name of a month, some abbreviated, between January and December., Image for “The First Ulster in Blackville” (P.2022.8.1) originally published in Harpers Weekly, March 18, 1876., Image for “Love in Blackville. The Wooing of the Twins” (P.2022.8.3) originally published in Harpers Weekly, May 11, 1878., Image for The Great Social Event at Blackville. The Wedding of the Twins (P.2022.8.5) originally published in Harpers Weekly, July 13, 1878., Image for “The Coaching Season in Blackville._ The Grand Start” (P.2022.8.6) originally published in Harpers Weekly, September 28, 1878., Image for “The ‘Fourth’ in Blackville” (P.2022.8.7) originally published in Harpers Weekly, July 14, 1877., Image for “After Doing Paris and the Rest of Europe, The Bridal Party Return to Blackville” (P.2022.8.9) originally published in Harpers Weekly, October 26, 1878., Image for “Who Struck de Futest” (P.2022.8.10) originally published in Harpers Weekly, June 13, 1874., Image for “No Small Breed fer yer Uncle Abe….” (P.2022.8.12) originally published in Harpers Weekly, January 1, 1876., Purchased with funds for the Visual Culture Program., RVCDC
Date: [1879]
Location: Library Company of Philadelphia | Print Department *ephemera - calendars - C [P.2022.8.1-12]

Title: Afro-American historical family record
Description: Blank African American genealogical certificate containing a family tree surrounded by portraits of the first twenty-four U.S. presidents; portraits of prominent African American men and women religious, political, and educational leaders; and eleven vignettes contrasting life in the South of the enslaved versus the free. African American portraits include Frederick Douglass flanked by Washington and Lincoln; Judson W. Lyons, Register of the Treasury; Miss Lucy C. Laney, Founder of the Haines Institute; Booker T. Washington; H.M. Turner, Bishop of the A.M.E. Church; T. Thomas Fortune, editor New York Age; Hon. John M. Langston, diplomat; Madam Sissiretta Jones, performer and singer; Miss Hallie Q. Brown, educator and African American women's rights activist; Prof. Mary V. Cook, Principal of the State University, Louisville, KY; Miss Ida B. Wells, editor and author; Hon. John R. Lynch, U.S. Paymaster and ex-Congressman; Dr. Henry Fitzbutler, founder of the Louisville National Medical College; and L.H. Holsey, Bishop of the C.M.E. Church. Vignettes depicting slavery include the last auction of enslaved people in Savannah; enslaved cotton pickers working the field; enslaved people dancing and playing instruments "as children were taught in the dark days of slavery"; and an enslaved family in front of their “hut.” Contrasting post-emancipation scenes include a view of Tuskegee Institute; a view of "progressive farming as taught at Tuskegee Institute"; a group portrait in front of a "school house erected by a Tuskegee graduate"; the Victorian house of R.R. Church, a free man; and Spanish-American War battle scenes of African American regiments assisting the Rough Riders, including at San Juan Hill. Also contains the white eye of Providence below the title., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1899, by J.M. Vickroy, Terre Haute, Ind., Printed on recto: Branch Office Terre Haute, Ind., Purchase 2002., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Vickroy, a prominent Indiana fine arts publisher, specialized in genealogical and fraternal order certificates.
Date: 1899
Location: Library Company of Philadelphia | Print Department **GC - African American Heroes [P.2002.16]

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