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- Title
- "The auctioneer's young man"
- Description
- This portrait is included in Chapter X, "A Visit to Houston," where it accompanies the section "Types from Negro-Life." The engraving depicts the auctioneer's "young man," a black man carrying a bell and a flag that reads "AUCTION SALE." Describing him and other Houston "types", King wrote: "The street life is interesting; the negro on his dray, racing good-humoredly with his fellows; the ragged urchin with his saucy face and his bundle of magnolia-blossoms; and the auctioneer's "young man," with his mammoth bell and brazen voice, are all interesting types, which, as the reader will observe, the genial and careful artist has faithfully reproduced." (p. 116), Illustration in Edward King's The great South: a record of journeys in Louisiana, Texas, the Indian territory, Missouri, Arkansas, Mississippi, Alabama, Georgia, Florida, South Carolina, North Carolina, Kentucky, Tennessee, Virginia, West Virginia, and Maryland (Hartford, CT: American Publishing Company, 1875), p. 116., Fels Afro-Americana Image Project, Scenes from Daily Life.
- Creator
- King, engraver
- Date
- [1875]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1875 King 3379.Q p 116, https://digital.librarycompany.org/islandora/object/Islandora%3A2827
- Title
- Scene in a Lynchburg tobacco factory
- Description
- Illustration is included in Chapter LXI, "A Visit to Lynchburg in Virginia," and corresponds with the following passage, which clearly aims to present the tobacco factories in a positive, and even romantic light: "It [Lynchburg] has thirty-five tobacco factories, employing great numbers of negroes, men, women, and children. These negroes earn good wages, work faithfully, and turn out vast quantities of the black, ugly compound known as "plug," which has enslaved so many thousands, and promoted such a sublime disregard for the proprieties in the matter of expectoration. . . . In the maufacturies the negro is the same cheery, capricious being that one finds him in the cotton or sugar-cane fields; he sings quaintly over his toil, and seems entirely devoid of the sullen ambition which many of our Northern factory laborers exhibit. The men and women working around the tables in the basements of the Lynchburg tobacco establishments croon eccentric hymns in concert all day long; and their little children, laboring before they are hardly large enough to go alon, join in the refrains." (p. 556) Correspondingly, the engraving shows four small children stripping tobacco leaves alongside the adults., Illustration in Edward King's The Great South (Hartford, Conn.: American Publishing Company, 1875), p. 557., Fels Afro-Americana Image Project, Work Scenes.
- Date
- [1875]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1875 King 3379.Q p 557, https://digital.librarycompany.org/islandora/object/Islandora%3A2828
- Title
- Emancipated slaves can take care of themselves
- Description
- At the left, the illustration depicts a free black man, or a "paid" laborer. He works vigorously with a hoe, and is dressed in a suit and top hat. At the right, a slave, or an "unpaid" laborer, is shown. He also works with a hoe, but unlike his counterpart, he is barely dressed, and looks weak and despondent., Illustration in the American Anti-Slavery Almanac, for 1839 (New York: Published for the American Anti-Slavery Society, 1838), p. 21., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
- Date
- [1838]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Am 1838 Ame Ant 16996.D.3 p 21, https://digital.librarycompany.org/islandora/object/Islandora%3A2765
- Title
- Loading a Mississippi steamer, New Orleans U.S.A
- Description
- Scene showing a steamship, named New Orleans, pulled up to a wooden dock covered with barrels and sacks. African American men carry sacks up gangplanks to the ship. In the foreground, an African American man lies on his stomach across a pile of sacks. Several men stand near him., Title from item., Date inferred from content and photographic medium., View is numbered 188 in a series., Purchase 1998., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Date
- [ca. 1920]
- Location
- Library Company of Philadelphia | Print Department stereo - unidentified - work [P.9600.14]
- Title
- Cars loaded with cotton bales on levee near cotton growing district, Texas
- Description
- Scene showing a group of African American men using hand trucks to move large bales of cotton into or out of freight cars. In the left are stacks of baled cotton with two men standing on top of the bales. In the center, lines of men hold hand trucks of cotton, some turn and look at the viewer. In the right are open freight cars. A bridge and buildings are visible in the background., Title from item., Date inferred from content., Copyrighted by Underwood & Underwood., View is numbered P-V22091, the V indicating it was originally part of stereograph publisher and distributor, Underwood & Underwood's stock. An additional number- P215 indicates what position the stereograph had within a set. Pedagogical text printed on the verso reads "Freight cars loaded with cotton bales on the levee near cotton growing district, Texas...", Purchase 1998., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912, the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
- Creator
- Keystone View Company, publisher
- Date
- [ca. 1920]
- Location
- Library Company of Philadelphia | Print Department stereo - Keystone - Work [P.9600.12]