Search results

Title: [Sheep grazing near trees]
Description: Photographer's monogram lower left corner., Retrospective conversion record: original entry, with corrections., Forms part of the Robert S. Redfield collection., Gift of Alfred G. Redfield, a descendant of Robert S. Redfield.
Creator: Walcott, Mary Vaux, 1860-1940, photographer
Date: ca. 1900
Location: Library Company of Philadelphia | Print Department photo - Vaux [P.8983.48]

Title: Ehrgott & Forbriger, practical lithographers. s.w. cor. of 4th & Walnut sts., Cincinnati, O
Description: Advertisement calendar for 1859 containing patriotic and allegorical vignettes and pictorial details framing a calendar depicted as an architectural monument. Vignettes and details show the American eagle, shield, and flag; symbols of art and industry, including a paint palette, sculpture, telescope, and smoke stacks and chimneys; allegorical figures representing manufacturing, agriculture, and the seasons; and a central vignette containing a fruit display in front of drapery. Ehrgott & Forbriger, the premier Cincinnati firm established in 1856 by Peter E. Ehrgott and Adolphus F. Fobriger, operated under that firm name until 1860 when changed to Ehrgott, Fobriger & Co., Inscribed lower left corner: 54., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Ehrgott & Forbriger
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.37a]

Title: Ehrgott & Forbriger, practical lithographers. s.w. cor. of 4th & Walnut sts., Cincinnati, O
Description: Advertisement calendar for 1859 containing patriotic and allegorical vignettes and pictorial details framing a calendar depicted as an architectural monument. Vignettes and details show the American eagle, shield, and flag; symbols of art and industry, including a paint palette, sculpture, telescope, and smoke stacks and chimneys; allegorical figures representing manufacturing, agriculture, and the seasons; and a central vignette containing a fruit display in front of drapery. Ehrgott & Forbriger, the premier Cincinnati firm established in 1856 by Peter E. Ehrgott and Adolphus F. Fobriger, operated under that firm name until 1860 when changed to Ehrgott, Fobriger & Co., Inscribed lower left corner: 54., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Ehrgott & Forbriger
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.37a]

Title: Ehrgott & Forbriger, practical lithographers. s.w. cor. of 4th & Walnut sts., Cincinnati, O
Description: Advertisement calendar for 1859 containing patriotic and allegorical vignettes and pictorial details framing a calendar depicted as an architectural monument. Vignettes and details show the American eagle, shield, and flag; symbols of art and industry, including a paint palette, sculpture, telescope, and smoke stacks and chimneys; allegorical figures representing manufacturing, agriculture, and the seasons; and a central vignette containing a fruit display in front of drapery. Ehrgott & Forbriger, the premier Cincinnati firm established in 1856 by Peter E. Ehrgott and Adolphus F. Fobriger, operated under that firm name until 1860 when changed to Ehrgott, Fobriger & Co., Inscribed lower left corner: 54., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Ehrgott & Forbriger
Date: [ca. 1858]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.37a]

Title: Mammoth Grape Vine in Santa Barbara
Description: Exterior view showing a mammoth grape vine with a man seated beneath. Also shows surrounding grape vines and shrubs with a partial view of a shed.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.27d]

Title: Mammoth Grape Vine in Santa Barbara
Description: Exterior view showing a vineyard with a mammoth grape vine at the center, and a woman seated beneath. Also shows surrounding grape vines, shrubs, and a partial view of a porch with an empty chair.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.27f]

Title: Shute, Thomas
Creator: Library Company of Philadelphia, creator
Date: December 30, 1801

Title: Penn sylvania State Agricultural Society [diploma]
Description: Certificate containing vignettes and graphic elements related to agriculture. Vignettes at the bottom of the print show clusters of farm animals, including cows, pigs, and fowl; a man providing a bowl of feed to a couple of horses with a foul in a fenced pasture in front of a house; and a farmer plowing his field. Graphic elements in the upper corners include farm implements, tools, and equipment, including shovels, pitchforks, sickles, rakes, and a grinding implement. Also includes a vignette depicting the state seal. Flowers, produce, and vinery border the graphics and surround the text of the certificate. The Pennsylvania State Agricultural Society was founded in 1851 by representatives from 50 counties with the object to "foster and improve agriculture, horticulture, and the domestic and household arts." The first annual exhibition of the society was held the same year., pdcp00033, Not in Wainwright., Issued to Mrs. G. B. Johnston for best specimen of animal oil painting at the exhibition of 1857. Signed David Taggert, President. Robt. Walker, Secretary., Philadelphia on Stone, POSP 167, Free Library of Philadelphia: Philadelphiana - Societies and Certificates
Creator: Rosenthal, Max, 1833-1918, artist
Date: [ca. 1851]
Location: Free Library of Philadelphia. | Print and Photograph Collection. FLP Philadelphiana - Societies - Certificates

Title: Penn sylvania State Agricultural Society [diploma]
Description: Certificate containing vignettes and graphic elements related to agriculture. Vignettes at the bottom of the print show clusters of farm animals, including cows, pigs, and fowl; a man providing a bowl of feed to a couple of horses with a foul in a fenced pasture in front of a house; and a farmer plowing his field. Graphic elements in the upper corners include farm implements, tools, and equipment, including shovels, pitchforks, sickles, rakes, and a grinding implement. Also includes a vignette depicting the state seal. Flowers, produce, and vinery border the graphics and surround the text of the certificate. The Pennsylvania State Agricultural Society was founded in 1851 by representatives from 50 counties with the object to "foster and improve agriculture, horticulture, and the domestic and household arts." The first annual exhibition of the society was held the same year., pdcp00032, Not in Wainwright., Issued to J.E. McClees for Photographs in Watercolors at the exhibition of 1859. Signed Davis Taggert, President; A.O. Hiester, Secretary, Philadelphia on Stone, POSP 168, Free Library of Philadelphia: Philadelphiana - Societies and Certificates, Variant of circa 1851 Pennsylvania State Agricultural Society [diploma] signed in 1857. [Philadelphiana - Societies and Certificates], Rosenthal relocated his lithographic studio to 5th and Chestnut circa 1856.
Creator: Rosenthal, Max, 1833-1918, artist
Date: [ca. 1857]
Location: Free Library of Philadelphia. | Print and Photograph Collection. FLP Philadelphiana - Societies - Certificates

Title: Pennsylvania State Agricultural Society. [life membership certificate]
Description: Membership certificate containing a border of vignettes and scenes related to agriculture, horticulture, and industrial arts. Floral pictorial elements, a beehive, and watering can surround the scenes and vignettes. Shows farmers loading hay on a wagon; the coat of arms of Pennsylvania; a Victorian-style farm house; cows and horses at pasture; and figures representing agriculture, a blacksmith, and a sailor. The female agricultural figure sits and holds a sickle and a bale of wheat near an arrangement of farm produce. The artisan, holds a hammer, and stands over an anvil. The sailor, holds a spy glass, and sits next to a crate, barrels, and an anchor. Land and marinescapes are visible behind the figures. The Pennsylvania State Agricultural Society was founded in 1851 by representatives from 50 counties with the object to "foster and improve agriculture, horticulture, and the domestic and household arts." The first annual exhibition of the society was held the same year., Not in Wainwright., Issued to C. F. Peters, ca. 1863. Signed A. B[rower] Longaker, Secretary and Thomas B. Knox, President., Seal of the society blindstamped on recto., Philadelphia on Stone, POSP 169, Historical Society of Pennsylvania: Certificates - Pennsylvania State Life Membership, Inscribed on verso: Estate of Anna M. Peters Sept. 8, 1938., Knox served as president of the PSAS 1862-1864.
Date: [ca. 1855]
Location: Historical Society of Pennsylvania HSP Certificates - Pennsylvania State Life Membership

Title: [Diploma of the Philadelphia Society for Promoting Agriculture at the annual exhibition held at Powelton, Philadal Sept. 1860]
Description: Proof for diploma containing allegorical and agricultural vignettes and scenes. Vignettes show female figures representing spring and fall; a cherubic figure with a cornucopia; and a group of sheep and cows. Scene shows farmers leading an oxen-driven cart piled with hay down a dirt road. A woman and children sit on the mound and a man on horseback leading another horse travels in the background., Not in Wainwright., Manuscript note on recto: Dear Jim., Philadelphia on Stone, POS 184, Library of Congress: DLC/PP-1997:105 Queen prints and drawings (C size) - 55 prints Philadelphia Society
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: 1860
Location: Library of Congress | Prints and Photographs Division LOC DLC/PP-1997:105 Queen prints and drawings (C size) - 55 prints Philadelphia Society

Title: Diploma of the Montgomery County Agricultural Society of the state of Pennsylvania [certificate]
Description: Diploma containing an ornate architectural border with graphic elements related to agriculture surmounted by a vignette of two horses near a stream. Foliage, filigree, wheatsheafs, scythes and rakes, adorn the border and flank the society's seal at the bottom. Two rural scenes flank the upper image of horses, including a view of two men loading hay onto a horse-drawn wagon (left), and a country homestead (right)., Not in Wainwright., Awarded to Christian Meeh for his display of cakes, etc. at their annual exhibition held October 6th & 7th. Signed J. Henry Owen, Rec'd Secretary, and G. Blight Browne, President in Springtown on Oct. 7th 1852., Philadelphia on Stone, POSP 55, Gift of David Doret.
Creator: Dreser, William, b. ca. 1820, artist
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department *Philadelphia certificates - Agriculture [P.9909]

Title: Centennial Exhibition Philadelphia Album
Description: Photographs of the major buildings, the exhibits, and the landscape of the World's Fair in Philadelphia, 1876.

Title: J.F. Tyrell & Co.'s Exhibit - Agricultural Hall
Description: Interior view of Agricultural Hall. Shows exhibit by Tyrell & Co. Shows a counter display featuring several small barrels, boxes, and crates of oatmeal. Two signs advertise the company and prices of wheat, corn, and oats.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.27a]

Title: Peters, Richard, 1743-1828
Creator: Library Company of Philadelphia, creator
Date: April 17, 1795

Title: Pennsylvania State Agricultural Society [certificate]
Description: Diploma depicting six vignettes and graphic elements symbolizing agriculture and horticulture separated into distinct scenes by borders designed as trees and foliage. At the top, a winged, female allegorical figure, attired in a robe and laurel wreath, sits with her arms outstretched over a shield surmounted by an eagle. She holds a bugle in her left hand and a laurel wreath in her right, and she reaches in the direction of two horses that flank the shield. Images of a railroad locomotive crossing a stone arch bridge (left) and a waterfront industrial complex (right) flank the winged figure. On the sides, scenes depict cattle and sheep grazing, men harvesting a field with a horse-drawn reaper, and a man feeding horses near a large bale of hay. At the bottom, tools and agricultural products surround the society's blind stamp, and include farm produce, scythes, pitchforks and wheelbarrows. The Pennsylvania State Agricultural Society was founded in 1851 by representatives from 50 counties with the object to "foster and improve agriculture, horticulture, and the domestic and household arts." The first annual exhibition of the society was held the same year., Not in Wainwright., Awarded to S.M. Mertzler for display of wines etc. at the exhibition of said society held at Lancaster in 1875, signed D.W. Seiler, secretary, and George Scott, president., Society's blind stamp on recto., Philadelphia on Stone, POSP 166, Gift of David Doret., Edward Herline and Howard B. Hamilton, the proprietors of Herline & Co., moved their lithographic operations from 630 Chestnut Street to 39 South Tenth Street in 1871.
Creator: Rosenthal, Max, 1833-1918, artist
Date: [ca. 1871]
Location: Library Company of Philadelphia | Print Department *Philadelphia certificates - Agriculture [P.2003.37.1]

Title: Centennial Exhibition, Philadelphia. 1876
Description: Sample album containing half stereographic prints by the commissioned photographic company of the Centennial Exhibition of 1876. Contains images of the exhibition that celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Photographs depict the installation of exhibits; exhibition grounds including bird's eye views, scenes in Lansdowne Valley and along exhibition avenues, rail lines, fountains, statuary, and outdoor horticultural displays; interiors and exteriors of exhibition buildings, including Agricultural Hall, Horticultural Hall, Main Exhibition Building, Memorial Hall, the United States Government Building, states' buildings, the Women's Pavilion and the portico of the building of the Centennial Photographic Co.; views of special exhibits and dioramas, including Hunter's Camp, the first locomotive, and "The Dying Elk"; displays showing the wares, products, or cultural artifacts of specific companies and countries, including Peruvian mummies; and displays of art particularly of Italian statuary. Many of the exterior views and some of the interior include fair visitors and personnel., Exhibitors depicted include American Book Association; American Steamship Co.; American Watch Co.; Clinton Wire Cloth Company; Farmers Friend Manufacturing Co.; J. F. Tyrell & Co.; J. & P. Coats; Kingsford Starch Co.; Mason's Blacking; Midnight Yarn Co.; Mrs. Maxwell (taxidermy); Pacific Guano Co.; Shomacker Piano Mftg. Co.; and Singer Sewing Machine., Architects of the main buildings include Herman Schwartzmann, Henry Pettit, Joseph M. Wilson, and James H. Windrim. Architects of the states buildings include George A. Frederick, Carl Pfeiffer, E. L. Rice, Jr., Croff & Camp, and Heard & Sons., Brown leather and maroon cloth binding with gilt., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Album disbound and reformatted for conservation., Over 200 duplicate images held in the Raymond Holstein Stereograph Collection. See Holstein stereo - Centennial Photographic Company., Catalogue of the Centennial Photographic Company's Views of the International Exhibition, 1876. LCP Rare Books Am1876Cen (51856.D.10)., Ongoing series of articles about photographing the exhibition by John L. Gihon, a photographer employed by the Company, appeared in Philadelphia Photographer throughout 1877 under the title "Rambling Remarks Resumed.", Original photographs by the Centennial Photographic Company appeared as the frontispieces for Philadelphia Photographer in March, April, July and November 1877. P.8965.70f showing the statue "Cupid" illustrated the November 1877 issue., LCP AR [Annual Report] 1983 p.42-43., The Centennial Photographic Company was granted exclusive rights to photograph the Centennial Exhibition in Philadelphia in 1876. Company officers included President William Notman, a prominent Canadian photographer; Vice President and Proprietor Washington Irving Adams, representative of the Scovill Manufacturing Company which supplied equipment for large-scale production to the company; Superintendent & Treasurer and Proprietor Edward L. Wilson, publisher of Philadelphia Photographer; and Art Superintendent John Arthur Fraser, Notman's partner in the Toronto photographic firm of Notman & Fraser. Employing over 400 men and women, the Company produced over 3,000 views of the exhibition, and portraits of officials and exhibitors.
Creator: Centennial Photographic Co.
Date: c1876
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.8965]

Title: This diploma was awarded by the Luzerne County Agricultural Society at their [blank] annual fair held at Wyoming [blank] 18[blank]
Description: Diploma containing two vignettes and and a dominant scene symbolizing agriculture separated by borders comprised of sheaves of wheat, a shovel, farm produce, and vinery. In the upper right, vignettes depict a farmer reaping his field with a horse-drawn reaper and an industrial view of a train passing a coal breaker factory across from a coal mine in which horse-drawn coal cars arrive and depart. The dominant scene shows a farm with livestock, including a pig, turkeys, chickens, and ducks milling the grounds near a woman milking a cow while farmhands corral cows out of a yard, transport a wagon of hay from a barn, and plow a field. View also shows horses before a pasture of grazing sheep and other homesteads, the Wyoming Monument (erected in 1833 in memory of victims of the Wyoming Massacre 1778), and treescaped hills in the distance. The Luzerne County Agricultural Society was founded in 1858 by persons interested in farming and gardening with the mission "to foster and improve agriculture, horticulture, and the domestic and household arts." The first annual fair was held in 1859 and stopped after circa 1879 and before 1891., Not in Wainwright., Dilpoma completed in manuscript: This diploma was awarded by the Luzerne County Agricultural Society at their [Thirteenth] Annual Fair held at Wyoming [Sept. 25, 26 & 27] 18[72] To [William H. Shoemaker Esq. of Wyoming] for [best bottle of grape wine]. [Steuben Jenkins], Prest. and [W. H. Jenkins], Secy., Glued onto a modern mat by previous owner., Philadelphia on Stone, POSP 287, Steuben Jenkins was a respected lawyer, farmer, historian, and antiquarian of Wyoming County.
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department *Philadelphia certificates - Agriculture - Luzerne [P.2014.11]

Title: Mammoth Grape Vine of Santa Barbara - Agricultural Hall.
Description: Interior view showing Mammoth Grape Vine exhibit with vine at the center. Also shows stereograph viewers on the counter and a wine display.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.27e]

Title: Agricultural Building - Interior, Looking West
Description: Interior view of the Agricultural Building looking West. Depicts a room filled with tools and machinery related to the agricultural industry. Also shows a stand with a label reading, "Celery Salt, Mustard, and Spices." In the background is a large fountain.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.25a]

Title: Farmer's Friend Mfg. Co.'s Exhibit - Agricultural Hall.
Description: Interior view showing a display of row cultivators on a platform.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.28a]

Title: The Delaware County Society, for the Promotion of Agriculture, Horticulture, Manufactures, and the Mechanic and Household Arts
Description: Fair certificate containing vignettes and scenes related to farming, industry, and domestic work. Predominately contains farm images that show farmers reaping, plowing, and threshing fields, transporting a truck of hay near the coastline, scraping feathers from a goose on a table as a locomotive travels past in the distant background, and a woman milking a cow in the field. Industrial images include women working at sewing machines and operating mechanical looms; a printer at a press; a mill; and a hull of a ship under construction. Vignettes also show farm animals and produce; bakeware, cookware, and other implements to prepare food; and the figure of William Penn., Not in Wainwright., Issued September 1857 to J[ohn?] Davidson for H[orse?] General Scott 2 years old. James Andrews, President. Abram P. Morgan, Secretary., Philadelphia on Stone, POSP 49, Historical Society of Pennsylvania: Bc 65 D 343, Free Library of Philadelphia: Philadelphiana - Societies - Certificates
Date: [ca. 1857]
Location: Historical Society of Pennsylvania HSP Bc 65 D 343

Title: [Job printing specimens for certificates, bank notes, receipts, labels, and billheads]
Description: Series of specimens (some proofs) depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, agriculture, buildings, animals, and machinery. Includes views of locomotives traveling railroad tracks; sailing and steam boats; mines and mine workers; distilleries and refineries; farmers, farm hands, and farm animals; female allegorical figures of liberty, justice, and bounty; and sailors, blacksmiths, and steam factory workers. Imagery also depicts Native Americans; peasants; sheep herding; the American eagle; masonic emblems; historical and patriotic figures, including George Washington and Benjamin Franklin; storefronts, factories, and government buildings, including A. Exton cracker bakery (Trenton, N.J.) and Phoenix Iron Foundry (Wilmington, Del.); military camp and solider; deers, dogs, and children with animals; state and corporate seals, including Pennsylvania; and a city block on fire and an erupted volcano., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger, Klauprech & Menzel, Stein & Jones, and Jacob Weiss., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860-ca. 1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.155-162]

Title: [Job printing specimens for certificates, bank notes, receipts, labels, and billheads]
Description: Series of specimens (some proofs) depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, agriculture, buildings, animals, and machinery. Includes views of locomotives traveling railroad tracks; sailing and steam boats; mines and mine workers; distilleries and refineries; farmers, farm hands, and farm animals; female allegorical figures of liberty, justice, and bounty; and sailors, blacksmiths, and steam factory workers. Imagery also depicts Native Americans; peasants; sheep herding; the American eagle; masonic emblems; historical and patriotic figures, including George Washington and Benjamin Franklin; storefronts, factories, and government buildings, including A. Exton cracker bakery (Trenton, N.J.) and Phoenix Iron Foundry (Wilmington, Del.); military camp and solider; deers, dogs, and children with animals; state and corporate seals, including Pennsylvania; and a city block on fire and an erupted volcano., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger, Klauprech & Menzel, Stein & Jones, and Jacob Weiss., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860-ca. 1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.155-162]

Title: [Print specimens depicting African Americans from the Thomas Richardson and American Bank Note Company scrapbook]
Description: Includes predominantly banknote specimens showing enslaved, free, and possibly free African American men, women, and children. Images depict an African American man driver hauling a wagon filled with hay (p. 38); an African American man farm hand tending to horse in a farmyard (p. 38); enslaved men harvesting a field of grain (p. 45); an African American man cart driver hauling bundles up an incline (p. 50); enslaved men picking cotton juxtaposed with a townscape vista (p. 54); African American men workers collecting sap from trees under the view of a white foreman on horseback (p. 61); enslaved men, women, and children cutting and loading sugar cane onto a wagon at a “Sugar Plantation” (p. 66); an African American man driver leading “The Mule Team” on a country road (p. 67); African American men workers “Breaking Hemp” (p. 68); and a proof copy of an illustration from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861) depicting a scene by a hearth from “The Spy” with an African American male servant looking over the shoulder of a white woman housekeeper (p. 26). Majority of specimens include roadside scenery or plantation or residential buildings in the background. “Sugar Plantation” view also shows a steamboat on a river in the background., Title supplied by cataloger., Date inferred from the active dates of the partnerships of the printers in the imprints and content., Artists include F. O. C. Darley and Louis Denoce., Printers include American Bank Note Co.; Baldwin, Bald & Cousland; and Bald, Cousland & Co., Some items contain specimen number printed in lower right corner. Includes 131, 144, and 212., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
Date: [ca. 1855-ca. 1857]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]

Title: John Weik's (Philadelphia) kochbuecher (cookbooks)
Description: Whimsical publisher's advertisement containing four vignettes in a fanciful border of food imagery surrounding a list of cookbook titles in German and English authored by Marianne Struf and the steward of the Union League, William Vollmer. Vignettes depict three quirky scenes representing agricultural work, hunting, fishing, and fine dining. Also contains a scene depicting four women peeling apples, mincing meat, and baking in a kitchen. Vignettes include an African American man waiter and an African American woman cook. Fanciful border contains stone pedestals adorned with seals comprised of cooking implements, as well as a basket of bread, bottles of wine, a crab holding oranges, a tureen of soup, dead game, ears of corn, plates, a pitcher, a coffee grinder, and mischievous monkeys., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1856 by J. Weik in the Eastern District Court of Pa., Printed above image: Life Preserver., Printed under title in German: All five books can be had here., Not in Wainwright., Philadelphia on Stone, POSP 126, LCP exhibition catalogue: The Larder invaded, aft. p. 9., LCP exhibition catalogue: Philadelphia revisions #32., Lib. Company. Annual report, 1973, p. 44., Top corner and center edge mended., Purchase 1973., Description revised 2021., Access points revised 2021.
Creator: Nissle, J., artist
Date: 1856
Location: Library Company of Philadelphia | Print Department **BW - Advertisements [8074.F.1]

Title: [Specimens album]
Description: Scrapbook of print specimens and proofs probably compiled by a printer associated with the Philadelphia lithographic firm Stein & Jones. Contains book and periodical plates and illustrations; sheet music covers; proof prints; collecting cards; trade cards (several glossed); bank notes, checks, billheads, and receipts; certificates; advertising calendars; and chromolithographed labels and scraps. Majority of contents include several plates from Thomas Allom's "China: In a Series of Views,..." (London, 1860), Albert Barnes's "Scenes and Incidents in the Life of the Apostle Paul" (Philadelphia, 1869), John Fleetwood's "The life of Our Blessed Lord and Saviour Jesus Christ" (Philadelphia, 1871) and Daniel March's "Our Father's House , or The Unwritten Word" (Philadelphia, 1871); illustrations and plates depicting genre, religious, sentimental, historical, natural history, scientific, and scenic views from children and gift books, and periodicals, including "Leila in England" and "Leila at Home" (Philadelphia: Porter & Coates, 1875-1880), "Peterson's Magazine" (plates engraved by Illman Brothers), "Ladies Companion," "Graham's Magazine," "Odd Fellow's Casket," "Transactions and Proceedings of American Entomological Society" and "Annals Lyceum of Natural History"; and several works printed by Stein & Jones and Cincinnati lithographers Klauprech & Menzel and Ehrgott & Fobriger, including trade cards, labels, tickets, invitations, certificates, receipts, checks, bank notes, sheet music covers, advertisements, and book illustrations., Bank notes, receipts, checks, and certificates document primarily Philadelphia and New York bank, coal, oil, steel, and real estate businesses, including Bank of Fashion, Belmont Petroleum Refinery, and Union College Bank. Trade cards, tickets, invitations, and labels represent primarily Philadelphia, Pittsburgh, New York, Cincinnati and Chicago businesses and organizations, including printers and art supply dealers; perfume, patent medicine, wine, dry goods, and clothing dealers; doctors and dentists; bankers and brokers; and manufacturers. The materials contain patriotic, agricultural, and transportation vignettes, views of buildings, anaglyptography (i.e., medal engraving), allegorical figures, and Centennial Exhibition (1876) imagery. Sheet music covers, predominantly printed by Ehrgott & Fobriger, depict mainly genre and Civil War scenes, portraiture, including images of entertainers, and advertisements such as "Sewing Machine Polka." Work by the Cincinnati lithographers also include several book illustrations depicting Ohio and Cincinnati asylums, institutes, seminaries, and landmarks, as well as uncut sheets of views of cemetery monuments for "The Cincinnati Cemetery of Spring Grove..." (Cincinnati, 1862). Several of the ephemera also printed by Grattan & Co., Theodore Leonhardt, and Wm. F. Murphy & Sons., Scrapbook also contains 1860s Berlin wool work patterns ("Peterson’s Ladies National Magazine"); ornate border print specimens, some with cut-out overlays; proofs and final states of textile, fruit, liquor, druggist labels, and tobacco labels printed predominantly by Stern, Jonas & Co. and Steng & Paxson and depicting romantic, patriotic, and mystical themes, including "I Am Free" logo illustrated with an African American man ; European prints, including plates from Bernard-Romain Julien "Cours Elementaire," and issued by German publisher A.H. Payne (some hand-colored); ca. 1855 Bowen & Co. plates of birds from "United States Pacific Rail Road Expedition and Survey"; color printed and numbered proof lithographs depicting Mo-Hon-Go; Shar- I-Tar-Ish; Se-Quo-Yah after plates in McKenney & Hall's "History of the Indian Tribes of North America"; Philadelphia Sketch Club signage; portraits of Catholic bishops, celebrity and political figures, and lithographers Rudolph Stein and Alfred Jones; mechanical views printed by William Boell; job printing specimen vignettes depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, entertainers, agriculture, buildings, animals, and machinery; collecting cards showing George and Martha Washington, Civil War generals, celebrities, including Lydia Thompson and Euphrosyne Parepa-Rosasea, wild life, Biblical animals, fashion, and satiric scenes; and chromolithographic scrap portraits of women., Stamped on spine: Specimens., Various artists, engravers, lithographers, and printers including Ackerman; John Alexander; Thomas Allom; William Boell; John T. Bowen,; Bowen & Co.; Byram & Slack; C. E. Wemple & Co.; Donaldson Brothers ; G. Dow; Ehrgott & Fobriger; Dominque Fabronius; Grattan & Co.; The Hatch Lith. Co.; Otto Knirsch; L. H. Bradford & Co.; Klauprech & Menzel; Theodore Leonhardt; London Printing and Publishing Company; McLaughlin Bros.; Antoine [Maurin?]; A.H. Payne; Prang & Co.; Rawdon, Wright & Hatch; William H. Rease; Sarony & Major; John Sartain; Samuel Sartain; R. Trembley; J. Shobe; Steng & Paxson; Stern, Jonas & Co.; A. B. Walter; and Wm. F. Murphy & Sons., Index of general subjects illustrated available at repository., Several items found loose in album removed and housed separately., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1852-ca. 1876]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.9349], https://digital.librarycompany.org/islandora/object/digitool%3A120747?solr_nav%5Bid%5D=a3bf36a0044447b21c5b&solr_nav%5Bpage%5D=0&solr_nav%5Boffset%5D=0#page/3/mode/1up

Title: Engravings by William Humphrys Scrapbook
Description: Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus."

Title: Engravings by William Humphrys
Description: Scrapbook of print specimens and proofs engraved by Philadelphia and London engraver William Humphrys. Contents include postage stamp proofs, book and periodical illustrations, tile pages, portrait prints, advertisements, and cut outs of banknote and certificate vignettes. Majority of graphics depict allegorical imagery or illustrations of genre, religious, sentimental, and literary scenes, some from the plays of Shakespeare. Illustrations include scenes of courtship; female friendship; children with animals; a ghoulish-looking woman with a torch; a European man smoking a hookah; Jesus Christ; Adam & Eve; and imagery from Edmund Spencer's "Faery Queen", John Milton's "Palemon's Story," and John Gay's "Thursday: or The Spell." Allegorical works depict the figures of Columbia, Minerva, Mercury, Neptune, Bounty, Agriculture, Commerce, Justice, Hope, and Apollo, as well as scenes with the American eagle; caducei for the "Liverpool Apothecaries Company"; citizens fighting a fire; cherubs charting a globe; Native Americans; a family; sailing ships; and symbols of farming, trade, and industry. Vignettes also show a portrait of Benjamin Franklin; Pocahontas saving John Smith; and a female warrior slaying a man of royalty captioned "Sic Semper Tyranus.", Portrait prints, some probably from the British periodical "Fraser's Magazine for Town and Country," depict Israel Putnam; George Washington; Gustavus Adolphus; Mrs. Sloman, of Covent Garden Theatre in the Character of Baltimore; Thomas Carlyle; William Dunlop; Letitia Elizabeth Landon; D. M. Moir; and Henry Purcell. Scrapbook also contains an 1844 banknote specimen of "La Provincia de Buenos Aires" illustrated with vignettes of ostriches; ca. 1845 postage stamp proof depicting Queen Victoria after the Chalon portrait; a full-length portait of an unidentified man, possibly Humphrys; and an advertisement for the Philadelphia artist Joshua Shaw showing a man leading his horse down a bucolic path, as well as engravings after his work of a landscape and an advertisement for Cohen's Lottery Exchange Office, Baltimore., Title from stamp on spine., Morocco binding., Various American and British artists, including W. Chatfield, John Opie, Joshua Shaw, Robert Smirke, C. R. Leslie, Charles L. Eastlake, W. E. West, George Smithard, Carlo Dola, A.E. Chalon, J. Wood, J. Stephanoff, Pastorini, Alfred Croquis (i.e., Daniel Maclise), A. F. Tireggi, John James Barralet, J. Banks, J. M. Wright, Thomas Stothard, P. Williams, Camille Roqueplan, and R. Westall., Various American and British printers and publishers, including H. S. Singleton, J. P. Davis, and James Fraser., Manuscript letter by Humphry completed January 10, 1865 to Anna Holloway pasted on opening page to scrapbook. Letter details his ill health, which in spite of, he still appreciates "the brightness of the sun, the greeness of the earth, and the beauty of extreme nature.", Some scrapbook pages contain manuscript notes identifying the genre of the specimen., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Lib. Company. Annual report, 1967, p. 55., William Humphrys (1795-1865), born in Dublin, immigrated to the United States early in his life and studied engraving under George Murray in Philadelphia. He worked as an engraver in the city circa 1815-1823 producing book illustrations, advertisements, and banknote and certificate vignettes. He also served as secretary for the Association of American Artists. Relocating to England, he produced similar work before returning to the United States in 1843. In 1845, he moved to Dublin to engrave "The Reading Magdalene" for the Royal Irish Art Union before returning to England where he worked as an engraver for the firm Perkin, Bacon, and Co. During this employ, he was noted for his re-engraving of the head of Queen Victoria for the 1 d postage stamp. Humphrys retired from engraving in his later years and worked as an accountant for the printing firm Novello & Co. He died at the Novellos' Genoa villa on January 21, 1865.
Creator: Humphrys, William, 1795-1865
Date: [ca. 1817-ca. 1845]
Location: Library Company of Philadelphia | Print Department albums - Humphrys [7607.F]

Title: [Thomas Richardson and American Bank Note Company scrapbook]
Description: Scrapbook compiled by Philadelphia banknote printer Thomas Richardson containing proofs of illustrations after the work of F. O. C. Darley from Susan Fenimore Cooper's "Pages and Pictures from the Writings of James Fenimore Cooper" (New York, 1861); portrait illustrations, some from J. B. Longacre's "National Portrait Gallery" (probably 1854 edition); and vignette specimens of the American Bank Note Company and their predecessor companies. Cooper illustrations depict scenes on the frontier and ship decks, with Native Americans, and of battles; deathbeds; and of informal meeting from his works The Oak Openings, The Redskins, The Chainbearer, The Pathfinder, The Red Rover, The Monikins, Deerslayer, Homeward Bound, Lionel Lincoln, The Pilot, Last of the Mohicans, The Wept Wish-ton Wish, The Spy, and Wing and Wing. Several also contain animals. Sitters in portrait illustrations include Lewis Cass, Giuseppe Garibaldi, David Ramsay, James Kent, Thomas C. Pope, John McLean, Stephen Decatur, Samuel Rogers, Rev. William Capers, John Binns, Washington Irving, and Noah Webster., Specimen subjects include portraits of prominent government officials, Civil War figures, businessmen, clergymen, royalty, and "fancy heads" of named and unnamed women and children; allegorical figures and scenes, including Bounty, Liberty, Arts, Agriculture, and Commerce; state and symbolic seals and insignia; naval and maritime imagery, including sailors, sailing vessels, and wharf and dock views; modes and venues of transportation, including steamboats, trains, streetcars, and rail stations; white and Black men artisans, laborers, and tradesmen, including drivers, farmers, sheep shearers, and furriers; industrial views of factory workers, mineworkers, and female loom workers, as well as mills and factories along canals and riverfronts; women at work feeding livestock, milking cows, and at a sewing machine; municipal buildings and storefronts; southern imagery, including enslaved people at work, palmetto trees, plantations, and ports; patriotic, historical, military, and scenic imagery; frontier views and scenes with Native Americans; and animals. Specimens with titles include Star of Empire (Princess Eugenie of Sweden) River Source, The Guardian, Locomotive, Autumn Fruit, Sheep Feeding, The Yarn, Trusty, Picking Grapes, The Sickle, The Death Blow, and Propeller Loading. Some specimens used as the backs of national currency., Title supplied by cataloger., Date based on publication date of specimens., Manuscript notes on front free end paper: Aunt Tillie Richardson (cousin Florence's aunt) in pencil; Scrapbook No. 3 in ink., Lincoln Monument Association of Philadelphia certificate pasted on inside front cover and issued to Thos. Richardson on July 4, 1865, signed C. J. Stille, Secy; Alex. Henry, Prest.; and James L. Claghorn, Cashr. Certificate number 6004 and illustrated with bust-length portrait of Lincoln. Charles J. Stillé, was a Philadelphia lawyer who served on the United States Sanitary Commission, and was later Provost of the University of Pennsylvania. Alexander Henry was the mayor of Philadelphia. James L. Claghorn was president of the Commercial National Bank in Philadelphia and an art collector., Stationer's label pasted on back cover: John Alexander, Stationer and Printer, 52 South Fourth St., Various artists, engravers, and printers including F.O.C. Darley, G. H. Cushman, J. Hamilton, Asher B. Durand, C. Schussele, John Sartain, Samuel Sartain, Jas. D. Smillie, E. Prudhomme, H. B. Hall, T. Phillibrown, R. Whitechurch, J. M. Butler, James Bannister, Charles Kennedy Burt, Louis Delnoce, W. W. Rice, American Bank Note Company, Toppan, Carpenter & Co, Baldwin, Bald & Cousland, and Bald, Cousland & Co., Several of the specimens contain a specimen number and/or title., Few of the specimens contain a copyright statement., Specimen #312 (p. 81) and specimen #280 (p. 71) after the work of Emanuel Leutze., Inventory of portrait sitters housed at repository., Identity of several of the artists and engravers supplied by Gene Hessler, The engraver's line: an encyclopedia of paper money & postage stamp art (Port Clinton, OH: BNR Press, 1993)., RVCDC, Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Thomas Richardson (b. ca. 1802) was a Philadelphia plate printer who served as the foreman of printing at the Philadelphia branch of the American Bank Note Company formed in 1858. He retired from the trade by 1880.
Creator: Richardson, Thomas, 1802-approximately 1881
Date: [ca. 1854-ca. 1861]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.2012.6]

Main menu