Search results

Title: Anti-slavery Token
Description: Reads, "Am I Not A Woman & A Sister 1838." The back reads, "United States of America." Picture of a wreath with "Liberty 1838" within it., These tokens were sold at antislavery fairs organized by abolitionist women to raise money for the cause. In this example, to avoid charges of counterfeiting, the N in United States is reversed., Gift of Chris McCauley, 1996., Exhibited in the Heritage Center at the Union League of Philadelphia exhibition, Philadelphia 1861: The Coming Storm (2011).
Date: 1838
Location: OBJ 869

Title: Pennsylvania Hall. [graphic].
Description: Attributed to John Caspar Wild., Probably printed by Wild & Chevalier., Probably after the wash drawing by architect Thomas S. Stewart., Published in: [Samuel Webb's] History of Pennsylvania Hall. (Philadelphia: Printed by Merrihew and Gun, 1838). (LCP Am 1838 Hist Pa Hall). Last page contains advertisement for a limited supply of larger frameable versions of the plate to be sold at the Anti-Slavery Office, No. 29 N. 9th Street, Philadelphia., Exterior view of the abolitionist meeting place and adjacent buildings at Sixth and Haines Streets in Philadelphia. Several pedestrians stroll the sidewalks. A carriage and horse-drawn cart pass by on the street. The hall, erected in 1838 as an arena for "free discussion", was set aflame by hostile mobs on May 17, 1838 after three days of interracial dedication ceremonies and services. The building ruins continued to stand until the Odd Fellows Society built a hall on the lot in 1846.
Date: [c1838]
Location: http://www.lcpgraphics.org/wainwright/W274.htm, Library Company of Philadelphia Print Dept. W274 [P.2159]

Title: Geo. W. Taylor, n.w. cor. of Fifth and Cherry Streets, Philadelphia, manufacturer and vendor of free labor dry goods. Wholesale and retail free labor warehouse. Free labor groceries for sale
Description: Business card with printed type for the member of the Philadelphia Free Produce Association of Friends. Taylor, a Quaker, operated a textile mill that used only non-enslaved cotton as part of the Free Labor Movement. The movement active from the 1790s to the end of the Civil War advocated the boycott of goods produced by enslaved labor., Title from item., Date from manuscript note on verso: E.C. Knight & Co. 2 Bags Java Coffee for Geo. W. Taylor 11/21 '64., Originally part of the Library Company of Philadelphia Miscellaneous Ephemera Collection., Accessioned 2012., Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1864]
Location: Library Company of Philadelphia | Print Department trade card - T [P.2012.9.7]

Title: "Incendiary pictures"
Description: This commonplace cut of a slave on the auction block was mass produced for use in southern newspapers to advertise slave sales. It appears in "The Anti-Slavery Record" as a stroke of irony. Opponents of abolition denounced the antislavery movement for its agitational pamphlets and newspapers, and particularly for its use of what opponents termed "incendiary pictures" of southern slavery. The editors note: "The cast from which it was taken was manufactured in this city, for the southern trade, by a firm of stereotypers, who, on account of the same southern trade, refuse to stereotype the Record, because it contained just such pictures! Now, how does it come to pass, that this said picture when printed in southern newspapers is perfectly harmless, but when printed in the Anti-Slavery Records is perfectly incendiary?", Illustration in the Anti-Slavery Record (New York: Published by R.G. Williams, for the American Anti-Slavery Society, 1835-1837), vol. II, no. VII (July, 1836), whole no. 19, p. 12., Small caption underneath the image reads: Who bids?, Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [July 1836]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per A 245 60026.D v 2 n 7 p 12, https://digital.librarycompany.org/islandora/object/Islandora%3A2852

Title: How can it be done?
Description: Image depicts a mob of slaveholders who are raiding an abolitionist press. Members of the mob are dragging off a broken printing press., Illustration in the Anti-Slavery Record (New York: Published by R.G. Williams, for the American Anti-Slavery Society, 1835-1837), vol. II, no. IX (September, 1836), whole no. 21, p. 1., Curator's note: This is one of several antislavery graphics depicting the proslavery assault on the antislavery movement and their demand for the suppression of antislavery literature. This and several other illustrations link antislavery agitation to first amendment freedoms., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [September 1836]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per A 245 60026.D v 2 n 9 cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2853

Title: Wilmot
Description: Reproduction of a bust-length portrait of the Pennsylvania legislator, David Wilmot, most known as the author of the "Wilmot Proviso." The unpassed 1846 bill would have prohibited the extension of slavery into the annexed territory of Mexico. Wilmot, attired in a white collared shirt, a black bowtie, and a black jacket, looks slightly left., Title from manuscript note on mount., Dated based on the presented age of the sitter., Originally part of a McAllister scrapbook of portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Wilmot [(3)5750.F.154f]

Title: Pennsylvania Hall
Description: Exterior view of the abolitionist meeting place and adjacent buildings at Sixth and Haines Streets in Philadelphia. Several white men and women pedestrians stroll the sidewalks. A carriage and horse-drawn cart pass by on the street. The hall was erected in 1838 as an arena for "free discussion." On May 17, 1838, after 3 days of interracial dedication ceremonies and services, hostile mobs set the hall on fire. The ruin continued to stand until the Odd Fellows Society built a hall on the lot in 1846., Title from item., Attributed to John Caspar Wild., Probably printed by Wild & Chevalier., Probably after the wash drawing by architect Thomas S. Stewart., Published in: [Samuel Webb's] History of Pennsylvania Hall. (Philadelphia: Printed by Merrihew and Gun, 1838). (LCP Am 1838 Hist Pa Hall). Last page contains advertisement for a limited supply of larger frameable versions of the plate to be sold at the Anti-Slavery Office, No. 29 N. 9th Street, Philadelphia., Philadelphia on Stone, Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Wild, J. C. (John Caspar), approximately 1804-1846, artist
Date: 1838
Location: Library Company of Philadelphia | Print Department W274 [P.2159]

Title: [Pennsylvania Hall]
Description: Exterior view of the abolitionist meeting place and adjacent buildings at Sixth and Haines Streets in Philadelphia. Several white men and women pedestrians stroll the sidewalks. A carriage and horse-drawn cart pass by on the street. The hall, erected in 1838 as an arena for "free discussion," was set aflame by hostile mobs on May 17, 1838 after three days of interracial dedication ceremonies and services. The building ruins continued to stand until the Odd Fellows Society built a hall on the lot in 1846., Title from duplicate print., Attributed to John Caspar Wild., Probably printed by Wild & Chevalier., Probably after the wash drawing by architect Thomas S. Stewart., Possibly artist's proof., Published in: Samuel Webb's History of Pennsylvania Hall. (Philadelphia: Printed by Merrihew and Gun, 1838). (LCP Am 1838 Hist Pa Hall). Last page contains advertisement for a limited supply of larger frameable versions of the image to be sold at the Anti-Slavery Office, No. 29 N. 9th Street, Philadelphia., Philadelphia on Stone, POS 557, Accessioned 1982., Description revised 2021., Access points revised 2021.
Creator: Wild, J. C. (John Caspar), approximately 1804-1846, artist
Date: [1838]
Location: Library Company of Philadelphia | Print Department W274 [P.2158]

Title: [Robert B. Davidson, 1808-1876.]
Description: Bust-length portrait of the Philadelphia broker and recording secretary of the Pennsylvania Colonization Society. Davidson, attired in a white collared shirt, a black cravat, a waistcoat, and a dark colored jacket, faces slightly right. The Pennsylvania Colonization Society promoted Black American emigration to resolve the problem of race inequality and to dissolve the institution of slavery., Title supplied by cataloger., Photographer's imprint printed on paper label on verso of plate., Mounted in square ornamented brass frame with yellow painted borders., Manuscript note in pencil on verso: "7-6-37 #25" and "Robt. B. Davidson, 1838.", Purchase 1988., Description revised 2021., Access points revised 2021., Cornelius operated the first commercial daguerreotype portrait studio in the United States.
Creator: Cornelius, Robert, 1809-1893, daguerreotypist
Date: May 1840
Location: Library Company of Philadelphia | Print Department Cased photos - photographer - Cornelius [P.9251]

Title: Pennsylvania Colonization Society. [membership certificate]
Description: Life membership certificate containing a "View of Monrovia," the original settlement of Liberia, the African American colony established by the American Colonization Society in 1822. Depicts a landing party with well-dressed African American emigrant men arriving to a crowd of male and female well-wishers and family at the palm-tree lined shore of the colony. New colonists depart the boat and run to relatives as Liberian men raise their hands in greeting. White sailors man the small boat. In the background, another landing party with new colonists sails from the transport ship. The settlement of Liberia is visible in the distance. The Pennsylvania Colonization Society, established in 1826, was a state chapter of the controversial American Colonization Society established in 1816 that promoted black American emigration to resolve the problem of race inequality and to end slavery., Not in Wainwright., Philadelphia on Stone, POSP 164, Historical Society of Pennsylvania: Certificates - Pennsylvania Society, Free Library of Philadelphia: Philadelphiana - Societies - Certificates, P. S. Duval & Co. operated as a firm 1851-1857.
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: [ca. 1855]
Location: Historical Society of Pennsylvania | Print Department | HSP at LCP HSP Certificates - Pennsylvania Society

Title: Bought of George W. Taylor, n.w. corner of Fifth and Cherry Sts. Free labor warehouse. Free labor produce exclusively. Dry goods & groceries, wholesale and retail G. W. T. manufactures his cotton goods from material procured directly from those growers, who neither own nor hire slaves; and he takes special care to insure that all the articles he sells in the grocery line, are also produced exclusively by the labor of free persons
Description: Billheads containing an ornament for promotional text. Taylor, a Quaker abolitionist and publisher, operated a store for the Philadelphia Free Produce Association of Friends 1840s-1860s. The association founded in 1846 was a part of the Free Produce Movement active from the 1790s through the 1860s., Printed on upper margin: Free Labor Ware-House., "G.W. Taylor" and date of invoice inscribed on versos., P.2011.45.28 completed in manuscript to John McAllister Jr. on October 20, 1862 for brown muslin and gingham for $8.71. Manuscript note on recto: Recd Payment Geo. W. Taylor, Mr. Jos. Cox., P.2011.45.29 completed in manuscript to John McAllister Jr. on March 21, 1863 for rice, "A" and "B" sugar, "B. Hibernia Coffee," chocolate, maple sugar, "powd." sugar, and candy for $6.03. Manuscript note on recto: Recd payment Geo. W. Taylor., P.2011.45.30 completed in manuscript to John McAllister Jr. on August 11, 1863 for "A" sugar, "Powd." sugar, "B" sugar, candy, Liberia coffee, and brown muslin for $18.20. Manuscript note on recto: Recd payment Geo. W. Taylor pr Jos. Cox., 113407.D completed in manuscript to John McAllister on September 22, 1863 for E. J. Molasses, "A" sugar, "powd." sugar, and rice flor for $9.39. Manuscript note on recto: Recd payment Geo. W. Taylor. Mr. J. Cox., P.2011.45.28-30 gift of David Doret, 2011., P.2011.45.28-30 cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., 113407.D purchased with the Davida T. Deutsch African American History Fund., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [printed ca. 1860]
Location: Library Company of Philadelphia | Print Department Letterheads - T [P.2011.45.28-30; 113407.D]

Title: Dr. Theo. Parker
Description: Bust-length portrait of the Unitarian clergyman and abolitionist who personally aided and housed freedom seekers as a member of several abolitionist organizations, including the New England Emancipation Aid Society. Parker, wearing spectacles and attired in a white collared shirt, a black bowtie, and a black jacket, faces slightly right., Title from manuscript note on mount., Photographer's imprint stamped on mount., Dated based on the presented age of the sitter., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: J. Gurney & Son, photographer
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Parker [P.2282.116]

Title: [Rise and progress of abolition ; Instruments of bondage and torture]
Description: Abolitionist book illustration depicting a diagram of the author's "four classes of the forerunners and adjunctors" in the history of the abolition of the Transatlantic slave trade containing the names, religious and social groups, and events significant in the movement before 1787., Abolitionist book illustration depicting instruments used in the Transatlantic slave trade including handcuffs, ankle shackles, thumb screws, and a speculum orise which was used to force feed enslaved people., Title supplied by cataloger., Uncut plates from Thomas Clarkson's, The History of the Rise, Progress, & Accomplishment of the Abolition of the African Slave-Trade, by the British Parliament. Vol. I (Philadelphia: James P. Parke, 1808). (LCP Am 1808 Clar, 1934.D)., Originally part of a McAllister scrapbook of Civil War portraits. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kneass, William, 1780-1840, engraver
Date: 1808
Location: Library Company of Philadelphia | Print Department *GC - Slavery [5755.F.17]

Title: [Pictorial lettersheet containing illustration of "Am I Not a Woman and Sister"]
Description: Illustration depicts the enslaved woman, bare-chested, kneeling on one leg, and holding up her chained hands as in prayer., Addressed to Mr. S. T. haulk [sic] Salburry [i.e., Salisbury] South Carolina., Inscribed: Advertised July 1st., Completed in manuscript from Thos. Wall, Granville, Ohio to "Dear Sir" on May 25, 1840. Reads: Dear Sir is this the way you th treat slaves - if so you had better set thith free and Let them go - the load be upon your head at the [bar?] of god. Then god Say all you an [sic] your slaves must come before god and then be juge [sic] at the Bar of god - Set the [?] free and Let he aogo [sic]. Let the slave go free - [?] and I am - Do you [sic] Work yourself., Illustration of a kneeling male slave is a variant of the image popularized by Josiah Wedgwood. Formed in 1787, the Committee for the Abolition of the Slave Trade designed and adopted as its seal the image of a supplicant African male slave asking "Am I not a man and a brother?" That same year, Wedgwood, a ceramics manufacturer and member of the Committee, issued the image as a medallion, which was distributed in America. The image became a popular anti-slavery icon and was soon widely reproduced on artifacts and in print in the United States and in Britain. During the 1820s, a female counterpart with the motto “Am I not a woman and a sister?” was created by British abolitionists and quickly embraced in the United States, particularly among women abolitionists., Purchased with funds from the Albert M. Greenfield Foundation., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Purchase 2011., Access points revised 2021., Description revised 2021., Reason was an African American artist, engraver and lithographer working in New York City in the 1830s and 1840s.
Creator: Reason, Patrick Henry, 1816-1898, engraver
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department GC - Allegories [16971.Q]

Title: Fannie Virginia Casseopia Lawrence A redeemed slave child, 5 years of age. Redeemed in Virginia, by Catherine S. Lawrence; baptized in Brooklyn, at Plymouth Church, by Henry Ward Beecher, May, 1863
Description: Full-length studio portrait of the acclaimed emancipated slave girl. Depicts Lawrence standing behind a balustrade. She is attired in a fashionable off-the-shoulder white dress with dark stripes on the bodice and tiny polk dots on the skir also adorned with a dark trim. Dark-colored ribbons adorn the edges of her cap sleeves. A vase with flowers adorns the post of the balustrade on which Lawrence rests her elbow., Publication information from copyright statement: Entered according to Act of Congress in the year 1863, by C. S. Lawrence, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Photographer's imprint on verso. Includes an ornament depicting a bundled and intertwined ribbon bordered by vinery., See Kathleen Collin, "Portraits of Slave Children," History of Photography 9 (July-September, 1985), p. 187-210., Purchased with the Davida T. Deutsch African American History Fund.
Creator: Kellogg Brothers, photographer
Date: [1863]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Lawrence [P.2015.23.1]

Title: The results of abolitionism!
Description: Cartoon reflecting the fear among Northern white workers of job competition with free African Americans. Depicts African American men bricklayers, portrayed in racist caricature and speaking in vernacular, on a construction site giving orders to white laborers in a reversal of roles. The laborers work on a large multi-storied brick building fronted by scaffolding and a ladder. The African American supervisors hold trowels and stand at the top of the scaffolding. They hurl orders and abuse at white workers exclaiming: "Bring up the mortar you white rascals" and "You bog-trotters, come along with them bricks." An African American man standing on the ground, attired as a dandy, exclaims, "White man hurry up them bricks." A white man climbs the ladder and two white men work on the ground shoveling and picking up bricks. Another white man stands and says, "Sambo hurry up the white laborers.", Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department *Political Cartoons - 1835 - Res [5780.F.1]

Title: [Ruins of the Hall]
Description: Depicts the burnt ruin of the abolitionist meeting place at Sixth and Haines Streets in Philadelphia. Several white men and women pedestrians walk on the sidewalk. The hall was erected in 1838 as an arena for "free discussion." On May 17, 1838, after 3 days of interracial dedication ceremonies and services, hostile mobs set the hall on fire. The ruin continued to stand until the Odd Fellows Society built a hall on the lot in 1846., Title from P. Lee Phillip's, "A Descriptive list of maps and views of Philadelphia in the Library of Congress, 1683-1865" (Philadelphia: Geographical Society of Philadelphia, 1926), p. 49., Originally published in: [Samuel Webb's], History of Pennsylvania Hall. (Philadelphia: Printed by Merrihew and Gun, 1838). Last page contains advertisement for a limited supply of larger frameable versions of the plate to be sold at the Anti-Slavery Office, No. 29 N. 9th Street, in Philadelphia., Originally part of a McAllister scrapbook of views of engravings related to Philadelphia. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Gilbert, Reuben S., engraver
Date: [1838]
Location: Library Company of Philadelphia | Print Department Ph Pr-8x10-Associations-Pennsylvania Hall [(6)1322.F.98c]

Title: [Destruction of the hall]
Description: Depicts a street scene with the abolitionist meeting place, Pennsylvania Hall, engulfed in flames at Sixth and Haines Streets in Philadelphia. Crowds, including a group of drunken men and other revelers, look on as several fire companies using handpumps hose the adjoining spared building. The hall, erected in 1838 as an arena for "free discussion," was set on fire by a mob of hostile citizens who had witnessed 3 days of interracial dedication ceremonies and services. For disputed reasons, the fire companies did not attempt to extinguish the burning hall. The building was razed and never rebuilt., Title from: [Samuel Webb's], "History of Pennsylvania Hall," p. 136., Manuscript note on verso: Destroyed by a mob by fire on the night of 17th May 1838., Originally published in: Samuel Webb's History of Pennsylvania Hall. (Philadelphia: Printed by Merrihew and Gun, 1838). (Am 1838 Hist Pa Hall). Last page contains advertisement for a limited supply of larger frameable versions of the print to be sold at the Anti-Slavery Office, No. 29 N. 9th Street, in Philadelphia., LCP exhibition catalogue: Negro History #101., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.LCP exhibit catalogue: Negro History #101., Sartain, a member of the Pennsylvania Anti-Slavery Society and a premier 19th century Philadelphia engraver, often instilled his work with his reformist beliefs.
Creator: Sartain, John, 1808-1897, engraver
Date: [1838]
Location: Library Company of Philadelphia | Print Department PhPr - 8x10 - Events - Fires [P.2283.2]

Title: Pennsylvania Colonization Society A view of Bassa Cove in Liberia
Description: Honorary life membership certificate containing a view of Liberia, the African American colony established by the American Colonization Society in 1822. In the left foreground, three bare-chested Black people, attired in white sarongs, stand at the West African cove across from the small village. The village is comprised of buildings and is surrounded by a fence. People and cattle stroll the grounds. The Pennsylvania Colonization Society, established in 1826, was a state chapter of the controversial American Colonization Society established in 1816 to promote Black American emigration to resolve the problem of race inequality and to end slavery., Title from item., Issued to [Tho]mas Sully, Esquire of Philadelphia on October 24, 1848 for his donation of "valuable original portraits." Signed by [Robert B.] Davidson, rec. secretary; Elliot Cresson, corresponding secretary; J.R. Ingersoll, president., Description revised 2021., Access points revised 2021., Gift of Hirschl and Adler Galleries, 1989., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lehman & Duval was a Philadelphia partnership between painter, lithographer, and engraver George Lehman, and lithographer, Peter S. Duval, that lasted from 1835 until 1837.
Date: [ca. 1837]
Location: Library Company of Philadelphia | Print Department *Philadelphia Certificates [P.9261]

Title: Rosa A slave girl from New Orleans
Description: Abolitionist, vignette-size portrait of the propagandized fair-skinned child emancipated from enslavement, Rosina Downs. Freed by Union General Butler in New Orleans, the child toured through the North with other people emancipated from enslavement to raise funds for the schools of Louisiana for the formerly enslaved established by Philip Bacon, Assistant Superintendent of Freedmen. Downs, daughter of a multiracial mother and Confederate soldier, was one of three touring children denied entrance to a Philadelphia hotel in December 1863., Title from item., Date inferred from content., Probably by Philadelphia photographer James E. McClees., See Harper's weekly, January 30, 1864, p. 71., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1983), p. 187-210., One of the cartes de visite trimmed and originally part of a McAllister scrapbook of Civil War materials [(2)1540.F.13e]. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv portraits -sitter- Downs [P.8925.6; (2)1540.F.13e]

Title: Rebecca A slave girl from New Orleans
Description: Abolitionist, bust-length portrait of the propagandized fair-skinned child emancipated from enslavement, Rebecca Huger. Freed by Union General Butler in New Orleans, the child toured through the North with other people emancipated from enslavement to raise funds for the schools of Louisiana for the formerly enslaved established by Philip Bacon, Assistant Superintendent of Freedmen. Huger, daughter of her enslaver, was one of three touring children denied entrance to a Philadelphia hotel in December 1863., Title from item., Photographer's imprint stamped on verso., Copyrighted by Rob[er]t R. Corson, State Military Agent for Philadelphia during the Civil War, and later, Corresponding Secretary for the Pennsylvania branch of the American Freedmen's Union Commission., Stamped on verso: The nett proceeds from the sale of these Photographs will be devoted to the education of Colored people in the department of the Gulf, now under the command of Maj. Gen'l Banks., Manuscript note on verso: Rebecca Euge 10., Gift of Marguerite S. Brenner., See Harper's weekly, January 30, 1864, p. 71., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Huger [P.9057.81]

Title: [Benjamin F. Butler]
Description: Reproduction of a bust-length portrait print of the Massachusetts Governor, abolitionist legislator, and Civil War Major General. Butler, attired in uniform, sits facing slightly left. As commander of Fort Monroe, Virginia, he declared freedom seekers as "contraband of war," providing the impetus for Congress to enact the Confiscation Act of 1861., Title supplied by cataloger., Date based on depicted age of the sitter., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1861]
Location: Library Company of Philadelphia | Print Department cdv portraits- sitter - Butler [P.2282.107]

Title: Rebecca A slave girl from New Orleans
Description: Full-length, abolitionist portrait of the propagandized fair-skinned child emancipated from enslavement, Rebecca Huger. Depicts Huger, attired in a long-sleeved dress with decorative stripes, standing between scenery props of a stone window adorned with ivy and a full-length mirror, which reflects her profile. Freed by Union General Butler in New Orleans, the child toured through the North with other people emancipated from enslavement to raise funds for the schools of Louisiana for the formerly enslaved established by Philip Bacon, Assistant Superintendent of Freedmen. Huger, daughter of her enslaver, was one of three touring children denied entrance to a Philadelphia hotel in December 1863., Title from item., Attributed to Charles Paxson., Date from copyright information and content. Copyrighted by S. Tackaberry., Distributor's imprint stamped on verso: N.B. - All orders must be addressed to H.N. Bent, [National Freedman's Relief Association], Box 809, P.O. Boston, Mass., Stamped on verso: The nett proceeds from the sale of these Photographs will be devoted to the education of Colored people in the department of the Gulf, now under the command of Major General Banks., Contains cancelled 2 cents revenue stamp on verso., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Purchase 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Paxson, Chas. (Charles), -1880, photographer
Date: 1864
Location: Library Company of Philadelphia | Print Department cdv portraits - Huger (sitter) [P.9971]

Title: Rebecca A slave girl from New Orleans
Description: Abolitionist portrait of the propagandized fair-skinned child emancipated from enslavement, Rebecca Huger. Depicts a bust-length portrait of Huger attired in a crocheted jacket and bonnet. Freed by Union General Butler in New Orleans, the child toured through the North with other people emancipated from enslavement to raise funds for the schools of Louisiana for the formerly enslaved established by Philip Bacon, Assistant Superintendent of Freedmen. Huger, daughter of her enslaver, was one of three touring children denied entrance to a Philadelphia hotel in December 1863., Title from item., Date from copyright information and content., Distributor's imprint printed on verso: N.B. - All orders must be addressed to H.N. Bent, [National Freedman's Relief Association], Box 809, P.O. Boston, Mass., Printed on verso: The nett proceeds from the sale of these Photographs will be devoted to the education of Colored people in the department of the Gulf, now under the command of Major General Banks., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Created postfreeze., Purchase 2005., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Paxson, Chas. (Charles), -1880, photographer
Date: 1864
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Huger [P.2005.22.1]

Title: Charley A slave boy from New Orleans
Description: Abolitionist portrait of the propagandized fair-skinned child emancipated from enslavement, Charles Taylor. Freed by Union General Butler in New Orleans, the child toured through the North with other people emancipated from enslavement to raise funds for schools of Louisiana for the formerly enslaved established by Philip Bacon, Assistant Superintendent of Freedmen. Taylor, son of his enslaver, was one of three touring children denied entrance to a Philadelphia hotel in December 1863., Probably by Philadelphia photographer James E. McClees., Title from item., Date inferred from content., In McAllister scrapbook of Civil War Portraits. (LCP Print Room (1)Uy 5 5775.F.15). McAllister Collection, gift, 1886., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1863]
Location: Library Company of Philadelphia | Print Department Civil War Portrait Scrapbook album [(1)Uy 5 5775.F.15]

Title: The abolition Garrison in danger & the narrow escape of the Scotch Ambassador
Description: Anti-abolition print celebrating the 1835 attack on William Lloyd Garrison in Boston by "gentleman of property and standing" preceding his scheduled speaking engagement before the Boston Female Anti-Slavery Society. Depicts Garrison at the center of an angry mob of white men. He has a noose around his neck and his newspaper "The Liberator" in his pocket and yells, "Help Children of Africer - help brothers." Scottish abolitionist George Thompson, who was rumored to be the Society's speaker, flees the scene attired in a women's clothes. He states with a Scottish burr that he will not be a "Martyr in sie black cause." As the mob screams, "Down with the incendiary abolitionists," and calls for Garrison's lynching and arrest, Garrison is being pulled by the noose by several of the rioters and steps upon editions of the "Evening Post" and "Human Rights," serials sympathetic to the abolitionist cause., Title from item., Date inferred from content., Text on recto: Boston Oct. 21st, 1835., Purchase 1958., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1835]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1835-10W [6259.F]

Title: Southern ideas of liberty. New method of assorting the mail, as practised by southern slave-holders, or attack on the post office, Charleston, S.C
Description: Print portraying the violent suppression of Southern abolitionism. Depicts a riotous mob around a gallows from which a white man hangs. It is overseen by Judge Lynch, depicted with donkey's ears and holding a whip while stepping on the Constitution. He is seated upon bales of cotton, sugar, and tobacco and sentences a white man abolitionist to be hanged by the neck. The abolitionist is grabbed and drug to the gallows by two white men., Print portraying a raid of anti-abolitionists on the Charleston Post Office in July 1835. Depicts white men removing and then pilfering mail-bags from the ransacked post-office and throwing to the ground abolitionist newspapers including "The Liberator," "Atlas," and "Commercial Gazette" while a riotous mob burns the papers. Posted on the Post Office is a broadside titled "$20,000 Reward for Tappan" referring to the bounty placed by the city of New Orleans upon Arthur Tappan, founder and president of the American Anti-Slavery Society., Title from item., Advertised in 1836 editions of the abolitionist newspapers The Liberator, published in Boston, and Emancipator, published in New York., Text printed on recto: Sentence passed upon one for supporting that clause of our Declaration viz. All men are born free &equal. “Strip him to the skin! give him a coat of Tar & Feathers! Hang him by the neck, between the Heavens and the Earth!!! as a beacon to warn the Northern Fanatics of their danger!!!!”, Purchase 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1835-2 & 3 [P.8658]

Title: Theodore Parker
Description: Bust-length portrait of the Boston Unitarian clergyman, social reformer, and abolitionist. Parker is attired in a white collared shirt, a black bowtie, and a black jacket and faces the viewer. Parker aided John Brown and was active in New England antislavery societies which provided shelter and legally defended freedom seekers, including William and Ellen Craft, the first enslaved Bostonians sought under the Fugitive Slave Law., Title from item., Date inferred from history of the engraver and attire of sitter., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Schoff, an engraver in Boston from the early 1840s until the 1860s, specialized in portraiture.
Creator: Schoff, Stephen Alonzo, 1818-1904, engraver
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department Portrait Prints-P [P.8911.751]

Title: Original & selected poetry &c
Description: Friendship album of Amy Matilda Cassey, a middle-class African American woman active in the antislavery movement and African American cultural community, containing contributions dating from 1833 until 1856. Contains original and transcribed poems, prose, and essays on topics including slavery, womanhood, religion, friendship, female refinement, death, and love. Also contains drawings, watercolors, and gouaches of flowers and a rustic, residential scene, possibly in New York. Contributors, including many women from the antebellum African American elite community, are prestigious reformers and abolitionists active in the anti-slavery, scholarly, educational, and cultural community of the antebellum North, including Philadelphia, New York, Boston, and Baltimore., Contains the following contributions: entry by African American abolitionist Frederick Douglass, dated Philadelphia 1850, about his "coarse" contribution in an album of "refined" entries; an original sonnet, "Fallen Bird," and essay, "The Abolition Cause," by anti-slavery activist, author, and editor, William Lloyd Garrison, dated Philadelphia 1833; floral watercolors and calligraphed poems by Philadelphia Quaker activist, educator, and artist Sarah Mapps Douglass; essay, "Moral Reform," dated Philadelphia 1834, by Harrisburg businessman and activist William Whipper; calligraphed version of Washington Irving's poem, "The Wife," by New York African American engraver Patrick Henry Reason dated New York 1839; poem about "Friendship" dated 1837 by anti-slavery activist Robert Purvis; prose on faith penned in 1853 by women right's activist and abolitionist Lucy Stone;, floral watercolors, poems and prose on friendship, womanhood, abolition, and remembrance by Philadelphia Female Anti-Slavery Society associates Rebecca Buffum, Susan C. Wright, and sisters Hannah L. Stickney and Mary T. Stickney, and sisters Mary Forten (p.10), Margaretta Forten, and Sarah Forten Purvis, as well as their sister-in-law Mary Virginia Wood Forten (p.22); memorials to his deceased wife and daughter by Baltimore African Methodist Episcopal Bishop Daniel Alexander Payne written in 1849; and an essay by abolitionist Reverend Isiah George DeGrasse dated Bridgewater 1836. Additional contributions by Baltimore anti-slavery activist Emily Willson; anti-slavery activists Ann Warren Weston and Elizabeth Le Brun (Stickney) Gunn; Philadelphia barber and activist John Chew; abolitionist James Miller M'Kim; University of Glasgow trained activist James McCune Smith; Boston reformer Wendell Phillips; C.L.R., possibly Charles L. Reason, abolitionist and brother of engraver Patrick Henry Reason; A.W.H., possibly Quaker abolitionist Anna W. Hopper, and E.G., possibly Quaker abolitionist Elizabeth Garrigues., Also includes sketches and a poem by probably Lydia A. Bustill and unattributed watercolors and sketches possibly by Amy Matilda Cassey., Title from item., Inclusive range of dates inferred from entries inscribed with dates., Embossed and gilt morocco binding with blue moiré silk doublures., Lib. Company Annual Report 1998, p. 25-35., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Cassey, an abolitionist, temperance and civil rights activist and founding member of the multiracial Philadelphia Female Anti-Slavery Society and the African American literary and science society, Gilbert Lyceum, was the daughter of New York black community leader, Reverend Peter Williams. She was the wife of Philadelphia businessman and civil rights activist Joseph Cassey, and later married Boston anti-slavery lecturer Charles Lenox Remond.
Creator: Cassey, Amy Matilda, 1808-1856
Date: [ca. 1833-ca. 1856]
Location: Library Company of Philadelphia | Print Department Amy Matilda Cassey album [P.9764]

Title: A view of Bassa Cove (in Liberia.)
Description: View "from a drawing made on the spot by Dr. Robert McDowall" of a village scene in Liberia, the African American colony established by the American Colonization Society in 1822. Also used as the illustration of a membership certificate of the Pennsylvania Colonization Society. In the left foreground, three bare-chested Black people, attired in white sarongs, stand at the West African cove across from the small village. The village is comprised of buildings and is surrounded by a fence. People and cattle stroll the grounds. Established in 1816, the controversial American Colonization Society promoted Black American emigration to resolve the problem of race inequality, and to dissolve the institution of slavery. Copies of the print were on view for sale at the colonization society office for over a decade. McDowall was a Black physician sent by the society to provide medical care at the colony., Title from item., Advertised in Colonization herald, June 17, 1837, vol. III, no. 54, p. 214 and later issues., Purchase 1970., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lehman & Duval was a Philadelphia partnership between painter, lithographer, and engraver George Lehman, and lithographer, Peter S. Duval, that lasted from 1835 until 1837.
Date: [ca. 1836]
Location: Library Company of Philadelphia | Print Department *GC-Views-Foreign-Africa [7930.F]

Title: These are to certify, that [blank] is a member of the New-Jersey Society, for promoting the abolition of slavery. [blank] Presdt. Secy. [blank]
Description: Abolition society certificate depicting a white, Federal-era man pointing toward a chained, kneeling enslaved man who declares, "Am I not a Man and brother!" In the left, the enslaved man, attired in a white loincloth and with chains binding his hands to his feet, kneels down on his right knee upon a marble pedestal and clasps his hands together. In the right, the white man, attired in a white cravat, a waistcoat, a jacket, breeches, and black shoes, stands and holds in his left hand a Bible opened to Isaiah 61:1 atop the marble altar, which is inscribed with the verse: "He came to proclaim liberty to the captive, and the opening of the prison to them that are bound." Heavenly beams shine down upon them through an opening in the clouds. The New Jersey abolition society was established in 1793., Unused certificate., Title from item., Illustration of a kneeling male slave on the certificate is a variant of the image popularized by Josiah Wedgwood. Formed in 1787, the Committee for the Abolition of the Slave Trade designed and adopted as its seal the image of a kneeling African male slave asking, "Am I not a man and a brother?" That same year, Wedgwood, a ceramics manufacturer and member of the Committee, issued the image as a medallion, which was distributed in America. The image became a popular anti-slavery icon and was soon widely reproduced on artifacts and in print in the United States and in Britain. During the 1820s, a female counterpart with the motto, "Am I not a woman and a sister?" was created by British abolitionists and quickly embraced in the United States, particularly among women abolitionists., Accessioned 1968., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1800]
Location: Library Company of Philadelphia | Print Department *GC-Certificates [7762.F]

Title: To the friends of negro emancipation, this print is inscribed
Description: Print commemorating Great Britain's passage of legislation, given royal assent in 1834, granting emancipation to the enslaved throughout Great Britain and the British colonies. Depicts near a coast, a joyous free Black man, attired in a sarong, arms held up in celebration. He stands upon a whip surrounded by smiling Black men who bury his shackles; a Black girl who kneels before him; and a Black mother, seated on a bench beside a book, smiles and holds her baby up in the air. Next to them an "Emancipation Notice" has been tacked to a palm tree. In the background, Black people celebrate on the shore as a ship sails away., Title from item., Text printed below title: A glorious and happy era on the first of August, bursts upon the Western World; England strikes the manacle from the slave, and bids the bond go free., Purchase 1969., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Lucas, David, 1802-1881, engraver
Date: August 1, 1834
Location: Library Company of Philadelphia | Print Department *GC-Emancipation [7808.F]

Title: Rosa, an emancipated slave from New Orleans
Description: Abolitionist portrait of the propagandized fair-skinned child emancipated from enslavement, Rosina Downs, attired in a hat, a pleated dress with stripes at the bottom, and a dark-colored cape. Freed by Union General Butler in New Orleans, the child toured through the North with other people emancipated from enslavement to raise funds for the Louisiana schools for the formerly enslaved established by Philip Bacon, Assistant Superintendent of Freedmen. Downs, daughter of a multiracial mother and Confederate soldier, was one of three touring children denied entrance to a Philadelphia hotel in December 1863., Title from item., Date inferred from content., Probably by New York photographer, M.H. Kimball., See Harper's weekly, January 30, 1864, p. 71., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv portraits -sitter- Downs [P.8925.5]

Title: Official first day of issue. Honoring Harriet Tubman, 1821-1913. Abolitionist. Nurse. Escapded slave. Black Heritage USA Series
Description: ArtCraft "First Day Cover" (i.e., designed envelope with a stamp affixed and cancelled on the day the stamp was issued) containing vignette illustrations depicting Harriet Tubman. Shows a half-length portrait of Harriet Tubman and a view of Tubman with Black persons of all ages, their belongings, and horse-drawn carts on a snow-covered clearing., Title from item., Date supplied from research and content., Logo of printer printed in lower left corner: Text "ArtCraft" set on a paint palette with brushes inserted through the hole for the artist's thumb., Image caption: She Guided More Than 300 Slaves to Freedom., Contains ink-stamp postmark: Washington. DC. Feb 1 1978 20013 and cancelled "First Day of Issue" Black Heritage USA color-printed 15-cent stamp after the design of Jerry Pinkney and depicting a portrait of Harriet Tubman and an inset of a view of Tubman and three Black persons riding a donkey-drawn wagon. The Tubman stamp issued in 1978, was the first issued for the Black Heritage Series begun in 1978 by the U.S. Postal Service to recognize "the contribution of Black Americans to the growth and development of the United States.", Mailing label removed., The Washington Press ArtCraft brand was introduced in 1939 for the printing of First Day Covers. The firm stopped producing ArtCraft First Day Covers in 2016., Gift of George R. Allen, 2022.
Date: [1978]
Location: Library Company of Philadelphia | Print Department ephemera - envelopes - Poor [P.2019.80.6]

Title: Fannie Virginia Casseopia Lawrence A redeemed slave child, 5 years of age. Redeemed in Virginia, by Catherine S. Lawrence; baptized in Brooklyn, at Plymouth Church, by Henry Ward Beecher, May, 1863
Description: Full-length portrait of the acclaimed girl emancipated from enslavement. Depicts Lawrence, attired in a lavish off-the-shoulder dress, seated, and holding a hat adorned with a ribbon and feathers in her lap. She is posed next to a basket and in front of a maritime backdrop. An outstretched drape covers her seat., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1863, by C. S. Lawrence, in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Purchase 2014., Description revised 2021., Access points revised 2021., See Kathleen Collin, "Portraits of slave children," History of photography 9 (July-September, 1985), p. 187-210.
Creator: Black, James Wallace, 1825-1896, photographer
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Lawrence [P.2014.13]

Title: Fannie Lawrence
Description: Full-length portrait of the acclaimed girl emancipated from enslavement. Freed in Virginia by military nurse Catherine S. Lawrence, Fannie was publicized as the "redeemed slave child" baptized by Henry Ward Beecher at age five at Plymouth Church in Brooklyn in May 1863. Depicts Lawrence, dressed in a fancy hat and cape, leaning against a balustrade., Probably by Boston photographer James Wallace Black., Title from manuscript note on verso., Dated based on the presented age of the sitter., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September, 1985), p. 187-210., Purchase 1987., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Lawrence [P.9194]

Title: An affecting scene in Kentucky
Description: A racist cartoon ridiculing Kentucky congressman Richard M. Johnson, the 1836 Democratic vice-presidential candidate, for his common-law marriage to Julia Chinn, a multiracial woman. Depicts Johnson, with the "New York Courier and Enquirer" falling from his hand, as he grieves over the "scurrilous attacks in the newspapers on the mother of my children." His daughters, Adaline and Imogene, attired in evening dresses, comment on his "affected state" and hold a framed portrait of their mother, attired in a turban. Surrounding Johnson are Democrats pledging support, including a postmaster, a well-dressed African American man, who speaks in the vernacular, and a gaunt white man abolitionist holding the Connecticut newspaper the "Emancipator." Another white man supporter comments on Johnson's agitated state., Title from item., Publication information supplied by Reilly., Purchase 1958., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1836]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1836-15 [6277.F]

Title: American sympathy and Irish blackguardism
Description: Cartoon depicting conflicting responses to the condemnation of slavery in the U.S. by Daniel O'Connell, an Irish abolitionist and leader of the movement for Irish independence (i.e. Irish Repeal Movement). Depicts O'Connell confronting President John Tyler as his son, Robert, an Irish repeal advocate introduces him. O'Connell, attired as an Irish thug, holds a club labeled "Agitation" and a bag labeled "Repale Rint." He condemns John Tyler for being an enslaver, "Arrah! give up your slaves I'd rather shake hands with a pick-pocket than wid a slaveholder, and if we get our repale we'll set em all free..." President Tyler, who was passively against slavery, greets O'Connell stating his support of repeal. Robert Tyler, dressed effeminately, and with "Ahasuerus" and the "Epitaph on Robert Emmett" (an earlier Irish patriot), the poems he authored in his pocket, confirms his father's support of repeal and proposes that the sale of his work could benefit the Irish cause. William Lloyd Garrison, who is to the right of O'Connell, states his support for O'Connell but not Irish repeal. An African American man, portrayed in racist caricature and speaking in the vernacular, overlooks the scene and says, "By jolly I wish Massa Harry Clay was here -- Dis dam low Irishman not dare talk to him dat way!", Title from item., Entered according to an act of Congress in the year 1843 by H.R.R. Robinson in the Clerk's Office in the District court for the Sc District of N.Y., Purchase 1958., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, lithographer, and engraver.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1843
Location: Library Company of Philadelphia | Print Department Political cartoons - 1843-2 [6258.F]

Title: Original & selected poetry &c
Description: Album belonging to Martina Dickerson, a young middle-class African American Philadelphian, probably created as a pedagogical exercise, with twenty-two contributions dating from 1840 until around 1846. Contains original and transcribed poems, prose, and essays on topics including love, friendship, sympathy, courage, and female refinement. Also includes drawings, primarily of flowers. Identified contributors are mainly Black elite scholars active in the African American anti-slavery and cultural community of mid-19th century Philadelphia., Contains the following contributions: calligraphed title page by abolitionist James Forten, Jr.; prose on "Literature," "The Album," and "The Year" by entrepeneur and abolitionist James Forten, Sr. or his son, James, Jr.; prose entitled "Perserverance" by tailor, abolitionist, and civil rights activist John C. Bowers; prose, sketches, and watercolors by Quaker abolitionist, educator, and artist, Sarah Mapps Douglass; watercolor and transcribed poem, "The First Steamboat on the Missouri," by Sarah's brother, artist, community activist, and abolitionist, Robert Douglass; essay entitled "Sympathy" by William Douglass, pastor and historian of the St. Thomas Episcopal Church in Philadelphia; transcription from Wordsworth's "Excursion" by educator and anti-slavery activist Charles L. Reason; gouache of a bunch of flowers by A.H.H., probably Ada Howell Hinton, an African American educator and anti-slavery activist; and prose, poems, and gouache by Mary M. MacFarland, V.E. Macarty, Y.J. Grice, Rebecca F. Peterson, H.D. Shorter, C.D.R., and J.F.V., Title from item., Inclusive range of dates inferred from entries inscribed with dates., Embossed and gilt morocco binding., Lithograph title page, "Flowers," containing flower illustration hand-colored with gouache and watercolor., Blank album published in London by Wm. & Hy. Rock., Lib. Company. Annual Report 1993, p. 17-25., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Dickerson, a pupil of African American educator Sarah Mapps Douglass, was the daughter of African American activists, Martin and Adelia Dickerson, and step-father Samuel Van Brackle.
Creator: Dickerson, Martina, 1829-1905
Date: [ca. 1840-ca. 1846]
Location: Library Company of Philadelphia | Print Department Martina Dickerson album [13859.Q]

Title: Africa. America
Description: Abolition print juxtaposing two female allegorical figures in chariots representing Africa and America. In front of a backdrop of tropical trees and huts, "Africa," depicted as a Black woman, is attired in a feathered headpiece, an orange shawl covering one breast, and a pink sarong. She holds a flag inscribed "Slave Trade abolish'd in England 1806" and the reins of two lions pulling her chariot. In front of a waterfall, probably Niagara Falls, "America," depicted as a white woman, is dressed in Native American attire, including a feathered headpiece, a breast plate, an orange cape, a pink and blue sari, and an axe strapped to her back. She holds the American flag, decorated with a portrait of George Washington, and the reins of two tigers pulling her chariot. Near the wheels of her chariot, a rattlesnake is coiled., Title from item., Date inferred by content and medium., Name of publisher illegible., Lib. Company. Annual report, 1969, p. 56., Purchase 1969., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1808]
Location: Library Company of Philadelphia | Print Department *GC-Allegories [7812.F]

Title: [Album]
Description: Album belonging to Mary Anne Dickerson, a young middle-class African American Philadelphian, possibly created as a pedagogical exercise, with contributions dating from 1833 until 1882. Contains engraved plates depicting scenic views, and original and transcribed poems, prose, essays, and drawings on topics including friendship, motherhood, mortality, youth, death, flowers, female beauty, and refinement. Also contains a one page record of family deaths, marriages, and births with entries up to the birth of Mary Anne's grandson in 1882. Identified contributors are mainly Black elite scholars active in the African American anti-slavery and cultural communities of mid-19th century Philadelphia, New York, and Boston., Contains the following contributions: "The Mother's Joy," a poem by C.F., possibly by abolitionist and second wife of entrepreneur James Forten, Charlotte Vandine Forten; illustration after "The Boroom Slave" and the poem, "To the Album," by artist and activist Robert Douglass; prose, "To Mary Ann", about living a happy life by Philadelphian anti-slavery activist Amy Matilda Cassey; a memorial, "To My Dear Willie," by Mary Anne to her deceased son, William Jones; poem, "The Night of Death," by J.A.J., Mary Anne's husband, John A. Jones; Boston author and civil rights activist William C. Nell's transcription of the poem, "The Rights of Women"; allegorical prose on the meaning of life by New York abolitionist Harriet Forten Purvis; transcription of the poem, "The Pearl Diver," by white Philadelphian anti-slavery activist Arnold Buffum; prose to "Mary Annie" about remembrance by Ada, possibly by anti-slavery activist Sarah Forten Purvis or educator and anti-slavery activist Ada Howell Hinton; floral drawing by A.H.H., probably by Ada Howell Hinton; prose and floral watercolors by educator, abolitionist, and Quaker Sarah Mapps Douglass, the sister of Robert Douglass; "Lines Addressed to a Wreath of Flowers Designed on a Present for Mary Ann" by E.S. Webb, possibly Elizabeth Susan Webb, sister of novelist Frank J. Webb; and prose by Mary Anne about mortality. Additional entries of prose and poetry by John G. Dutton, E.S. Webb, Lydia A.B., Henrietta, W.F.P, and S.L.C., unattributed entry, "To Esther," and unattributed entry of a floral watercolor. Also contains engraved plates by A.B. Durand, C. Fielding, C.G. Childs, Robert Walter Weir, James Smillie and Thomas Cole entitled respectively, "Falls of the Sawkill"; "Italy, The Bay of Naples"; "Weehawken"; "Delaware Water Gap"; "Catskill Mountains"; "Fort Putnam"; and "Winnipiseogee Lake"., Title supplied by cataloguer., Inclusive range of dates inferred from entries inscribed with dates., Contains engraved illustrated title page: Album. The Mother's Joy., Blank album published in New York in 1833 by J.C. Ricker., Embossed and gilt morocco binding., Release of Dower document dated 1838 giving the Dickerson home to the surviving children, contemporary unidentified newspaper clippings, manuscript poetry transcriptions, contemporary greeting cards, trade card, and other miscellaneous loose items removed and housed separately., Lib. Company. Annual Report, 1993, p. 17-25., Research file available at repository., RVCDC, Description revised 2022., Access points revised 2022., Dickerson, a pupil of African American educator Sarah Mapps Douglass, was the daughter of African American activists, Martin and Adelia Dickerson, and step-father Samuel Van Brackle.
Creator: Dickerson, Mary Anne, 1822-1858
Date: [ca. 1833-ca. 1882]
Location: Library Company of Philadelphia | Print Department Mary Anne Dickerson album [13860.Q]

Title: Our protection. Rosa, Charley, Rebecca. Slave children from New Orleans
Description: Abolitionist group portrait of the propagandized fair-skinned children emancipated from enslavement, Rosina Downs, Charles Taylor, and Rebecca Huger. Shows the children, who were freed in New Orleans by General Benjamin Butler, side-by-side, draped in a large American flag. The children, touring the North with a group of people emancipated from enslavement to raise funds for the Louisiana schools for the formerly enslaved established by Assistant Superintendent of Freedmen, Phillip Bacon, were also publicized as the children denied entrance in December 1863 to the Philadelphia hotel, the St. Lawrence., Title from item., Date from copyright information. Copyrighted by S. Tackaberry., Photographer's imprint stamped on verso., Distributor's imprint stamped on verso: N.B.-All orders must be addressed to H.N. Bent, [National Freedmen's Relief Association], No. 1 Mercer Street, New York., Stamped on verso: No. 9., Stamped on verso: The nett proceeds from the sale of these Photographs will be devoted to the education of Colored People in the department of the Gulf, now under the command of Maj. Gen'l Banks., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Purchase 2000., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Paxson, Chas. (Charles), -1880, photographer
Date: 1864
Location: Library Company of Philadelphia | Print Department cdv portraits-group-Emancipated Enslaved Children [P.9846]

Title: These children Were turned out of the St. Lawrence Hotel, Chestnut St., Philadelphia on account of color
Description: Abolitionist group portrait of the propagandized fair-skinned children emancipated from enslavement, Rebecca Huger, Charles Taylor, and Rosina Downs, denied entrance to the hotel in December 1863 during a fundraising tour of the North. Touring on behalf of the Louisiana schools for the formerly enslaved established by Assistant Superintendent of Freedmen, Phillip Bacon, the rebuffed children were accepted at the Continental Hotel. Revenue from the sale of the portrait was to be donated to the education of emancipated enslaved people in the Department of the Gulf., Title from item., Date based on content., Name of photographer from duplicate photograph., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: [1863]
Location: Library Company of Philadelphia | Print Department cdv portraits- group- Emancipated enslaved children [5775.F.68]

Title: These children Were turned out of the St. Lawrence Hotel, Chestnut St., Philadelphia on account of color
Description: Abolitionist group portrait of the propagandized fair-skinned children emancipated from enslavement, Rebecca Huger, Charles Taylor, and Rosina Downs, denied entrance to the hotel in December 1863 during a fundraising tour of the North. Touring on behalf of schools in Louisiana for formerly enslaved people, the rebuffed children were accepted at the Continental Hotel., Title from item., Date from copyright. Copyrighted by Philip Bacon, Assistant Superintendent of Freedmen and founder of the first school in Louisiana for formerly enslaved people., Photographer's imprint stamped on verso., Stamped on verso: The nett proceeds from the sale of these Photographs will be devoted to the education of Colored People in the department of the Gulf, now under the command of Maj. Gen'l Banks., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., Accessioned 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: M'Clees, Jas. E. (James E.), photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department cdv portraits-group- Emancipated Enslaved Children [P.8925.1]

Title: Isaac and Rosa, emancipated slave children, from the free schools of Louisiana
Description: Abolitionist portrait of the propagandized emancipated enslaved children, Isaac White and Rosina Downs, standing, arm-in-arm. Isaac has brown skin, and wears a shirt jacket, pants, and broad tie. He has his left hand tucked into his shirt jacket. Rosina has fair skin, and wears an off-the-shoulder, calf-length dress, cinched at the waist, and with stripe details on the neckline and skirt. She also wears pantaloons. Freed by Union General Butler in New Orleans, the children toured through the North with other emancipated enslaved people, and Colonel George H. Hanks, to raise funds for the emancipated enslaved schools of Louisiana established by Philip Bacon, Assistant Superintendent of Freedmen., Title from item., Date from copyright statement: Entered according to Act of Congress, in the year 1863 by Geo. H. Hanks, in the Clerk's Office of the U.S. for the Sou. Dist. of N.Y., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 1985), p. 187-210., Accessioned 1982., Description revised 2022., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Kimball, M. H., photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department group portrait cdvs-Emancipated Enslaved Children [P.8925.7]

Title: Learning is wealth. Wilson, Charley, Rebecca & Rosa, slaves from New Orleans
Description: Abolitionist group portrait of propagandized people emancipated enslavement in New Orleans by General Benjamin Butler. Fair-skinned children Charles Taylor, Rebecca Huger, Rosina Downs, and dark-skinned adult Wilson Chinn, his forehead branded with the initials of his former enslaver, all hold books and read together. The emancipated people were touring the North to raise funds for the Louisiana schools for formerly enslaved people established by Assistant Superintendent of Freedmen, Phillip Bacon., Title from item., Date from copyright information. Copyright by S. Tackaberry., Photographer's imprint stamped on verso., Distributor's imprint stamped on verso: N.B.- All orders must be addressed to H.N. Bent,[National Freedmen's Relief Association], No. 1 Mercer Street, New York., Stamped on verso: No. 6., Stamped on verso: The nett proceeds from the sale of these Photographs will be devoted to the education of the Colored People in the Department of the Gulf, now under the command of Maj. Gen'l Banks., See Harper's weekly, January 30, 1864, p. 71. (LCP **Per H, 1864)., See Kathleen Collin's "Portraits of slave children," History of photography 9 (July-September 19855), p. 187-210., Purchase 2001., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Paxson, Chas. (Charles), -1880, photographer
Date: 1864
Location: Library Company of Philadelphia | Print Department cdv portraits-group-Emancipated Enslaved Children [P.9879]

Title: A Virginia slave child in 1863
Description: Three-quarter length portrait of five-year old child emancipated from enslavement, Fannie Virginia Casseopia Lawrence, with her adoptive mother Catherine S. Lawrence. Freed in Virginia by Lawrence, a military nurse, Fannie was publicized as the "redeemed slave child" baptized by Henry Ward Beecher at Plymouth Church in Brooklyn in May 1863. Depicts the fair-skinned Fannie, attired in a straw hat, a cape, and a dress, standing and holding the gloved hand of the seated Catherine Lawrence, attired in a bonnet with a black lace veil and a bow under her chin, a dark-colored dress, and a cape., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1863, by T.C. Fanning, in the Clerk's office of the District Court of the United States for the Southern District of New York., Photographer's imprint stamped on verso., Manuscript note on verso: Plymouth Church., Copyrighted by T.C. Fanning. Possibly New York publisher, Thomas C. Fanning., See Kathleen Collin's "Portraits of slave children" History of photography 9 (July-September, 1985), p. 187-210., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Van Dorn, photographer
Date: 1863
Location: Library Company of Philadelphia | Print Department cdv portraits - sitter - Lawrence [P.9995]

Title: [Civil War drawings and cartes de visite reproductions of drawings by Henry Louis Stephens]
Description: Series of caricatures predominately satirizing the effects of the presidential policies of Abraham Lincoln on his re-election and the candidacy of Democratic nominee and former Commander of the U.S. Army, George McClellan, in the presidential election of 1864. Lincoln caricatures depict racist scenes and themes of election loss and show the president as a comic stage performer; a feeding open-mouthed tool of the abolitionists; as a defeated Robin Hood with his "Band of Brothers," (i.e. cabinet members Edwin Stanton, William Seward, and Gideon Welles); as weighed down by the "Old Keystone", a visual metaphor for the large number of Pennsylvania soldiers lost in the war; as a buffoon tripped up by his large boots of "military necessity"; as patronizing a miniature McClellan propped up on the "Chicago Platform"; as McClellan's puppeteer; and as "loved little and long" for his emancipation of the enslaved. McClellan caricatures primarily use the themes of McClellan, known as "The Young Napoleon," as a "MacNapoleon" and his contradictory personal and party platforms in relation to the war. Caricatures show "MacNapoleon" searching for the White House, childishly whining about his quest for the White house, and singing a "doleful ditty" about himself. Platform caricatures show McClellan as a squeeze doll who speaks two words - war and peace, and in a "Quandary" to choose between a ballerina representing war and another representing peace. Collection also contains caricatures of Edward Stanton making a "Soliloquy" as an allusion to a Republican loss in the presidential election; of Peace Democrat Clement Vallandigham satirizing his sentence of banishment to the South for anti-war sentiments as well as a racist caricature of the "The American Eagle.1864. A likely young bird" showing an eagle with the head of an African American resting on the American shield marked "E. Pluribus. U-No-Um.", Title supplied by cataloger., Date from copyright., Created postfreeze., Originally part of McAllister scrapbooks of materials related to Abraham Lincoln and of humorous caricatures and photographs. McAlister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Stephens, H. L. (Henry Louis), 1824-1882
Date: 1864
Location: Library Company of Philadelphia | Print Department Henry Louis Stephens Collection [(11)1540.F.20a; 5780.F.52m; 5792.F.4d&e; 97a-c &f; 98a,b,d, e-i; 99a-h; P.2282.50; P.8686.1-2; P.2005.2.12a-e; P.2006.1.25a&b]

Title: "The irrepressible conflict" or the Republican barge in danger
Description: Cartoon predicting doom for the Republican Party whose moderate antislavery factions intentionally caused radical abolitionist William Seward to lose the presidential nomination at the National Convention in 1860. Depicts the "Republican Barge" with Lincoln at the helm being tossed on rough sea near a rocky shore. Within the boat Horace Greeley, Missouri Congressman Edward Bates, and Globe editor Francis Blair disparage Seward and the "Irrepressible Conflict" (a catchphrase from an 1858 Seward speech referring to the conflict within the Union over slavery) he has caused as they throw him overboard. The hoisted Seward warns that he alone can save the boat. An African American man, portrayed as a racist caricature and attired in a white collared shirt, a bowtie, a striped waistcoat, pants, and a "Discords Patent Life Preserver" wrapped around his chest, says in the vernacular, “if de boat and all hands sink, dis Nigger sure to swim, Yah! Yah!” Additional passengers, including Massachusetts Governor Nathaniel Banks and "Courier" editor James Webb, comment on the breakers ahead and the improbability of being saved. Brother Jonathan (predecessor to Uncle Sam) anxiously stands on the shore admonishing them not to throw out Seward but to “heave that tarnal Nigger out.”, Probably drawn by Louis Maurer., Verso stamped: L.A. De Vries., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1860 by Currier & Ives in the Clerk's Office of the District Court for the Southern Distt of N.Y., Purchase 1960., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1860
Location: Library Company of Philadelphia | Print Department political cartoons - 1860 - 28 [6418.F]

Title: Political "Blondins" crossing Salt River
Description: Cartoon lampooning the perilous nature of the platforms of the 1860 presidential candidates caused by the divisive issue of the extension of slavery to the territories. Depicts the candidates' various methods to cross the "Salt River" (i.e., political disaster) between the "North" and "South." Republican Abraham Lincoln, near the "South," wobbles at the end of a too short rail. The rail, balanced on the "Abolition Rock," is unsuccessfully weighed down by the precariously balanced "Tribune" editor, Horace Greeley. Lincoln curses Greeley who is "accustomed" to the "Salt River." Northern Democrat Stephen Douglas attempts to balance on the tightrope "Non Intervention," and yells for "Help" from the excessive weight of "Squatter Sovereignty" on his balancing pole. Southern Democrat Samuel Breckenridge rides the shoulders of the President and "old public functionary" James Buchanan as he crosses the tightrope "Slavery Extension." Constitutional Unionists John Bell and running mate Edward Everett stand on the "Constitutional Bridge" mocking and pitying the other candidates who are not satisfied with the bridge built by the "patriots of 76" which connects the "two shores in an indissoluble bond of union.", Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1860, by Currier & Ives, in the Clerk's office of the District Court, for the Southn Dist of N.Y., Manuscript note on recto: "Blondin celebrated for having walked over Niagara Falls on a tightrope, gave the idea for this caricature." On June 30, 1859, Jean Francois Gravelet Blondin, a professional tight-rope artist trained under P.T. Barnum, was the first man to successfully cross the falls., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1860
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1860-30W [6428.F]

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