Search results

Title: Missouri State Building.
Description: Exterior view looking up at the building with a fence behind and a pile of lumber in the foreground. People stand along balcony and sit on porch in front of building. A stuffed moose stands atop the front porch roof.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.11a]

Title: West Virginia State Building.
Description: Depicts a man with a wheelbarrow standing near entrnace to building.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.9e]

Title: Michigan State Building.
Description: Exterior view of building.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.9f]

Title: Star-braid and Fleisher's worsted yarns
Description: Series of illustrated trade cards for Fleisher's Star Braid Mills at Twenty-fifth and Hamilton Streets in Philadelphia. Illustrations depict two women on a balustraded balcony, one matching up a large roll of "Star Braid" yarn with the long train on the other woman's dress. Also shows a woman standing on a balcony under a shining sun pulling yarn from a large spool labeled "Star Braid" on the ground below her. A man stands adjacent to the spool on the ground and serenades the woman with a lute., One print [P. 9815] contains distributor's imprint printed on verso: Presented by J.P. Coburn, dealer in general merchandise, Orwell, Pa. Save money buying your dress trimmings at Coburn's. Hats, caps, boots and shoes, cheap at Coburn's. Clothing at Coburn's. Choice groceries at Corburn's. Everything guaranteed as represented at Coburn's., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department *trade card - Star-braid [P.9815 & P.9822]

Title: Henry Miller's concert garden. Nos. 720 & 722 Vine Str. Philadelphia
Description: Sheet music cover containing an interior view of the crowded concert hall and theater operated by Henry Miller beginning circa 1854. Several men and women sit at, and converse and walk among the many tables of the seating area as a number of waiters serve the patrons. A music ensemble plays on a raised platform with guard rails in the left of the image and several people line a small stage in the center rear of the hall where a small performance appears to be happening. To the right of the performance, the stairwell to the upper balcony, lined with people, is visible. Greenery and vinery decorate the hall that includes a glass ceiling and windows, some open, across and adjacent to the balcony. After several proprietors, the theater was renamed the Lyceum in 1888., Not in Wainwright., pdcc00021, Philadelphia on Stone, Free Library of Philadelphia: Castner 2:19
Creator: Knirsch, Otto, artist
Date: [ca. 1861]
Location: Free Library of Philadelphia. | Print and Photograph Collection. FLP Castner 2:19

Title: Pandanus Javanicus Variegates.
Description: Interior view of Horticultural Hall showing a potted plant.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.36e]

Title: Iowa State Building.
Description: Exterior view of building with front porch roof held up with pillars.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.11b]

Title: Kiralfy's Alhambra Palace, Philadelphia. The illuminated gardens
Description: Views depict the front facade and interior illuminated gardens of Kiralfy's Alhambra Palace built on Broad Street below Locust Street in 1876 after designs by Frank H. Loenholdt for Hungarian-born brothers Bolossy and Imre Kiralfy. Shows Moorish-influenced architecture, garden sculptures, lights, balconies, and rock formations. The building was purchased by the Broad Street Theatre in 1877. Intended to be a temporary space for musical and dance performances during the Centennial Exhibition, it thrived long after its 100th anniversary, until 1937 when it was demolished for a parking lot., Stamped on rectos: Copyrighted by Kiralfy Bros., Philadelphia, 1876., Title and photographer's imprint printed on versos., Orange curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., One item [P.9047.83] gift of Robert M. Vogel.
Creator: R. Newell & Son, photographer
Date: c1876
Location: Library Company of Philadelphia | Print Department stereo - Newell - Theaters and halls [P.9047.83; P.9145.1-4]

Title: Western Exchange Hotel, Market Street, west of Penn Square, Philadelphia Joseph Waterman, proprietor. The proprietor of this hotel, respectfully announces to the public, that he has refitted his hotel and is now prepared to receive his friends and patrons in a manner which he flatters himself they will find that attention to their comforts which will give entire satisfaction. -- This hotel embraces many advantages to the travelling public being contiguous to the great Central and Pennsylvania Rail Road Depot, and in immediate vicinity of the depots of the Baltimore, Wilmington, Pottsville and Reading Rail Roads. The Westchester cars leave the hotel morning and afternoon. -- Terms, one dollar per day
Description: Advertisement showing Joseph Waterman's stately six-story hotel building and adjacent properties on the north side of the 1500 block of Market Street. Gentlemen mingle on the second-story, arcaded balcony overlooking the street. A large cupola and weathervane surmount the penthouse. Horse-drawn carriages and carts labeled "Exchange Wagon," "Waterman's Hotel," and "Western Exchange," congest the street and transport patrons to and from nearby railroad depots. The hotel was patronized by farmers and used as the western terminus of several omnibus lines. Hotel removed circa 1860., Artist probably Frederick J. Pilliner who worked as a lithographer first in Boston in 1853-54 and in Philadelphia between 1856 and 1860., Philadelphia on Stone, Atwater Kent Museum: 56.25.7, Pilliner worked from the address of the Lithographic Institute, which included lithographers Maurice H. Traubel, Theodore Leonhardt, Edward Schnabel, John F. Finkeldey, and William Demme in 1856 and 1857.
Creator: Pilliner, E, artist
Date: [ca. 1857]
Location: Atwater Kent Museum | Print Department AKM AKM 56.25.7

Title: Church of St. Charles Borremeo. Philadelphia, Pa
Description: Certificate showing the interior of the Roman Catholic Church built 1868-1876 in a High Victorian baroque style after the designs of Edwin Forest Durang at 900 S. 20th Street. View looks toward the ornate rectangular chancel, with sculptural details, including angels, and a crucifix icon. Side altars include religious icons and sculptural details. Also shows a crucifix adorning a side wall, low-hanging chandelier in front of the altar, stained glass windows, pews, and balconies. Image contains ornamented cornices, including one containing "IHS.", Not in Wainwright., Philadelphia on Stone, POSP 34, PAHRC: Packard & Butler, Pennsylvania, Philadelphia, St. Charles Borromeo
Date: [ca. 1880]
Location: Philadelphia Archdiocesan Historical Research Center. | Graphics Collection. PAHRC Packard & Butler, Pennsylvania, Philadelphia, St. Charles Borromeo

Title: Life in Philadelphia. Romeo and Juliet
Description: Racist caricature depicting an African American man-woman couple in the characters of Romeo and Juliet during the balcony scene from Shakespeare's "Romeo and Juliet." In the right, "Romeo" wearing an Elizabethan costume including a plumed white hat, red cape, and white sash, holds his right, gloved hand over his heart and his left, ungloved hand out and holding the edge of his cape. He recites, "How silver sweet sounds Lubbers Tongues by Night, like sorpest Music to attending Ears." In the left, from the balcony, "Juliet" responds with the self-derogatory remark that as her complexion is "de mark of night" it is impossible to see that "a maiden blush bepaint" on her cheek. She is attired in a pink puffed sleeve, décolleté dress, earrings, a necklace, and hair adornment. She holds a glove and fan in her right gloved hand at her side and her left hand rests on the balustrade of the balcony. A rose vine climbs up the balcony and the tops of trees and a balustrade are visible behind “Romeo.” Figures are portrayed with oversized and exaggerated features and their skin tone is depicted in black hand coloring., Title from item., Date inferred from content and name of publisher., Contains two lines of dialogue in the vernacular below image: Romeo: How silber sweet, sounds Lubbers Tongues by Night; like sorptest Music to attending Ears./Juliet: Dou know’st de mask ob night is on my face, else would a maiden blush bepaint my cheek., Signed W.S. for William Summers in lower right corner., Charles Hunt was a respected 19th century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, artist
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9713.4]

Main menu