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Title: United States Bank Philadelphia. [graphic].
Description: Originally part of a Poulson scrapbook., Constructed 1818-24 based on designs by Philadelphia architect William Strickland. Served as the Bank of the United States (i.e. Second Bank) until 1836 when the charter was not renewed. Served as U.S. Custom House 1844-1935.
Date: [1835]
Location: http://www.lcpgraphics.org/wainwright/W416.htm, Library Company of Philadelphia Print Dept. W 416 [(1)1525.F.45b]

Title: United States Bank Philadelphia
Description: View showing the Second Bank of the United States constructed 1818-24 after the designs of Philadelphia architect William Strickland at 420 Chestnut Street. Includes a couple and a man strolling on the sidewalk, and two ladies conversing with a gentleman at the open gate to the alley west of the bank. Also shows a partial view of an adjacent building. Served as the Bank of the United States (i.e. Second Bank) until 1836 when the charter was not renewed. Served as U.S. Custom House 1844-1935., Philadelphia on Stone, POS 777, Wainwright retrospective conversion project, edited., Originally part of a Poulson scrapbook of illustrations of Philadelphia.
Date: [1835]
Location: Library Company of Philadelphia | Print Department W416 [(1)1525.F.45b]

Title: United States Bank Philadelphia
Description: Constructed 1818-24 based on the designs of Philadelphia architect William Strickland. Served as Bank of the United States (i.e. Second Bank) until 1836 when the charter was not renewed. Served as the U.S. Custom House 1844-1935. Street scene in front depicts pedestrians including women, a man pushing a wheelbarrow, and a man carrying a ladder., Philadelphia on Stone, POS 778
Creator: Walton, Henry, artist
Date: [1835]
Location: Library Company of Philadelphia | Print Department BW - Banks [P.9454.2]

Title: Custom House
Description: View looking west on Chestnut Street showing the United States Custom House at 420 Chestnut Street. Originally built as the Second Bank of the United States in 1824 after the designs of Philadelphia architect William Strickland, the building served as the U.S. Custom House from 1845 to 1935. Includes two vendor stands and several individuals sitting and standing on the steps of the customhouse., Title from photographer's label pasted on verso., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
Creator: Bartlett & French
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department stereo - Bartlett & French - Government Buildings [P.9573.12]

Title: Custom House Philada
Description: View looking west on Chestnut Street showing the United States Custom House at 420 Chestnut Street. Originally built as the Second Bank of the United States in 1824 after the designs of Philadelphia architect William Strickland, the building served as the U.S. Custom House from 1845 to 1935. Includes two vendor stands and several individuals sitting and standing on the steps of the customhouse., Title and date from manuscript note on mount., Yellow mount with square corners., Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 100., Arcadia caption text: This impressive marble-faced building, constructed between 1821 and 1824 as the Second Bank of the United States after designs by William Strickland, served as the United States Custom House from 1845 to 1935. The entire building from the space under the exterior stairs to the ceiling was constructed with arches “in a bomb-proof manner” intended to discourage attacks on the building by “incendiaries.” This 1867 view of the structure showing the Chestnut Street façade includes two street vendors selling produce., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Bartlett & French, photographer
Date: 1867
Location: Library Company of Philadelphia | Print Department stereo - Bartlett & French - Government Buildings [(8)1322.F.23a]

Title: Custom House Philada
Description: Exterior view showing the United States Custom House at 420 Chestnut Street, formerly the Second Bank of the United States (1816-1836), built in 1824 after the designs of Philadelphia architect William Strickland. U.S. Custom House occupied the site from 1845 to 1935. Includes pedestrian traffic and a partial view of a street vendor's stand near a gate., Title from manuscript note on mount., Photographer's imprint embossed on mount., Yellow mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Bartlett & Smith, photographer
Date: ca. 1869
Location: Library Company of Philadelphia | Print Department stereo -Bartlett & Smith - Government Buildings [(8)1322.F.21d]

Title: Chestnut Street, west of Fourth
Description: Street scene showing south side of Chestnut Street between 4th and 5th Streets depicting two bank buildings designed by Philadelphia architect William Strickland: the Philadelphia Bank building (built 1836) and the custom house (formerly the Second Bank of the U.S., built 1818-24). Philadelphia Bank building (400-408 Chestnut, after renumbering) houses and includes signage for the Western Bank and Girard Life & Trust Company, as well as H.S. & C. Ogden, tailors; Kelly & Bright, stationers; Edward Borheck, optician; Martin Leans, engraver; Wilcox & Delleker, custom house brokers; and Wm. H. Patton, dealer in decorative wall papers. Street scene includes a vendor, two coaches, a man on horseback, and pedestrians., Not in Wainwright., Philadelphia on Stone, POS 115, Gift of Mrs. S. Marguerite Brenner.
Creator: Collins & Autenrieth, artist
Date: c1856
Location: Library Company of Philadelphia | Print Department *BW - Streets [P.9057.3]

Title: I take it on my responsibility
Description: Cartoon critical of Andrew Jackson's decision to discontinue federal deposits to the Bank of the United States and his denial that his informal circle of close advisors, known as the "Kitchen Cabinet," influenced his decision. Depicts Jackson pinned to a column at the top of the stairs of the bank as he and other white men are being drenched by white men wielding fire hoses, one labeled "United States," in the street. Near Jackson, a kettle boils, fueled by burning papers labeled "Constitution" and "Globe," the pro-Jackson newspaper. Behind him several men, one labeled "K.C.," are involved in altercations. Other men run down the steps, one colliding with an African American man carrying barrels. In the street, a rotund white man, attired in a military uniform, observes the soaking of Jackson with delight while two other white men appear to be coming to Jackson's aid., Title from item., Date of publication supplied by Weitenkampf., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1834]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1834-12W [5760.F.57]

Title: Old Nick in Wall Street
Description: Cartoon mocking Nicholas Biddle, president of the controversial Bank of the U.S., as a corrupt emperor of finance served by New York's financial district. Depicts a self-effacing Biddle on the steps of a bank delivering a speech to a large crowd of his obsequious cheering subjects comprised of bankers and brokers. Two men, possibly New York editors accused of accepting bribes in return for publishing pro-Bank articles, Charles King and/or Mordecai Manual Noah and/or James W. Webb, hoist him on their knees. Biddle declares that he will bear the burden of the attacks of the Bank opponents as those before him will acquit him of scandal. In the far left background, a group of men describe Biddle as a monster and allude to his dubious relationship with New York merchant Silas E. Burrows, who was accused of bribing Noah and Webb. Contains a fabricated verse below the image from the popular poem "The Devil's Walk," commonly misattributed to Robert Porson (as in the cartoon) about the faithless servility of Satan's subjects., Retrospective conversion record: original entry, edited.
Date: [1832?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1832-18W [5760.F.50]

Title: Banks & bribery, v.s. balls & bumbs scene 1st Or the destruction of aristocracy monopoly and oppression
Description: Cartoon concerning President Jackson's destruction of the Bank of the United States, including his veto of the Bank's recharter and the removal of its federal deposits. Depicts Jackson, "Jack Downing," and others attacking the Bank with axes, "veto mortar," and cannon balls. Jackson and "Downing" hollar about "smashing down" "Monopoly & Oppression" as well as the absence of a "nest of varmants" when the house was originally built. Members of Bank investigative "committees" flee the building, while others are crushed under the bank, its "deposit pillar" destroyed. Spectators, including evil sprites, run a press, clamor for tossed money bags labelled with alleged bribery amounts, and scream "This is a fair business transaction." Also includes sheets of paper scattered on the ground inscribed with allusions to the Bank War, including"Deranged Currency" and "Petitions.", Manuscript note on verso: From his Aunt Isabella 1840., Previous owner, probably C.P. Lukens. See Congressional Elephant political cartoons - 1832 - 2 (5760.f.42)., Retrospective conversion record: original entry, editions.
Date: [1834?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1834-4W [5760.F.58]

Title: Chestnut Strasse, Sudwetseite der 4th.= Chestnut Street, west of Fourth
Description: Street scene showing the south side of Chestnut Street between 4th and 5th Streets depicting two bank buildings designed by Philadelphia architect William Strickland: the Philadelphia Bank building (built 1836) and the custom house (formerly the Second Bank of the U.S., built 1818-24). Philadelphia Bank building (400-408 Chestnut, after renumbering) houses and includes signage for the Western Bank and Girard Life & Trust Company, as well as H.S. & C. Ogden, tailors; Kelly & Bright, stationers; Edward Borheck, optician; Martin Leans, engraver; Wilcox & Delleker, custom house brokers; and Wm. H. Patton, dealer in decorative wall papers. Street scene includes a vendor, two coaches, a man on horseback, and pedestrians., Title and imprint variant of one in the series "Panorama of Philadelphia" published 1856 by Schnabel, Finkelday & Demme., Not in Wainwright., pdcp00019, Philadelphia on Stone, Free Library of Philadelphia: Philadelphiana – Streets – Chestnut - 4th-5th, Schnable & Finkelday operated as a partnership 1858-1860 following the departure of partner Willliam Demme in 1857.
Creator: Collins & Autenrieth, artist
Date: [ca. 1858]
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Streets - Chestnut - 4th-5th

Title: Bank-ometer Truths for the producers of wealth the banking system unmasked or the true causes of pressure panic and distress
Description: Cartoon designed by radical labor activist Seth Luther to promote the dissolution of the United States banking system. Depicts the U.S Bank as operated by the industrial turbine "Currency Reservoir." The "Bank of England Tube," "State Bank Tube," and "Expansion and Contraction Tube" extend from the reservoir and power meters labeled "Paperometer," "Stockometer," Flourometer," and "Wageometer," which flank the bank and measure the system. Meters measure the benefits to industry and the disadvantages to the artisan of the banking system from 1816 to 1840, including: the expansion and contraction of paper money; the prices and amounts of import and export commodities; the economic effects from the monetary fluctuations on manufacturers and mechanics; the price of stocks and flour; and the wages (lower in 1840 than 1816) and cost of living of New York carpenters. Also contains seventeen boxed quotations from prominent political figures criticizing paper money and banks, including statements by Washington, Jefferson, Adams, Jackson, Van Buren, Samuel Young, John Tyler, and Bank of the United States supporter Henry Clay; a chart containing figures indicating an increase in the number of banks from 1774 to 1840, the amount of hard and paper currency in circulation, and the "aggregate receipts" from public land sales; as well as references to Jackson's 1832 veto of the Bank of the United States and Van Buren's 1840 Independent Treasury Bill. Dedicated to Andrew Jackson for his "righteous" veto of the Bank of the United States on July 4, 1840., Title from item., Date from copyright statement: Entered according to act of Congress July 22, 1840 Seth Luther Author and Proprietor in the Clerks Office of the District Court of the So. District of N.Y., Retrospective conversion record: original entry, edited., Library Company Annual Report, 2001, p. 30., Advertised in Public Ledger, October 8, 1840. Price listed as 25 cents.
Creator: Lawton, Stephen, lithographer
Date: designed Nov. 1833, drawn 1840, cJuly 22, 1840
Location: Library Company of Philadelphia | Print Department *political cartoons - 1840-Ban [5760.F.84]

Title: The gold & silver artificers of Phila. In civic procession 22 Feb 1832
Description: Event lithograph showing the gold and silver artificers of Philadelphia on procession past the Second Bank of the United States (420 Chestnut) for the centennial celebration of the birth of George Washington. Government officials and prominent citizens led the parade order, followed by the tradesmen, then the volunteer fire companies, and lastly the military. Shows the craftsmen, all attired in top hats and sashes, led by a parade marshall on horse-back. He is followed by a six-horse mounted team pulling a float carrying men operating and protecting a coin press. Two other men, probably the marshall's aids, on horseback, one on a rearing horse, flank the rear of the vehicle. Several rows of marching artisans follow the float led by an artificer carrying a large banner adorned with a bust portrait of Washington. The portrait is encircled by a wreath and bordered by an eagle that clasps a banner in his beak reading "Pater Patriae" [design on distributed coin]. Along the parade route, throngs of spectators watch from the steps of the bank, along the street, and from the second floor windows of businesses adjacent to the financial institution. Signage for "Thomas Fletcher, Manufacturer of Silver Plate and Jewelry"; "Fletcher & Gardiner"; and "Browne & Robb 132" adorn the storefronts. Merchandise is displayed in the windows of Fletcher & Gardiner. Spectators along the street include well-attired men, women, and children, including several boys who run to and gather in front of the float to retrieve freshly pressed coins being thrown from the vehicle. Many raise their arms and retrieve coins from the ground. Also shows two dogs in a tug of war over something in their jaws, trees flanking the bank, and partial views of surrounding buildings in the background., Sketches of the recto and obverse of the coin "Struck & Distributed to Civic Procession Feby. 22 1832. The Centennial anniversary of the Birthday of Washington by the Gold & Silver Artificers Philada." printed below the image. One side of die cut by Albert Bird and the other by Mr. Folwell., Philadelphia on Stone, POS 318, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania:
Creator: Brown, Mannevillette Elihu Dearing, 1810-1896
Date: 1832
Location: Library Company of Philadelphia | Print Department *W380 [P.2212]

Title: United States Hotel Chesnut [sic] Street, Philadelphia. This hotel under the presant [sic] management has under gone many important alterations and has been entirely refurnished with rich and elegant furniture. The situation of the house is acknowledged by all to be the most favourable of any in the city for either the man of business of pleasure. The proprietor respectfully solicits the patronage of friends and the public. Thomas C. Rea
Description: Advertisement looking east down Chestnut Street showing the large, prominent hotel opened in 1826 following the conversion by John Rea of several properties at 419-423 Chestnut Street. Gentlemen convene near the entranceway and portico of the hotel in front of which a carriage is parked. On the north side of the street, east of the hotel, several individuals, including couples and families, promenade and converse on the several blocks of businesses visible to the riverfront. Opposite the hotel, on the south side of the street, a couple promenades and boys play marbles in front of the former Second Bank of the United States (420 Chestnut) as another couple and several shadowy figures of pedestrians walk down the sidewalks in the background. In the street, a couple on horseback, an omnibus, and carriage travels. Also shows a partial view of the Farmers & Mechanics Bank (425-429) adjacent the hotel and a few trees and street lamps landscaping the street. A patron ascends the stairs to the bank. The hotel, altered in 1840, was demolished in 1856 for the erection of the new building for the Bank of Pennsylvania. Thomas C. Rea, son of John Rea, operated the property until his death in 1846., Philadelphia on Stone, POS 779, Wainwright retrospective conversion project, edited.
Creator: Quintin, David S., artist
Date: [ca. 1840]
Location: Library Company of Philadelphia | Print Department *W417 [P.2228]

Title: Bank of the United States Records, 1790-1842 (inclusive)
Description: The Bank of the United States Records contains correspondence and documents primarily related to the second Bank of the United States in Philadelphia, with a small collection of material from the first bank, and from several of the second bank's branches in other American cities. There is correspondence with officers of the banks and its patrons John Sergeant, Basil Hall, Nathaniel Silsbee, and William Henry Harrison, as well as documents relating to the construction of the second Bank building designed by William Strickland. Papers relating to the duties of the Commissioners of Loans in the states of Georgia, Massachusetts, New York, and Pennsylvania are filed at the end of the collection., The early national period of the United States was marked by two attempts at central banking, the first and second Bank of the United States, both headquartered in Philadelphia. The first bank was chartered in 1791 with a twenty-year term that was allowed to expire in 1811. Its first president, serving from 1791 through 1807, was Philadelphia merchant Thomas Willing (1731-1821). The bank established offices of discount and deposit in 1792 in Baltimore, Boston, Charleston, and New York, after which it opened offices in Norfolk (1800), Washington and Savannah (1802), and New Orleans (1805)., Plagued by financial troubles during and after the War of 1812, Congress authorized a second bank in 1816, also with a twenty-year renewable term. The acting treasury secretary and Philadelphia native William Jones (1760-1831) was appointed the second bank's first president, succeeded in 1819 by Langdon Cheves (1776-1857), and in 1823 by Nicholas Biddle (1786-1844). The second Bank of the United States opened in Philadelphia in 1817 with seventeen branches in twelve states and the District of Columbia; by 1830 there were twenty-five branches in operation. The bank was not renewed by Congress, and ceased operation in 1836.
Date: 1790
Location: Library Company of Philadelphia | MSS McA MSS 012, https://digital.librarycompany.org/islandora/object/Islandora%3A64307#page/1/mode/1up

Title: Political quixotism. Shewing the consequences of sleeping in patent magic spectacles The diplomatic hercules, attacking the political hydra
Description: Anti-Jackson cartoon alleging that irrational motives influenced the President's decision to destroy the Bank of the United States. Depicts a terrified Jackson, in his bedroom, fighting the hydra, "U.S. Bank," during a nightmare. References to the corruption of the Bank are inscribed on the creature's many heads, including "deposits," "pension," and "bribery." Jackson, sword in hand, screams "Stamp the horrid Monster!!! Crush it!!! Nick Biddle!!! Hell & the Devil!!! Bribery & Corruption!!! Assasination [sic]!! Fire!! Murder. Murder!! Where are you Major?" Jackson is being restrained by "Major" Jack Downing, who pulls on his suspenders and implores him to return to bed, "Cum along to Bed agin, Jineral, I tell you Biddle aint here, nor the devil nother as I no on." In the right background is a bed and a chair with a candle on it., Zek Downing was a pseudonym used by various artists on several cartoons, predominately published by Ezra Bisbee, which satirized the Bank War., Retrospective conversion record: original entry, edited.
Date: [1833]
Location: Library Company of Philadelphia | Print Department political cartoons - 1833-12 [5760.F.76]

Title: [I] take the responsibility
Description: Satire concerning Andrew Jackson's role in the controversy over the discontinuation of federal deposits to the Bank of the United States. Jackson, portrayed as a jack-ass, is led by Van Buren, believed to be the force behind the discontinuation. He pulls a refuse cart labeled "K.C." (i.e., Kitchen Cabinet) which symbolizes the U.S. government. The cart is steered by a figure made of kitchen implements. A barefoot African American man, portrayed as a racist caricature and attired in a shirt with the sleeves rolled up and pants, pours a bucket of waste from a public privy labeled "Public Accommodations. Place of Deposit" into the cart. There is a white man sitting inside the "Public Accommodations" building and large rats run on the roof., Title from item., Pictograph of an eye is used in place of "I" in title., Date from copyright statement: Entered according to Act of Congress in the year 1834 by Endicott & Swett in the Clerk's office of the District Court of the southern District of New York., Inscribed: No. 1., Hassan Straightshanks is possibly a pseudonym for David Claypoole Johnston., Purchase 1957., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1834
Location: Library Company of Philadelphia | Print Department Political Cartoons -1834-12 [6194.F]

Title: A confederacy against the Constitution and the rights of the people with an historical view of the component parts of this diabolical transaction
Description: Cartoon during the Bank War satirizing the Whig Party as greedy, anti-democratic, pro-Bank, pro-business infidels who worship in the Temple of Mammon to the false god of riches. Atop the temple, a white man, holding a flag inscribed "No Veto! The Bank! Down with Democracy!" kneels on a pedestal inscribed "Bank Candidate. War, Pestilence, and Famine." Within the temple sit symbolic and political figures including: the Devil representing the "Hartford Convention" of 1815, which debated Northern secession; the "High Church" as a clergyman pleading for donations to preach; the "High Priest" Henry Clay with his "U.S. Bank Book" sitting on his throne the "Chair of State"; the "High Chancellor," Bank of the United States president, Nicholas Biddle pouring out a bag of money to buy newspaper editors; a Northerner ("High Tarrif") discussing slavery, "You Southern Barons have black slaves will you not allow us to make white slaves of our poor population in our Manufacturing Baronies"; and southern pro-nullification senator John C. Calhoun ("No Tariff"), who bemoans his association with Whigs in his personal campaign against political rival Martin Van Buren. In the foreground, worshipers, including monkeys, pray and are chained near a printing press, pro-Bank newspapers, and flags and banners. The flags and banners denigrate "Jefferson," "democracy," and "equal rights" and support "high tariffs," the "merchant class," the "Bank of the United States," and "white slavery.", Title from item., Artist's initial lower left corner: H., Probably published by labor radical Seth Luther., Retrospective conversion record: original entry, edited., Lib. Company. Annual report, 2001, p. 27, 30., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1833?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1833-20 [5760.F.43]

Title: Old Nick's new patent plan to make Nova Scotia tories, federals coodies, Hartford conventioners, nullifiers, national republican bankites &c
Description: Cartoon issued during the Bank War attacking Nicholas Biddle, president of the Bank of the United States, and his allegedly bribed New York newspaper editors for propagating an artificial financial crisis to sway public opinion in favor of the Bank. Depicts editors James W. Webb, Mordecai Manuel Noah, and probably Charles King using large screw presses to crush masses of working men ("workies"), including sailors, laborers, and butchers. Noah, fearing the strength of the "workies," loses control of his press from the shifting weight of his men; King twists his press and talks of the "division of the spoils"; and Webb urges a "good screwing" to gain the workers's suport and Biddle's fees. From below, the "workies" criticize the Bank as an institution of the aristocracy; allude favorably to Jackson and his veto of the Bank's recharter; scream their refusal to bow to a "golden calf"; and exclaim that they vote for liberty, not their "merchants breeches pockets." To the far right, Biddle hollers support to his "cousins"; "Jack Downing" questions the success of the presses; and a man with a monocle declares that the "workies" will not vote in the next election if they fail., Retrospective conversion record: original entry, edited.
Date: [1834]
Location: Library Company of Philadelphia | Print Department political cartoons - 1834-5 [5760.F.59]

Title: The model of a Republican president
Description: Anti-Jackson cartoon concerning Jackson's misuse of federal authority during the Bank War depicting the president as an autocrat emulating Napoleon Bonaparte. Standing beside a statue of the Emperor, Jackson puts on a Napoleon hat in front of a mirror, boasts of his resemblance to Bonaparte, and declares, "Down with the Senate." Attorney General Roger B. Taney, who squats by Jackson's side, places a pillow inscribed "Treasury" on the president's stomach to make him more "pursey" in order to complete his transformation if he "can bear the weight." Nearby compliant Jackson advisor Martin Van Buren states he deserves the purse as a reward for his war service. To the right, in front of the Senate archway, Treasury auditor Amos Kendall and a second figure of Taney discuss the "Protest to the Senate" and "Counter Protest" they have written for Jackson, probably an allusion to the controversial message written by Kendall and Taney about Jackson's veto of the bill to recharter the Bank of the United States., Title from item., Date supplied by Weitenkampf., Printed to right of title: ("I have taken your brother for my model") General Jackson to Joseph Bonaparte, Globe.", Retrospective conversion record: original entry, edited.
Date: [1832?]
Location: Library Company of Philadelphia | Print Department political cartoons - 1832-8 [5760.F.52]

Title: The people putting responsibility to the test or the downfall of the kitchen cabinet and collar presses
Description: Cartoon predicting the dire consequences to follow President Jackson's withdrawal of federal funds from the Bank of the United States. Depicts a riot in which Supreme Court Justice John Marshall warns that "the day of retribution is at hand" as anti-bank fiscal advisors Reuben Whitney and Thomas Ellicott use a rope to pull down a statue of Justice, depicted as a white woman holding scales and stepping on a snake, from a pedestal labeled "Constitution." An angry mob of white men farmers, laborers, and tradesmen carry instruments including axes, pitchforks, and shovels and papers labeled, “Broken Bank.” They fight and demand the recharter of the bank, shouting "Send back the deposites! Recharter the Bank!" and "Come back old responsibility." In the right, Jackson escapes on the back of "Jack Downing" cursing Postmaster General Kendall, "By the Eternal Major Downing; I find Ive been a mere tool to that Damn'd Amos [Kendall] and his set, the sooner I cut stick the better." In the left background, under "Senate Chamber," Henry Clay gloats to Daniel Webster and John Calhoun, "Behold Senators the fulfilment of my predictions." In the left foreground, two African American men, portrayed in racist caricature and speaking in the vernacular, predict freedom and the ascension to the throne of abolitionist William Lloyd Garrison, "Hurrah! for Massa Garison, den he shall be King!" A Jewish banker, portrayed in caricature, undercuts a sailor offering him a ten dollar bank note, "Mine Got that ish one of the Pet Bankhs I'll give you one Dollar for the Ten." In the right foreground, newspapers supportive of Jackson, "collar presses," symbolized as dogs with human heads labeled "Evening Post, N. York Standard, Journal of Commerce, Albany Argus," run away chained together., Title from item., Date from copyright statement: Entered according to Act of Congress in the Clerk's Office for the Southern District of New York by T.W. Whitley in the year 1834, and for sale at 104 Broadway., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Whitley was a mid-19th-century New York landscape and figure painter who also wrote about art and drama for the New York Herald.
Creator: Whitley, T. W. (Thomas W.), artist
Date: 1834
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1834-7 [1884.F.3]

Title: All on hobbies, gee up, gee ho!
Description: Cartoon depicting the possible candidates for the presidential election of 1840, riding hobby horses symbolizing their issues. President Van Buren leads the pack cheering on his "old hickory nag," "Sub Treasury," named after his financial program, which allowed independent agencies to administer federal funds. Politicians following Van Buren include: bullionist Senator Thomas Hart Benton on "Specie Currency," his "golden poney" which carries "more weight than any of them"; Senators Henry Clay and Daniel Webster, leading opponents to Van Buren's fiscal policy, bickering over their shared horse named after the defunct "United States Bank"; South Carolina Senator John C. Calhoun riding his "consistent" horse "State Rights and Nullification"; 1836 presidential nominee William Henry Harrison, attired in uniform, on his "Anti-Masonic" horse that keeps a "pretty easy pace" but may "lose his wind" if another scandal like the abduction and murder of mason William Morgan does not occur; and Congressman John Quincy Adams steering away from the group on his "Ebony" horse "Abolition.", Title from item., Date from copyright statement: Entd accordd to Act of Congress in the year 1838, by H.R. Robinson, in the Clerk's Office of the District Court of the United States for the Southern District of New York., Artist's initial lower left corner., Retrospective conversion record: original entry, edited., Described in Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era (PhD diss., The University of Michigan, 1980), p. 205., Accessioned 1989., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Clay, Edward Williams, 1799-1857, lithographer
Date: 1838
Location: Library Company of Philadelphia | Print Department political cartoons - 1838-1 [P.9249.8]

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