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- Title
- [Allegorical cartoon with pixies, cherubs, architecture, and an execution]
- Description
- Dreamlike scene of Black and white pixies creating mayhem around a white man's execution by hanging. Pixies hold the hangman's noose and break blocks upon a dismembered man's head. In the background, stands a large majestic building with an American flag and other architecture including a pyramid, monument, steeple, and dome., Title supplied by cataloguer., Date inferred from possible artist., Manuscript note on verso: Woodside?, Possibly by John Archibald Woodside, Sr., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., Accessoined 1893.
- Date
- [ca. 1835]
- Location
- Library Company of Philadelphia | Print Department drawings & watercolors - unid. - A [5656.F.30]
- Title
- L' Amerique
- Description
- Allegorical print depicting the Americas as a Black woman and boy. The woman dressed in a bejeweled feather head piece, pearls, and shawl has a black parrot perched on her hand and overlooks the shoulder of a reclining boy. The boy, draped in a blue cloth and holding a bow, his cache of arrows beneath him, wears a feather armband and gold collar. He returns the glance of the woman. A palm tree stands behind them., Title from item., Date inferred from content., RVCDC, Description revised 2021., Access points revised 2021., Purchase 1971., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Haid was a Bavarian engraver, portraitist, and book illustrator.
- Creator
- Haid, Johann Jacob, 1704-1767, artist
- Date
- [ca. 1755]
- Location
- Library Company of Philadelphia | Print Department *GC-Allegories [7993.F.3]
- Title
- Associate Presbyterian Mission, Trinidad
- Description
- View of the mission established by the Presbyterian Church in 1842. Shows a white man and woman couple with a dog greeting a Black man in front of two bungalows down the road from a Black man walking with a rifle over his shoulder. In the foreground, a fence surrounds the property from the road, and palm trees are visible. The Presbyterian Church relinquished the mission to the Free Church of Scotland circa 1852., Title from item., Date inferred from content., Illegible partial artist's imprint on recto., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of foreign countries. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1845]
- Location
- Library Company of Philadelphia | Print Department GC - Religion [5754.F.97b]
- Title
- La Bamboula
- Description
- Racist trade card specimen depicting a caricature of a dancing Black boy. Shows the bare-chested boy, attired in a red, white, and blue feathered headdress and skirt and gold hoop earrings, necklace, bracelets, and anklets. His feet lift off of the ground, and he holds his hands up as he dances and smiles. On the ground beside him is a spiked, wooden club. In the background, green jungle foliage is visible., Title from item., Date deduced from the visual content., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - And he got [P.2017.95.197]
- Title
- Correos. America del Sur
- Description
- Trade card promoting South American postal services and containing a montage of images representing South American culture. Includes a genre scene depicting a Black boy attired in earrings, a wide-brimmed hat, a white, blousy, long-sleeved shirt with open collar, red sash belt, and blue-striped pants and holding sheets of mail with stamps (left); depiction of a group of postage stamps of Argentina, Bolivia, and Peru (upper right); and a vignette of laborers harvesting sugar cane (lower right). Also includes, on the lower edge, pictorial details of the coats of arms of Peru and of Chile., Title from item., Gift of David Doret.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Correos [P.2017.95.200]
- Title
- [Correos. America del Sur]
- Description
- Trade card specimen promoting South American postal services and containing a montage of images representing South American culture. Includes a genre scene depicting a Black boy attired earrings, a wide-brimmed hat, a white, blousy, long-sleeved shirt with open collar, red sash belt, and blue-striped pants and holding sheets of mail with stamps (left); a map of the countries of South America (upper right); and a vignette of laborers harvesting sugar cane (lower right). Also includes, on the lower edge, pictorial details of the coats of arms of Peru and of Chile., Tiitle and place of publication from variant of print within collection. See P.2017.95.200., Date inferred from genre of print., Gift of David Doret.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Correos [P.2017.95.201]
- Title
- Cuba. Sugar plantation. Havana City and Harbor. Morro Castle. Santiago Cuba
- Description
- Trade card specimen depicting vignettes of a black man in a hat smiling, a sugar plantation, Havana City’s harbor, Morro Castle, and Santiago. In the top left is a circular vignette of a black man, attired in a brimmed straw hat and a white-collared shirt, who looks to the right and smiles. In the top right is a sugar plantation with a man in horse-drawn cart hauling sugar cane. Tall stalks of cane line the road. Beneath is a scene of the harbor in Havana City, with ships coming in and out. Mountains are visible in the background. In the left are palm trees. A vignette of Morro Castle, the fortress guarding Havana Bay, is depicted with a ship passing in front of it. In the bottom of the card is a depiction of Santiago, showing a wall with an American flag flying on a pole with mountains in the background and water winding around the land below. In the foreground are products from Cuba, including fruits, such as a pineapple, a pouch labeled “tobacco,” and a box of cigars., Title from item., Date deduced from the content., Text printed on verso: Cuba. The area of Cuba is 41,655 square miles. The island is long and narrow and follows a curved line through its centre; is 720 miles long and its average breadth is 80 miles. The highest part of the island is the range extending in the southwest from the Punto de Maysi to Cape Cruz. There are mountains immediately above the harbor of Trinidad de Cuba in the south, the highest of which is 2,990 feet above the sea level. The climate is hot on the coast and temperate on the higher levels. Ten per cent of the area is, or was, cultivated. There are large tracts of the island still unexplored. A census taken in 1887 reported the population to be 1,631, 687. Of this, 528,998 were negroes and mulattoes. The present population is uncertain. Probably, as the results of devastating war, it has been cut down at least a fourth. Principal cities are Havana (the capital), Santiago de Cuba, Puerto Principe, Holguin, Sancti Spiritus, Matanzas. Before the insurrection, there were over 1,000 miles of railroad in operation on the island. The chief produce is sugar and tobacco. There is also production of mahogany, fruits, honey and wax. Gold and silver have been found in paying quantities. The iron mines of Cuba, all of which are located near Santiago, overshadow in importance all the other industries on the eastern end of the island. The ore of these mines is among the richest in the world, yielding from 62 to 67 per cent of pure iron. The principal imports are flour, rice and jerked beef. The chief exports are sugar and tobacco., Stamped on verso: 3259 12., Gift of David Doret.
- Date
- [ca. 1890]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Cuba [P.2017.95.202]
- Title
- Virginia stock
- Description
- Racist, allegorical, satiric print showing a line of enslaved black women and girls, shackled to each other by their wrists, and standing side by side in a tropical setting. The female figures are depicted with exaggerated facial features and short wavy hair. They wear simple pale-colored dresses that fall to their knees, are cinched at the waist, and have long sleeves. The figures look to the distance, at each other, and toward the viewer. Some stand with their feet pigeon-toed or pointed out. Some of the women wear earrings and one of the girls is portrayed with her eyes looking straight up. Coconut trees and greenery are visible in the background., Gabriel Shire Tregear (1801/2-1841) was a British colorist turned print publisher who specialized in series of comic and sporting prints, including "Tregear's Black Jokes" and "Flowers of Ugliness.", RVCDC, Description reviewed 2022., Access points revised 2022.
- Date
- 1836
- Location
- Library Company of Philadelphia | Print Department GC - Allegories - Flowers [P.2016.45.3]
- Title
- Missionary Society of the Methodist Episcopal Church [certificate]
- Description
- Life membership certificate containing a vignette contrasting scenes of apocalyptic doom and religious salvation. Shows to the right an angel trumpeting salvation and wielding the Bible above a missionary preaching to a large group of Native Americans and a converted Black family kneeling and reaching toward the heavens; broken shackles and swords beside them. Opposite the scenes of salvation, a cross rises from the ground, bringing forth a river of redemption too late for the lost souls of a bejeweled "heathen" woman and a skull-headed man entangled by serpents. Behind them a temple, probably the Vatican, collapses to the ground. The Missionary Society, officially organized in New York in 1820, worked first to convert Native Americans and enslaved people before extending their missions to the Black inhabitants of Liberia in 1823., Issued to Eliza J. Hamilton on April 7th, 1846. Signed by John Whitman, President and Saml. Sappington, Secretary., Gift of David Doret, 2009., See variant *Philadelphia Certificates - Organizations - M [P.P.2004.46.1]., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Access points revised 2021., Description revised 2021.
- Creator
- Sartain, John, 1808-1897, engraver
- Date
- [ca. 1835]
- Location
- Library Company of Philadelphia | Print Department *Philadelphia Certificates - Organizations - M [P.2009.26.1]
- Title
- Columbia trading with all the world
- Description
- Allegorical print depicting "Columbia" (i.e., the United States) as a white woman with brown hair, on the deck of a ship. She holds a caduceus and disperses treasures from a horn of plenty held by "Wisdom," who is portrayed as a white woman attired in a helmet, armor, a skirt, and sandals. Wisdom holds a spear in her left hand and gives the treasures to three male figures representing the country's international trade partners. Figures depicted are: Africa as a Black man attired in a headpiece shaped like an elephant's head and leaning on a tusk of ivory; Asia as a bearded man with a light-brown color skin tone attired in a turban; and South America as a man in a feathered headpiece carrying a bow., Title from item., Date inferred from content., Possibly published in London and not the United States., Revised state. Previous title and imprint faintly visible and illegible below image., Gift of Dr. Mary DeWitt Pettit, 1965., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1789-ca. 1800]
- Location
- Library Company of Philadelphia | Print Department *GC - Allegories [7737.F]
- Title
- [African man fanning a white woman in a hammock]
- Description
- Racist, trade card specimen depicting a white woman in a hammock being fanned by a caricature of an African man. In the center, shows the blond-haired, white woman attired in a red headband, a blue dress, and yellow shoes, lying in a hammock. In the left, an African woman, attired in a head kerchief, a necklace, a white shirt, and a red skirt, serves a tray of food to the woman. The white woman leans over and grabs a piece of food from the tray with her right hand and has a butterfly on her left hand. In the right, an African man, attired in hoop earrings and a red and white sarong, fans the woman with a feathered fan on a long pole. In the right foreground, another African man attired in a red and white sarong, sits on steps leading to the hammock and fills a basket with coconuts. In the left are a parrot, several stacked boxes with pineapples on top, and two potted plants. In the right, a monkey sits holding a coconut. In the background is a water fountain, a statue of a woman carrying a vase on a pedestal, and palm and coconut trees. Behind the hammock is the roof of a building with a yellow curtain hanging down., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 26 [P.2017.95.237]
- Title
- View of the old Capitol
- Description
- Reproduction of an 1837 print "View of the Capitol at Washington" engraved by C.J. Bentley after the work of W. H. Bartlett and published in N. P. Willis's American Scenery;... (London: George Virtue, 1837). Shows the Capitol building with the Bulfinch dome that was removed in 1856. Also shows street and pedestrian traffic, including horse-drawn carriages, a man on horseback, and a group of Black men and women in non-European attire in the foreground. Reconstruction of the Capitol building after the designs of Charles Bulfinch was completed in 1826., Title from label., Date inferred from content and active dates of the photographer., Gift of Sandra Markham.
- Creator
- Rau, William Herman, 1855-1920
- Date
- [ca. 1895]
- Location
- Library Company of Philadelphia | Print Department lantern slides - Rau - United States [P.2006.21.1]
- Title
- Olaudah Equiano or Gustavus Vassa the African
- Description
- Bust portrait of the British, Black free man and abolitionist, Olaudah Equiano, who authored one of the earliest and most influential autobiographies by a formerly enslaved person. He is attired in a dark-colored jacket with a collar and buttons and a white collared shirt, cravat, and waistcoat. He holds the Bible in his right hand, which is open to “Acts Chap. IV. V. 12.”, Title from item., Publication information and date inferred from source in which the portrait was originally included., Published as the frontispiece in Olaudah Equiano's The interesting narrative of the life of Olaudah Equiano...(New York: W. Durrell, 1791). (LCP Am 1791 Equ, Log 3936.D)., Accessioned after 1870 and before 1900., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Tiebout, Cornelius, 1777-1832, engraver
- Date
- [1791]
- Location
- Library Company of Philadelphia | Print Department Portrait Prints - E [1885.F.145]
- Title
- Pennsylvania Colonization Society A view of Bassa Cove in Liberia
- Description
- Honorary life membership certificate containing a view of Liberia, the African American colony established by the American Colonization Society in 1822. In the left foreground, three bare-chested Black people, attired in white sarongs, stand at the West African cove across from the small village. The village is comprised of buildings and is surrounded by a fence. People and cattle stroll the grounds. The Pennsylvania Colonization Society, established in 1826, was a state chapter of the controversial American Colonization Society established in 1816 to promote Black American emigration to resolve the problem of race inequality and to end slavery., Title from item., Issued to [Tho]mas Sully, Esquire of Philadelphia on October 24, 1848 for his donation of "valuable original portraits." Signed by [Robert B.] Davidson, rec. secretary; Elliot Cresson, corresponding secretary; J.R. Ingersoll, president., Description revised 2021., Access points revised 2021., Gift of Hirschl and Adler Galleries, 1989., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lehman & Duval was a Philadelphia partnership between painter, lithographer, and engraver George Lehman, and lithographer, Peter S. Duval, that lasted from 1835 until 1837.
- Date
- [ca. 1837]
- Location
- Library Company of Philadelphia | Print Department *Philadelphia Certificates [P.9261]
- Title
- Imperméables, Au Roi du Caoutchouc
- Description
- Racist trade card promoting Roi du Caoutchouc's trench coats and depicting a bust-length portrait caricature of a fashionable black man. The man is depicted with exaggerated facial features, including a broad smile and long eye lashes. He is attired in a gold, bejeweled crown; gold hoop earrings; a trench coat with the collar raised; and gray turtleneck. Roi du Caoutchouc was a Belgium manufacturer of raincoats and trenchcoats in business originally in the 1920s. Leopold Trepper, a Polish Soviet intelligence agent, acquired the company in 1938 and launched a Brussels operation that expanded into an import-export business called the Foreign Excellent Trenchcoat Company. Trepper used the firm as a front for espionage. In 1940, during World War II, the Germans assumed control of the company., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from the history of the advertised business., Text printed on recto: Imperméables, Au Roi du Caoutchouc., Advertising text printed on verso: Trouver mieux? Impossible! Les imperméables et gabardines au roi du caoutchouc sont reconnus les meilleurs, les plus élégants, les moins chers. Apercu de quelques prix: Imperméables très solides depuis 45 frs. Trench-coats entièrement doublés et huilés depuis 75 frs. Gabardines entièrement doublées 1/2 soie depuis 95 frs. 55 succursales en Belgique. Bruxelles 103, Boulevard Ad. Max. 161, Chaussée de Waterloo. 141, Rue haute. 51, Rue de Flandre. 15, Chaussée de Louvain. Translation of advertising text: Find better? Impossible! The rubber king's raincoats and garbardines are recognized as the best, the most elegant, the cheapest. Preview of some prices: Very solid waterproofs for 45 frs. Trench-coats fully lined and oiled for 75 frs. Gabardines fully lined 1/2 silk for 95 frs. 55 branches in Belgium. Brussels 103, Boulevard Ad. Max. 161, Waterloo Causeway. 141 High Street. 51 Flanders Street. 15, Leuven Causeway., Gift of David Doret.
- Date
- [ca. 1930]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Au Roi du Caoutchouc [P.2017.95.9]
- Title
- Noix de coco for puddings, pies, and pastry. Manufactured by Warner & Merritt. Philadelphia
- Description
- Racist trade card promoting Warner & Merritt’s Noix de Coco and depicting a white woman in a hammock being fanned by a caricature of an African man. In the center, shows the blond-haired, white woman attired in a red headband, a blue dress, and yellow shoes, lying in a hammock. In the left, an African woman, attired in a red head kerchief, a necklace, a white shirt, and a red skirt, serves a tray of food to the woman. The white woman leans over and grabs a piece of food from the tray with her right hand and has a butterfly on her left hand. In the right, an African man, attired in hoop earrings and a red and white sarong, fans the woman with a feathered fan on a long pole. In the right foreground, another African man attired in a blue sarong, sits on steps leading to the hammock and fills a basket with coconuts. In the left are a parrot, several stacked boxes with pineapples on top, and two potted plants. In the right, a monkey sits holding a coconut. In the background is a water fountain, a statue of a woman carrying a vase on a pedestal, and palm and coconut trees. Behind the hammock is the roof of a building with a yellow curtain hanging down. The Philadelphia firm Warner & Merritt imported fruit from the West Indies and Central America from 1878 until 1884. They used 20,000 to 25,000 coconuts weekly to manufacture their desiccated coconut product, Noix de Coco., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from the history of the advertised business., Distributor's imprint stamped on verso: Levi I. Schreffler, Dealer In Produce, Tobacco, Sugars, Fresh Fish & Truck, New Depot, Tamaqua, PA., Gift of David Doret.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Warner [P.2017.95.188]
- Title
- The nigger emperor of Nicuragua [sic] on his throne Attended by Chatfield & his Black guards witnessing the detention of the steamer Prometheus, by the English brig of war Express, at San Juan
- Description
- Racist political cartoon satirizing the fictitious "Nigger Emperor" of Nicaragua during the "Prometheus-Express" incident of November 1851, which threatened the Clayton-Bulwer Treaty of 1850 between the United States and Britain to abstain from attempting dominion of Central America. Depicts the Emperor as a Black man, partially undressed, attired in a military uniform with epaulettes, a black plumed hat, a sword on his waistband, and black boots. He sits atop a barrel labeled “Jamaica Rum.” He has one boot off that exposes his sock. His trousers are off and draped over his right arm. He smiles with a cigar in his mouth and carries a bottle labeled “Brandy” in his left hand. He looks towards Frederick Chatfield, the United Kingdom’s consul in Central America from 1834 to 1852, standing in the right. Chatfield holds his hands up and says, “They shall pay the money or be blow to attoms for their temerity, let me again entreat your Majesty to condesend (sic) to draw your breeches over your imperial shins.” The Emperor gestures with his right hand to the two ships in the harbor and replies in the vernacular, “Nebber mine, Massa Chatfield, wedder to warm for wear beechum, Yankee hab to cum back and pay money to dis nigger, ya, ya, ya.” Behind the Emperor, several Black guards, attired in tall hats, smile and stand in formation. Also in the print is a small black dog sniffing the Emperor’s sock., The Clayton-Bulwer Treaty of 1850 made Greytown, Nicaragua a free port, denying the British revenue. To circumvent this, the British charged harbor fees. On November 21, 1851, Cornelius Vanderbilt’s ship Prometheus refused to pay the British harbor fees. The British brig o’war Express fired three shots across the bow of the Prometheus. Vanderbilt then paid. However, when the ship arrived in New York he took his case to the U.S. government with the U.S. wanting Britain to withdraw from Central America. In early 1852, the Nicaraguan government sought to assert its authority over the Miskito kingdom. On April 30, 1852, Secretary of State Daniel Webster and British minister John Crampton negotiated a settlement that made Greytown a free city, protected the rights of the Miskito Indians, and established the border between Costa Rica and Nicaragua along the San Juan River., Title from item., Erroneously dated 1839 by Weitenkampf., Appears in The old soldier, New York, February, 1852., Likely drawn by John L. Magee, who worked at 69 Nassau Street at this time., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Magee, John L., artist
- Date
- [1852]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1851-28 [5760.F.107]
- Title
- Mount Vaughan Scite of Protest[an]t. Episcopal Mission, Cape Palmos, West Africa
- Description
- View of the lush grounds of the mission begun in the Black emigrant colony of Liberia in 1835 to educate and spread the gospel in Africa. Depicts the "mission houses," "school house," houses of a "native laborer" and "a colonist," and "native cattle broken to the yoke." A Black man guides a cattle-drawn cart on the dirt road outside of the fenced mission fields where Black laborers work. Begun under the auspices of the American Colonization Society and the Domestic and Foreign Missionary Society of the Protestant Episcopal Church, the mission moved on March 4, 1837 to Mt. Vaughan, named in honor of the Missionary Society's Secretary of the Board, Rev. John Vaughan. Contains key to figures below the image., Title from item., Lib. Company. Annual report, 1969, p. 56., Purchase 1969., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Breton was a 19th-century Philadelphia painter, delineator, and early lithographer who specialized in views.
- Creator
- Breton, William L., approximately 1773-1855, artist
- Date
- 1838
- Location
- Library Company of Philadelphia | Print Department *GC - Views - Foreign - Africa [7821.F]
- Title
- A view of Bassa Cove (in Liberia.)
- Description
- View "from a drawing made on the spot by Dr. Robert McDowall" of a village scene in Liberia, the African American colony established by the American Colonization Society in 1822. Also used as the illustration of a membership certificate of the Pennsylvania Colonization Society. In the left foreground, three bare-chested Black people, attired in white sarongs, stand at the West African cove across from the small village. The village is comprised of buildings and is surrounded by a fence. People and cattle stroll the grounds. Established in 1816, the controversial American Colonization Society promoted Black American emigration to resolve the problem of race inequality, and to dissolve the institution of slavery. Copies of the print were on view for sale at the colonization society office for over a decade. McDowall was a Black physician sent by the society to provide medical care at the colony., Title from item., Advertised in Colonization herald, June 17, 1837, vol. III, no. 54, p. 214 and later issues., Purchase 1970., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Lehman & Duval was a Philadelphia partnership between painter, lithographer, and engraver George Lehman, and lithographer, Peter S. Duval, that lasted from 1835 until 1837.
- Date
- [ca. 1836]
- Location
- Library Company of Philadelphia | Print Department *GC-Views-Foreign-Africa [7930.F]
- Title
- Standard java, Chase & Sanborn, Boston
- Description
- Trimmed metamorphic trade card promoting Chase & Sanborn's coffee. Depicts a quirky, racist scene with a trompe l’oeil aesthetic and including the oversized head of a Black man with exaggerated features in a North African setting. Shows an African man attired in a yellow hooded robe on a white horse and holding a long spoon to an enormous face of an African man. His head covered in a green and red turban has torn through a wall. He purses his lips out to the spoon. In the center of the image is a white coffee cup with a blue stripe and the text "Standard java, Chase and Sanborn, Boston" written in red. In the right foreground, holding a basket, is a barefooted African woman attired in a white dress with red stripes and cap sleeves; a yellow vest; and red, head kerchief. In the background is a building with Moresque decorative features in the doorway and window. Illustrated on the verso is a partial view of a black man. Shows his chin and lower lip, his torso, and his legs above his ankles. His arms are raised, and he is attired in white pants with blue stripes; a green jacket with yellow lining; a white collared shirt; and red vest and bowtie. Caleb Chase (1831-1908) established a coffee and tea company in 1864. Chase partnered with coffee seller James Sanborn (1835-1903) in 1874 to form Chase & Sanborn. It was the first company to pack and ship roasted coffee in sealed tins. In 1893, the firm supplied the coffee to all of the salons at the Chicago World's Fair. Chase & Sanborn was acquired in 1929 by Standard Brands, which merged with Nabisco in 1981., Title from item., Date deduced from history of the advertised business., Advertising text printed on verso: Boston roasted coffees have a national reputation representing the finest grown seal brand java and mocha coffee is justly called the aristocratic coffee of America surpassing all others in its richness and delicacy of flavor always packed whole roasted in 2-lb, air-tight tin cans. Crusade blend coffee is a skillfull blending of three high grade coffees noted for their flavor, strength and aroma, warranted not to contain a single Rio bean, but guaranteed to [?]., Gift of David Doret., Card is trimmed at the top and bottom.
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Chase [P.2017.95.25]