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- Title
- West view. Looking up Chestnut St. towards West Philadelphia
- Description
- Panoramic view showing cityscape in Center City Philadelphia. Includes residential buildings, storefronts, factories, Chestnut Street Theatre (603-609 Chestnut), the flag-adorned roof of "Barnum Museum" (628-632 Chestnut) and the top of Alfred M. Herkness Philadelphia Horse & Carriage Bazaar (800 block Sansom). Also shows partial view of the Philadelphia Arcade (615-619 Chestnut), trees in Independence Square, and pedestrian and street traffic in the foreground. Traffic includes a horse-drawn carriage and man on horseback., Copyrighted by E. Whitefield., Philadelphia on Stone, POS 544d, Retrospective conversion record: original entry, edited.
- Creator
- Whitefield, Edwin, 1816-1892, artist
- Date
- c1850
- Location
- Library Company of Philadelphia | Print Department *BW - Views [P.2120]
- Title
- The new theatre in Chesnut [sic] Street Philadelphia Built 1822. Taken down 1856
- Description
- View of the third edifice of the Chestnut Street Theater, erected in 1822, after the designs of William Strickland at the location of the second building, razed by fire in 1820, on Chestnut Street above Sixth Street. Depicts couples strolling passed the theater, built with corinthian columns with niches containing the salvaged William Rush statues of Comedy and Tragedy. The theater, razed in 1855, was rebuilt on Chestnut Street above Twelfth Street in 1863., Inscribed upper right corner: 3., Retrospective conversion record: original entry, edited., Originally part of a scrapbook of McAllister restrikes.
- Creator
- Birch, William Russell, 1755-1834, engraver
- Date
- [1860]
- Location
- Library Company of Philadelphia | Print Department Birch's views [Sn 40c/2569.Q.3]
- Title
- The late theatre in Chesnut [sic] Street Philadelphia Destroyed by Fire in 1820
- Description
- View of the altered first building of the Chestnut Street Theater, at Chestnut above Sixth Street, the front facade redesigned by Benjamin Henry Latrobe in 1805 with columns flanked by wings. The most lavish and first gas-lit theater in the country, opened in 1794, was destroyed by fire on April 2, 1820, and rebuilt after the designs of William Strickland in 1822. Depicts several individuals, predominately couples, strolling and convening near the theater. A horse-drawn carriage, with three people, travels in the street., Retrospective conversion record: original entry, with corrections.
- Creator
- Fox, Gilbert, 1776-1807?, etcher
- Date
- [1828]
- Location
- Library Company of Philadelphia | Print Department Birch's Views [Sn 32b/P.2276.68]
- Title
- Money bags, Chestnut Street Theatre. Marrying for money
- Description
- llustrated trade card depicting a vignette of an older man and a young woman. As he mischievously twists his mustache, she is posed in a childlike manner, seated and playing with his pocketwatch. Vignette surrounded by money, including paper and coin currency. The comedy "Money Bags" by J.W. Shannon debuted at the Chestnut Street Theatre in 1881., Contains advertising text printed on verso: Chestnut Street Theatre, Chestnut St., above Twelfth. Another novelty! First production in America. Three hours fun! J.W. Shannon's inimitable comedy Money Bags commencing Thursday, Oct. 20, Wednesday & Saturday matinee. Best reserved seats 50 cents. Reserved seats at admission prices after the doors are open in the evening. Full of fun and merriment! Seats may be secured two weeks in advance., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
- Date
- [ca. 1881]
- Location
- Library Company of Philadelphia | Print Department trade card - Chestnut [1975.F.595]
- Title
- Chest. St. Theatre, Phila. Pa
- Description
- View looking northwest at the north side of the 1200 block of Chestnut Street showing the Chestnut Street Theater built in 1863 after designs by John Crump. Includes signs for Allen's furniture store (i.e., Joseph Allen, cabinet maker, 1209 Chestnut) and a concert hall north of the theater building. All of the properties have awnings shading the street level, except for the theater, which has street lamps lining the sidewalk and a broadside advertising "E.L. Davenport's Theatre...A Dream of Life" near the entrance. Also includes trolley tracks, pedestrians on the sidewalks, and a few horse-drawn carts and coaches travelling in the street., Title from photographer's manuscript note on verso., Manuscript notes in red pen appear on mount., Manuscript note in red pen on verso: Mrs. Mihesell Vane 11/3/63 270/10.00 (3), Yellow mount with rounded corners., Davenport managed the theater from 1869-1873. "A Dream of Life" played there un 1872., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bell began his photographic career in 1848 working for his brother-in-law's daguerreotype studio in Philadelphia and thereafter was associated with many commercial studios as partner or sole proprietor. He served as the chief photographer for the U.S. Army Medical Museum in 1865 and replaced Timothy O'Sullivan on George M. Wheeler's survey of the territories west of the 100th meridian in 1872. He returned to Philadelphia, went into business with his future son-in-law William Rau in 1875, and was active in the photography community until his death in 1910.
- Creator
- Bell, William, 1830-1910
- Date
- [ca. 1872]
- Location
- Library Company of Philadelphia | Print Department stereo - Bell - Theaters and halls [P.9189.2]
- Title
- Chesnut Street Theatre, Philadelphia
- Description
- Exterior view of the third building of the popular theater, known as "Old Drury," at Chestnut Street above Sixth. White men and women pedestrians, a white newspaper boy, and laborers stroll the sidewalk. An African American huckster sells his wares to a customer in the street. The building, designed by William Strickland, was erected in 1822 after fire claimed the second building at Sixth and Chestnut Streets. It was demolished in 1855., Title from item., Published in John Howard Hinton's The history and topography of the United States (London: I.T. Hinton, & Simpkin & Marshall, 1830-1832), vol. 2, aft. p. 502. (LCP Am 1830 Hinto (2231.Q))., Printed in upper right corner: 47., Originally part of a Poulson scrapbook of Philadelphia illustrations., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Fenner, Sears & Co., engraver
- Date
- [May 15, 1831]
- Location
- Library Company of Philadelphia | Print Department PhPr - 8x10 - theaters [(1)1525.F.47a]
- Title
- [Chestnut Street Theatre]. North East corner of Sixth and Chestnut Streets, Philadelphia
- Description
- View of the second building of the theater, built 1820-1822 after the designs of William Strickland, Pedestrians walk on the sidewalk and read playbills on display. Also shows partial views of neighboring buildings, including Hart’s Building owned by prominent Jewish publisher and philanthropist, Abraham Hart, erected 1848 (537-539 Chestnut). A gas light with a shade illustrated with a dancer adorns the Melodeon (611-613 Chestnut) and signage advertising D. C. Baxter, engraver on wood, is partially visible on Hart’s Building. Theater razed 1856., Forms part of Poulson scrapbooks, Illustrations of Philadelphia, volume 4., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Baxter, De Witt Clinton, ca. 1829-1881, engraver
- Date
- [ca. 1855]
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 4 [(4)2526.F.73a]
- Title
- New Chestnut Street Theatre
- Description
- View looking northwest at the north side of the 1200 block of Chestnut Street showing the Chestnut Street Theater built in 1863 after designs by John Crump. Includes signs for Joseph M. Durr's restaurant (1211 Chestnut) at street level, Allen's furniture store (i.e., Joseph Allen, cabinet maker, 1209 Chestnut) and a concert hall west of the theater building. All of the properties have awnings shading the street level, except for the theater, which has street lamps lining the sidewalk and a broadside advertising "The Black Crook" near the entrance. Also includes trolley tracks and three horse-drawn coaches travelling in the street., Titles from printed label pasted on mount., Yellow paper mount with square corners., The Black Crook played at the Chestnut Street Theatre in Philadelphia in 1868., See duplicates: Bartlett & French (8)1322.F.29b and (8)1322.F.35i, Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
- Creator
- Bartlett & French
- Date
- [1868]
- Location
- Library Company of Philadelphia | Print Department stereo - Bartlett & French - theaters [(8)1322.F.29b]
- Title
- [New Chestnut Street Theatre.]
- Description
- View looking northwest at the north side of the 1200 block of Chestnut Street showing the Chestnut Street Theater built in 1863 after designs by John Crump. Includes signs for Joseph M. Durr's restaurant (1211 Chestnut) at street level, Allen's furniture store (i.e., Joseph Allen, cabinet maker, 1209 Chestnut) and a concert hall west of the theater building. All of the properties have awnings shading the street level, except for the theater, which has street lamps lining the sidewalk and a broadside advertising "The Black Crook" near the entrance. Also includes trolley tracks and three horse-drawn coaches travelling in the street., Titles from printed label on duplicate: (8)1322.F.29b., Yellow paper mount with square corners., The Black Crook played at the Chestnut Street Theatre in Philadelphia in 1868., See duplicates: Bartlett & French (7)1322.F.1c and (8)1322.F.35i, Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
- Creator
- Bartlett & French
- Date
- [1868]
- Location
- Library Company of Philadelphia | Print Department stereo - Bartlett & French - Theaters [(8)1322.F.35i]
- Title
- [Chestnut Street Theatre, 603-609 Chestnut Street, Philadelphia]
- Description
- View of the second building of the theater, built 1820-1822 after the designs of William Strickland, displaying several playbills for the last performance at the current building. Includes additional playbills displayed under a gaslight fixture in front of the adjacent theater, the Melodeon (611-613 Chestnut). Fixture adorned with shades advertising the "Melodeon Celebrated Troupe Dancer" and an illustration of a dancer. Also shows the opposite neighboring businesses of a shooting gallery and "Shakespeare Bowling Saloon" (601 Chestnut) and Hart's Building owned by prominent Jewish publisher and philanthropist, Abraham Hart, erected 1848 (537-539 Chestnut). Signage advertising Gilbert & Gihon, engravers on wood, is partially visible on Hart's Building and a poster showing a man shooting a pistol adorns the shooting gallery. Theater razed 1856., Title supplied by cataloguer., Photographer's blindstamp on mount of (6)1322.F.44., Originally part of a McAllister scrapbook of views of Philadelphia., Retrospective conversion record: original entry, edited., Published in Robert F. Looney's Old Philadelphia in Early Photographs, 1839-1914 (New York: Dover Publications, Inc. in cooperation with The Free Library of Philadelphia, 1976), entry #125., Reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 16., Arcadia caption text: Referred to as the New Theatre to distinguish it from the Southwark, or Old, Theatre, the Chestnut Street Theatre opened in 1794 near the northwest corner of Sixth and Chestnut streets. After fire destroyed its building in 1820, the Association of the Proprietors of the New Theatre sold shares in the property and hired William Strickland to design a new building. Constructed at the same location in only eight months, the imposing marble structure included the statues of Comedy and Tragedy sculpted by William Rush, which survived the fire. To celebrate its opening, the managers held a contest for the best opening night address. Prize winner Charles Sprague’s verses were so well-received that his address was read a second night. The theater is shown here in 1855, shortly before being demolished.
- Creator
- M'Clees, Jas. E. (James E.), photographer
- Date
- May 1, 1855
- Location
- Library Company of Philadelphia | Print Department photo - McClees - Theaters [(6)1322.F.44; (7)1322.F.63a]
- Title
- [New Chestnut Street Theatre]
- Description
- View looking northwest at the north side of the 1200 block of Chestnut Street showing the Chestnut Street Theater built in 1863 after designs by John Crump. Includes signs for Joseph M. Durr's restaurant (1211 Chestnut) at street level, Allen's furniture store (i.e., Joseph Allen, cabinet maker, 1209 Chestnut) and a concert hall west of the theater building. All of the properties have awnings shading the street level, except for the theater, which has street lamps lining the sidewalk and a broadside advertising "The Black Crook" near the entrance. Also includes trolley tracks and three horse-drawn coaches travelling in the street., Title and series name and number from duplicate: (8)1322.F.29b., Date supplied by cataloger., The Black Crook played at the Chestnut Street Theatre in Philadelphia in 1868., See duplicates: Bartlett & French (8)1322.F.29b and (8)1322.F.35i, Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Bartlett & French was a partnership between Philadelphia photographers George O. Bartlett and William French circa 1867-1869.
- Creator
- Bartlett & French
- Date
- [1868]
- Location
- Library Company of Philadelphia | Print Department stereo - Bartlett & French - Theaters [(7)1322.F.1c]
- Title
- Illustrated Philadelphia. Vincit qui se vincit. Vol. IV
- Description
- Scrapbook containing clippings, prints, and ephemera predominately dated 1855 pertaining to the built environment, and social, cultural, economic, and political climate of Philadelphia. Contents include illustrated newspaper, periodical, and guidebook clippings describing prominent city landmarks, including cemeteries, benevolent institutions, and churches; columns reporting about city improvements; reports, lists, and statistics about mortality rates, market prices, and sheriff and real estate sales; and editorial and public interest stories related to local politics and mores, prominent trades, social events, municipal services, and city demographics. Subjects include the new Masonic Hall (history of the local organization, dedication ceremony, and description of building); the history and demolition of the second building of the Chestnut Street Theatre; the centennial anniversary of the Pennsylvania Hospital; the state of local trades, including Jules Hauel & Co.’s perfumery, the soda water business, "plaster images," lithography (P. S. Duval, p. 24), preserves and pickling (Jacob L. Wendall), milkmen, shipbuilding, manufacture of cassimeres, and over-worked and underpaid needle woman; municipal issues, including the mayor’s veto of councilmen wearing police badges, the reforms to street names and numbering, extended hours at the public squares, and the report of the Grand Inquest of 1850, including prison reform recommendations., Several articles describe new construction, predominantly churches, and improvements to the city infrastructure, particularly on Chestnut Street. Subjects include Fourth Baptist Church, First Reformed Dutch Church, First Baptist Church, Christ Church Germantown, New Moravian Church, and St. Jude’s Church;the opening of part of Delaware Avenue; the Market Street tunnel (1844); the extension of West Chester Railroad to Media; Reading Railroad Bridge; inauguration of the Wagner Free Institute; Germantown; the new offices of the Board of Surveys; the fancy and perfumery store of T. H. Peters & Co. (700 block Chestnut) and saddlery of Lacey and Phillips (700 Lodge Street); the opening of Belmont Avenue; the 1850 building season; and preservation of trees in areas of construction in West Philadelphia. Subjects addressed through editorials include the decrepit state of the Merchant’s Exchange (annotated "as written by G. G. Foster for the "Sunday Mercury"); the chimes of the Christ Church bell; the ca. 1765 cartoon “The Election, A Medley…” (p. 15); the horse market at Bush Hill; Chestnut Street and Custom House vendors; the omnibus system; a G.G. Foster article about “daylight ruffians" and their haunts; and "Negro Minstrelsy and Jakeyism." Other articles satirize "Philadelphia Customs" like cleanliness; advertise baby shows organized by P.T. Barnum and colleagues; and provide commentaries about the sale of the late Edward D. Ingraham’s library and estate; Phoebe Ann Rush’s mansion; Governor Pollock’s visit to the "colored High School in Lombard Street"; tariffs established by hotel keepers (1855); the extent of foot traffic at Third and Chestnut Street in one hour; the demographics of South Street; and stocking the Delaware with salmon., Ephemera includes seven lottery tickets, issued between 1796 and 1833, and playbills for Chestnut Street Theater and Deutches (i.e., German) National Theater. Lotteries represent the Union Canal of Pennsylvania, Washington Canal, Connecticut, Maryland, New York and Delaware. Scrapbook also includes detailed manuscript notes about "Morris’ Palace"; the Farmers & Mechanics Bank; Chestnut Street Theatre signage; "List of American Theatres"; "St. Peter’s church steeple and bells"; and "The German Theatre.", Graphic materials, predominately views and illustrations of landmarks, and advertisements, include wood engravings, engravings, and cameo stamps. Views and illustrations include images of Fairmount Water Works; "The Coal Wharves at Richmond, near Philadelphia"; Masonic Hall; Philadelphia Bank; "Front View of the American Sunday School Union Buildings, 146 Chesnut St., Philadelphia"; St. Mark's Church; the Philadelphia Library (i.e., Library Company); and the Orphan Asylum. Advertisements depict “A View of the Laboratory and Residence of Dr. Schenck, S.E. corner of Coates and Marshall Streets…”; Charles Ellis & Co., wholesale druggists (56 Chestnut); Beck & Co., perfumery (205 Arch, i.e., 500 block); "Messrs. Glenn & Co.’s Store, 180 Chestnut Street" (i.e., 700 block); Dr. McClintock’s Family Medicines (Ninth and Filbert); Blanchard & Co., wallpaper and upholstery (227 Chestnut, i.e., 700 block); James, Kent, Santee & Co., wholesale dry goods (147 N. Third, i.e., 200 block); M. Walker & Son, wire railing manufactory (Sixth and Market); Fritz, Williams & Henry, leather (29 N. Third); S. A. Harrison, warming and ventilating warehouse (Walnut near Sixth); "Northeast corner of Third and Chestnut Streets" (includes Moran & Sickels, printers); “Anthy. Finley’s Bookstore, corner of Chesnut and Fourth Streets”; Joseph Maples, sculptor and marble cutter (Arch near Broad); F. H. Smith, pocket book and port monaie manufacturer (Fourth and Chestnut); Fowler, Wells & Co., phrenologists (231 Arch, i.e., 600 block); Lippincott’s clothing warehouse (400 block Market); W. P. & G. W. Hacker, china, glass, queensware (60 N. Second); Henry Duhring & Co., hosiery and yarns (22 N. Fourth); and Lindsay & Blakiston, publishers., Cameo stamps advertise Jones’ Exchange Hotel (77 Dock); W. & E. H. Hawkins, flour & feed mills (Ninth above Poplar); and William Gorman boys clothing establishment (Ninth and Market). Majority of the advertisements include street and pedestrian traffic. Graphics also include prints from William Birch's and C.G. Child's "Views of Philadelphia" series; vignettes depicting an "ice water" fountain, trunks by T.W. Matson, "chamber furniture," a woman using opera glasses, a spit, an arm chair, the exterior of the “Book & Stationary, No. 104 South Third Street,” “Statue of William Penn,”and ladies bonnets; and illustrations of “the fashion of ladies costume of 1853 – not exaggerated!” including shawls and overcoats and military and fireman’s caps “worn in 1854”., Majority of contents annotated with a date or explicative manuscript notes by Poulson., Cut outs pasted on title page. Imagery includes allegorical female figures representing art and writing, a pedestal, and a gilted memorial vignette., Verso of title page contains Poulson inscription: “The dates of the articles herein, are those of the newspapers &c from which they were cut. Cutout of vignette of roman garbed woman holding a mirror frames the inscription., "Index to set in back part of vol. XI.", Insert opposite p. 40: Lettersheet inscribed with explicative text about “picture representing the building at N.E. corner of Third and Chestnut street." Insert opposite p. 44: 2 lettersheets inscribed with explicative text about contents (Wetherill Family and Finley's Bookstore) on p. 44. One signed by Thompson Westcott and dated 1858. Insert opposite p. 88: Lettersheet dated 1855 and inscribed with explicative text about the Philadelphia Bank received by Poulson from “Mr. Robins the present Prest. Of Philadelphia Bank”, Scraps with manuscript notes about the estates "Solitude" and "Landsdown House" tipped in before p. 80., Artists, engravers, and printers include Beller; Joseph H. Brightly; J. H. Byram; Edward Clarkson; W. Croome; George Devereux; W. E. Gihon; Gilbert & Gihon; A. Kollner; Jacob Maas; H. L. Stephens; William Strickland; H. Tanner; and R. Telfer., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
- Creator
- Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
- Date
- 1796-1855, bulk 1855
- Location
- Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 4 [(4)2526.F]
- Title
- Congress Hall and New Theatre, in Chestnut Street Philadelphia
- Description
- Street scene showing Chestnut Street near Sixth Street, including views of Congress Hall and the New Theatre. Depicts white men and women and an African American woman holding an African American baby in her arms and with a white boy at her side, strolling or conversing near a wooden post in front of the hall. In front of the theatre a large crowd is gathered, a white female peddler sells her goods, and a coach travels up Chestnut Street. Congress Hall, completed in 1789 to house the Pennsylvania district and county courts, was the first quarters of the U.S. Congress from 1790 until 1800. Completed in 1793, the New Theatre, or the First Chestnut Street Theatre, was established by actor Thomas Wignell and musician Alexander Reinagle. Modeled after a lavish English theatre, it quickly became the fashionable theatre of the city., Title from item., Illustrated in Robert Teitelman's Birch's views of Philadelphia (Philadelphia: Free Library of Philadelphia, 1982, rev. 2000), pl. 20., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- W. Birch & Son
- Date
- 1800
- Location
- Library Company of Philadelphia | Print Department Birch's views [Sn 20/P.2276.45]
- Title
- View of the city of Philadelphia, and its principal buildings
- Description
- Print containing a central panoramic view of Philadelphia surrounded by vignettes of prominent Philadelphia institutions. View looks west from Camden, New Jersey, showing islands and vessels in the Delaware River. Vignettes include the Almshouse, Fairmount, Girard College, Merchants' Exchange, Moyamensing Prison, Chestnut Street Theatre, U.S. Naval Asylum, State House, U.S. Mint, and the University of Pennsylvania. Most vignettes include small details like carriages, horses and pedestrians on foot., Philadelphia on Stone, Atwater Kent Museum: 40.14.19
- Creator
- Kollner, Augustus, b. 1813, artist
- Date
- 1842
- Location
- Atwater Kent Museum | Print Department AKM AKM 40.14.19
- Title
- Panorama of Philadelphia from the State House steeple. West
- Description
- Panoramic view looking west toward West Philadelphia past the Schuykill River predominately showing the area between Arch Street and Gray's Ferry Avenue. Includes U.S. Naval Asylum, 2420 Gray's Ferry Avenue (1); [Blockley] Alms House, S. 34th and Pine streets (2); Peale's Museum, 100 block S. 9th Street (3); Walnut Street Theatre, 827-833 Walnut Street (4); Cook's Circus, i.e., Thomas Cooke's equestrian circus, 800 block of Chestnut Street (5); St. John's Church, i.e., St. John the Evangelist Church, 23-25 S. 13th Street (6); St. Stephen's Church, 19 S. 10th Street (7); University of Pennsylvania, Ninth Street below Market Street (8); [Beck's] Shot Tower, 21st and Cherry streets (9); Inst. for the Blind, 200 block Race Street (10); Water Works, Fairmount (11); East. Penitentiary, 2100-2199 Fairmount Avenue (13); Arcade, 615-619 Chestnut Street (14); and Chestnut St. Theatre, 603-609 Chestnut Street (15). Also shows part of Independence Square, Congress Hall, Marshall House hotel (625-631), residences on the 100 block of S. 6th Street, and the rooftops of several city blocks., Plate 3 of four panoramas originally issued as Panorama of Philadelphia. Views taken from the State House steeple (Philadelphia: Published by J.C. Wild & J.B. Chevalier, 1838). These panoramas also accompanied bound editions of Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. WIld & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). Views of Philadelphia was a series of twenty lithographs originally published as five numbers of four prints each. The four panoramas essentially constituted a sixth number in the series, and were published in bound editions with the twenty view under the title Panorama and Views of Philadelphia, and Its Vicinity, published by J.B. Chevalier in 1838 and reissued by J.T. Bowen the same year., First state., Key to 15 landmarks printed below the image., Upper right corner missing, including cited landmark "Waterman's Church.", Philadelphia on Stone, POS 542.d.2, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: *P.2155 and in Print Room *Am 1838 Wild 3008.Q (Poulson), Historical Society of Pennsylvania:
- Creator
- Wild, J. C. (John Caspar), ca. 1804-1846, artist
- Date
- c1838
- Location
- Library Company of Philadelphia | Print Department *W267.1 [P.2155]
- Title
- North side of Chestnut St., extending from Sixth to Seventh St., 1851
- Description
- Street view depicting businesses along the north side of Chestnut Street between Sixth and Seventh Streets. Most of the buildings include signage. Includes, right to left, the four-story brick building with Blood’s Dispatch and Dr. J.H. Schenck & Co. "Schenck's Pulmonic Syrup" (601 Chestnut Street); the second building of the Chestnut Street Theatre (603-609 Chestnut Street, built 1820-1822 after the designs of William Strickland); the three-and one-half story hotel Bolivar House (611-613 Chestnut Street); Dr. Jayne's Philada Arcade & Dr. Davidson's Arcade Baths (615-619 Chestnut Street); Columbia House hotel operated by Ferguson & Bro. and tenanted by tailor E. G. Dorsey (625-631 Chestnut Street); and the three-story red brick building tenanted by L. Benkert's Boot Store (633 Chestnut Street), "Philadelphia Fashions" publisher Francis Mahan(635 Chestnut Street), and druggist A. Smith (637-639 Chestnut Street). Also includes heavy street and pedestrian traffic, including horse drawn carriages and carts and an omnibus, strolling couples, couples in conversations, and a newspaper boy at work., Title from item., Date inferred from commission date of other drawings in collection., Inscribed in lower left corner: 1851., Retrospective conversion record: original entry., Library Company. Annual Report, 1975, p. 6-11., Watercolor commissioned by Philadelphia antiquarian Ferdinand Dreer circa 1880 and probably based on Julio H. Rae's Philadelphia Pictorial Directory & Panoramic Advertiser (Philadelphia: Julio H. Rae, 1851) plate 9, north side and plate 10, north side.
- Creator
- Evans, B. R. (Benjamin Ridgway), 1834-1891, artist
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Evans watercolors [P.2298.44], http://www.brynmawr.edu/iconog/evans/files/plc044.html
- Title
- North side of Chestnut St., extending from Sixth to Seventh St., 1851
- Description
- Street view depicting businesses along the north side of Chestnut Street between Sixth and Seventh Streets. Most of the buildings include signage. Includes, right to left, the four-story brick building with Blood’s Dispatch and Dr. J.H. Schenck & Co. "Schenck's Pulmonic Syrup" (601 Chestnut Street); the second building of the Chestnut Street Theatre (603-609 Chestnut Street, built 1820-1822 after the designs of William Strickland); the three-and one-half story hotel Bolivar House (611-613 Chestnut Street); Dr. Jayne's Philada Arcade & Dr. Davidson's Arcade Baths (615-619 Chestnut Street); Columbia House hotel operated by Ferguson & Bro. and tenanted by tailor E. G. Dorsey (625-631 Chestnut Street); and the three-story red brick building tenanted by L. Benkert's Boot Store (633 Chestnut Street), "Philadelphia Fashions" publisher Francis Mahan(635 Chestnut Street), and druggist A. Smith (637-639 Chestnut Street). Also includes heavy street and pedestrian traffic, including horse drawn carriages and carts and an omnibus, strolling couples, couples in conversations, and a newspaper boy at work., Title from item., Date inferred from commission date of other drawings in collection., Inscribed in lower left corner: 1851., Retrospective conversion record: original entry., Library Company. Annual Report, 1975, p. 6-11., Watercolor commissioned by Philadelphia antiquarian Ferdinand Dreer circa 1880 and probably based on Julio H. Rae's Philadelphia Pictorial Directory & Panoramic Advertiser (Philadelphia: Julio H. Rae, 1851) plate 9, north side and plate 10, north side.
- Creator
- Evans, B. R. (Benjamin Ridgway), 1834-1891, artist
- Date
- [ca. 1880]
- Location
- Library Company of Philadelphia | Print Department Evans watercolors [P.2298.44], http://www.brynmawr.edu/iconog/evans/files/plc044.html
- Title
- Panorama of Philadelphia from the State House Steeple. West
- Description
- Panoramic view looking west toward West Philadelphia past the Schuykill River predominately showing the area between Arch Street and Gray's Ferry Avenue. Includes U.S. Naval Asylum, 2420 Gray's Ferry Avenue (1); [Blockley] Alms House, S. 34th and Pine streets (2); Peale's Museum, 100 block S. 9th Street (3); Walnut Street Theatre, 827-833 Walnut Street (4); Cook's Circus, i.e., Thomas Cooke's equestrian circus, 800 block of Chestnut Street (5); St. John's Church, i.e., St. John the Evangelist Church, 23-25 S. 13th Street (6); St. Stephen's Church, 19 S. 10th Street (7); University of Pennsylvania, Ninth Street below Market Street (8); [Beck's] Shot Tower, 21st and Cherry streets (9); Inst. for the Blind, 200 block Race Street (10); Water Works, Fairmount (11); [Thomas T.] Waterman's Church, i.e., Arch Street Presbyterian Church, 1006 Arch Street (12); East. Penitentiary, 2100-2199 Fairmount Avenue (13); Arcade, 615-619 Chestnut Street (14); and Chestnut St. Theatre, 603-609 Chestnut Street (15). Also shows part of Independence Square, Congress Hall, Marshall House hotel (625-631), residences on the 100 block of S. 6th Street, and the rooftops of several city blocks., Plate 3 of four panoramas originally issued as Panorama of Philadelphia. Views taken from the State House steeple (Philadelphia: Published by J.C. Wild & J.B. Chevalier, 1838). These panoramas also accompanied bound editions of Views of Philadelphia, and Its Vicinity (Philadelphia: Published by J.C. Wild & J.B. Chevalier, Lithographers, 72 Dock Street, 1838). Views of Philadelphia was a series of twenty lithographs originally published as five numbers of four prints each. The four panoramas essentially constituted a sixth number in the series, and were published in bound editions with the twenty views under the title Panorama and Views of Philadelphia, and Its Vicinity, published by J.B. Chevalier in 1838 and reissued by J.T. Bowen the same year., Copyrighted by J.T. Bowen. LCP copies lacking copyright statement., Second state., Partial key to 8 of 15 landmarks (1-4, 8-12) printed below the image. Copy trimmed., Philadelphia on Stone, POS 542.d.2, Wainwright retrospective conversion project, edited., Library Company of Philadelphia: *8236.F.4 and in Print Room *Am 1838 Wild 3008.Q (Rush), Historical Society of Pennsylvania: Bd 862 W 6441 front, Gift of Mrs. A. Douglas Oliver.
- Creator
- Wild, J. C. (John Caspar), ca. 1804-1846, artist
- Date
- c1838
- Location
- Library Company of Philadelphia | Print Department *W267.2 [8236.F.4]