Search results

Title: Negresse battant le coton au lieu de le carder
Description: Included in Chapter XV, "Arts et Industrie," the engraving shows an African woman beating cotton into threads. The cotton, which had already been ginned, was placed on a stiff mat and hit with a baton., Illustration in René Geoffroy de Villeneuve's L'Afrique, ou Histoire, meours, usages et coutumes des africains: Le Sénégal (Paris: Nepveu, libraire, passage des Panoramas, no. 26, 1814), vol. 4, p. 181., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1814]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri R.G.V. 65954.D v 4 p 181, https://digital.librarycompany.org/islandora/object/Islandora%3A2934

Title: Negresse filant le coton
Description: Included in Chapter XV, "Arts et Industrie," the engraving shows an African woman spinning cotton. She holds a spool in each hand, and sits on a mat with a large basket of cotton next to her., Illustration in René Geoffroy de Villeneuve's L'Afrique, ou Histoire, moeurs, usages et coutumes des africains: Le Sénégal (Paris: Nepveu, libraire, passage des Panoramas, no. 26, 1814), vol. 4, p. 182., Fels Afro-Americana Image Project, Africa: Images, Maps, and Geography.
Date: [1814]
Location: Library Company of Philadelphia | Books & Other Texts | Rare U Afri R.G.V. 65954.D v 4 p 182, https://digital.librarycompany.org/islandora/object/Islandora%3A2935

Title: A part of the 4,000,000 bale yearly cotton crop of Texas
Description: Depicts hundreds of bales of cotton on a cleared field. A man steers a horse-drawn wagon down a path between the bales., Grey mount with rounded corners., Contains Sun Sculpture trademark on mount., Title printed on mount., Printed on mount: S 180., Contains a detailed explanation of the cost of and profit from cotton production on verso., Title printed in six languages on verso., Copyrighted by Underwood & Underwood., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Underwood & Underwood, established in 1882, began publishing boxed educational sets of stereoviews for school use in the early twentieth century.
Creator: Underwood & Underwood
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Work [P.2002.4.1]

Title: [African American toddler and baby in a pile of cotton]
Description: Copy print of a circa 1925 print depicting two babies, outdoor, in a large pile of cotton. In the left, the toddle, attired in a beaded necklace with a white cloth wrapped around its waist, sits up with some cotton in its hands and looks to the right at the infant. In the right, the infant lies in the cotton with its arms out., Title supplied by cataloger., Date inferred from photographic medium and content., Photographer's imprint stamped on verso., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1950]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators - Non-Philadelphia - Portraits - Babies

Title: Brook's prize medal spool cotton. Hand & machine sewing
Description: Illustrated trade card depicting two groups of men demonstrating the strength of Brook's cotton thread by playing tug of war with it on a dirt path near a body of water. A goat stands on its hind legs on top of a spool of cotton labeled "Brook's six cord 40" in the foreground. Another spool labeled "Brook's patent glace thread 50" sits adjacent to the first., Text printed on verso lists medals and awards won by the company in various world cities between 1851 and 1880., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Brook's [1975.F.47]

Title: View of cotton plantation and gen [sic] in West Indies in 1764
Description: According to the title, the image is set in the West Indies in 1764. The lithograph accompanies a brief discussion of the history of cotton cultivation in the New World. The featured plantation is situated near the coast, and three ships (presumably trading vessels) are visible in the background. In the right foreground, a slave picks cotton from a plant and places it in a basket. Behind him, another slave carefully cleans the picked cotton. At the far left, a female slave operates an early cotton gin, and two men pack large sacks of finished cotton. Two full sacks of cotton occupy the left foreground; one bears the label "7 No. 120 / P.R.M.", Plate in the Report on the Agriculture and Geology of Mississippi (Philadelphia: Lippincott, Grambo, and Co. for E. Barksdale, State Printer, 1854), plate VIII, p. 140., Engraving is based upon a print executed by Prevost and published in the first volume of Diderot's Encylcopedia (Paris: 1762) under the title "Oeconomie Rustique, Culture et Arsonnage du Coton.", Fels Afro-Americana Image Project, Work Scenes.
Creator: Fuchs, F., lithographer
Date: [1854]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1854 Miss Sta 13287.O p 140, https://digital.librarycompany.org/islandora/object/Islandora%3A2798

Title: Picking cotton
Description: Engraving is one of several accompanying T.B. Thorpe's article "Cotton and its Cultivation." It shows several black field hands picking cotton, and corresponds with the following passage: "The season of cotton picking commences in the latter part of July, and continues without intermission to the Christmas holidays. The work is not heavy, but becomes tedious from its sameness. The field hands are each supplied with a basket and a bag. The basket is left at the head of the 'cotton-rows;' the bag is suspended from the 'picker's' neck by a strap, and is used to hold the cotton as it is taken from the boll. When the bag is filled it is emptied into the basket, and this routine is continued through the day." (p. 455), Illustration in Harper's New Monthly Magazine, vol. 8, no. 46 (March 1854), p. 456., Fels Afro-Americana Image Project, Work Scenes.
Creator: Orr, John William, 1815-1887, engraver
Date: [January 1854]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per H 9 62992.O v 8 n 46 March 1854 p 456, https://digital.librarycompany.org/islandora/object/Islandora%3A2864

Title: Carrying cotton to the gin
Description: Engraving is one of several accompanying T.B. Thorpe's article "Cotton and its Cultivation." It shows seven African American plantation hands walking with large baskets of cotton on their heads. The men and women walk in a perfect line, leaving three or four paces between them. The illustration corresponds with the following passage, "Among the most characteristic scenes of plantation life is the returning of the hands at nightfall from the field, with their well-filled baskets of cotton upon their heads. Falling unconsciously "into line," the stoutest leading the way, they move along in the dim twilight of a winter day with the quietness of spirits rather than human beings." (p. 455-56), Illustration in Harper's New Monthly Magazine, vol. 8, no. 46 (March 1854), p. 457., Fels Afro-Americana Image Project, Work Scenes.
Creator: Orr, John William, 1815-1887, engraver
Date: [January 1854]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per H 9 62992.O v 8 n 46 March 1854 p 457, https://digital.librarycompany.org/islandora/object/Islandora%3A2865

Title: Cotton gin -- Ginning cotton
Description: Engraving is one of several accompanying T.B. Thorpe's article "Cotton and its Cultivation." Set in a gin-house, it shows two plantation hands working at a cotton gin. While a man pushes cotton out of the "packing-room" (a loft space) and down a chute, a woman uses a rake-like tool to guide it through the gin. Standing nearby, a woman with a bucket on her head watches the process, and a man peeks into the gin-house through an open window. Two large baskets used for carrying cotton can be seen in the left foreground., Illustration in Harper's New Monthly Magazine, vol. 8, no. 46 (March 1854), p. 459., Fels Afro-Americana Image Project, Work Scenes.
Date: [January 1854]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per H 9 62992.O v 8 n 46 March 1854 p 459, https://digital.librarycompany.org/islandora/object/Islandora%3A2866

Title: Cotton plantation scene
Description: View of African American men agricultural workers picking cotton. In the foreground, an African American boy, attired in a green hat, a blue shirt, and blue pants, stands in front of a large pile of cotton with cotton in his left hand. In the left is a basket full of cotton. In the right, a young white girl, attired in a pink dress, sits next to the pile of cotton with her right hand shielded over her eyes. In the background, African American men work in the field picking cotton., Title from item., Date inferred from attire of clothes and photographic medium., Purchase 1998., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - work [P.9600.13]

Title: [African Americans picking cotton with a cotton compress]
Description: Racist, trade card specimen depicting African Americans picking cotton on a plantation. In the left foreground, shows an African American man, attired in a hat, a long-sleeved shirt, pants, and shoes, carrying a basket on his back filled with cotton. In the right, two African American children sit on the ground and fill a basket with cotton. In the background, is a large, wooden compress or cotton press. An African American man, with a basket of cotton at his feet, puts cotton into the compress. Another man stands in the right of the stairs leading to the compress with a basket of cotton. In the right background is a building and two women crouching on the ground and another man standing. In the top of the card is an additional illustration depicting a pine tree falling over. In the foreground is a bird on a branch, and a house is visible in the background., Title supplied by cataloger., Publication information and date from the copyright statement: Copyright by Robinson Eng. Co. Boston U.S.A. 1881., Gift of David Doret.
Date: 1881
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 28 [P.2017.95.239]

Title: Cotton, R. Francis
Creator: Library Company of Philadelphia, creator
Date: December 6, 1877

Title: Joseph Ripka's mills. Manayunk 21st Ward Philadelphia. Manufacturer of all description of plain and fancy cottonades for men & boy's clothing warehouse 32 So Front St. [graphic] / Lith. of W. H. Rease N.E. cor. 4th & Chesnut.
Description: Published in Colton's atlas of America, illustrating the physical and political geography of North and South America... Commercial edition with business cards of prominent houses in Philadelphia. (New York: J.H. Colton and Company, 1856), page 77. (HSP O 458)., Wainwright retrospective conversion project., Select link below to view a digital image., Historical Society of Pennsylvania: Bc35 R588.
Creator: Rease, W. H. lithographer., creator
Date: [1856]
Location: http://www.lcpgraphics.org/wainwright/W211.htm, Library Company of Philadelphia Print Dept. **W211 [P.2139]

Title: Oeconomie rustique, culture et arsonnage du coton
Description: Engraving shows a cotton plantation in the West Indies. The plantation is situated near the coast, and three ships (presumably trading vessels) are visible in the background. In the right foreground, a slave picks cotton from a plant and places it in a basket. Behind him, another slave carefully cleans the picked cotton. At the far left, a female slave operates an early cotton gin, and two men pack large sacks of finished cotton. Two full sacks of cotton occupy the left foreground; one bears the label "7 No. 120 / P.R.M.", Upper portion of an engraving published in the first volume of Denis Diderot's Encyclopedie, ou, Dictionnaire Raisonne des Sciences, des Arts et des Metiers (A Paris: Chez Briasson, rue Saint Jacques, à la Science; chez David, rue & vis-à-vis la Grille des Mathurins; chez Le Breton, imprimeur ordinaire du Roy, rue de la Harpe; chez Durand, rue du Roin, vis-à-vis la petite Porte des Mathurins, 1762), n.p., Prevost's engraving reappeared as a lithograph in the Report on the Agriculture and Geology of Mississippi (Philadelphia: Lippincott, Grambo, and Co. for E. Barksdale, State Printer, 1854), plate VIII, p. 140., Key to the illustration is printed at the beginning of Diderot's text (p. 9) It reads as follows: "Fig. I. Une habitation des Isles de l'Amérique où l'on cultive le coton. No. 1, cotonier dans toute sa grandeur, arbuste portant le coton. 2, negre qui cueille le coton. 3, negre qui épulche le coton. 4, négresse qui passe le coton au moulin, pour en separer la graine. 5, negre qui emballe le coton en le foulant des piés, & se servant d'une pince de fer pour le même effet. 6, autre negre qui de tems en tems mouille la balle extérieurement en jettant de l'eau avec les mains pour faire resserrer la toile qui hape mieux le coton & l'empêche de gonsler & de remonter vers l'orifice de la balle. 7, balles de coton prêtes à être livrées à l'achteur. 8, petits bâtimens caboteurs qui viennent charger du coton sur la côte. 9, partie d'une plantation de cotoniers. 10, case à coton, & engard sous lequel se rangent les négresses qui passent le coton au moulin.", Fels Afro-Americana Image Project, Work Scenes.
Creator: Prevost, engraver
Date: [1762]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *Is Dide Log 1998.F n.p., https://digital.librarycompany.org/islandora/object/Islandora%3A2845

Title: Cotton pressing in Louisiana
Description: Engraving shows the pressing of cotton, which, according to the unnamed author of an accompanying article, represents "one of the most interesting of the various stages of preparation of cotton for the market." After being picked and harvested, the cotton was compressed into bales similar those shown in the left foreground. The press (center) was described as being "supported by a heavy frame of timber" and "about nine feet in depth." As the author explained, the work proceeded as follows: "Into this, the light, the fleecy substance is poured, and the capstan bar being set to work, it is gradually compressed to the required size, the cords are fastened round the bale, and it leaps out ready for transportation." Commenting on the slaves' labor, the author remarked, "In our sketch, a party is busily filling the press, and two stout hands are removing the bales under the direction of the overseer. But the life and soul of the party is at the capstan, in the person of the lively darky [third from right] engaged in extravagant imitations of the overseer, and jeers at the expense of the solemn figure next to him. This mercurial 'culled passion,' a fair specimen of his light-hearted race, by his jokes and high spirits, almost doubles the motive power at the bars. Though apparently solely occupied with attempts upon the facial muscles of his fellow-servants, yet at the exact moment, he will turn a somerset, kick the shins of his next neighbors, like a playful donkey, and run round with the bars, the loudest in singing the monotonous but not unmusical chant by which the black accompany their labor." (p. 236), Illustration in Ballou's Pictorial Drawing-Room Companion, vol. X, no. 15 (April 12, 1856), p. 236., Fels Afro-Americana Image Project, Work Scenes.
Creator: Pierce, William J., engraver
Date: [1856]
Location: Library Company of Philadelphia | Books & Other Texts | Rare *Per B 1 5919.F v X n 15 April 12 1856 p 236, https://digital.librarycompany.org/islandora/object/Islandora%3A2862

Title: [Proof vignette of Southern planter and scenes from the South]
Description: Proof vignette that was probably to be incorporated into a larger print. Shows a white man plantation owner, seated on a bale of cotton, surrounded by Southern agricultural iconography, including a twig of cotton, a mill building, and Black men laborers, possibly enslaved men, picking in a cotton field near a docked side-wheel paddle steamer. A horse-drawn wagon by a line of people is visible at the dock. Contains registration marks and a color mark., Title supplied by cataloger., Gift of David Doret, 2007., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1860 - ca. 1870]
Location: Library Company of Philadelphia | Print Department GC-Allegories [P.2007.39.25]

Title: Cotton field
Description: Depicts African American women and children picking and collecting cotton in the field. In the center, an African American woman, attired in a short-sleeved dress, stands facing left with a bag slung over her shoulder. In the left, a child looks at the viewer, and an African American woman, attired in a dress with the sleeves rolled to the elbows and an apron, holds cotton in her hands in front of a large basket filled with cotton. In the right, a young girl holds a large basket filled with cotton on her head. Two more women and a child look at the viewer. In the background is a house and trees., Contains paper label on verso printed by Jas. L. Gow, including photographer's imprint and advertisement: A large stock of Views of Negro Groups, Cabins, Teams, Cotton Fields, and Plants, etc. kept constantly on hand. Also, Florida, Georgia, and South Carolina Views., Yellow mount with rounded corners., Advertised in The Philadelphia photographer, March 1875, p. 96., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James A. Palmer (1825-1896) was an Irish American photographer who produced thousands of stereographs about life in Aiken, South Carolina and Georgia, specializing in photographs of the African American community.
Creator: Palmer, J. A., photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - miscellaneous photographer - Palmer [P.2002.4.6]

Title: " We's done all dis s'mornin'."
Description: Racist scene showing, in the foreground, a young, African American girl and boy standing behind a large basket of cotton in a cotton field. The girl faces the camera and the boy looks behind him and with his head turned away. The girl wears a bonnet, dark-color, long-sleeved shirt, and a light-color skirt. The boy wears a long-sleeve, light-color, smock-like shirt. In the background, African American men, women, boys, and girls work in the field or are posed to stand and face the camera. One man sits, high up, on bales., Date from copyright statement: Copyright 1899, by B. L. Singley., Title from item., Title printed in five different languages, including Italian, French, and German, on verso., Cruved buff mount with rounded corners., Several lines of text printed on verso about the "rich resources" of the state of Arkansas, including fertile soil for a "variety of crops"; "grazing lands"; mountains: "all kinds of building stones"; rivers; "excellent common school system and several higher institutions of learning"; and "Hot Springs." Text concludes: "The cotton fields once the dread of the Virginia slave, have lost nothing of their picturesqueness with the abolition of slavery, and nowhere in the United States can primitive negro life be better studied.", Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator: Keystone View Company
Date: 1899
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Work [P.2018.16.2]

Title: North Carolina cotton plantation
Description: Collection depicting scenes on a cotton plantation, probably in North Carolina. Images include African American men and women at work picking cotton, often amongst large piles of cotton; wooden buildings on the plantation grounds; and portraits and candids of the African American agricultural laborers and resident children., Name of provenance from manuscript note on verso of P.8502.13: John H. Gibbons, Jr., b. North Carolina, in Phila. for medical school., Name of photographer from manuscript note on verso of P.8502.13: Dear Jno. -Sorry I did not get to see you before you left Phil. but Harvey came through & I went over to NY with him. So did not get around. Harry Sanders. I call this one of my best shots., Gift of Marjorie G. Battles, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Sanders, Harry, photographer
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department photos - Sanders [P.8502.1-18]

Title: Cotton field
Description: Depicts African American men, women, and children picking and collecting cotton in the field. In the center, an African American man, attired in a long-sleeved shirt that is open at the chest, holds a handful of cotton that he puts in a bag strapped across his chest as he looks at the viewer. In front of him is a basket full of cotton. In the left, an African American woman, attired in a head kerchief, a plaid, long-sleeved dress, and a dark-colored apron, stands and looks at the viewer. To the left, two people are bent over at the waist picking cotton. Two children and two women stand in the field and look at the viewer. In the background is a house and trees., Yellow mount with rounded corners., Contains paper label on verso printed by Jas. L. Gow, including photographer's imprint and advertisement: A large Stock of Views of Negro Groups, Cabins, Teams, Cotton Fields, and Plants, etc. kept constantly on hand. Also, Florida, Georgia, and South Carolina Views., Advertised in The Philadelphia photographer, March 1875, p. 96. [LCP Per P 81]., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., James A. Palmer (1825-1896) was an Irish American photographer who produced thousands of stereographs about life in Aiken, South Carolina and Georgia, specializing in photographs of the African American community.
Creator: Palmer, J. A., photographer
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - miscellaneous photographer - Palmer [P.2002.4.5]

Title: Scenes on a cotton plantation
Description: According to the accompanying commentary (p. 69), these scenes show the Buena Vista plantation in Clarke County, Alabama. As the text suggests, "The four sketches in the centre [i.e., sowing, ploughing, hoeing, and picking] show the principal operations of the cotton culture; and around figure other scenes appropriate to a cotton plantation." Moving clockwise from the upper right, the outer scenes are titled: the cotton gin, the planter and his overseer, prayer meeting, Saturday evening dance, plantation graveyard, the call to labor, and the cotton press. The text describes these scenes as follows: "The cotton-gin; the picturesque cotton-press, to whose long lever the mules are harnessed to create the power which compresses the ginned staple into bales; the morning call, performed upon a cow-horn; the owner and his overseer, figure here; as well as the weekly distribution of rations; the dance which closes the week's labor, and the plantation burying-ground. Here the defunct negroes are buried, a rail-fence being raised above the graves to keep off marauding hogs, calves, etc.", Double-page illustration in Harper's Weekly, vol. XI, no. 527 (February 2, 1867), p. 72., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [February 1867]
Location: Library Company of Philadelphia | Books & Other Texts | Rare **Per H 1529.F v XI n 527 February 2 1867 p 72, https://digital.librarycompany.org/islandora/object/Islandora%3A2879

Title: Picking cotton
Description: Scene showing three African American men and an African American woman as they pick cotton in a large field. In the foreground, the workers, attired in hats, bend over at the waist as they harvest the cotton and place it in bags that they carry. A very young African American girl stands in front of the woman and looks at the viewer. A house is visible in the right background., Title from manuscript note on verso., Date inferred from photographic medium and attire of the people., Photographer's imprint stamped on verso., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm), photographer
Date: [ca. 1935]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators-Non-Philadelphia-Afro-Americana

Title: Bissell & Underwood, wholesale and retail dealers in staple and fancy groceries, provisions, flour, fruit, canned goods, choice teas, spices, &c., &c., Turner's block, Church Street, Willimantic Conn
Description: Trade card promoting grocers Bissell & Underwood and depicting a racist scene of barefooted, African American men knocked about from a kicking mule in the middle of a cottonfield. In the center, a mule equipped with a saddle and reins, kicks its back feet into the air, above a wooden board lying on the ground. In the right, a man attired in a blue shirt and white, checked pants, tumbles onto his back and with his legs in the air. Near him a man attired in blue and white striped pants and an orange, checked shirt, runs away. In the left, a man attired in blue pants and a white shirt falls to the ground, head first and upside down. In the lower left, the lower leg and bare foot of a person attired in blue and white striped pants and running away is visible. In the background, a man with a hat and checked shirt stands with both arms up in the air in alarm. Two figures gathering cotton are also visible in the distance. Bissell & Underwood's store was closed and sold for auction in 1881., Title from item., Name of publisher from copyright statement: Copyrighted Bufford, Boston., Date deduced from the history of the advertised business., Text printed on the recto: And he got!, Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Bissell [P.2017.95.13]

Title: Bissell & Underwood, wholesale and retail dealers in staple and fancy groceries, provisions, flour, fruit, canned goods, choice teas, spices, &c., &c., Turner's block, Church Street, Willimantic Conn
Description: Trade card promoting grocers Bissell & Underwood and depicting a racist scene of barefooted, African American men trying to get a downed mule on its feet in a cotton field. The men are depicted with exaggerated features. In the center, the mule lies on its side on the ground. Its feet are pointed to the viewer. In the right, a man attired in blue and white checked pants rolled up to his knees and an orange checked shirt pulls the mule's head by the reins. To the left, two men, one attired in blue pants and orange shirt, and the other in blue pants and green shirt, push a wooden board as a wedge under the mule. In the left, a fourth man, attired in white pants and blue shirt pulls on the mule's tail. Behind him, in the background, a man attired in blue pants, an orange shirt, and brimmed hat holds a hoe and watches the scene. In the far right distance, laborers with baskets on their back pick cotton. Bissell & Underwood's store was closed and sold for auction in 1881., Title from item., Name of publisher from copyright statement: Copyrighted Bufford, Boston., Date deduced from the history of the advertised business., Text printed on recto: Oh git!, Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Bissell [P.2017.95.14]

Title: " We's done all dis s'mornin'."
Description: Racist scene showing, in the foreground, a young, African American girl and boy standing behind a large basket of cotton in a cotton field. The girl faces the camera and the boy looks behind him and with his head turned away. The girl wears a bonnet, dark-color, long-sleeved shirt, and a light-color skirt. The boy wears a long-sleeve, light-color, smock-like shirt. In the background, African American men, women, boys, and girls work in the field or are posed to stand and face the camera. One man sits, high up, on bales., Dates from copyright statements on recto and verso: Copyright 1899, by B. L. Singley. Made in U.S.A. and Copyright, 1913, by the Keystone View Company., Title from recto of item., Title printed in five different languages, including Italian, French, and German, on verso., Variant title on verso: 9506-"We'se done all dis's mornin',"-Picking cotton on a Mississippi plantation., Several lines of text printed on verso, often describing in racist terms, the culture, conditions, and economics of the cotton industry in the South., Curved grey mount with rounded corners., Gift of David Long., RVCDC, Description reviewed 2022., Access points revised 2022., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator: Keystone View Company
Date: 1899, ([printed] 1913)
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Work [P.2018.16.3]

Title: Arbuckle's ariosa coffee. Arbuckle Bros. Coffee Company, New York
Description: One of a series of "fifty" trade cards, "each one of which shows a correct map (properly bounded) of one State, or Territory" to promote Arbuckle's Ariosa Coffee. Depicts a map of Alabama (left) and a scene with African American men and women picking cotton in a cotton field (right). Scene shows a man in the foreground placing cotton in a basket piled high with it. In the center, right background, a woman stands and holds a large basket piled high with cotton on her head. In the distant background, two men and three women bend over and pick cotton from the plants. A piece of harvesting equipment is visible in the far left background. The men and women wear long sleeve shirts and hats or bonnets. Arbuckle's Coffee was founded by brothers John and Charles Arbuckle following the Civil War. The company was one of the first to sell roasted coffee and to place it in one pound packages. Arbuckle often included trade cards in the packages., Title from item., Image captions: Cotton Picking; Population 1,262,[ ]5; Area in Sq. Miles 52,250., Date inferred from content, dates of activity of lithographer, and reference to Washington which gained statehood in 1889 as a territory., Series number printed on verso: No. 67., Several lines of advertising text printed on verso explicating why Arbuckle's Ariosa Coffee "costs more and is worth more than other brands of coffee," including higher grade green coffee and the "glazing" process. Also includes a "Read This." section describing the series of cards as "interesting, instructive, and artistic," and their purpose as and "object lesson or both young and old." Section ends with the alphabetical list of 50 states and territories depicted. Washington, New Mexico, and Wyoming are listed as territories., RVCDC, Description reviewed 2022., Access points revised 2022., Some degradation to image.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Arbuckle's [P.2017.44]

Title: Cotton is king. Plantation scene, Georgia, U.S.A
Description: Scene showing an African American girl, women, and men picking cotton in a cotton field. In the foreground, a girl picks cotton near a large basket filled with the fiber. Behind her, a number of women and men, some hunched over and with large cloth bags hung over their shoulders, pick cotton from the rows of plants. One man holds a large basket of cotton with his hands over his head and the basket on his back. The women wear long-sleeve, checkered cotton dresses and kerchiefs. The mean wear long sleeve shirts and pants. Most wear wide-brimmed hats, except the man carrying the basket, who wears no hat. In the background, a white man, attired in a suit and on horseback, oversees the cotton pickers., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Curved grey mount with rounded corners., Title printed in six different languages, including French, German, and Spanish on verso., Several lines of text printed on verso about the cotton industry, the "world-problem of clothing," the cultivation of cotton, including "picking is usually done by negro laborers, as here, though experiments with harvesting machines are meeting with some success," and suggested further reading, including encyclopedia article subjects and Carrol D. Wright's "Industrial Development of the United States." Text begins: This beautiful field "white unto the harvest," is a sense to delight a painter, and at the same time, it is a condensed cyclopaedia of one of the greatest industries of the whole world., Gift of David Long., Title variant of P.2017.121.2., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator: Underwood & Underwood
Date: 1895
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Work [P.2018.16.6]

Title: H.M.S. Pinafore
Description: Illustrated trade card depicting a scene from Sullivan & Gilbert's comic opera "Her Majesty's Ship Pinafore" including a captain, his crew and women on the deck of a ship with two large spools of Willimantic's "Superior Six Cord Thread". Caption reads: "B.--Did you ever? C.--No! Never! B.--What never? C. Positively never! used anything equal to Willimantic Six Cord Spool Cotton.", Advertising text printed on verso lists the awards won by Willimantic's Six Cord Spool Cotton, including the gold medal awarded by Maryland Institute Fair in 1878. Includes vignettes of the obverse and reverse surfaces of the medal., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Willimantic [1975.F.666]

Title: Main Building, S.E
Description: Exterior view of the Main Building at the World's Industrial and Cotton Centennial Exhibition in New Orleans. Shows the building before the land around it was landscaped, and includes planks of wood lying in the grass., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by "1776. Philadelphia. 1876.", White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Centennial Photographic Co.
Date: c1884
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9600.3]

Title: Must have their baskets full
Description: Illustration included in Chapter XXVII, "Compromise of 1850." Set on a plantation, it shows two slaves, a man and a woman, at work in a cotton-field. Woman balances a basket of cotton on her head, while the man carries his on his shoulders. Image relates to the following description of slave life: "From the auction-room they went to the plantation to work in the cotton-fields, beneath the broiling sun, driven by a brutal overseer sitting on a horse, with a whip in his hand, which he delighted to crack over them, or to bring down upon the back of any one that lagged. The weak and feeble must keep up with the strong in wielding the heavy hoe. When the fields were snow-white with the bursting bolls they must perform their allotted tasks in picking; the baskets must be full and running over: the number of pounds specified for a day's work to be tipped by the steel-yards, or in default they would be flogged." (p. 387), Engraving in Charles Coffin's Building the Nation: Events in the History of the United States from the Revolution to the Beginning of the War between the States (New York: Harper & Brothers, Franklin Square, 1883), p. 388., Fels Afro-Americana Image Project, Work Scenes.
Date: [1883]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1883 Cof 23709.O p 388, https://digital.librarycompany.org/islandora/object/Islandora%3A2832

Title: Joseph Ripka's mills. Manayunk 21st Ward Philadelphia. Manufacturer of all description of plain and fancy cottonades for men & boy's clothing warehouse 32 So. Front St
Description: Advertisement showing in the distance a compound of large mill buildings belonging to Joseph Ripka's textile manufacturing business, situated between the east bank of the Schuylkill River and the Manayunk Canal. Two men in top hats stand and converse in the foreground, while a man stands in a rowboat nearby. Buildings and trees dot the hilly landscape behind the mills. Ripka relocated to Manayunk in 1828, developing one of the largest textile businesses in the United States. During the Civil War, the shrinking Southern demand for cottonades caused Ripka to file for bankruptcy before the war's end and his death in 1864., Published in Colton's atlas of America, illustrating the physical and political geography of North and South America... Commercial edition with business cards of prominent houses in Philadelphia. (New York: J.H. Colton and Company, 1856), 77. (HSP O 458)., Philadelphia on Stone, POS 418, Wainwright retrospective conversion project, edited., Historical Society of Pennsylvania: Bc35 R588.
Creator: Rease, W. H., artist
Date: [1856]
Location: Library Company of Philadelphia | Print Department **W211 [P.2139]

Title: A " corner in cotton."
Description: Racist scene showing a young, African American couple (Ephraim and Dinah) seated next to each other, and flirting, in a small clearing in a cotton field. The couple, their legs outstretched, leans back on two large baskets of picked cotton. The man and woman smile at each other. The woman's head is tilted to her left and she uses the index finger of her right hand to touch the chin of the man. The man is attired in a collarless, long-sleeve, light-color shirt, light-color pants, and worn boots. The pants have frayed edges. The woman wears a light-colored, long sleeve shift dress, and heeled shoes. They each wear wide-brimmed hats. A mass of cotton plants is visible in the background., Date from copyright statement: Copyright 1898, by B. L. Singley., Title from item., Title printed in five different languages, including Italian, French, and German, on verso., Text printed on verso: Here it is in black and white. The negro and the cotton are as inseparable as the darky and the 'possum. Colored labor clothes half the world, and half the world never gives it a thought nor a thank-you. But what care Ephraim and Dinah what the world says or doesn't say? "In all ages every human heart is human." A corner in cotton is as palatial as a corner in Windsor Castle or the White House, if love is there. Now, Paul Lawrence Dunbar, you negro writer of sparling verse, here is a subject made to your hand., Curved buff mount with rounded corners., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator: Keystone View Company
Date: 1898
Location: Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits & Genre [P.2018.16.1]

Title: Aerial view of Mount Joy, Pennsylvania
Description: Aerial view of Mount Joy, Pennsylvania from the east along Main Street. George Brown's Sons Cotton and Woolen Mill (now known as the Sassafras Alley Apartments) is visible., Negative numbers: 1647.
Creator: Aero Service Corporation, photographer
Date: ca. 1922
Location: Library Company of Philadelphia | Print Department Aero Service [P.8990.1647]

Title: A cotton ball
Description: Racist trade card depicting a view personifying cotton as a young African American woman. Shows the woman dancing with a large ball of cotton atop her head worn in the manner of a head dress. The woman leans to her left and kicks her right leg up as she pulls up the bottom of the skirt of her dress. The edge of her underskirt is visible. She is attired in a yellow dress patterned with black dots, a white kerchief tied around her neck, a red and white striped underskirt, and black shoes. Forestry is visible in the background. C. Meyer Jr. was a New York based fertilizer manufacturer who operated in the late 19th century., Title from item., Publication information from copyright statement: Copyright 1886. L.P. Griffith & Co. Baltimore., Advertising text printed on verso: The "Acme" Fertilizers Are Strictly Complete Manures of the Highest Grade, Guaranteed Bone Basis. Positively No Rock or Kainite Used. Guaranteed Analyses. Manufactured by C. Meyer, Jr., P.O. Box 26, Maspeth, L.I. Pure Ground Bone. Sulphate of Potash. Muriate of Potash. Dissolved Bone Black. Sulfate of Ammonia. Text surrounds table listing suitable grade (No. 1 and No. 2) of manure for specific crops, including potatoes, peas, cabbage, and corn, and the percentages of ammonia, available phosphorous acid, and actual potash of the grade of fertilizer., Gift of David Doret.
Date: 1886
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Meyer [P.2017.95.125]

Title: Cotton is king. Plantation scene, Georgia, U.S.A
Description: Scene showing an African American girl, women, and men picking cotton in a cotton field. In the foreground, a girl picks cotton near a large basket filled with the fiber. Behind her, a number of women and men, some hunched over and with large cloth bags hung over their shoulders, pick cotton from the rows of plants. One man holds a large basket of cotton with his hands over his head and the basket on his back. The women wear long-sleeve, checkered cotton dresses and kerchiefs. The mean wear long sleeve shirts and pants. Most wear wide-brimmed hats, except the man carrying the basket, who wears no hat. In the background, a white man, attired in a suit and on horseback, oversees the cotton pickers., Date from copyright statement: Copyright 1895, by Strohmeyer & Wyman., Title from item., Curved grey mount with rounded corners., Title printed in six different languages, including French, German, and Spanish on verso., Several lines of text printed on verso about the cotton industry, the "world-problem of clothing," the cultivation of cotton, including "picking is usually done by negro laborers, as here, though experiments with harvesting machines are meeting with some success," and suggested further reading, including encyclopedia article subjects and Carrol D. Wright's "Industrial Development of the United States." Text begins: This beautiful field "white unto the harvest," is a sense to delight a painter, and at the same time, it is a condensed cyclopaedia of one of the greatest industries of the whole world., Gift of George Allen., Title variant of P.2018.16.6., RVCDC, Description reviewed 2022., Access points revised 2022., In 1912 Keystone View Company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. Keystone remained in business until 1970.
Creator: Underwood & Underwood
Date: 1895
Location: Library Company of Philadelphia | Print Department stereos - Underwood & Underwood - Work [P.2017.121.2]

Title: Whoa! Aunty! Compliments of Goodwin brothers, wheel-wrights
Description: Racist trade card promoting wheelwrights the Goodwin Brothers and depicting caricatures of African Americans picking cotton on a plantation. In the left, an African American man, attired in a hat, a blue plaid shirt, blue and white striped pants, and brown shoes, kneels on the ground and picks cotton off of a plant. To his left is a large basket overflowing with cotton. In the right, two barefooted African American boys, attired respectively in beige pants rolled up to the knees and a blue shirt and blue pants rolled up to the knees and a white shirt, each hold the end of a rope (probably a jump rope). They look in alarm and exclaim “Whoa! Aunty!” as an African American woman who has tripped on the rope flies in the air. The woman, attired in a white shirt with blue polka dots, a blue plaid shirt, and black shoes, throws both her hands in front of her with her mouth open as she falls toward the ground. Her basket full of cotton is flung through the air. In the background are four other cotton pickers, one man carries a basket on his right shoulder and a woman raises both her arms up. Brothers James K. Goodwin (1844-1910) and Charles W. Goodwin (1853-1943) were wheelwrights in Manchester, New Hampshire., Title from item., Date deduced from history of the advertised business., Series number printed on the recto: 450., Advertising text printed on the verso: Goodwin Brothers, manufacturers of wheels and carriage wood work of every description. Also dealers in hubs, spokes, rims, shafts, bodies, seats, carriage gear &c. Hubs turned and mortised. Sawing and planing to order. Carriages built to order, complete. Special attention given to repairing. 441 Elm Street, Hodge’s Building, Manchester, N.H. J.K. Goodwin. C.W. Goodwin., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Goodwin [P.2017.95.74]

Title: In the land of cotton
Description: Racist trade card promoting Hart & Smith's steamboat route on the Indian River in Florida. Depicts caricatures of African Americans picking cotton on a plantation. Shows an African American man, attired in a hat, a blue collared shirt with the sleeves rolled up to the elbows, and blue pants, bending over and putting cotton into a large basket. To the left of the man, an African American boy, attired in an orange, short-sleeved shirt and orange pants rolled up to the knees, places cotton into the same basket. In the left, an African American woman, attired in a white headkerchief, a blue shirt and apron, and an orange skirt, bends over to pick up a basket overflowing with cotton. Behind her, an African American woman, attired in an orange dress, apron, and a blue checked shawl, stands with her right hand on her hip and her left hand balancing a large basket on top of her head. A man, attired in a white collared shirt with the sleeves rolled to the elbows and blue pants, walks and steadies a basket on his left shoulder with both hands. In the center background is a large wooden structure and a person picking cotton. In the right background a man attired in a hat sits on a horse and holds his right arm out to two people, one of whom carries a basket on their left shoulder. Hubbard L. Hart (1827-1895) ran the most prominent steamboat line in Florida, helping to make it a tourist destination. In 1883, the Hart Line began a steamboat route on the Indian River. After Hart's death in 1895, his brother-in-law operated the business into the 1920s, when automobile travel rendered it obsolete., Title from item., Publication information and date from the copyright statement: Copyrighted 1882 by J.H. Bufford's Sons., Advertising text printed on verso: Hart & Smith’s Rockledge Line for Indian River. The Steamer “Astatula” leaves Sanford every Monday and Thursday at 8:30 A.M. Arrives at Lake Poinsett next day at 7 A.M. 3 miles to Rockledge by hack. Connecting with Steamer going North Tuesdays and South Fridays. Returning, leaves Poinsett at 3 PM., Tuesday & Friday, arriving at Sanford on Wednesday & Saturday morning, making connections for all points. In January the Steamer Waunita, thoroughly overhauled & furnished, will be put on the line making tri-weekly trips. Accommodations and table will be first class in all respects. Capt. Joe Smith, Manager. E.B. Van Deman, Agent at Sanford., Gift of David Doret.
Date: 1882
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Hart [P.2017.95.79]

Title: Golden Cottolene, N.K. Fairbanks & Co. Chicago
Description: Racist trade card illustration depicting a short-haired African American girl picking cotton. Surrounding the image are cotton leaves, buds, and bolls. The girl carries a large, overflowing bale of cotton in the skirt of her apron and stands on her left leg while kicking her right leg outward. Visible in the right corner of the image is a tin bucket of Golden Cottolene. The girl is attired in a red and blue striped collared dress, a yellow striped apron, red socks, and black heeled boots. She is depicted with exaggerated features. Golden Cottolene shortening was was manufactured by N.K. Fairbank & Co., which was based in Chicago during the late 19th century and purchased by American Cotton Oil in 1875. The manufacturing plant in Chicago was closed in 1921., Title from item., Advertising text on verso: Directions for using Fairbank's Cottolene. Health! Purity! Economy! Cottolene, the new and popular health food, is rapidly superseding lard and butter as a cooking fat, being healthier, cleaner and more economical. Use in every place and in the same manner that lard and butter is used in cooking, taking only two-thirds (2/3) of the amount that would be required of the above mentioned articles. If more is used it is wasted. For cake making treat in the same manner as butter, i.e., creaming it with sugar, adding a little salt, for Cottolene contains none. For frying put the Cottolene in a cold pan or kettle allowing the fat to gradually come to a cooking point. This will prevent burning. Cottolene reaches a cooking point without any sputtering or smoking and quicker than lard with the same heat, and therefore care should be taken that it does not become too hot. Beware of imitations. The N.K. Fairbank Co. Chicago, St. Louis, New York, Boston, Philadelphia & Montreal. Recipe for New England Doughnuts. 1 cup sugar. 2 eggs beaten light and mixed with the sugar. 2 teaspoonfuls melted Cottolene. 1/2 cup milk. 2 teaspoonfuls baking powder. 1/2 teaspoonful salt. 1 salt-spoonful cinnamon. Flour enough to roll. Add the milk alternately with the flour. Have the kettle three-quarters (3/4) full of Cottolene, hot enough to brown a piece of bread in half a minute, or while you count sixty. Drop in the doughnuts and fry till brown., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - N.K. Fairbanks [P.2017.95.137]

Title: Cottolene
Description: Racist trade card illustration depicting a three-quarter length portrait of a smiling African American girl. The girl holds an overflowing bale of cotton in her arms. A picturesque countryside and field of cotton is visible in the background. The girl is attired in a pink and blue striped short sleeved dress and her hair is tied into a braid with a yellow ribbon. She is depicted with exaggerated features. Cottolene shortening was was manufactured by N.K. Fairbank & Co., which was based in Chicago during the late 19th century and purchased by American Cotton Oil in 1875. The manufacturing plant in Chicago was closed in 1921., Title from item., Advertising text on verso: Directions for using Fairbank's Cottolene. Health! Purity! Economy!!! Cottolene, the new and popular Health Food is rapidly superseding lard and butter as a cooking fat being healthier, cleaner and more economical. Use in every place and in the same manner that lard and butter is used in cooking, taking only two-thirds (2/3) of the amount that would be required of the above mentioned articles. If more is used it is wasted. For cake making treat in the same manner as butter, i.e., creaming it with sugar, adding a little salt, for Cottolene contains none. For frying put the Cottolene in a cold pan or kettle allowing the fat to gradually come to a cooking point. This will prevent burning. Cottolene reaches a cooking point without any sputtering or smoking, and quicker than lard with the same heat, and therefore care should be taken that it does not become too hot. Beware of imitations. N.K. Fairbank & Co., Chicago. St. Louis. New York, Boston, Philadelphia and Montreal. Recipe for New England Doughnuts. 1 cup of sugar. 2 eggs beaten light and mixed with the sugar. 2 teaspoonfuls of melted Cottolene. 1/2 cup milk. 2 teaspoonfuls of baking bowder. 1/2 teaspoonful salt. 1 salt-spoonful cinnamon. Flour enough to roll. Add the milk alternately with the flour. Have the kettle three-quarters (3/4) full of Cottolene, hot enough to brown a piece of bread in half a minute, or while you count sixty. Drop in the doughnuts and fry till brown., Gift of David Doret.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - N.K. Fairbanks [P.2017.95.138]

Title: John Bull makes a discovery
Description: Racist cartoon reflecting the Northern fear that Britain's economic ties with Southern cotton growers would cause the British government to relinquish its abolitionist stance in order to support the Confederacy. Depicts a plump John Bull, representing Great Britain, centered between a kneeling enslaved African American man and a bale of cotton in a storage shed. Bull touches the hair of the African American man with his right hand and holds a piece of the cotton from the bale in the other. He declares, "it is certain that Cotton is more useful to me than Wool!!" In the left background, two African American men stand and cry. In the right background, a Southern white man plantation owner looks on and smiles., Title from item., Date inferred from content., Possible publisher supplied by Murrell., McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: [1861]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1861-40R [5780.Fa]

Title: Down where the cotton blossoms grow
Description: Postcard depicting a group portrait of African American cotton pickers, predominantly women and children, in a cotton field. Show the workers stopped from their work and posed toward the viewer. One of the women holds a baby. A wooded area is seen in the background., Date inferred from postmark: New Orleans, May 13, 1911, 9AM., Addressed in manuscript to: Miss Ester Wilson, 318 N. Jardin St., Shenandoah, Penna. Signed H.F.M., Contains cancelled one-cent stamp printed in green ink and depicting Benjamin Franklin in profile., Printed on verso: Made in U.S.A., Gift of George R. Allen., Divided back., Lipsher Specialty Co. operated 1909-1914 and published views of and around New Orleans.
Date: [ca. 1911]
Location: Library Company of Philadelphia | Print Department LCP postcards - Non-Pennsylvania [P.2013.65.20]

Title: Brazilian Cotton Exhibit - Agricultural Building
Description: Interior view of the Agricultural Building. Depicts the Brazilian Cotton Exhibit. The cotton is displayed attached to a temporary decorative wall, with flags extending at the top. At the base of the wall are bags of cotton.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - album [P.8965.26b]

Title: Plowing and plodding at the World's Fair
Description: View showing two mules working in mud and dirt in front of a lemonade stand at the World Cotton Centennial held in New Orleans in 1884. A sign reading "egg and shaker to order" flanks the lemonade sign. The main building is partially visible opposite the lemonade stand. The World's Industrial and Cotton Centennial Exhibition was held in New Orleans from 1884-1885., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by "1776. Philadelphia. 1876.", White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Centennial Photographic Co.
Date: c1884
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9260.48]

Title: Delaware section, G. & S. building
Description: View showing the Delaware display in the Government and States Building at the World Cotton Centennial held in New Orleans in 1884. Signs for "Bark Sarah S. Ridgway," "Jas. H. Beggs & Co.," "Cowgill's wood stains," and "Queen and Crescent exhibit" are visible among the displays of potatoes and corn, framed images and paintings, miniature ships, textiles, and patriotic bunting. The World's Industrial and Cotton Centennial Exhibition was held in New Orleans from 1884-1885., Title on negative., Photographer's imprint printed on mount and on verso. Imprint on verso contains initials "CPC" in decorative border surmounted by "1776. Philadelphia. 1876.", Publisher's imprint blind stamped twice on mount: Wilson copyrighted 1885., White curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Centennial Photographic Co.
Date: c1885
Location: Library Company of Philadelphia | Print Department stereo - Centennial Photographic Co. [P.9299.42]

Title: [Clark's O.N.T. spool cotton trade cards]
Description: Series of illustrated trade cards for Clark Thread Company's O.N.T. spool cotton. Illustrations depict children in various settings, including flying a kite with a thread from Clark's O.N.T. spool and a little girl fishing. Also shows a family walking with their dog on the sidewalk in front of a large advertisement for Clark's; a mother sewing buttons onto her daughter's coat; and a mother using a Clark's spool thread to keep her walking toddler from falling., Title supplied by cataloger., Printers and engravers include Wemple & Kronheim (N.Y.) and Chas. Shields Sons' (N.Y.)., Two prints [1975.F.213 and 1975.F.879] contain advertising text printed on rectos and versos for Joseph H. Traeger's foreign and domestic dry goods store in Bethlehem, Pa., Two prints [1975.F.186 and 1975.F.190] contain six-month calendars on versos., One print [P.9988.2], die cut and shaped into a cylinder, contains advertising text for Clark's O.N.T. spool cotton on verso along with a distributor's stamp: Holm & McKay, 50, Worcester, Mass., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1883]
Location: Library Company of Philadelphia | Print Department trade card - Clark's O.N.T. [1975.F.147; 1975.F.186; 1975.F.190; 1975.F.213; 1975.F.879; P.9988.2]

Title: Cars loaded with cotton bales on levee near cotton growing district, Texas
Description: Scene showing a group of African American men using hand trucks to move large bales of cotton into or out of freight cars. In the left are stacks of baled cotton with two men standing on top of the bales. In the center, lines of men hold hand trucks of cotton, some turn and look at the viewer. In the right are open freight cars. A bridge and buildings are visible in the background., Title from item., Date inferred from content., Copyrighted by Underwood & Underwood., View is numbered P-V22091, the V indicating it was originally part of stereograph publisher and distributor, Underwood & Underwood's stock. An additional number- P215 indicates what position the stereograph had within a set. Pedagogical text printed on the verso reads "Freight cars loaded with cotton bales on the levee near cotton growing district, Texas...", Purchase 1998., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912, the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator: Keystone View Company, publisher
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department stereo - Keystone - Work [P.9600.12]

Title: Fifteenth amendment. Bringing his crop to town
Description: Racist, vignetted view showing an African American man, attired in worn clothes, hauling a loaded cart pulled by a thin, horned cow. The man, attired in a wide-brimmed hat, jacket, and pants, rides the cow. His right hand holds the reigns of the yoke and his left hand holds up a stick in a striking motion. A pile of thatch fills the cart. A bag of cotton rests atop of the thatch. Townscape is visible in the background. View racistly satirizes African American civil rights and the right to vote granted to African American men in 1870 by the Fifteenth Amendment., Title and series number printed on verso., Name of photographer printed on verso., Photographer inferred to also be publisher., Date inferred from style of mount and active dates of photographer., Printed on mount: Charleston & Vicinity., Orange mount with rounded corners., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022., Jerome N. Wilson (1827-1897), a New-York born photographer, relocated his photography business to Savannah Georgia in 1865. He produced multiple genres of photographs, including cartes de visite and stereographs. His studio was enlarged and improved in 1871.
Creator: Wilson, J. N.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - misc. photo. - Wilson [P.2018.16.11]

Title: Jas. S. Kirk & Co. soap makers, Chicago. "Satinet"
Description: Racist trade card promoting James S. Kirk & Co.’s Satinet soap and depicting a caricature of an African American boy carrying an oversized branch of cotton and a red cloth that trails behind him. Shows the African American boy attired in a torn straw hat, a white collared shirt, white overalls, and white shoes walking with his right leg lifted up. Over his shoulder he carries an oversized branch of cotton with his right hand. Under his left arm he carries a bolt of red cloth which has come unfurled in a train behind him. The cloth reads, “Satinet.” James S. Kirk (1818-1886) began his soap manufactory in 1839 in Utica, New York. He moved his company to Chicago in 1859, offering a variety of soaps including, White Ceylon, Satinet, Calendar, White Russian, and Coronet. The factory was demolished in 1929, and the Company was sold to Proctor & Gamble in 1930., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Jas. S. Kirk. [P.2017.95.92]

Title: [Charles J. Webb Company float during a parade along a Philadelphia street]
Description: View of the float for Charles J. Webb Co., Philadelphia woolen and cotton yarn dealer. Bordered by a log fence and adorned with cotton plants and two small American flags, the float carries four live sheep and several costumed passengers including: three African American men attired as cotton pickers; a white man attired as a colonial lady near her spinning wheel; and a white boy attired as a colonial sheepherder holding his crook. Partial view of preceding float is visible with a white man attired in colonial garb. A large, stone building lines the street., Title supplied by cataloger., Date inferred from content., Purchase 1989., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department photos - unidentified - processions [P.9260.638]

Title: [Clark's mile end spool cotton trade cards]
Description: Series of illustrated trade cards for John Clark Jr. & Co.'s mile end spool cotton products numbered 24, 30, and 60. Illustrations depict circus performers or acrobats; an artist tethered and hanging from a large spool of cotton as he paints "Clarks mile end" on the side of a cliff overlooking the ocean; a boy attired in robes navigating a chariot pulled by two white horses; a backyard view of a dog stealing the bone of a much larger dog that is restrained by a thread from a large spool of cotton; and flowers., Title supplied by cataloger., Three prints [1975.F.137, 1975.F.139, 1975.F.143] contain advertising text printed on versos., Three prints printed by Forbes Co. (Boston) and two prints printed by Donaldson Brothers (New York)., Four prints [1975.F.140, 1975.F.144, 1975.F.166, 1975.F.170] contain six-month calendars on versos, with the imprint for Thomas Russell & Co., sole agents, New York., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Clark's mile end [1975.F.137; 1975.F.139-140; 1975.F.143-144; 1975.F.166; 1975.F.170]

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