He is sitting with his hands clasped in his lap. She is wearing a white lace cap, and has her left hand crossed over her right arm., Cased photographs retrospective conversion project., Pad: Burgundy velvet. In center is an urn with leaves and flowers, below which are two birds and a scroll design., Mat: Oval., Case: Leather. Within an octagonal border is a spray of two lilies. The design of the case is called Two Lilies and is plate 112 in American Miniature Case Art by Floyd and Marion Rinhart (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Produced in very large quantity, ca. 1850. Case attributed to Myron Shew.
Date
ca. 1850
Location
Library Company of Philadelphia | Print Department Cased photos [P.9807]
Scene of a man and a woman gazing into each others eyes while sitting in a field. Their actions are hidden by the large umbrella held by the woman., Inscribed on negative: Copyright 1897 by William H. Rau., Inscribed on mount: 1193., Name of distributior stamped on mount: Sold only by Griffith & Griffith, Philadelphia, Chicago, London, Hamburg, Ger., Milan, Italy., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Rau, William Herman, 1855-1920
Date
c 1897
Location
Library Company of Philadelphia | Print Department stereo - Rau - Portraits & Genre [P.2007.20.7]
Block numbered in two places: 9397, also 1384 on small adhesive label on back of block., Image of a young man and woman seated in a boat; the long-haired woman holds what appear to be leaves or flowers in her lap, and trails one small branch or vine in the water; the man sits immediately behind her and regards her turned face; the woman’s long full sleeves and the man’s small decorated cap suggest a historical setting – possibly Renaissance; a small hill on the shore is visible behind the boat.
Genre scene in a semi-dilapidated setting showing an older couple and younger couple near a stove covered in pots and a kitchen table adorned with a bottle, pitcher, and cup. The older woman sits near the table and sews as her husband sleeps in a rocker near the stove, with his pipe in his mouth, and a newspaper in his lap. The younger couple stand and cuddle in the background, possibly the "delusion" of the husband., Photographer's imprint printed on verso., Warped pink mount with rounded corners., Negative number printed on mount: 7521., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kilburn, successor to stereograph publisher Kilburn Brothers in 1877, broadened the firm's portfolio from White Mountain scenery to include genre and comic subjects and international views.
Creator
Kilburn, B. W. (Benjamin West), 1827-1909
Date
c1892
Location
Library Company of Philadelphia | Print Department stereo - Kilburn - Genre [P.2005.19.7]
Comic genre scene set in a parlor depicting a young man courting a young woman as he shows her a bolt of fabric. An older woman, possibly the man's mother, sits at a table to the side of them and inspects the cloth and the young woman. Bolts of cloth surround them., Distributor's imprint printed on mount: Sold by Underwood & Underwoood, Baltimore, Md. - Ottawa, Kas., Buff mount with rounded corners., Negative number printed on mount: 541., Copyrighted by F. G. Weller., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Littleton View Co.
Date
c1875
Location
Library Company of Philadelphia | Print Department stereo - Underwood & Underwood - Genre [P.2005.19.9]
Illustrated trade card depicting a couple attired in fancy dress for a ceremony., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Shantz [1975.F.833]
Genre scene showing a man kissing a woman good night in her boudoir. The man kisses the woman's cheek as he extinguishes the candlestick that she holds with his fingers. Interior decoration includes a plant resting atop an open dresser; a watering can; a hat resting upon a hat box; and a wash stand with a wash bowl and mirror., Distributor's imprint and advertisement printed on mount: Sherman Stevens, 99 cent store, Norwalk & Stamford, Conn. Jewelry, Pictures, Frames, Fancy Goods, Bags, Lamps, Cutlery, &c., &c., Yellow mount with rounded corners., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department stereo - Unidentified - Genre [P.2005.19.15]
View of a man and presumably a woman standing on a shaded tree-lined path in Fairmount Park. They stand close together in the shadows on the side of the path in the foreground., Additional places of publication printed on mount, including Dallas, Tex. and Augusta, Ga., Title printed on mount below image., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Ms. Jane Carson James.
Date
[ca. 1905]
Location
Library Company of Philadelphia | Print Department stereo - unidentified - Parks [P.9047.122]
Landscape view showing a couple walking along the bank of the river near the industrial village. A large tree stands in the foreground and small factories and dwellings are visible in the background. Also shows tree groves, rocks, and ground cover., Artist, title, and publication information from duplicate in the collections of the Free Library of Philadelphia., Philadelphia on Stone, POS 454, Retrospective conversion record: original entry, edited., Reaccessioned as P.2188., Manuscript note with incorrect information on mount: Schuylkill River at Manayunk near Philadelphia. Augustus Kollner., Free Library of Philadelphia: Philadelphiana - Manayunk
Creator
Lehman, George, d. 1870, artist
Date
[1830]
Location
Library Company of Philadelphia | Print Department *W225 [7845.F]
Illustrated trade card for Miles' Baking Powder Co. at 246 and 248 North Delaware Avenue in Philadelphia depicting a well-dressed couple standing and leaning against a stone wall near rose bushes, smelling freshly picked flowers., Advertising text printed on verso promotes the "picture book and two elegant litho water color paintings, size 16 x 20, worth about $2.50" included in many cans of Miles' Premium Baking Powder. Also includes positive testiments from individuals and businesses that have used Miles' Premium Baking Powder, dated 1879-1883., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department trade card - Miles' [P.9615.17]
Comic genre scene showing a mother and father finding their daughter and her suitor, seated and asleep, in a dining room. Shows the young woman resting her head on the chest of the young man; her father wearing a robe and holding a poker; and the mother looking for the time on a grandfather clock., Tan mount with rounded corners., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department stereo - Unidentified - Genre [P.2005.19.16]
Fashion print showing a young couple in plain dress on promenade. The man wears a broad-rimmed hat, white cravat, and suit. The woman wears a poke bonnet and a plain dress with a large white collar and puff sleeves. Each holds or wears gloves., Date from manuscript note on recto: Costume 1844., Philadelphia on Stone
Date
1844
Location
Library Company of Philadelphia | Print Department BW - Fashion [P.2005]
Bucolic scene showing an elegantly attired couple crossing the creek over a red foot bridge bolstered by stone abutments. Another couple, partially obscured by a tree, stands on the banks. The women wear bustles. The lush valley is visible in the background., Not in Wainwright., pdcc00013, Philadelphia on Stone, POSP 203, Free Library of Philadelphia: Castner 39:53
Date
[ca. 1880]
Location
Free Library of Philadelphia. | Print and Photograph Collection. FLP Castner 39:53
Series of illustrated trade cards depicting a couple bowling; a woman shooting a bow at a target, while her male companion smokes a pipe; a man spying on a couple walking through a hayfield; and an illustration of "The Cow Jumps Over the Moon" showing cats playing fiddles as a cow jumps over an anthropomorphic, smiling moon. Mack's milk chocolate was manufactured by Basley & McAlvanah, New York., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Mack's [1975.F.575; 1975.F.577; 1975.F.580; 1975.F.590]
Illustrated trade card depicting two couples walking arm-in-arm in opposite directions. Includes two dogs and random items scattered on the ground including a rifle, bucket, and eyeglasses., Advertising text printed on verso promotes gentlemen's and youths' hats and a comprehensive line of straw hats for sale at E.H. Parry's store., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Parry [1975.F.667]
Series of single and parts of sheets of illustrated letter seals containing humorous, positive, and negative admonitions. Illustrations predominantly depict modes of transportation, including a sailing ship, steam boat, and locomotive and animals, including a cat holding a rat, parrot, slug, frog, bat, and dog. Other images show a blacksmith, a well, rings, flowers, a house, a church, a couple in an embrace, and a bundle of wheat. Admonitions include "Good Eye"; "All's [Well]"; "Friendship, Love, Truth"; "Stop Your Clatter"; "Forget Me Not"; "I Bear the Hopes of Many"; "How I Love You"; "Contentment"; "Remembrance";"Fidelity"; "We Bloom Today, Tomorrow Die"; "The Road"; "You Deserve Thrashing"; "News"; "Express"; "Slow But Sure"; "Keep Dark"; "God Bless You"; "Are You Musical"; "Strike While the Iron's Hot"; and "Memory.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Miscellaneous [P.2011.10.177.1-9]
Illustrated trade card depicting a man and a woman seated at a table in a beer garden being served full beer mugs by a male waiter. The woman wears a large hat adorned with flowers and holds a decorative fan in her left hand. A boy kneels down and fills beer mugs from a cask in the right foreground. Reen & Trump, the partnership between Charles Reen and Watson Trump, operated a lithographic establishment in Philadelphia between 1872 and 1881., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Reen [P.9941]
Series of illustrated trade cards depicting a man holding a bouquet of flowers standing with two women; a man with an envelope approaching a woman standing at a mirror; a couple walking with arms clasped and a poodle by their side; and a soldier peering over the shoulder of a woman who pulls petals off of a flower., Title supplied by cataloger., Two prints [1975.F.898 & 901] contain distributor's imprint printed on bottom of rectos in black text: McIlvaine & Co., grocers, S.E. cor. Chestnut & Juniper Sts., Philadelphia., Two prints [1975.F.899 & 900] contain advertising text printed on bottom of rectos in black text: 1st Regiment Bouquet Toilet Soap for sale at soap stand in the fair., Advertising text printed on versos promotes the purity, quality and general superiority of the soap produced by Benjamin Brooke & Co. with the expertise of Mr. A. Van Haagen, formerly of McKeone, Van Haagen & Co., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Van Haagen's [1975.F.898-901]
Illustrated stock trade card depicting a well-dressed couple recreating at a lake, including a man in a rowboat and a partial view of a boathouse. Two swans swim in the water nearby., Advertising text printed on verso: Opera house, commencing Monday evening, March 30th, 1885, the People's Opera Company! From the Arch Street Opera House, Philadelphia, will produce a popular repertoire of operas, magnificent scenery, costumes, chorus and orchestra. Popular prices. 10 and 20 cents admission. 10 cents extra for reserved seats., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department trade card - People's [P.9785]
Series of illustrated trade cards depicting idyllic scenes surrounded by floral borders, including women playing stringed instruments; a couple holding a flower garland; a boy asleep and dreaming of an angel hovering over him with a cornucopia of flowers; two women, one holding a lyre, the other a triangle, sitting on a large shell in a lily pond. Business started in Philadelphia as Hummel, Bohler & Co. in 1850 and organized as a stock company under the name Weikel & Smith Spice Co. in 1867., Advertising text printed on versos promotes Weikel & Smith Spice Co.'s Bohsemeem trade mark., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Weikel [1975.F.973-976]
Illustrated trade card for the Vacuum Oil Company in Rochester, New York. Divided into three titled panels, the first and third panels, entitled "Don't worry, swate biddy: the harness won't spile, for I've just rubbed it well wid favorite ile," show a man and woman sitting in a carriage protected from rain by a large umbrella. The second panel, "Hans, your muddar says she vants some hair oil; give her dat already, unt maybe it makes her more soft unt bliable, ain't it?" depicts a man handing a large container of Vacuum Harness Oil to his son., Advertising text printed on verso of three panels promotes Vacuum Harness Oil as a leather dressing that softens and preserves leather and a "sure cure for all diseased hoofs"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler., Digitized.
Date
[ca. 1895]
Location
Library Company of Philadelphia | Print Department *trade card - Vacuum [P.9993.7]
Illustrated metamorphic trade card for the Indianapolis Brewing Co. When folded, a gentleman attired in a suit, top hat, and cane expresses surprise upon viewing what appears to be a nude woman embracing a man. When opened, the trade card reveals that she is attired in a flesh-colored dress and stands on a veranda enjoying a beer with her male companion. Also shows two bottles of "Duesseldorfer" on the the table, a box of beer on the floor, and a servant delivering a silver platter to the couple. Includes a vignette of the company's brewing complex and trademark on verso. The consolidation of the C.F. Schmidt, P. Lieber, and C. Maus breweries resulted in the formation of the Indianapolis Brewing Co. in 1889., Title supplied by cataloger., Contains advertising text printed on verso: "Progress Brand" Duesseldorfer crowned over all others as the finest in the world. Paris Exposition 1900. Progress Brand. Indianapolis Brewing Co. brewers and bottlers of beer, ale & porter, Indianapolis, Ind., U.S.A., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Selma Kessler., Digitized.
Date
[ca. 1901]
Location
Library Company of Philadelphia | Print Department trade card - Duesseldorfer [P.2008.21.1]
Series of illustrated stock trade cards promoting Fernberger Bros. liquor store at 1230 Market Street in Philadelphia depicting a man wearing a conductor's cap asleep on a train with his mouth open and his head in his left hand. A suitcase with the name of the business superimposed onto the side sits on the floor next to him. Also shows a couple, sitting cheek-to-cheek, reading a paper labeled "pure liquors for medicinal use". Solomon and Henry Fernberger operated their liquor and whiskey shop from 1230 Market Street between 1877 and 1902., Advertising text printed on rectos: "rock and candy rye whiskey, pleasing, healing and strengthening" and "wonderful in colds, throat and lung diseases"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Fernberger [1975.F.301 & 302]
Series of illustrated stock trade cards for Louis J. Selliez's hat store, formerly William Hopson's store, at the northwest corner of Eleventh and South Streets in Philadelphia. Illustrations depict two couples walking arm-in-arm in opposite directions. Includes two dogs and random items scattered on the ground including a rifle, bucket, and eyeglasses. Also shows two performers, one lying on the ground and balancing a ball on his feet and the other demonstrating his strength by lifting weights., Title supplied by cataloger., Advertisement on verso of one print [1975.F.832] printed by John H. Johnson., Advertising text printed on versos promotes fall and winter styles of hats for 1879 and spring styles for 1880., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Creator
E. Ketterlinus & Co.
Date
1879-1880
Location
Library Company of Philadelphia | Print Department trade card - Selliez [1975.F.831 & 832]
Series of illustrated trade cards depicting couples, including one on their wedding day and another under an umbrella in the rain., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - De Morat [P.9753.1-4]
Illustrated trade card depicting a couple riding in a cart drawn by a goat. Includes a dog running along side the goat, a peacock blocking the goat's path in the foreground, and a carousel in the distant background., Copyright 1882, Graf Bros., Advertising text printed on verso: For your common sense shoes go to the common sense shoemaker. 122 North Eighth St., near Arch. For your children's shoes, go to the common sense shoemaker., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized., Graf Brothers, the lithograph firm operated by German brothers Julius F. (b. 1846) and Charles L. Graf (1849-1900) in Philadelphia 1873-1970s, produced advertisements, trade cards, labels and maps.
Date
c1882
Location
Library Company of Philadelphia | Print Department trade card - Common [1975.F.231]
View of the mission established by the Presbyterian Church in 1842. Shows a white man and woman couple with a dog greeting a Black man in front of two bungalows down the road from a Black man walking with a rifle over his shoulder. In the foreground, a fence surrounds the property from the road, and palm trees are visible. The Presbyterian Church relinquished the mission to the Free Church of Scotland circa 1852., Title from item., Date inferred from content., Illegible partial artist's imprint on recto., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of foreign countries. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1845]
Location
Library Company of Philadelphia | Print Department GC - Religion [5754.F.97b]
Depicts George and Catherine Rupp Doering posed with a group of three white men and three white women sitting and lounging on top of an old stone foundation. Two young African American boys, attired in hats, shirts, jackets, pants, and shoes, sit on the ground in front of the stone wall and look at the viewer. Behind the wall are a number of trees., Title supplied by cataloger., Gift of Albert L. Doering, 1994., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Doering, William Harvey, 1858-1924, photographer
Date
[ca. 1895]
Location
Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.70]
Depicts George and Catherine Rupp Doering posed with a group of three white men and three white women sitting and lounging on top of an old stone foundation. Two young African American boys, attired in hats, shirts, jackets, pants, and shoes, sit on the ground in front of the stone wall and look at the viewer. Behind the wall are a number of trees., Title supplied by cataloger., Gift of Albert L. Doering, 1994., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Doering, William Harvey, 1858-1924, photographer
Date
[ca. 1895]
Location
Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.70]
Exterior view from the southeast showing the intersection of Third, Walnut and Dock Streets in Philadelphia. View depicts street and pedestrian traffic including horse-drawn carriages, streetcars, and wagons, and couples strolling. Exchange constructed 1832-33 by the Philadelphia Exchange Company based on the designs of Philadelphia architect William Strickland., Plate 8 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Copyrighted by Augustus Kollner in New York., Philadelphia on Stone, POS 469/470
Creator
Deroy, Laurent, 1797-1886, lithographer
Date
c1848
Location
Library Company of Philadelphia | Print Department BW - Banks [P.2283.24]
Exterior view from the southeast showing the intersection of Third, Walnut and Dock Streets in Philadelphia. View depicts street and pedestrian traffic including horse-drawn carriages, streetcars, and wagons, and couples strolling. Exchange constructed 1832-33 for the Philadelphia Exchange Company based on the designs of Philadelphia architect William Strickland., Plate 8 of a series of fifty-four views published by Goupil, Vibert & Company from 1848 to 1851 that were drawn by Kollner and lithographed by Deroy, and later bound under the title "Views of American Cities.", Philadelphia on Stone, POS 469/470
Creator
Deroy, Laurent, 1797-1886, lithographer
Date
[1848]
Location
Library Company of Philadelphia | Print Department BW - Banks [P.2283.18]
Racist scene showing a young, African American couple (Ephraim and Dinah) seated next to each other, and flirting, in a small clearing in a cotton field. The couple, their legs outstretched, leans back on two large baskets of picked cotton. The man and woman smile at each other. The woman's head is tilted to her left and she uses the index finger of her right hand to touch the chin of the man. The man is attired in a collarless, long-sleeve, light-color shirt, light-color pants, and worn boots. The pants have frayed edges. The woman wears a light-colored, long sleeve shift dress, and heeled shoes. They each wear wide-brimmed hats. A mass of cotton plants is visible in the background., Date from copyright statement: Copyright 1898, by B. L. Singley., Title from item., Title printed in five different languages, including Italian, French, and German, on verso., Text printed on verso: Here it is in black and white. The negro and the cotton are as inseparable as the darky and the 'possum. Colored labor clothes half the world, and half the world never gives it a thought nor a thank-you. But what care Ephraim and Dinah what the world says or doesn't say? "In all ages every human heart is human." A corner in cotton is as palatial as a corner in Windsor Castle or the White House, if love is there. Now, Paul Lawrence Dunbar, you negro writer of sparling verse, here is a subject made to your hand., Curved buff mount with rounded corners., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator
Keystone View Company
Date
1898
Location
Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits & Genre [P.2018.16.1]
Racist trade card illustration depicting an African American man and woman. The woman is attired in a red hat with a white feather, a blue dress with a white ruffled collar, gold bracelets, red stockings, and black boots. The man is attired in a black top hat, a red plaid jacket, a white collared shirt, a yellow tie, black pants, and black shoes. He holds a cane in his right hand. Both figures are depicted with exaggerated features. Called Back was a novel that was written by English playwright Frederick John Fargus (who went by the pen name Hugh Conway) and adapted as a play in the 1880s., Title from item., Date inferred from perpetual calendar., Advertising text on verso: The Star Show, next week! Next week! Monday, Nov. 16. Afternoon and evening. F.H. Glenny's great dramatization of Hugh Conway's famous story, Called Back. A star company! A star play! Matchless scener! Don't miss this one! Called Back. Called Back. No theater goer - Man, Woman, or Child should miss this great Play. Secure your seats now, and avoid the rush! Next! Don't forget Nov. 23. That ever popular play, "Uncle Tom's Cabin," A star company, realistic scenery, and one hundred people on the stage., Gift of David Doret.
Date
[1885]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Star Show [P.2017.95.170]
Racist stereograph of an outdoor caricatured, genre scene showing an African American man woman couple seated together on a tree swing in a clearing in the woods. The woman sits on the lap of the man. Her left leg dangles. Her right cheek rests against his left one. She smiles and looks out. His eyes are turned toward hers. The woman wears a patterned, dark-colored shirtwaist, a floral-patterned skirt, dark stockings, and boots. He wears a suit. Scene also includes leaves on the ground and trees and bushes in the background., Date from copyright statement: Copyright 1898, by R. Y. Young., Title from item., Curved buff mount with rounded corners., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022.
Creator
Universal Stereoscopic View Company
Date
1898
Location
Library Company of Philadelphia | Print Department stereo - misc. photo - Universal [P.2018.16.7]
Racist stereograph of an outdoor caricatured, genre scene showing a man woman couple, portrayed in Blackface, seated together, and embracing each other on a wooden swing in the countryside. The woman sits next to the man, her legs dangling. She smiles and looks up toward him. He smiles and looks out, his legs crossed at the ankle and his feet touching the ground. The woman wears a kerchief, dark-colored shirtwaist, a striped skirt, white stockings, and laced shoes. He wears a cap, long-sleeved white shirt, light-colored pants and boots. Scene also includes a pile of branches behind the couple and a wood fence in the distant background., Title from item., Date inferrred from publisher and places of publication., Curved buff mount with rounded corners., Griffith & Griffith, established in Philadelphia in 1896, expanded in 1908 to included offices in St. Louis and Liverpool. The non-Philadelphia offices were relocated in 1910., RVCDC
Creator
Griffith & Griffith
Date
[ca. 1908]
Location
Library Company of Philadelphia | Print Department Rau Misc. Collection [P.2012.56.56]
Genre print depicting a scene of leisure in front of a large Victorian-era, Italianate home and garden enclosed by a stone and iron-work fence. In the foreground, an elegantly-attired couple (the woman on sidesaddle) rides on horseback on a dirt road, while within the fenced grounds, a woman in wide-brimmed hat tends a rose garden across from a young girl petting a sheep. In the background, a man stands at the main entrance and a woman on a side porch of the house and look toward the couple in the road. In the far left, a man grooms a horse in front of a small stable and near a flock of chickens. The dirt road winds its way past grazing cattle, shrubbery and other homes, toward a body of water in the distance. Sailboats are visible on the water in the right background., Not in Wainwright., Joseph Hoover, a prolific producer of chromolithographed parlor prints, located to 804 Market Street in 1864., Philadelphia on Stone, POSP 245, Smithsonian Institution NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.2642], Digital image shows Smithsonian copy. LCP copy acquired after 2010.
Date
[ca. 1868]
Location
Library Company of Philadelphia | Print Department **GC - Genre [P.2013.22], Smithsonian Institution | NMAH Home and Community Life Collection SI NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.2642]
Advertisement calendar for the year 1884 for the firm renamed Geo. S. Harris & Sons in 1876 that contains a large genre scene bordered to the left by pictorial details . The scene, set in a colorfully decorated room, shows a woman lighting the cigar of a man. The woman attired in a dress with a trim decorated in a mosaic flower pattern uses a slip of paper marked "1884" to light the cigar of the man who is attired in dress-tails. Border details include an oriental-style vase of roses atop cloth draped over the calendar, and the lithographer's tradecard. Also includes decorative trim in the upper edge. Harris, first listed as a printer in 1847, operated one of the largest Philadelphia lithographic studios in the later 19th-century. The firm specialized in cigar box labels and stock trade cards., Not in Wainwright., pdcp00051, Philadelphia on Stone, POSA 35, Free Library of Philadelphia: Philadelphiana - Tradesmen's Cards
Creator
Geo. S. Harris & Sons
Date
1884
Location
Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - Tradesmen's Cards
Trade card promoting varnish manufacturer Clarence Brooks and Co. and depicting a racist, genre scene of an African American man and woman during a winter promenade in the snowy countryside based on Sol Eytinge's "Lover's Quarrel-Now, Blanche, Don't" originally published in Harper’s Weekly in 1879. In the left, a man stands with his arms stretched down, palms out, and his eyes pointed to a woman to the right. He says "now, Blanche, don't!" The woman, her back turned to the man, walks away. The man is attired in knee-length black boots; yellow pants; a rumpled, green coat; blue scarf; top hat; and gloves. The woman is attired in black boots; a blue dress with a straight skirt and pink sash that billows behind her waist; white fur vest; and a short-brimmed, black hat with white fur trim and a feather. She holds a white fur muff in one hand and lifts the bottom of her dress up in the other. In the distant background is a house and trees. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In 1881, the firm issued a calendar illustrated with African American caricatures in genre scenes., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business and visual content., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clarence [P.2017.95.27]
Series of illustrated trade cards entitled, "Sweepe withe ye olde yeere all that's bad awaie, and a newe lyfe begynne on Newe Yeere's Day," "Ye Newe Yeere cometh, so I pray of you putte offe ye olde manne & putte on ye newe," and "If Newe Yeere bring thee aught lyke this let's hope thou may'st deserve thy blisse". Illustrations depict symbols of the New Year, including an old man sweeping inside near an ornate door with a poster reading "This house to let apply"; one man entering a room as another man leaves at the stroke of midnight; and a man kneeling down to pick a flower from the base of a tree as his female companion stands nearby., Advertising text printed on versos: Holiday goods. We have on hand the largest stock of holiday goods ever offered before. Writing desks, portfolios, traveling cases, pocket books, card cases, letter cases, cigar cases, back gammon boards, gold pens, bronze inkstands, bronze thermometers, and Russia leather goods of every description. Diaries 1876 our specialties. Wedding invitations, envelopes, made to order any size, business cards, checks, drafts, &c. Bank note style, illuminating of crests, arms, monograms, &c., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1875]
Location
Library Company of Philadelphia | Print Department trade card - Hoskins [1975.F.427 & 428; P.9111.17]
Series of illustrated trade cards depicting sprays of flowers; a man smelling flowers while his female companion lies on her stomach in the grass nearby; a hunting scene labeled "Autumn" showing a dog and two boys walking, one of them with a rifle slung carelessly over his shoulder, which has just discharged and knocked the hat off of the boy behind him; and Santa Claus approaching a chimney with a sack of toys on his back. His reindeers and sleigh wait for him on the rooftops overlooking the skyline of the city., Title supplied by cataloger., One print [1975.F.827] contains trimmed "List of Streets of Philadelphia, North and South of Market St." printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Sooy [1975.F.761; 1975.F.776 & 777; 1975.F.785; 1975.F.811; 1975.F.827-829]
Illustrated trade card depicting a couple attired in fancy clothes adorned with flowers. The man holds a staff decorated with a ribbon in his left hand., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Eureka [1975.F.849]
Film negative showing Marriott C. Morris' son Elliston Perot Morris Jr. in a carriage with an unidentified man and woman on a path near Pelham Road. The man wears a three-piece suit and hat. The woman wears a dress, jacket, and decorated hat and holds onto the carriage. Morris wears a white, ruffled cap. The steps and porch of a house are visible behind the couple., Title supplied by cataloger., Manuscript note on original envelope: Pelham negatives, probably 1901, E.P. Morris for [?], Gift of David M. Morris., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator
Morris, Marriott Canby, 1863-1948, photographer
Date
[ca. 1901]
Location
Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.2017.38.16]
Poster, possibly a modern reproduction, commemorating the service of African American men during World War I. Shows a young African American couple, including an infantry man in uniform, looking at each other, in a slight embrace, and holding their left hands. The woman wears a blue, calf-length frock with a white Puritan collar and white cuffs and black and white boots with heels. Her hair is pinned under. Her companion wears a tan uniform, including a campaign hat, jacket, jodhpurs, gaiters, and boots. They stand on a pathway lined with flower bushes and potted flowering plants that leads to a portico. In the background, a troop of African American soldiers, including a soldier bearing the American flag, marches. Rows of trees are visible in the distance., Title from item., Range in publication date inferred from medium and copyright statement: [copyright symbol of "c" in circle] 1918 By E. G. Renesch, Chicago., Name of publisher from copyright statement., Description revised 2022., Access points reviewed 2022.
Date
[ca. 1918 - ca. 1950]
Location
Library Company of Philadelphia | Print Department Framed graphics [P.2016.28]
Three-quarter length studio portrait of Paul Lee and his newlywed wife in wedding attire. Shows the couple standing and facing the viewer. In the left, Paul is attired in a white collared shirt, a white bowtie, a black jacket with tails, black pants, and white gloves. In the right, the Chinese woman is attired in a veil with a decorative headband going across her forehead and the tulle rising up behind her head and flowing down her back; a short-sleeved, empire-waisted, tea-length, white wedding dress; a necklace; and white gloves. She cradles a floral bouquet in her arms. In the background is a decorated studio backdrop., Title from manuscript note on verso: Paul Lee & Bride., Date inferred from design of verso of postcard: Divided back; AZO stamp box with triangles in the corner (upward pointing triangles at top, and downward pointing triangles at the bottom)., Gift of Jean Gallagher.
Date
[ca. 1920]
Location
Library Company of Philadelphia | Print Department Jean Gallagher Photograph Collection [P.2022.7.33]
Racist trade card illustration promoting Rising Sun Stove Polish and depicting two domestic scenes with an African American husband and wife. The first scene shows the woman berating the man for buying an ineffective brand of stove polish and lunging toward him with the stick of polish in her left hand. The woman is attired in a blue and white headwrap, a red and white checkered scarf, a yellow and red patterned dress, a blue and white apron, and black shoes. The grey-haired man is attired in a blue and white top hat, a red long sleeved shirt, blue overalls, and black shoes. In the right is a bare wooden table and in the left is a dull black stove on top of which is a plain kettle. Visible beside the woman is a saucer and a brush. In the second scene, the man peeks his head from behind the door to the home and the woman faces and welcomes him with open arms. The woman is attired in a yellow and red headwrap; a blue, red, and white scarf; a red, white, and black patterned dress; a white and blue apron; and black shoes. The man is attired in a white and blue top hat. A cat with gray and black fur slinks behidn the woman. In the right is a wooden chair and a table with a red and white tablecloth, food, and utensils. In the left is a polished black stove, on top of whic sits a golden steaming kettle. Rising Sun Stove Polish Company was founded in Canton, Massachusetts by Elijah Morse in 1864., Title from item., Date inferred from content and genre of print., Advertising text printed on recto: Look yere, old man! What kind o' stove blacking you call dat? Ise been rubbin' on dat stove all mornin' an it don't gib it a polish worf a cent. You jest git de Rising Sun Stove Polish right away, or dar'l be trouble. You think I got time to 'speriment with such mud? Come in, Ephraim! Ise not mad with you dis time, case yer sent me de genuine Rising Sun Stoe Blacking; an' it shines de stove in good shape. An' here's yer dinner all ready. Somethin' agin yer? No, deed I haven't: yer tink ise an anjul to get along without good Stove Polish?, Advertising text printed on verso: An Acrostic. Royally the Rising Sun, In the east on fiery oar, Strong his daily course to run, Is with welcomes hailed afar. Nature in his radiance bright, Glowingly her form arrays; Sings her songs of sweet delight, Unisonant in his praise. Nations dwelling far and near See with joy his golden beams, Throwing back dark night, appear, Over plains and hills and sreams. Vividly his beams suggest Every bright and cheerful thing; Perfect, of its kind the best, One, the Polish that I sing. Lo! afar you find it famed, It the praise of all hath won; So, this Polish has been named, Happily, The Rising Sun., Advertising text printed on verso on right side is partially obscured., Gift of David Doret.
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Morse [P.2017.95.134]
Series of illustrated trade cards promoting F. Pulaski & Co., a fancy goods store at 1026 Chestnut Street in Philadelphia. Illustrations depict a white woman pulling on her red stockings as her pet cat rubs his head against her foot and the same woman attired in a brown coat, a pink hat, blue stockings and white shoes, leaving her home with her cat trailing her. Also includes two related scenes showing a white woman standing with her head lowered before her surprised white husband with black soot on her face and clothing. In the subsequent scene, the husband is fighting with a Black man. In the right, the white man's brown cap flies off his head and white flour is dispersed through the air. In the left, the Black man's brown, brimmed hat falls to the ground as he grabs his hands around the white man's head with his right leg lifted up. F. Pulaski & Co., initially a partnership between Frank Pulaski and M.L. Kline when these trade cards were created, later specialized in pictures and picture frames., Title from item., Text in French printed on recto [1975.F.714]: "En voyant sa femme changée de couleur, Pétrin qui a mauvais caractère, devine tout de suite que Charabia lui a fait une niche. Il a son plan.", Text in French printed on recto [1975.F.718]: "Comme ils se sont promis de faire suer: Charabia, de la farine à chon ami Pétrin, et Pétrin du charbon a Charabia, ils se tiennent parole.", Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
1881
Location
Library Company of Philadelphia | Print Department trade card - Pulaski [1975.F.714; 1975.F.718; 1975.F.764 & 1975.F.871]
Series of illustrated trade cards depicting a woman picking flowers; a man hanging a cloth with the title inscribed on it; a man holding an umbrella for a lady in the rain; a crane standing near flowers on the edge of a lake; ornate Japanese paddle fans; and a butterfly perched on flower stems., One print [1975.F.591] copyrighted 1881 by Thomas W. Price., Advertising text printed on versos: Established 1815. Mustin's original trimming store, the largest [Philadelphia,] wholesale hosiery, glove, trimming, zephyr worsted, knitting yarn, and thread & needle establishment, No. 515 Arch Street, and No. 510 Cherry Street, where storekeepers only, are supplied. Retail store, 1226 Chestnut Street., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Mustin [1975.F.591; 1975.F.609; 1975.F.618; 1975.F.635; 1975.F.644-646]
Social caricature showing a white man-woman couple in costume at a Philadelphia ball. The man, in the left, his head slightly turned to the right, wears a costume reminiscent of the 16th century. He is attired in red and blue striped ballooned knickers, a green brocade jacket with a red sash and cape, white ruffle collar, and a blue cap adorned with white ostrich feathers in the front. The woman, in the right and looking toward her left, is dressed in a pastorial attire. She wears a flat yellow head piece with red and blue bows on top, a white shirt with a low décolleté neckline and puff sleeves beneath a black corset, and a blue skirt with yellow trim underneath a white apron adorned with bows and a floral border. Scene also includes men and women attendees standing behind the couple., Title from print., Date from print., Inscribed: Plate 10., The symbol of a key is used in place of the name Clay., William Simpson was a Philadelphia "fancy store" proprietor who published the first 11 prints of the "Life in Philadelphia" series. He also marketed the series as part of his "Artists' Repository" and possibly helped finance the cost of production., RVCDC, Description revised 2021., Access points revised 2021.
Creator
Clay, Edward Williams, 1799-1857, etcher
Date
1829
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9693]
Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a brown coat with tails, a white bow tie, black pants, black stockings, black slipper shoes, and white gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with blue ribbons. Her head is turned toward the man and she sits on a bench with a blue cushion. She wears a large white bonnet adorned with red and blue bows and with ribbons tied into a bow under her chin. She is also attired in a maroon dress with long puff sleeves, black trim, and a laced bodice, black ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with brown hand coloring. Setting also includes a carpet with a decorative pattern., Title from item., Date supplied by article about print in Daily Chronicle, December 10, 1829, p. 2., Contains eight lines of dialogue in the vernacular and dialect above the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 12., Inscribed: Copy right secured., S. Hart & Son was a partnership between Sarah and Abraham Hart, Jewish owners of a Philadelphia stationery store who assumed the publishing of the "Life in Philadelphia" series in 1829. She reprinted the entire series of 14 prints in 1830., Described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator
Clay, Edward Williams, 1799-1857, etcher
Date
1829
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9694]
Caricature depicting a modishly dressed white couple (man and woman) strolling through Philadelphia's Washington Square near the Society Hill section of the city. The woman wears a bright yellow dress with extremely puffed leg o'mutton sleeves and a dramatically large yellow hat with a massively wide brim. Blue and yellow striped ribbons are attached to the hat and hang down from the brim. A kerchief and necklace adorn her neck. She carries a purple purse and a pink umbrella in her left hand and a pink monocle in her right. She holds the monocle close to the side of her chin. The man wears a blue waistcoat with massively puffed leg o'mutton sleeves, a plaid cravat, brown trousers, and top hat. He holds a walking cane in his left hand to the side of his waist. Both figures are depicted with corseted waists. Two fashionably dressed women, a fashionably dressed couple (man and woman) with a child, and multi-story buildings and trees are seen in the background. In the early 1800s Washington Square evolved from a pasture ground and a burial ground for the city’s African American community, indigent community, and Revolutionary War soldiers in the 18th century to a park at the request of the wealthy residents in the neighborhood., Title from item., Date inferred from dates of later plates in the series., Probably published by William Simpson., Inscribed: Plate 1., Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era. (PhD. diss., The University of Michigan, 1980), p. 86. (LCP Print Room Uz, A423.O)., Part of the digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Description revised 2021., Access points revised 2021., Accessioned in 1999.
Creator
Clay, Edward Williams, 1799-1857, etcher
Date
[1828]
Location
Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9688]
