Search results

Title: ASSU Illustration 9114
Description: Block numbered in two places: 9114., Image of a man with hand extended toward a group of people beside him, including two boys and two girls followed by adults; while the people appear to be standing still, there is a long line of people extending beyond this initial group; a house with what may be a thatched roof is visible in the background, and a smaller group of people stands in the distance on the other side of the gesturing man; several small flags are also visible in the distance; while hairstyles and headwear is varied, the tunic of the gesturing man and the hairstyles of some of the men suggest that the scene may be set in the medieval period., Signed: R.G.J. Sc., “V. Grottenthaler [?] P[hila.]” – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) in Philadelphia city directories from 1867 to 1876.
Date: [between 1867 and 1876?]
Location: ASSU Woodblocks -- Box 22

Title: ASSU Illustration 7127
Description: Block numbered in one place: 7127, also 1112., Image of a crowd of adults and children in front of an outdoor fish stall; several people point at something on the table, and others appear to be speaking or smiling; a man and a woman stand behind the stall, looking on., "V. Grottenthaler, 402 Library St Phila." – Back of block. Vincent Grottenthaler is listed (as a dealer in boxwood) at this address in Philadelphia city directories from 1869 to 1876.
Date: [between 1869 and 1876?]
Location: ASSU Woodblocks -- Box 23

Title: ASSU Illustration 6262
Description: Block numbered in two places: 6292., Image of a man in a top hat gesturing toward and speaking to a man behind a fence, while a woman hangs laundry over the fence and looks on; a crowd of people and what appears to be a dog is visible in the distance, and one small figure appears to be running or punching., “N.J. Wemmer. 215 Pear St. Phila.” – Back of block in two places. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876., “Am.S.S.U” – Back of block.
Date: [between 1871 and 1876?]
Location: ASSU Woodblocks -- Box 30

Title: ASSU Illustration 6889
Description: Block numbered in one place: 6889., Image of several children in a room; several girls in the foreground walk further into the crowd, holding hands., “N.J. Wemmer. 215 Pear St. Phila.” – Back of block in three places. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876., Block damaged: cracked., Illustration appears in Child's world, v. 17 no. 5 (1878), p. 1.
Date: [between 1861 and 1876?]
Location: ASSU Woodblocks -- Box 15

Title: ASSU Illustration 6263
Description: Block numbered in one place: 6263, also 1420 on small adhesive label on back of block., Image of two men in top hats walking toward or facing each other in a street; one holds a walking stick in one hand, and the other has one hand in his pocket and holds the other with palm flat toward the men; behind them is a large crowd of people, including a few adults and a large number of children sitting, standing, and playing; a few buildings are visible behind them, including one with a bell tower., “Am.S.S.U” – Back of block., “N.J. Wemmer 215 Pear St. Phila” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876., Back of block partially obscured by pasted-down piece of paper.
Date: [s.a.]
Location: ASSU Woodblocks -- Box 22

Title: [Fair, Red Bank, New Jersey]
Description: Aerial view of fair grounds at Red Bank, New Jersey. Crowds of pedestrians walk down a roadway decorated with monument-like statues and flags. The fair grounds are composed of three tents and a raised platform surrounded by a group of spectators. Visible in the surrounding area are parked automobiles, nearby residences, and a body of water., Negative number: 7941.
Creator: Aero Service Corporation, photographer
Date: ca. 1928
Location: Library Company of Philadelphia | Print Department Aero Service [P.8990.7941]

Title: State House
Description: Views showing a large gathering of people around a band in Independence Square at the rear of the State House. Also shows guards near the back entrance of the State House, barren trees, and an individual seated near a handcart in front of the rear gate of the square on Walnut Street., Title from photographer's label accompanying stereograph., Stereograph on yellow paper mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook of views of Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Moran, John, 1831-1903
Date: [ca. 1863]
Location: Library Company of Philadelphia | Print Department stereo - Moran - Government buildings [(8)1322.F.9a-2], Library Company of Philadelphia | Print Department photo - Moran - I [(3)1322.F.9c], Library Company of Philadelphia | Print Department cdv - Moran [(8)1322.F.9e]

Title: ASSU Illustration 6204
Description: Block numbered in two places: 6204, also 1417 on small adhesive label on back of block., Image of a boy selling books (Bibles?) in the street, carrying a tray suspended around his neck while extending one to a man looking on; several other people are gathered around, including women wearing cloth headdresses resembling wimples., “N.J. Wemmer 215 Pear St. Phila” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876., “Am.S.S.U” – Back of block in three places., “Italy. Buy the light, the true light” – Inscribed on side of block.
Date: [between 1861 and 1876?]
Location: ASSU Woodblocks -- Box 22

Title: Main Building from Machinery Hall.
Description: Crowds of people along the streets and railroad tracks in front of Main Building.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.2a]

Title: Pennsylvania State Fair, Philadelphia, 1885. $41, 000 in premiums! Opens September 23d, closes October 14th Manufactures, machinery, implements, produce, live stock
Description: Advertising card containing a montage of captioned vignettes depicting the fair buildings and heavily trafficked grounds at Broad Street and Lehigh Avenue. Vignettes show the Main Building (Society of Arts); Poultry Agricultural Hall; Cattle Sheds; Restaurant; and Music Stand. The Pennsylvania State Agricultural Society was founded in 1851 by representatives from 50 counties with the object to "foster and improve agriculture, horticulture, and the domestic and household arts.", Advertising text on verso: 31st. Pennsylvania State Fair, 1885. The spacious building and fine grounds, Broad St. and Lehigh Ave., Phila'a. for all the purposes of a grand exhibition of American industry, In [sic] all its departments, are unsurpassed in the United States. The lofty Main Building and its Annexes are devoted to General Machinery and Manufactured Goods, under the management of the Society of arts, office and books of entry, 411 N. 18th St., George W. Fryer, secretary. The Agricultural, Horticultural and Poultry, as well as other Live Stock Buildings, are devoted to special agricultural machinery products and manufactures. Under the management of the Penna. State Agricultural Society, Office and Books of Entry, N. E. Cor., 18th and Market Sts. D. W. Seiler, Secretary, Cheap Excursion Fares on all railroads entering Philadelphia. Low special rates of transportation on all objects entered for exhibtion. Trains run to Fair Grounds without change. Books of entry close Sept. 16., Philadelphia on Stone, POSP 288, See POSP 239, Free Library of Philadlephia - Oversize Philadelphiana - Fairs, festivals, See related tradecard for Cheltenham Coach Works, Shoemakertown, PA. Moore & Ervien in FLP Americana - Tradesmen's Cards (A-D) - Folder C. Tradecard illustrated with a montage of views of the fair buidlings.
Date: [1885]
Location: Library Company of Philadelphia. | Print Department trade card - Pennsylvania [P.2014.41.1]

Title: Chestnut Street crowded
Description: View looking along Chestnut Street showing a crowd of spectators packing the street and sidewalks for an unidentified event. A large clock is visible across the street on the sidewalk., Title printed on mount below image., Decorative printed floral pattern flanks image., Buff curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Robert M. Vogel.
Date: [ca. 1900]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Streets [P.9047.125]

Title: The travelled monkey - wiser & sadder
Description: Cartoon depicting two unidentified white men, attired in suits, on the balcony of the "Cleveland Hotel" in front of a hostile crowd calling out "Traitor" and "You be Damned." The speaker clutches a handkerchief and the bannister of the balcony as he tries to placate the crowd by stating it is their "Congress that is trying to break up the Government." The man beside him in the left smugly comments that he hopes the mayor is in town. An African American man in the crowd, portrayed in racist caricature, taunts the speaker, "How about that $400 Gold watch.", Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1884?]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1884 Tra [5760.F.110]

Title: Machinery Hall, from Main Building.
Description: View of large crowd in front of Machinery Hall.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.2c]

Title: Pennsylvania Day - instantaneous view.
Description: Large crowds along the roads around exhibition buildings. Buildings visible include U.S. Government Building and arm and hand of Bartholdi's Statue of Liberty. Depicts statues, shrubs, trees, and walkways.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - stereos [P.9047.174]

Title: Centennial opening - the choristers.
Description: View of large crowd in front of the Main Building on and around the sculptures. Choristers dressed in white walk through the center.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.2b]

Title: Centennial opening - the orators.
Description: Opening day ceremony of the 1876 Centennial Exhibition, May 10, 1876. Depicts Art Gallery with trolley cars and crowd of attendees with umbrellas under stormy skies.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - stereos [P.9047.162]

Title: Centennial opening - the choristers.
Description: View of large crowd in front of the Main Building on and around the sculptures. Choristers dressed in white walk through the center.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - stereos [P.9047.164]

Title: Centennial opening - the orators.
Description: Opening day ceremony of the 1876 Centennial Exhibition, May 10, 1876. Depicts Art Gallery with trolley cars and crowd of attendees with umbrellas under stormy skies.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.2d]

Title: Centennial opening - the choristers.
Description: View of large crowd in front of the Main Building on and around the sculptures.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - stereos [P.9047.163]

Title: [A sea of umbrellas, Capitol dedication, October 4, 1906.]
Description: View looking down at a street crowded with spectators holding umbrellas who have gathered to watch and listen to the speeches of President Theodore Roosevelt, Governor Samuel Whitaker Pennypacker and Governor William A. Stone at the dedication ceremony of the Pennsylvania Capitol building in Harrisburg. American flags and patriotic bunting hang from nearby buildings., Signature of photographer on mount., Title from manuscript note on verso., Manuscript note on verso: A sea of umbrellas., The Pennsylvania State Capitol building was constructed from 1902 to 1906 after designs by Joseph M. Huston., Gift of Mr. and Mrs. Maro S. Hunting. Mrs. Hunting was the granddaughter of Joseph M. Huston, the architect of the Capitol., For more information about the dedication ceremony see Literature in Stone: The Hundred Year History of Pennsylvania's State Capitol, Chapter Four., LCP AR [Annual Report] 1979, pp. 42, 47-48., Forms part of the Pennsylvania Capitol Photograph Collection.
Creator: Rau, William Herman, 1855-1920, photographer
Date: October 4, 1906
Location: Library Company of Philadelphia | Print Department Pennsylvania Capitol Photograph Collection [P.8479.87]

Title: Destruction by fire of Pennsylvania Hall. On the night of the 17th May, 1838
Description: Exterior view of Pennsylvania Hall engulfed in flames. A large crowd looks on. Fire fighters spray water on an adjoining building. Pennsylvania Hall was constructed 1837-1838 at Sixth and Haines Streets in Philadelphia as a meeting place for local abolitionist groups. Dedication ceremonies began on May 14, 1838 and continued over several days in a climate of growing hostility. On the night of May 17, 1838, a mob stormed the Hall and set it on fire. Fire companies refused to fight the blaze, and the building was completely destroyed. Bowen issued this print commemorating the event within a few days of the fire., Title from item., Artist and publication information supplied by Wainwright., Philadelphia on Stone, POS 179, Gift of Mrs. S. Marguerite Brenner, 1984., Description revised 2021., Access points revised 2021.
Creator: Wild, J. C. (John Caspar), approximately 1804-1846, artist
Date: [1838]
Location: Library Company of Philadelphia | Print Department *W94 [P.9057.27]

Title: "Raising the liberty pole" Dedicated to the American people. Commemorative of 1776. The centenary of independence
Description: Print after painting by New York historical painter and Art Union exhibitor, Frederick Augustus Chapman, commemorating the Declaration of Independence. Depicts the raising of a liberty pole in a colonial town square. Image contains a group of men, including an African American man, raising the pole as around them revelers rejoice; a tavern sign with a portrait of King George III is pulled down; the Sons of Liberty rally; volunteers for "War, Liberty, and Rights" are recruited; a white man loyalist turns away in disgust; and a white woman raises her baby in celebration as other women solemnly look on. Liberty poles, symbols and meeting places of the radical group, Sons of Liberty, first appeared in 1766 following the repeal of the Stamp Act., Title from item., Date from copyright statement: Copyrighted 1875. By John C. McRae; New York., Gift of Mrs. Francis P. Garvan, 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: McRae, John C., engraver
Date: 1875
Location: Library Company of Philadelphia | Print Department **GC-American Revolution [8384.F.13]

Title: View of the Pennsylvania State Agricultural Fair, held at Powellton [sic], twenty-fourth ward, Philadelphia, late West Philadelphia, September 1854
Description: Shows the well-attended fair on grounds landscaped with dirt paths and a track, tenanted by tents and sheds adorned with American flags, and enclosed by a white fence. Visitors enter by foot, on horseback, and carriage through an arched opening near the "Ticket Office" as a lone carriage departs through the opposite exit way. Throngs of people spill out from the temporary shelters while individuals ride horseback, travel in carriages, and rest on a mound of dirt nearby. Also shows horses racing on the track and trees lining the back of the property in the background. The Pennsylvania State Agricultural Society was founded in 1851 by representatives from 50 counties with the object to "foster and improve agriculture, horticulture, and the domestic and household arts." Powelton was the estate of John Hare Powel, an experimental farmer and diplomat., Title supplied by Wainwright., Philadelphia on Stone, Atwater Kent Museum: 49.34.25
Date: [ca. 1854]
Location: Atwater Kent Museum | Print Department AKM AKM 49.34.25

Title: Colossal hand and torch "Liberty".
Description: Free-standing hand and torch from the Statue of Liberty mounted on subscription kiosk. A small crowd at the base of structure and two men at the hilt of the torch. In background is New York 'Tribune' Building, Women's Pavilion, and Drinking Fountain. The 'Liberty' hand and torch was designed by Fridiric Bartholdi; the Drinking Fountain was erected by the Sons of Temperance of Pennsylvania.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - stereos [P.9260.45]

Title: Pennsylvania Day - instantaneous view.
Description: View of Centennial grounds full of people on Pennsylvania day. Depicts various buildings including U.S. Government Building.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.13b]

Title: Memorial Hall.
Description: View of crowds on steps of Memorial Hall and on railroad platform. Railroad tracks and Winged Horses in foreground.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial album [P.8965.2f]

Title: Pennsylvania Day - instantaneous view.
Description: Large crowds along the roads around exhibition buildings. Buildings visible include U.S. Government Building, Cook's World Ticket Office, Judge's Hall, Photographic Association's Studio, and Women's Pavilion. Railroad, lake, walkways and statues also visible.
Creator: Centennial Photographic Co., photographer., creator
Date: 1876
Location: Centennial - stereos [P.9047.180]

Title: I take it on my responsibility
Description: Cartoon critical of Andrew Jackson's decision to discontinue federal deposits to the Bank of the United States and his denial that his informal circle of close advisors, known as the "Kitchen Cabinet," influenced his decision. Depicts Jackson pinned to a column at the top of the stairs of the bank as he and other white men are being drenched by white men wielding fire hoses, one labeled "United States," in the street. Near Jackson, a kettle boils, fueled by burning papers labeled "Constitution" and "Globe," the pro-Jackson newspaper. Behind him several men, one labeled "K.C.," are involved in altercations. Other men run down the steps, one colliding with an African American man carrying barrels. In the street, a rotund white man, attired in a military uniform, observes the soaking of Jackson with delight while two other white men appear to be coming to Jackson's aid., Title from item., Date of publication supplied by Weitenkampf., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1834]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1834-12W [5760.F.57]

Title: [Destruction of the hall]
Description: Depicts a street scene with the abolitionist meeting place, Pennsylvania Hall, engulfed in flames at Sixth and Haines Streets in Philadelphia. Crowds, including a group of drunken men and other revelers, look on as several fire companies using handpumps hose the adjoining spared building. The hall, erected in 1838 as an arena for "free discussion," was set on fire by a mob of hostile citizens who had witnessed 3 days of interracial dedication ceremonies and services. For disputed reasons, the fire companies did not attempt to extinguish the burning hall. The building was razed and never rebuilt., Title from: [Samuel Webb's], "History of Pennsylvania Hall," p. 136., Manuscript note on verso: Destroyed by a mob by fire on the night of 17th May 1838., Originally published in: Samuel Webb's History of Pennsylvania Hall. (Philadelphia: Printed by Merrihew and Gun, 1838). (Am 1838 Hist Pa Hall). Last page contains advertisement for a limited supply of larger frameable versions of the print to be sold at the Anti-Slavery Office, No. 29 N. 9th Street, in Philadelphia., LCP exhibition catalogue: Negro History #101., Accessioned 1979., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.LCP exhibit catalogue: Negro History #101., Sartain, a member of the Pennsylvania Anti-Slavery Society and a premier 19th century Philadelphia engraver, often instilled his work with his reformist beliefs.
Creator: Sartain, John, 1808-1897, engraver
Date: [1838]
Location: Library Company of Philadelphia | Print Department PhPr - 8x10 - Events - Fires [P.2283.2]

Title: State fair buildings and grounds, Philadelphia. Industrial Exhibition Pennsylvania State Agricultural Society, North Broad Street and Lehigh Avenue, Philadelphia Manufactures, machinery, implements, apparatus, produce & live stock
Description: View of the fair buildings and heavily trafficked grounds enclosed by a wood fence. In the foreground, outside of the grounds, pedestrian and street traffic is visible. Horse-drawn carriages and wagons travel in the street near pedestrians, including a woman walking her dog on the sidewalk. Horse-drawn omnibuses arrive at and depart from the multiple entrances to the fair at Fifteenth Street near a Philadelphia & Reading Railroad train arriving at the "Special Station." Within the grounds, visitors stroll on the paths between and enter the several exhibition buildings, including the Main Building (center), Restaurant, House of Public Comfort, Carriage and Wagon House, and Poultry House. Agricultural implements, fountains, and shrubbery adorn the grounds. In the background, the cattle sheds, rows of horse stalls, and the Executive Offices line the outskirts of the grounds in back of which trains on the Connecting Railroad and Pennsylvania Rail Railroad tracks travel past. Also shows the entrances, train station, and buildings decorated with flags. The Pennsylvania State Agricultural Society was founded in 1851 by representatives from 50 counties with the object to "foster and improve agriculture, horticulture, and the domestic and household arts.", pdcp00044, Not in Wainwright., Key to buildings (left to right) printed below the image: Cattle Sheds. Connecting Railroad. Horse Stalls. Exercise and Parade Drive. Restaurant. Main Building. House of Public Comfort. Horse Stalls. Carriage and Wagon House. Pennsylvania R.R. Executive Offices. Fifteenth St. Entrances. Philadelphia & Reading R.R. Agricultural Building. Poultry House. Special Station P. & R.R.R., Philadelphia on Stone, POSP 239, Free Library of Philadelphia: Oversize Philadelphiana – Fairs, festivals, See related tradecard for Cheltenham Coach Works, Shoemakertown, PA. Moore & Ervien in FLP Americana - Tradesmen's Cards (A-D) - Folder C. Tradecard illustrated with a montage of views of the fair buidlings.
Date: c1884
Location: Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Oversize Philadelphiana – Fairs, festivals

Title: Hagar & Campbell's Dime Museum, Ninth & Arch Sts. Opens Monday September 3d 1883
Description: Lively advertising print for the dime museum operated by W. D. Hagar and W. T. Campbell 1883-1885. Shows throngs of people entering the mansard-roofed building, heavily adorned in signage and over 40 pictures of the museum's performers, at the northwest corner of Ninth and Arch Streets. Signs read "Specially Adapted for Ladies & Children: Open Daily from 1 to 10 P.M."; "Curiosities Constantly Arriving From All Parts of the World"; and "Philadelphia's Pleasure Palace Containing Countless Curiosities / Peerless Parlor Peformances." Other signs announce the hours of operation, the museum's purpose for the "instruction and amusement" of ladies and children, and the admission price - 10 cents. Performer's pictures primarily depict human curiosities and include tattooed men and women, a bearded lady, clowns, a two-headed woman, little people, an armless man, a man eating a slate, exotic and native costumed figures, as well as a magician and a ventriloquist. Graphics also show exotic animals and birds. Building also adorned with flags promoting the museum and its attractions, including "birds, beasts, and mechanical marvels." In the street, three street cars (nos. 44, 33, and 26) and one wagon, advertising Hagar & Campbell's, travel and stop in front of the museum. Wagon is composed of billboards illustrated with an image of seven women with floor-length hair and captioned "Seven Wonders of the World.", Also shows adjacent buildings, a crowd of people at the side of the museum, and pedestrians and passersby in the street, on the sidewalk, and near and looking at the street vehicles. Print also contains portraits of owners W. D. Hagar and W. T. Campbell in the upper corners. By 1884, Campbell and Hagar were officers in the Barnum and London show managing "Privileges." Campbell stayed with Barnum until at least the early 1890s., Date inferred from title., Gift of Barbara Fahs Charles and Robert Staples., POSP 286
Date: [1883]
Location: Library Company of Philadelphia | Print Department ***BW - Advertisements - H [P.2013.82]

Title: [Aftermath of the Broad Street Station fire, Philadelphia, June 1923]
Description: Scene showing a large crowd of men and women commuters on a makeshift walkway stretching to the back of the interior of the train shed. Depicts the crowd, including African Americans, milling about on the landing overseen by a railroad conductor. Two laborers with a plank, one an African American, wait at the front of the crowd. Labor crews on either side of the commuters repair the destroyed platforms and tracks upon which burnt out train cars rest. Under a sign pointing left "To Filbert Street," a conductor and two men consult near a telephone box. The Broad Street Station fire started on a Monday and burned for three days. The fire was still burning when 2000 laborers began repairing the station to reopen that Friday., Title supplied by cataloger., Date inferred from content., Purchase 1981., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [June 1923]
Location: Library Company of Philadelphia | Print Department photographs- unidentified - transportation [P.8683.19]

Title: The conflagration of the Masonic Hall Chesnut Street Philadelphia. Which occured on the night of the 9th of March 1819 This plate is respectfully dedicated to the active and much esteemed fire engine & hose companies, by their obed't serv'ts S. Kennedy and S.S. West
Description: Reissue of the print after a commemorative painting of the hall on fire by Samuel Jones at the request of the publishers with added figures by the prominent Philadelphia genre painter, John Lewis Krimmel. View depicts several volunteer firefighters hosing the flame-engulfed tower of the majestic hall, erected in 1811, purportedly after the design of William Strickland. A large frenzied crowd, including African Americans and well-dressed men and women couples, gather on the street. Spectators push, shove, are knocked down, and watch the fire in horror. Residents flee with their belongings as firefighters blow horns and transport a handpump. The fire started by a faulty flue destroyed the building, which after several successful masonic charity events was rebuilt, without a tower, in 1820 under the direction of Strickland., Title from item., Third state., Inscribed below image: Copy right secured., Samuel Kennedy and Samuel West were members and official print publishers for the Association of American Artists, later headed by Krimmel., Barber, a Philadelphia printer, artist, and engraver, was in business from 1867 until 1885., See Anneliese Harding's John Lewis Krimmel. Genre artist of the early Republic. (Winterthur, Delaware: The Henry Francis Dupont Winterthur Museum, 1997), p. 206-208., See Milo Naeve's John Lewis Krimmel: An artist in Federal America. (Newark: University of Delaware Press, 1987), p. 109., LCP exhibition catalogue: Made in America #30., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Hill, John, 1770-1850, engraver
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department **PhPr - Associations - Masonic Hall [P.9210.5]

Title: Palm Sunday or Easter Sunday, the boardwalk, Atlantic City, N.J
Description: Group portrait of a crowd of hundreds of promenaders crammed on the Atlantic City boardwalk during the Lenten season of the early 1920s. All the promenaders are attired in hats and their holiday best, including an elegant African American woman. The Schlitz Hotel, the Hotel Dunlop, the Steel Pier, and the Atlantic Ocean are seen in the background. Spectators look down from the balcony at the Schlitz Hotel. Starting in the late 19th century, Atlantic City became a haven for the well-to-do to celebrate Easter and model their fashionable holiday wear and millinery., Purchase 1984., Title from manuscript note on verso., Date inferred from content and attire of the people., Blind stamp: George S. MacManus Co. Corporation Seal Pennsylvania 1940., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1920]
Location: Library Company of Philadelphia | Print Department photos - unidentified - Cities [P.9005.29]

Title: [Crowd on the Atlantic City boardwalk near the Steel Pier]
Description: Group portrait of a crowd of hundreds of men and women promenaders crammed on the Atlantic City boardwalk during the early 1920s, probably on Easter. Most of the people, including a few African Americans, are attired in hats and their best clothing. The Steel Pier displaying the "General Motors Exhibit," "Chop Suey," Strands, La Victoire Restaurant, and the Virginia Photoplays line the street. Starting in the late 19th century, Atlantic City became a haven for the well-to-do to celebrate Easter and model their fashionable holiday wear and millinery., Title supplied by cataloger., Date inferred from the photographic medium and the attire of the people., Manuscript note on verso: Market Finance Co., 409 Market St., Purchase 1982., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1925]
Location: Library Company of Philadelphia | Print Department photo - unidentified - cities [P.8932.16]

Title: Scene at polling place in Wilmington, Del. Local option election, Nov. 5 1907
Description: Documentary view taken by Delaware news photographer A.N. Sanborn showing African American men voters outside of Buck's Chemical Co., a Wilmington, Delaware polling place. Depicts the men standing on the edge of the sidewalk, some conversing, one holding papers in his hand, in front of the brick building of the chemical company adorned in signage reading "Incorporated 1900. Bucks Chemical Co., 1201 & 1203 French St. J.C. Buck[? ], Pres. Wm C. [?], Secy. & Treas. Other men stand near the building by the sign and an entryway with the frame marked "Laundry." To the left, a group of white men stand in a huddle, across from a partially visible entry way, and next to two white girls who look toward the photographer. All the men are attired in suits. To the right, a group of African American and white children crowd together and look toward the photographer. Behind them, in the background, the Black church, the Union American Methodist Episcopal Church, is visible. View also includes two lines of ropes and poles that extend into the empty street from the partially visible entryway and create a cordoned passage. In 1901, the Delaware State General Assembly took actions to dismantle laws that impeded voting by the Black community, as well as had finally symbolically ratified the 13th, 14th, and 15th amendments. The November 1907 local option election ballot was on the question of whether state licenses should be granted to outlets to serve alcohol. Wilmington voters voted in favor of licenses., Title and date from manuscript note on mount., Name of photographer from imprint blindstamped on mount., Manuscript note on verso: 5th Dis of 6th Ward. 2nd Ref Dis. Cor 12th & French, Wil Del., Partially purchased with funds for the Visual Culture Program., RVCDC
Creator: Sanborn, A.N. (Arthur N.), 1869-1959, photographer
Date: [November 5, 1907]
Location: Library Company of Philadelphia | Print Department photo - Sanborn [P.2023.17.2]

Title: The bloody massacre perpetuated in King Street, Boston, on March 5th, 1770, by a party of the 25th Regt
Description: Depicts a scene during the "Boston Massacre" of March 5th, 1770 in which an officer signals seven British soldiers to fire into a mob of protesting colonists. The wounded lie on the ground or are carried away by the crowd. A woman in a shawl observes the carnage. Eighteen lines of verse criticizing the actions of the British and a list of colonists killed or injured appear below the image: "Saml Gray, Saml Maverick, James Caldwell, Crispus Attucks, and Patk Carr (killed) and it is noted that there were "Six wounded; two of them (Christr Monk & John Clark) Mortally." Crispus Attucks, included in the list of colonists but not transparently depicted, was a free man, sailor, and the alleged leader of the crowd who was the first colonist shot and killed., Title from item., Most well-known of Paul Revere's prints, and a nearly identical copy of a print entitled "The Fruits of Arbitrary Power, or the Bloody Massacre" by Henry Pelham who accused Revere of piratism., Facsimile based on the original by Revere., Inscribed: Copy Right Secured., One of the prints originally part of a McAllister scrapbook of views of Massachusetts. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Revere was a Boston silversmith, engraver, and cartoonist, most known for his patriotic activities during the American Revolution.
Creator: Revere, Paul, 1735-1818, artist
Date: March 5, 1832
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1770-1 [1884.F.25; 5738.F.8]

Title: Not very like a whale but very like a fish. Seventh Ward promenades
Description: Cartoon depicting the riots caused by the corrupt electioneering tactics and voter coercion during the first general mayoral election in New York City in 1834. In the right, the mob of people shout "Hurrah for Lawrence" ie. Cornelius Lawrence, the Tammany candidate and winner of the election. The crowd, including African American men depicted in racist caricature, carry pieces of wood as they chase the white man attired in a nightshirt and cap, probably New York merchant and 7th Ward Bank investor, Preserved Fish. A dog also runs after him. "Preserved Fish" runs past a building with a banner, "Hurrah for Gulian C. Verplanck," the Whig candidate who contended that he was defrauded of the office. The corrupt 7th Ward Bank funneled money to Tammany officers and supporters. In the left background, another crowd of men is visible., Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1834]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1834 - 15W [5760.F.86x]

Title: The abolition Garrison in danger & the narrow escape of the Scotch Ambassador
Description: Anti-abolition print celebrating the 1835 attack on William Lloyd Garrison in Boston by "gentleman of property and standing" preceding his scheduled speaking engagement before the Boston Female Anti-Slavery Society. Depicts Garrison at the center of an angry mob of white men. He has a noose around his neck and his newspaper "The Liberator" in his pocket and yells, "Help Children of Africer - help brothers." Scottish abolitionist George Thompson, who was rumored to be the Society's speaker, flees the scene attired in a women's clothes. He states with a Scottish burr that he will not be a "Martyr in sie black cause." As the mob screams, "Down with the incendiary abolitionists," and calls for Garrison's lynching and arrest, Garrison is being pulled by the noose by several of the rioters and steps upon editions of the "Evening Post" and "Human Rights," serials sympathetic to the abolitionist cause., Title from item., Date inferred from content., Text on recto: Boston Oct. 21st, 1835., Purchase 1958., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1835]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1835-10W [6259.F]

Title: Southern ideas of liberty. New method of assorting the mail, as practised by southern slave-holders, or attack on the post office, Charleston, S.C
Description: Print portraying the violent suppression of Southern abolitionism. Depicts a riotous mob around a gallows from which a white man hangs. It is overseen by Judge Lynch, depicted with donkey's ears and holding a whip while stepping on the Constitution. He is seated upon bales of cotton, sugar, and tobacco and sentences a white man abolitionist to be hanged by the neck. The abolitionist is grabbed and drug to the gallows by two white men., Print portraying a raid of anti-abolitionists on the Charleston Post Office in July 1835. Depicts white men removing and then pilfering mail-bags from the ransacked post-office and throwing to the ground abolitionist newspapers including "The Liberator," "Atlas," and "Commercial Gazette" while a riotous mob burns the papers. Posted on the Post Office is a broadside titled "$20,000 Reward for Tappan" referring to the bounty placed by the city of New Orleans upon Arthur Tappan, founder and president of the American Anti-Slavery Society., Title from item., Advertised in 1836 editions of the abolitionist newspapers The Liberator, published in Boston, and Emancipator, published in New York., Text printed on recto: Sentence passed upon one for supporting that clause of our Declaration viz. All men are born free &equal. “Strip him to the skin! give him a coat of Tar & Feathers! Hang him by the neck, between the Heavens and the Earth!!! as a beacon to warn the Northern Fanatics of their danger!!!!”, Purchase 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1835-2 & 3 [P.8658]

Title: The election day in Philadelphia
Description: Print from an unfinished plate by Philadelphia engraver Alexander Lawson, after the 1815 painting (owned by the engraver) titled "Election Scene. State House in Philadelphia" by his friend and genre painter, John Lewis Krimmel that was exhibited at the Pennsylvania Academy of the Fine Arts Exhibition of 1816. Depicts the rowdy immoral atmosphere during the afternoon of a Philadelphia election at the State House on Chestnut Street between Fifth and Sixth Streets. Voters arrive, complete and switch votes, and block the polls as politicians and campaigners, including former mayor John Barker, lobby for votes and engage in debate. A band and patriotic float parade down the street; a tavern quarrel occurs; two young African Americans attempt to rob a distracted woman peddler; an oyster vendor does a brisk business; and mothers and couples stroll and children play. Flags are displayed on the buildings, including Peale's Museum., Title from duplicate print at Henry Francis Dupont Winterthur Museum., Plate deposited by artist's daughter at the Pennsylvania Academy of the Fine Arts in 1887 from which 42 prints were produced between 1888 and 1904., Anneliese Harding's John Lewis Krimmel. Genre artist of the early republic (Winterthur, Delaware: The Henry Francis Dupont Winterthur Museum, 1997), p. 83-90., Milo Naeve's John Lewis Krimmel: An artist in federal America (Newark: University of Delaware Press, 1987), p. 118-119., LCP exhibition catalogue: Made in America,, Accessioned 1992., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Lawson, Alexander, 1773-1846, engraver
Date: [ca. 1894]
Location: Library Company of Philadelphia | Print Department ***PhPr-Gov't Buildings-Independence Hall [P.9380]

Title: Enlistment of Sickles brigade
Description: Caustic satire depicting the enlistment by notorious New York Congressman Colonel Daniel Sickles of recruits from offices near New York's crime-ridden Five Points area. The congested scene depicts several men, including African American men, clustered on a city street near a liquor store. In the left, Sickles, unwigged, stands above the crowd, and holds out Bibles in each hand. In the right above the crowd, "Mrs. Higby," wife of a New York clergyman, hands out pipes to the men (an allusion to Sickles's men being given pipes and Bibles for enlisting). A sign near Sickles reads "The Capital in danger. Sickles Brigade to the Rescue!!" A sign near Mrs. Higby reads "Pipes for the noble saviors of their country by Mrs. Higby." The "enlisting" men wear torn, worn, and patched uniforms or street clothes and hold picket signs, guns, and clubs. Within the crowd, a pit bull terrier and a white boy watch the melee, which includes a white man, attired in a uniform and a "Colonel Sickles Brigade" cap, offering an African American man a medal, who scratches his head, next to another African American man, attired in uniform and portrayed in racist caricature, and seated on a barrel. A few years before the war in 1859, Sickles gained notoriety for murdering Philip Barton Key II for having an affair with his wife Teresa Bagioli. He was acquitted based on the first successful use of the insanity defense in the U.S., Inscribed upper left corner: 6., Issued as plate 6 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Tile and publication information from series at Brown University Library., Research file about artist available at repository., Accessioned 1935., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Volck, Adalbert John, 1828-1912, artist
Date: [1863]
Location: Library Company of Philadelphia | Print Department Volck - Sketches - Volck 6 [2990.F.23]

Title: The meeting of the Friends. City Hall Park
Description: Cartoon portraying a distorted version of events surrounding New York Governor Horatio Seymour's "My Friend's" speech during the Draft Riots of 1863 when several African Americans were killed by working-class rioters. Portrays Seymour on the steps of City Hall in front of a riotous mob composed primarily of armed Irish-Americans who march past the building for "The Tribune," an anti-Seymour newspaper. Supporting Seymour from behind are a fool with a cap inscribed "Express" (i.e., a Pro-Seymour newspaper), and former Mayor Fernando Wood and Tammany boss Peter B. Sweeny, both "Copperhead" Democrats who advocated peaceful settlement with the South and who believed Republican philanthropy favored African Americans at the expense of working-class whites. Seymour placates the mob announcing that he is their friend and that he has ordered the President to stop the draft. At his feet is an African American with a noose around his neck. A white man holds the severed head of an African American man, and several more African Americans are seen hanging from trees in the background., Probably drawn by Henry L. Stephens., Title from item., Date inferred from content., Place of publication supplied by Reilly., Text printed below image: A friendly voice.—Governor, we want you to stay here. Horatio Seymour.—I am going to stay here, “My Friends.” Second Rioter.—Faith, and the Governor will stay by us. Horatio Seymour.—I am your “Friend,” and the “Friend” of your families. Third Rioter.—Arrah, Jemmy, and who said he cared about the “Dirty Nagurs”? Fourth Rioter.—How about the draft, Saymere? Governor.—I have ordered the President to stop the draft! Chorus.—Be Jabers, he’s a “Broth of a Boy.”, RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1863]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1863-12 [P.2275.11]

Title: Pulling down the statue of George III "By the Sons of Freedom." At the Bowling Green City of New York, July 1776
Description: Print commemorating American independence after the painting by religious and historical artist, Johannes A. Oertelat, at the New York Historical Society. Depicts white men attempting to topple the equestrian statue of King George following the reading of the Declaration of Independence at the foot of Broadway. At the base, men pull on ropes wrapped around the sculpture while men from behind use rods to knock it over. In front of the pedestal, an African American man has fallen over on the ground. An excited crowd of spectators, including well-to-do and working class men, women, and children cheer, point, hold torches and mallets, and trample upon the broken fence once surrounding the statue. In the left is a Native American man attired in a feather headdress and carrying a spear. Several dogs run in the foreground. In the background, ships in New York harbor are visible., Gift of Mrs. Francis P. Garvan, 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: McRae, John C., engraver
Date: c1859
Location: Library Company of Philadelphia | Print Department **GC-American Revolution [8384.F.11]

Title: The people putting responsibility to the test or the downfall of the kitchen cabinet and collar presses
Description: Cartoon predicting the dire consequences to follow President Jackson's withdrawal of federal funds from the Bank of the United States. Depicts a riot in which Supreme Court Justice John Marshall warns that "the day of retribution is at hand" as anti-bank fiscal advisors Reuben Whitney and Thomas Ellicott use a rope to pull down a statue of Justice, depicted as a white woman holding scales and stepping on a snake, from a pedestal labeled "Constitution." An angry mob of white men farmers, laborers, and tradesmen carry instruments including axes, pitchforks, and shovels and papers labeled, “Broken Bank.” They fight and demand the recharter of the bank, shouting "Send back the deposites! Recharter the Bank!" and "Come back old responsibility." In the right, Jackson escapes on the back of "Jack Downing" cursing Postmaster General Kendall, "By the Eternal Major Downing; I find Ive been a mere tool to that Damn'd Amos [Kendall] and his set, the sooner I cut stick the better." In the left background, under "Senate Chamber," Henry Clay gloats to Daniel Webster and John Calhoun, "Behold Senators the fulfilment of my predictions." In the left foreground, two African American men, portrayed in racist caricature and speaking in the vernacular, predict freedom and the ascension to the throne of abolitionist William Lloyd Garrison, "Hurrah! for Massa Garison, den he shall be King!" A Jewish banker, portrayed in caricature, undercuts a sailor offering him a ten dollar bank note, "Mine Got that ish one of the Pet Bankhs I'll give you one Dollar for the Ten." In the right foreground, newspapers supportive of Jackson, "collar presses," symbolized as dogs with human heads labeled "Evening Post, N. York Standard, Journal of Commerce, Albany Argus," run away chained together., Title from item., Date from copyright statement: Entered according to Act of Congress in the Clerk's Office for the Southern District of New York by T.W. Whitley in the year 1834, and for sale at 104 Broadway., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Whitley was a mid-19th-century New York landscape and figure painter who also wrote about art and drama for the New York Herald.
Creator: Whitley, T. W. (Thomas W.), artist
Date: 1834
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1834-7 [1884.F.3]

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