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- Title
- [Satiric stereograph showing an African American dandy receiving a shoe shine from a white shoe shine boy]
- Description
- Stereograph, possibly published in London, depicting a scene satirizing race relations in America. Shows the dandy standing and with one foot on the boy's shoe shine box in front of a back drop depicted as a wall adorned with broadsides referencing abolition, slavery, and emancipation. The dandy is attired in striped and checkered pants, a jacket with tails, a ruffled shirt, and top hat. He holds a walking stick under one arm and a cigarette in his other hand. The boy kneels and shines the dandy's shoes with his shining supplies and tools by his box. Broadsides include a "playbill" reading "Adelphi. Tonight The White Slave. Octoroon Farce" and an advertisement for "Fast Clipper. Clyde. For New Orleans." Other posts read "No Slavery. Freedom" and "Great Meeting. Negro Emancipation. Poor Slaves.", Place of publication and date inferred from image content containing a reference to the "Octoroon" at the "Adelphi." Adelphi is a London theater where The Octoroon was performed 1861-1862., Grey mount with square corners., Purchased with the Davida T. Deutsch African American History Fund., See similar visual trope "I say Billy, do you know why I'm doing this? Cause, I'm going to run for Congress soon!" [Political cartoons - 1863-13W, 8033.F.3]
- Date
- [ca. 1862]
- Location
- Library Company of Philadelphia | Print Department stereo - unid. photo - Genre - African [P.2014.29]
- Title
- I'se a dude!
- Description
- Trade card promoting New Jersey grocer H. G. Prall & Sons and depicting an African American man dandy, with a sheepish expression, and posed with his left hand to his lips and his other hand holding a white top hat at his shoulder. He is portrayed in racist caricature and attired in a ruffled white shirt, a white waistcoat adorned with a watch fob, a gold jacket with tails, and blue and white striped pants. He stands in front of a background of fauna details. H. G. Prall primarily appears as the sole proprietor of his grocery in later 19th-century directories, but is listed as H. G. Prall & Son in 1883., Title from item., Date inferred from city directory listing for business., Series no. printed on recto: 58., Advertising text printed on verso: H. G. Prall & Sons, Dealers in fine Groceries. Headquarters for Fish, Provisions, Flour, Feed, &c., 174 and 176 Main Street, Somerville, N. J., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [ca. 1883]
- Location
- Library Company of Philadelphia | Print Department trade cards - Prall [113419.D]
- Title
- "I say Billy, do you know why I'm doing this? Cause, I'm going to run for Congress soon!"
- Description
- Satire belittling the increasing rights of African Americans following the Emancipation Proclamation and depicting a white shoe shine boy shining the shoes of an African American man, portrayed as a racist caricature of a Black dandy. On the street corner, the white boy shines the shoes of the African American man, attired in a top hat with a decorative band, a white collared shirt, a black bowtie, a plaid waistcoat, a checked jacket, striped pants, and black shoes. The shoe shiner speaks to another white boy, who is barefoot and attired in torn and worn clothes, "I say Billy, do you know why I'm doing this? Cause, I'm going to run for Congress soon!" In the left, a carriage passes by., Title from item., Date of publication supplied by Weitenkampf., Lib. Company. Annual Report, 1972, p. 63., Purchase 1972., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Potomac, artist
- Date
- [1863?]
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1863-13W [8033.F.3]
- Title
- [Scraps no. 3 for 1832]
- Description
- Plate one from the 1832 edition of, "Scraps," Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and every day life such as corporal punishment, public drunkenness, popular fashion, marital relations, and libraries. Includes "Lock on the Understanding in two Toms bound in boards" depicting two "Toms" locked in a stockade without refreshment discussing their "Dry Goods" & "Stationary" business;" Heavy Wet" depicting a white man homeowner shocked to see a bank of snow fall from his roof unto a passerby's head; 'What a piece of work is a Man...." depicting hogs ashamed to be seen with a white man drunkard unconscious in their slop near a distillery; "Cowed Down" depicting a white wife upset about her cow's well-being as she watches her "mischievous" white husband being gored by it; "The Menagerie" depicting a confused African American man witnessing children mistaking a white man dandy and white woman dandiette for wild creatures at an animal menagerie; "Bullying Up" depicting a white farm boy haranguing a bull in front of his angry mother; "The Cat Doth Play & After Slay" depicting a picture "copied from an innkeeper's sign in Jugtown, N. Jersey" showing a cat playing a fiddle in front of a horse-drawn sleigh; "The Library" depicting the interior of a library where a foppish white woman, a Frenchman, and white men librarians misinterpret and misunderstand comments about popular literature; and "A Soporific" depicting an ailing white man unaffected by "laudanum opium" requesting his Reverend to preach a sermon in order to put him to sleep., Title supplied by cataloger., Printed in upper left corner: Plate 1., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 1., Retrospective conversion record: original entry, edited., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Johnston, David Claypoole, 1799-1865
- Date
- [1832]
- Location
- Library Company of Philadelphia | Print Department political cartoons - 1832 Scr (a) [5656.F.25]
- Title
- [Scraps no. 3. for 1832]
- Description
- Plate four from the 1832 edition of "Scraps," Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and everyday life such as fashion, religious hypocrisy, ignorance, vanity, country life, class inequities, the military, and higher education. Includes 'The Glass of Fashion & The Mould of Form' depicting a white man sales clerk falsely flattering a white man dandy trying on a puff-sleeved coat; "Faith and Works" depicting a hypocritical white man Deacon, near a fireplace, reneging the shelter that he promised to a cold, poor white woman outside his door while his African American servant offers her money; "Arrival of a Country Cousin" depicting a snobby, white, city gentleman snubbing his country cousin; "About to be Astonished" depicting a dimwitted gloating white man farmer about to intentionally kill a sleeping "varmint" and unintentionally kill his friend with a sickle; "Champagne [Campaign] or the Fatigues of Modern Camp Duty" depicting a grossly intoxicated troop of white military officers toasting their intellect and patriotism; "A Body Coat & A Coat of Arms" depicting a rotund and thin "John Smith" exchanging wrongly delivered coats; "The Able-Bodied Man & The Exempt" depicting a scraggly white soldier encountering an "exempt" hardy white gentleman; "Symptoms of Extravagance" depicting a white man, attired in rags, debating the necessity to "dress better on Sunday"; "College Acquirements" depicting an African American man and woman, portrayed in racist caricature and speaking in the vernacular, discussing 'de college for de colour'd circles' based on the beneficial effects of college on "Massa Bob," including his staying out later, no longer reading, and drinking champagne., Title supplied by cataloger., Printed in upper left corner: Plate 4., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 4., Retrospective conversion record: original entry, edited., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Johnston, David Claypoole, 1799-1865
- Date
- [1832]
- Location
- Library Company of Philadelphia | Print Department political cartoons - 1832-Scr (d) [5656.F.24]