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- Title
- Turning the tables on the overseer
- Description
- Abolitionist print depicting a group of enslaved African American people about to whip their white plantation overseer, who has been bound to a tree on the plantation grounds. Before the plantation overseer, the African American man holds the whip and pulls up his sleeve as the enslaved man next to him takes of his hat in a mock gesture of respect. Smiling men, women, and children of all ages stand, sit, and lean on a fence, surrounding the overseer in anticipation of his whipping., Title from item., First published in New York Illustrated news, November 28, 1863 (LCP **Per D 8.5, 1863). Later published as a loose print by the African American press, Robert and Thomas Hamilton, possibly the first Black press to publish separate prints., LCP exhibition catalogue: African American Miscellany p. 38., Originally part of a McAllister scrapbook of Civil War caricatures and photographs. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Date
- [1863]
- Location
- Library Company of Philadelphia | Print Department *GC-Slavery [5780.F]
- Title
- Slavery as it exists in America : Slavery as it exists in England
- Description
- Racist, anti-abolition print challenging Northern abolitionists' view of slavery by favorably contrasting the living conditions of enslaved African American people in America with that of British industrial workers. First image depicts enslaved men, women, and children playing music, singing, and dancing during a hoe-down while Southerners and Northerners observe and comment about how the false reports to the North about the hardships of slavery will now be rectified. Second image portrays a British cloth factory where several emaciated white factory workers, attired in torn and worn clothes, have gathered, including a woman and her children referring to themselves as slaves; two workers discussing running away to an easier life in the coal mines; and workers commenting on their premature aging. A rotund priest and tax collector observe. Soldiers march in the background. Below the image is a small portrait of the "English Anti-slavery Agitator" George Thompson., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1850 by J. Haven in the clerk's office of the District Court of Mass., Manuscript note on verso: Deposited April 9, 1851, Recorded vol 26. pag, 145., Lib. Company. Annual report, 1967, p. 55., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., RVCDC, Description revised 2021., Access points revised 2021.
- Date
- 1850
- Location
- Library Company of Philadelphia | Print Department Political Cartoons - 1850-6 [P.9675]
- Title
- The last offer of reconciliation In rememberance of Prest. A. Lincolns. "The door is open for all."
- Description
- Allegorical print with decorative border commemorating the reconciliation of the North and South at the end of the Civil War. Depicts Lincoln extending a hand to Confederate President Jefferson Davis and to Liberty, depicted as a white woman, who sits behind the presidents in a temple adorned with the names of the Union states. Secretary of State William H. Seward, Secretary of War Gideon Welles, two Union Officers, General Sherman, and General Grant on horseback accompany Lincoln in the prosperous North. Grant holds a ribbon containing the names of the Confederate states, and Sherman attaches it to the Temple of Liberty. In the burning, war-torn South where ghostlike figures roam, Davis is accompanied by General Lee, a man resembling Henry Wilkes Boothe, an enslaved African American man who holds his shackled arms above his head, and a solemn young man holding his stove pipe hat. The decorative border contains healthy vines and branches on the northern side, dead vines on the side of the "South," and vignettes of an enslaved African American man being whipped by a white man enslaver, hand-to-hand combat, white men working the field, and a white man fishing., Title from item., Date from copyright statement: Entered according to Act of Congress in the Year of 1865 by Henry & Wm. Voight in the Clerk's Office of the Southern District of New York., Text below title: Dedicated to the Memory of our most lamented late President Abraham Lincoln., One of three companionate allegorical lithographs about the Civil War produced by Kimmel & Forster., Originally from a McAllister scrapbook of Lincoln materials. McAllister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- Thomas, Henry, lithographer
- Date
- 1865
- Location
- Library Company of Philadelphia | Print Department Political cartoons-1865-6R [5792.F]
- Title
- Specimen sheet Union, patriotic and humorous designs upon envelopes
- Description
- Advertisement containing twenty-five examples of Civil War envelope vignettes published by King & Baird. Majority of the vignettes include titles and slogans. Designs depict the American flag; liberty, the American eagle; soldiers (including the martyred Colonel Ellsworth); caricatures of Brigadier General Henry A. Wise (former governor of Virginia), Jefferson Davis, and the Southern gentry; a portrait of Washington; an abolitionist scene showing the whipping of an African American man entitled "The persuasive eloquence of the Sunny South"; and a racist caricature of an African American man on all fours carrying a whip and asking in the vernacular, "Whar's Jeff Davis?" Also contains a description of the envelopes and shipping information, as well as the scale of prices ranging from "25 Assorted Envelopes, (25 kinds)" at 25 cents to 1000 at 5 dollars., Title from item., Text printed on recto: Single copies of this sheet will be mailed free of postage, upon receipt of six cents, by King & Baird, Book and Job Printers, 607 Sansom St., Philadelphia., Originally part of a McAllister scrapbook of miscellaneous Civil War prints. McAllister Collection, gift, 1886 [5786.F.161a]. Accessioned 2002 [P.2002.45]., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
- Creator
- King & Baird
- Date
- [ca. 1863]
- Location
- Library Company of Philadelphia | Print Department *GC - Civil War [5786.F.161a; P.2002.45]
- Title
- Afro-American historical family record
- Description
- Blank African American genealogical certificate containing a family tree surrounded by portraits of the first twenty-four U.S. presidents; portraits of prominent African American men and women religious, political, and educational leaders; and eleven vignettes contrasting life in the South of the enslaved versus the free. African American portraits include Frederick Douglass flanked by Washington and Lincoln; Judson W. Lyons, Register of the Treasury; Miss Lucy C. Laney, Founder of the Haines Institute; Booker T. Washington; H.M. Turner, Bishop of the A.M.E. Church; T. Thomas Fortune, editor New York Age; Hon. John M. Langston, diplomat; Madam Sissiretta Jones, performer and singer; Miss Hallie Q. Brown, educator and African American women's rights activist; Prof. Mary V. Cook, Principal of the State University, Louisville, KY; Miss Ida B. Wells, editor and author; Hon. John R. Lynch, U.S. Paymaster and ex-Congressman; Dr. Henry Fitzbutler, founder of the Louisville National Medical College; and L.H. Holsey, Bishop of the C.M.E. Church. Vignettes depicting slavery include the last auction of enslaved people in Savannah; enslaved cotton pickers working the field; enslaved people dancing and playing instruments "as children were taught in the dark days of slavery"; and an enslaved family in front of their “hut.” Contrasting post-emancipation scenes include a view of Tuskegee Institute; a view of "progressive farming as taught at Tuskegee Institute"; a group portrait in front of a "school house erected by a Tuskegee graduate"; the Victorian house of R.R. Church, a free man; and Spanish-American War battle scenes of African American regiments assisting the Rough Riders, including at San Juan Hill. Also contains the white eye of Providence below the title., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1899, by J.M. Vickroy, Terre Haute, Ind., Printed on recto: Branch Office Terre Haute, Ind., Purchase 2002., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Vickroy, a prominent Indiana fine arts publisher, specialized in genealogical and fraternal order certificates.
- Date
- 1899
- Location
- Library Company of Philadelphia | Print Department **GC - African American Heroes [P.2002.16]