Block numbered 6081 in two places., Image of six people, possibly a family, standing near a dining table; the table is set for a meal., “N.J. Wemmer 215 Pear St. Phila” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876.
Pale hand colored pink on cheeks. Possibly depicts four generations., Cased photographs retrospective conversion project., Pad: Red velvet embossed Van Loan's Gallery 118 Chestnut St. Philada., Mat: Oval., Case: Leather. Spray of mixed flowers within an octagonal border. No design on back.
Creator
Van Loan, Samuel, photographer
Date
ca. 1850
Location
Library Company of Philadelphia | Print Department Cased photos [P.8640]
Block numbered 6320 in three places., Image of seven people, possibly a family, seated around a dining table; the table is set for a meal; a dog is in the foreground., “N.J. Wemmer 215 Pear St. Phila” – Back of block. Boxwood dealer Nelson J. Wemmer is listed at this address in Philadelphia city directories from 1861 to 1876., “A.S.S.U.”—Back of block in three places.
Exterior view of residence partially obscured by trees. Includes a family (father, mother, and daughter) posed on the front lawn., Title from manuscript note on verso., Attributed to Robert Newell., Yellow mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Newell, Robert, 1822-1897
Date
[ca. 1868]
Location
Library Company of Philadelphia | Print Department stereo - Newell - Residences [7992.F.21]
View showing a family, including a baby in a carriage, posed in front of their residence, probably in Philadelphia. Family members stand on the porch and on the sidewalk. Trees adorn the front yard., Title supplied by cataloguer., Date inscribed on recto., Photographer's monogram inscribed on recto., Originally part of a McAllister scrapbook of American views., Retrospective conversion record: original entry, edited.
Creator
Odiorne, Henry B., 1805-1860, photographer
Date
September 1860
Location
Library Company of Philadelphia | Print Department photo - Odiorne - C [5739.F.87b]
This parting scene illustrates a verse from Foster's song. Standing on the front porch of the old Kentucky home, a black woman cries into a handkerchief as she watches a black man walking away. He is followed by another man on a horse., Plate in Stephen Collins Foster's My Old Kentucky Home (Boston: Ticknor and Company, 211 Tremont Street, 1888), n.p., The following verse is printed on the opposite page: "The time has come when the darkeys have to part, -- / Then my old Kentucky Home, good-night!", Fels Afro-Americana Image Project, Scenes from Daily Life.
Creator
Kilburn & Cross
Date
[1888]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1888 Foster 70524.O n.p., https://digital.librarycompany.org/islandora/object/Islandora%3A2836
Composed by Frank Drayton., Printer: Lithograph by T. Sinclair, Philada., Prices printed on recto: Solo 2 1/2; Duett 2., Cover illustration is a lithograph, tinted with one stone showing a domestic scene with a cottage residence in Fairmount Park, set back from the bank of the creek. The father pulls a small fishing boat up to shore as his son runs to greet him. The boy leaves behind his mother who sits with his infant sibling in her lap under a tree., Polka., Dedication: To Miss Mary French., Not in Wainwright., Philadelphia on Stone, POS 851, LCP AR [Annual Report] 1990, p. 47., Retrospective conversion record: original entry, with edits.
Creator
Drayton, Frank, composer
Date
c1858
Location
Library Company of Philadelphia | Books & Other Texts | Rare *Sheet Music Wissahickon P.9303.4
April's Fools Day interior genre scene showing a man attired in a dressing gown holding the limp body of cat upside down by its tail. His wife, daughter, and a boy in uniform, possibly his son, observe nearby. The boy crouches near wicker baskets from which the man pulled the cat's body., Title from printed label pasted on verso., Distributor's label pasted on verso: From James Cremer's stereoscopic emporium, 18 South Eighth St., Philadelphia. Stereoscopes and views, wholesale and retail., Manuscript note on verso: Muschamp, No. 31., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department stereo - unidentified - Genre [P.9022.67]
Puzzle showing a family, including a mother, father, grandfather and two daughters, working and playing outside on their homestead. The mother and father work in the garden, as the daughters play with various toys, including dolls, a drum, horn, and sword. Also shows a mill building with a waterwheel in the background., One of four puzzles housed in clamshell box., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1858]
Location
Library Company of Philadelphia | Print Department *albums (flat) - Four Lithographic Puzzles [8418.F.3]
Block numbered in two places: 3363, also 717 on small adhesive label on back of block., Image of a man grasping the throat of a woman and making a fist with his other hand while two small children attempt to restrain him; a table, a chair, a tankard, and other objects are overturned on the floor; a second woman standing in the doorway waves one of her arms.
Yarrima, an African mother, watches in despair as her son, Yazoo, is whisked away on the white man's boat., Illustration in Lydia Childs's the Oasis (Boston: Benjamin C. Bacon: Tuttle and Weeks, printers, No. 8, School Street, 1834), p. 28., Caption underneath the illustration reads: "Yarrima climbed to the highest rock, and saw the white man's boat moving rapidly over the waves.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator
Hall, John H., engraver
Date
[1834]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1834 Chi 70173.D.5 p 28, https://digital.librarycompany.org/islandora/object/Islandora%3A2734
A black man in tattered clothing is dragged away from his family by four white men acting on behalf of his purchaser. The man's wife and three small children have been purchased by another slaveholder, and the family will be separated., Illustration in the American Anti-Slavery Almanac, for 1838 (Boston: Published by D.K. Hitchcock, 1837), p. 15., Caption underneath the image reads: "The purchaser of the husband has sent to have him dragged away. As he does not wish for the 'balance' of the family, they have been taken by different purchasers.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[1837]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1837 Ame Ant 52047.D.2 p 15, https://digital.librarycompany.org/islandora/object/Islandora%3A2751
Holding a whip in his right hand, a slaveowner moves to strike a female slave kneeling beneath him. The slave reaches her arms toward her baby, who dangles by one wrist from the slaveowner's left hand. To the right, another slaveowner looks on as mother and child are separated. In the left background, four bound slaves march off in single file., Caption title vignette in the Anti-Slavery Record (New York: Published by R.G. Williams, for the American Anti-Slavery Society, 1835-1837), vol. I, no. 5 (May, 1835), p. 49., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[May 1835]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Per A 245 16998.D v 1 n 5 cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2856
Shows a man returning to his quaint home and family convened around the dining table after a day of work. He enters the door with a lunch pail in his hand and greets his son who runs to him. In front of the table, laid out with a pot of tea, an older daughter uses a plate of water to bathe her younger sister who has been stripped to her waist. At the end of the table, the mother holds a baby at her bosom. Nearby, the family cat sits in front of the stove slightly visible in the right of the image., Not in Wainwright., pdcp00026, Issued as plate in series Picture lessons, illustrating moral truth. For the use of infant-schools, nurseries, Sunday-schools & family circles (Philadelphia: American Sunday-School Union, 146 Chestnut Street, between 1847 and 1853)., Manuscript note on verso: James L. & Isaac W. Morris from Aunt Sarah [Pitrom’s?] Christmas 1849, Accompanied by text titled "Welcome Home" moralizing that a happy home stems from a strong work ethic by the "honest laborer" who is one of the "noblest of men.", Philadelphia on Stone, POSP 117, Free Library of Philadelphia: Philadelphiana - American Sunday School Union
Creator
Traubel, M. H. (Morris H.), 1820-1897, artist
Date
[ca. 1849]
Location
Free Library of Philadelphia. | Print and Picture Collection. FLP FLP Philadelphiana - American Sunday School Union
Genre photograph showing an interior view of a family recreating in their den or living room. Shows a mother watching her two daughters as one plays the piano and the other holds sheet music. Their father reads the newspaper nearby., Additional places of publication printed on mount, including Chicago; London; Hamberg, Ger.; and St. Petersburg, Russia., Title printed on mount., Publisher's imprint printed on mount., Distributor's imprint printed on mount., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
c1901
Location
Library Company of Philadelphia | Print Department stereo - Griffith & Griffith - Portraits and genre [P.9738]
Comic genre photograph set in a kitchen, showing a family gathered around, as the father, with soot all over his face, tries to fix a problem with the stove. His wife stands nearby and holds a flue pipe and their daughter kneels near the stove and watches her parents., Additional places of publication printed on mount, including Chicago; London; Hamberg, Ger.; and Milan, Italy., Title printed on mount., Publisher's imprint printed on mount., Distributor's imprint printed on mount., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Col. Gatter.
Date
c1901
Location
Library Company of Philadelphia | Print Department stereo - Griffith & Griffith - Portraits and genre [P.9319.5]
Comic genre photograph set in a kitchen, showing a man who has just fallen off of the stool he was standing on as he tried to fix the stove. His wife and daughter reach to help him up., Additional places of publication printed on mount, including Chicago; London; Hamberg, Ger.; and Milan, Italy., Title printed on mount., Publisher's imprint printed on mount., Distributor's imprint printed on mount., Gray curved mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Col. Gatter.
Date
c1901
Location
Library Company of Philadelphia | Print Department stereo - Griffith & Griffith - Portraits and genre [P.9319.4]
Group portrait of woman holding her two daughters with her aunt sitting next to her on a couch., Title from photographer's manuscript note on verso., Photographer's manuscript note on verso: Age of the g-g-a 103 yrs. Does not wear glasses, can walk, attend to household duties and possesses a remarkable memory. Is hard of hearing but can keep up a rapid fire conversation. Has a fine sense of humor. Eats what she wants, when she wants it, does not worry and has never had indigestion. Age authentic. (Relate story of the fractured hip and dislocated shoulder blade). Had her hair bobbed., Gift of Margaret Odewalt Sweeney., Retrospective conversion record: original entry, edited.
Creator
Wilson, G. Mark (George Mark), 1879-1925, photographer
Date
ca. 1923
Location
Library Company of Philadelphia | Print Department Wilson 113 [P.8513.113], http://www.lcpimages.org/wilson/wilson113.htm
Engraving accompanies a fictional episode described in Letter IV, "The 'Purchases' -- Old Joseph." Episode takes place on Christmas Eve in the cabin of the coachman Rafe, the slave seated on the log near the fireplace to the extreme right. Rafe has learned that he will soon be sold, and thus separated from his wife, who sits to his right, and their young child, who rests on her lap. Other slaves cluster around the couple, trying to comfort them. Leaning on his walking stick, Old Joseph (described as "the beau ideal of a patriarch, at once humble, dignified and venerable") stands and faces the group, offering words of wisdom and consolation. Interior is furnished with a bench, a chest of drawers, a large chair, and stools of varying sizes. The men's discarded top hats are placed throughout the room, as are assorted utilitarian and domestic objects, such as pots and pans, an umbrella, and an axe. In the foreground, a book, quite possibly the Bible, rests on a stool., Frontispiece for Emily C. Pearson's Cousin Franck's Household, or, Scenes in the Old Dominion (Boston: Upham, Ford, and Olmstead, 1853)., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator
Hedge, Franklin, b. ca. 1830, engraver
Date
[1853]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1853 Pear 73222.O frontispiece, https://digital.librarycompany.org/islandora/object/Islandora%3A2792
Image depicts Thomas Cooper, a Maryland slave who escaped to Philadelphia, where he settled, found work, married, and raised a family. In this scene, Cooper's former owner, having learned of his whereabouts, has seized and handcuffed him, and is taking him back to Maryland. His wife and children beg for his release in vain. According to the accompanying text, Cooper's Philadelphia employers had offered to pay the slaveowner a large sum in return for his release, but their offer was refused., Illustration in the American Anti-Slavery Almanac, for 1838 (Boston: Published by D.K. Hitchcock, 1837), p. 19., Caption underneath the image reads: "Consider the desolation which would be brought upon YOUR family, if the head of it should be taken away. The slaves suffer, in such cases, FAR MORE than we, for they have few pleasures except those they derive from their companions in wo [sic].", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[1837]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1837 Ame Ant 52047.D.2 p 19, https://digital.librarycompany.org/islandora/object/Islandora%3A2753
Image depicts Thomas Cooper, a Maryland slave who escaped to Philadelphia, where he settled, found work, married, and raised a family. In this scene, Cooper's former owner, having learned of his whereabouts, has seized and handcuffed him, and is taking him back to Maryland. His wife and children beg for his release in vain. According to the accompanying text, Cooper's Philadelphia employers had offered to pay the slaveowner a large sum in return for his release, but their offer was refused., Cover of the American Anti-Slavery Reporter, vol. 1, no. 3 (March, 1834), p. 33., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator
Brown, G. L., engraver
Date
[March 1834]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Per A 247 75432.O v 1 n 3 front cover, https://digital.librarycompany.org/islandora/object/Islandora%3A2861
Image portrays a distraught mother kneeling on a rock on the coast of Africa. She watches and gestures in vain as her children are ferried off in a boat by slavetraders., Illustration in the Slave's Friend (New York: Published by R.G. Williams, for the American Anti-Slavery Society, 1836), vol. 1, no. 3 (1836), p 3., Image accompanied by a plea in verse-form, which begins as follows: "HELP! oh help! thou God of Christians / Save a mother from despair; / Cruel white-men steal my children, / God of Christians! hear my prayer.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[1836]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Per S 63 54051.D v 1 n 3 p 3, https://digital.librarycompany.org/islandora/object/Islandora%3A2885
In the foreground center, a black man reads aloud from the Bible while a girl kneels and prays before him. In their immediatie proximity, a mother holds her two small children. Behind them, several figures perform various chores and tasks. A group congregates in the middle-ground, and what looks to be a representation of Monticello is visible in the background., Front cover of the American Anti-Slavery Almanac, for 1837 (Boston: Published by N. Southard & D.K. Hitchcock, 1836)., Two captions appear underneath the image: "A sketch from God's description of the 'Consequences of Emancipation.' Psa. 58." and "We hold these truths to be self-evident -- that all men are created equal.", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[1836]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1836 Ame Ant 16996.D cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2745
Having been sold by her former mistress ("a wicked woman, a slaveholder, and a member of the Presbyterian church") to a new owner, a Kentucky slave shrieks and cries as she is torn away from her two children, ages seven and nine. The woman's new owner smokes and calmly looks on., Illustration in the American Anti-Slavery Almanac, for 1838 (Boston: Published by D.K. Hitchcock, 1837), p. 17., Verse underneath the image reads: "Ev'n her babes, so dear, so young, / And so treasured in her heart, / That the cords which round them clung, / Seemed its life, its dearest part; / These, ev'n these, were torn away! / These, that, when all else were gone, / Cheered the heart with one bright ray, / That still bade its pulse beat on!", Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[1837]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1837 Ame Ant 52047.D.2 p 17, https://digital.librarycompany.org/islandora/object/Islandora%3A2752
Allegorical genre scene showing an intemperate and temperate family in front of a tree on the banks of the Schuylkill River. In the left of the image, a man dressed in ragged clothing leads his somberly-dressed wife and barefoot sleepy child from a dilapidated tavern down a weed strewn path. At the tavern, men drink, cajole and are passed out on the porch underneath the tavern sign adorned with the image of a pig. Pigs laze and eat from a trough beside the drinking establishment. In the right of the image, a well-dressed couple watches their child pick flowers into a basket as others picnic on the grass in the background. In the distance, the Fairmount Waterworks is visible. Also shows the half of the tree on the intemperate side dead and leafless while the other half on the temperate side is full of foliage., Not in Wainwright., Name of printer partially crossed out and deduced by cataloger., Manuscript note pasted on verso: The original sketch of this picture was made by Thomas Birch, about the year 1826. His daughter Mrs. Veacock, now (Aug. 1891) living at the age of 83 years remembers seeing her father working at the drawing. This copy was found in her garret where it had been for many years., Label pasted on verso: Presented to the Historical Society of Pa. by A. R. Thomas, M.D., Philadelphia on Stone, POS 443, Revised August 2018 based on copy at American Antiquarian Society, Lithf Chil Birc Look. Originally recorded Childs & Lehman as printer with ca. 1834 as the publication date., Historical Society of Pennsylvania: Bb 61 B 617, Inscribed in verso: Taken off the wall, 1940.
Creator
Rider, Alexander, artist
Date
[ca. 1832]
Location
Historical Society of Pennsylvania HSP Bb 61 B 617
Illustrated trade cards depicting before and after scenarios entitled "Before they had the "Sun Dial" gas stove" and "After they had purchased the "Sun Dial" gas stove". In the "before" scene, a disheleved female domestic worker, surrounded by debris, drops cinders and sets the stove on fire as a concerned and hesitant family enters the room. In the "after" scene, with the aid of a Sun Dial stove, the pleasant and well-groomed maid has already prepared breakfast and tidied the dining area as the happy family enters the room for breakfast. The Goodwin Gas Stove & Meter Company was founded by William Wallace Goodwin and his father Oliver W. Goodwin., Title supplied by cataloger., Before they had the "Sun Dial" gas stove caption [1975.F.791]: "Sure Sor! says Biddy "it's not my fault this breakfast's not ready; faith I used all the morning paper and a sup of kerosene too and bedad it smokes like a chimney yet. Indade Sor, you've frightened me so I've split all the cinders.", After they had purchased the "Sun Dial" gas stove caption [1975.F.867]: Indade Mum, the breakfast will always be ready on time since you got the "Sun Dial," sure the work's so aisy now, I was thinking Mum I wouldn't object to a small reduction of my wages., Advertising text printed on versos promotes gas burning stoves and includes numbered lists of advantages over coal and "ordinary gas stoves"., One print [1975.F.791] contains the trademark printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Sun Dial [1975.F.791 & 1975.F.867]
Album of genre scenes depicting European life in the country. Several contain children and animals, who are often in rural and buccolic settings. Includes plate 19 showing a Gypsy boy, with a monkey on his shoulder, and accompanied by two dogs walking past a farm; plate 20 showing a figurine peddler dropping his wares when frightened by a mother dog protecting her pups at a rustic family homestead; plate 3 depicting a woman, a rifle over her shoulder, guiding the horse of a Zouave soldier away from his fellow troops; plate 2 depicting a woman, with a book, possibly a Bible under her arm, walking with two boys past two men working in their garden; plate 5 showing a family in a canoe fishing with a net; plate 6 showing young hunters stealing the game of their napping companion; plate 7 depicting a young farm girl asleep near a picnic basket and a dog while her elders build hay huts in the background; plate 8 depicting a gypsy violinist with his dog near a stone wall and under the gaze of a barefoot peasant boy and girl; plate 9 showing a girl wading near an unhappy duck family in a river below a mountain range accompanied by a young male companion seated on the shore; plate 10 showing two young farm women attending to rabbits in the doorway of a hutch; plate 11 showing a peasant woman, carrying a bundle of wheat, and with a girl on a dirt road who watch a man, with a specimen box, seated near his net and holding a snake; plate 12 showing a wife in traditional costume leading a mule carrying her peasant husband and their child and a large bundle; plate 13 showing a father and his two young girls ice fishing with their dog and a picnic basket; plate 14 showing two girls gathering fire wood near a frozen river and with their dog; and plate 14 showing a girl making a floral wreath near another girl petting a dog attended by a boy on a hillside below a castle-like structure., Also includes plate 16 showing a toddler boy in a gown and socks walking to his mother seated next to his father in their rustic home; plate 17 depicting an older peasant boy and young woman attempting to wake a peasant girl sleeping on a hay bale in a farm field; an unnumbered plate showing an older boy disrobing for a swim beside a dog and a younger boy leaning on a pier near the ocean; and plate 4 showing a girl standing near a boy petting a dog laying near a tree on which a hunter's bag, rifle, and cap hang., Inscribed on front free endpaper: Maggie A. Fleming, June 1850., Title stamped on front cover., Green morrocco binding., Plate numbers printed in upper right corner of all, except one print. Bound out of order., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Helen Beitler Graphic Ephemera Collection., Gift of Helen Beitler and the estate of Helen Beitler.
Date
[ca. 1850]
Location
Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - album [9475.F]
Series of illustrated trade cards depicting alternate views of family life with and without a Willcox & Gibbs sewing machine. One print, entitled "Willcox & Gibbs new automatic. A home blessing", shows a mother using Willcox & Gibbs "new automatic" sewing machine and observing her content family relaxing in their parlor. The other print, entitled "Noisy, hard running, double thread. A distressing nuisance", shows the same mother using a different sewing machine and observing chaos in her home as her husband opens the door to flee the scene, two girls fight over their toys, an infant wails in a bassinet, and the dog and cat fight., Title supplied by cataloger., Advertising text printed on versos promotes Willcox & Gibbs "new automatic" sewing machine as the perfect, "no tension" machine and the cheapest in the world., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Willcox [1975.F.903 & 904]
Lithograph showing the landscape of West Fairmount Park near Ridgeland, the dwelling built as a farmhouse for William Couch between 1752 and 1762. A woman stands on the porch of the dwelling watching two children drag a tree branch toward the house. A man approaches a bench and cluster of trees nearby. Includes the outlines of Belmont Mansion and Girard College in the distance. Dwelling sold to the city of Philadelphia in 1869., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Kollner advertised four volumes of small folio pictures, including "Bits of Nature and Some Art Products, in Fairmount Park ..." in 1878. Several of the lithographs from this volume were based on sketches he executed in the 1840s.
Creator
Kollner, Augustus, b. 1813, artist
Date
[ca. 1878]
Location
Library Company of Philadelphia | Print Department albums - Kollner [*Am 1878 Kol, 2086.F.3]
Illustrated trade card for the Vacuum Oil Company in Rochester, New York. Divided into three titled panels, the first and third panels, entitled "Don't worry, swate biddy: the harness won't spile, for I've just rubbed it well wid favorite ile," show a man and woman sitting in a carriage protected from rain by a large umbrella. The second panel, "Hans, your muddar says she vants some hair oil; give her dat already, unt maybe it makes her more soft unt bliable, ain't it?" depicts a man handing a large container of Vacuum Harness Oil to his son., Advertising text printed on verso of three panels promotes Vacuum Harness Oil as a leather dressing that softens and preserves leather and a "sure cure for all diseased hoofs"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler., Digitized.
Date
[ca. 1895]
Location
Library Company of Philadelphia | Print Department *trade card - Vacuum [P.9993.7]
Racist scene showing an African American family of a mother, father, and four children seated on the porch to a wooden dwelling. In the left, the mother breastfeeds her youngest child, a baby. She is seated next to her three older, but young children. The father sits to the right on the other side of the children who sit and stand. He has his arm behind the next to youngest child. The mother is attired in a kerchief, plain shirtwaist, and long, plain skirt. The father wears a vest, shirt sleeves, pants, and work boots. The children are attired in worn shirts and the oldest also in worn pants., Title printed on negative., Yellow mount with curved corners., Date inferred from format of stereograph., Gift of Ivan Jurin., RVCDC, Description revised 2022., Access points revised 2022.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department stereo - unid. photo - Portraits & Genre [P.2019.2.2]
View of building facade with a group of young men congregated around entrance looking at camera. Another building, perhaps a store, appears in background with groups gathered near it's entrance. Designed by architect Frank Furness, the Seaman's Home was built in 1878 at the northwest corner of Front and Queen Streets. Building began as a church for seamen and became a boys' club in the 1920s. It is also known by the names Church of the Redeemer for Seamen and their Families, Neighborhood Boy's Club, and Church of the Redeemer. Building burned 1974., Title from photographer's manuscript note on verso., Photographer's manuscript note on verso: It is not in England despite the decidedly English style of architecture. It is the Seamans Home. 2" and Queen Sts. Note old house in background and tell about the outpouring of young men and boys., Duplicate: P.8513.25: same neg., Retrospective conversion record: original entry, edited.
Creator
Wilson, G. Mark (George Mark), 1879-1925, photographer
Date
ca. 1923
Location
Library Company of Philadelphia | Print Department Wilson 114 [P.8513.114], http://www.lcpimages.org/wilson/wilson114.htm
Family portrait of several generations of a middle-class African American family posed in front of a Christmas tree. The family, attired in suits and dresses, sit and stand in the living room. In the foreground, an African American boy sits on the floor, crossed legged, and smiles at the viewer. Behind him, seven men and women sit on chairs. Two young girls sit on the laps of the older men. Nine men and women stand behind the chairs. In the background, the top of a decorated Christmas tree is visible., Title supplied by cataloger., Date written on recto: Mosby 1936., Purchase 1993., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
1936
Location
Library Company of Philadelphia | Print Department group portrait photographs - family [P.9410.31]
The 16th Cavalry, 161st Regiment of the Pennsylvania Volunteers, under the command of Col. J. I. Gregg until Aug. 1864, was organized in the summer and fall of 1862 and mustered out in Aug. 7, 1865; Nathan S. Hill and Archer N. Martin both served in Company I; Lieut. Hill was promoted to captain Nov. 15, 1862. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 4, p. 950, and F.H. Taylor. Philadelphia in the Civil War 1861-1865, p. 179., Printed in red and blue., The illustration shows a mounted Union cavalry soldier, sabre drawn, attacking a mounted Confederate soldier., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
United States, Army, Pennsylvania Cavalry Regiment, 16th (1862-1865), Company I.
Date
[1862]
Location
Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1862 Uni Sta (1)5777.F.16i (McAllister)
The Second Union League Regiment, 52nd Regiment Infantry of the Ninety-Day Militia, under command of Col. William A. Gray, was mustered into service July 9 and discharged Sept. 1, 1863. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 5, p. 1295, and F.H. Taylor. Philadelphia in the Civil War 1861-1865, p. 251., The illustration is a regimental parade, with a sergeant major leading, left arm raised, four drummer boys, and one mounted officer., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Capt. Charles A. Thomas resigned from the 119th Pennsylvania Volunteers March 11, 1863. S.P. Bates. History of Pennsylvania Volunteers, v. 4, p. 23. There were four Union League regiments recruiting in 1863: the 45th, 52nd, and 59th infantry regiments of the Pennsylvania Militia and the 183rd Infantry Regiment, Pennsylvania Volunteers; Thomas, Hurst, and Mezick cannot be identified with any particular regiment., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date
[1863?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare 3# Am 1863 Rally (1)5777.F.57d (McAllister)
The Third Union League Regiment, 59th Regiment Infantry of the Ninety-Day Militia, under command of Col. George P. McLean, was mustered into service July 1 and discharged Sept. 9, 1863. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 5, p. 1311, and F.H. Taylor. Philadelphia in the Civil War 1861-1865, p. 251., The illustration, signed L. Johnson & Co., in an eagle on a shield, with the banner: Our country and our flag., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
The 16th Cavalry, 161st Regiment of the Pennsylvania Volunteers, under the command of Col. J. I. Gregg until Aug. 1864, was organized in the summer and fall of 1862 and mustered out in Aug. 7, 1865; Company I, recruited primarily from Philadelphia, was led by Capt. William H. Fry, who was promoted to Major Nov. 14, 1862. Cf. S.P. Bates. History of Pennsylvania Volunteers, v. 4, p. 950 and F.H. Taylor. Philadelphia in the Civil War 1861-1865, p. 179., Printed in red and blue., The illustration shows a mounted Union cavalry soldier, sabre drawn, attacking a mounted Confederate soldier., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
United States, Army, Pennsylvania Cavalry Regiment, 16th (1862-1865), Company I.
Date
[1862]
Location
Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1862 Uni Sta (1)5777.F.16h (McAllister)
The 12th Regiment New Jersey Infantry was mustered in Sept. 4, 1862 and mustered out July 15, 1865; Capt. Horsfall and 1st Lt. Armington are on the rolls of Company E., The illustration, signed L. Johnson & Co., is an eagle on a shield with the banner: The Union now and forever!, Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
United States, Army, New Jersey Infantry Regiment, 12th (1862-1865), Company E.
Date
[1862]
Location
Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1862 Uni Sta (1)5777.F.1a (McAllister)
Illustrated trade card depicting a vignette of a well-dressed family on the beach, including the father wearing a top hat and cane and the mother holding a yellow parasol. Two girls play near the waves while their parents look on. Vignette inset into a larger scene depicing a sailboat in the ocean, a lighthouse, and seashells lining the shore in the foreground. The Camden & Atlantic Railroad began regular service between Camden and Atlantic City, New Jersey in 1855. The railroad was taken over by the West Jersey & Seashore Railroad in 1883., Contains a condensed timetable ("summer arrangement") for trains traveling between Atlantic City and Philadelphia printed on verso. Includes times for the South Atlantic City Branch and the locations of ticket offices in Philadelphia, Germantown, and Camden, New Jersey., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
1882
Location
Library Company of Philadelphia | Print Department trade card - Camden [1975.F.25]
Series of illustrated trade cards depicting a postcard of a dwelling labeled "new home" tucked into flowers and a beach scene showing siblings (brother and sister) on the beach, a boat with a sail labeled "new home", and a sewing machine in the sky. The boy has a patch with the initials "N.H." sewn onto the back of his pants and a caption under their feet reads: Sister.--What are the wild waves saying? Brother.--This patch was put on by the light running new home sewing machine., One print [P.9737] contains seller's stamp on verso: G.A. Buck, dealer in sewing machines, organs, etc. Weissport, Penna., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department trade card - Ewing [P.9737 & P.9754]
Racist trade card depicting an interior scene of a set of African American conjoined twin sisters, their mother, their father, and their male suitor. The twins curtsy and their suitor bows his head. The twins are attired in a yellow and red dotted dress with a roffled hem and white collars. Their mother is attired in a blue and red dress with a white apron. The twins' father is attired in a green jacket, a white collared shirt, a yellow bow tie, red pants, and black boots. The twins' suitor is attired in a black jacket, a white collared shirt, a red bow tie, red and blue striped pants, and black shoes. He holds a brown hat in his right hand to his chest. Visible in the background of the scene are framed works of art on the wall, a table, a vase with flowers, a window, and a clock. All of the figures are portrayed with exaggerated features. The illustration is based on a racist series of African American caricatures originally created for Harper’s Weekly in 1878 by Sol Eytinge that satirized the courtship, marriage, and the start of families by "The Twins." A Bismarck Range stove is depicted on the verso of the trade card. Herman Rendtorff was a Chicago stove and hardware merchant whose business operated throughout the latter half of the 19th century., Title from item., Text printed on recto: Introduction of the Twins., Advertising text printed on verso: The celebrated Bismark Range. Manufactured by Burdett, Smith & Co., Troy, New York, And 34 River St., Chicago, Ill., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Rendtorff [P.2017.95.148]
Depicts the African American family of four women, two men, and a boy posed in front of their two-story house with a porch, trellis, and picket fence. In the left, an older African American man, wearing white hair, stands behind the picket fence and looks directly at the viewer. A woman, wearing her hair tied up in a bun and attired in a long-sleeved dress with decorative stripes at the bottom, stands with her left arm resting on top of the open gate and looks to the left. Three women, attired in brimmed hats and long-sleeved dresses, stand resting an arm on the picket fence. The barefooted boy, attired in a cap, a shirt, a collared jacket, and pants that end just below the knees, stands next to a dog. In the right, the man, wearing a mustache and attired in a bowler hat, a shirt, a jacket, pants, and shoes, holds the reins as he sits on top of a horse, which stands on the sidewalk in front of the house., Title supplied by cataloger., Mount has decorative gold border., See accompanying manuscript notebook United States View Company's Instructions to Salesmen. (P.9502)., Gift of Martha Graybill, 1988., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., The United States View Company, was established by Newton Graybill and Lewis Garman of Richfield, Pennsylvania in the 1890s. It was one of several view companies which employed operators and salesmen to photograph and sell the prints of small town residents posed in front of their homes and community buildings.
Creator
United States View Company, photographer
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department photo - United States View Company - residences [P.9253.74]
Racist, satiric postcard depicting an African American family (portrayed as racist stereotypes) welcoming a “new” member, a baby. Shows the grandfather standing and weighing the infant on a hand held scale, as the grandmother, attired in a head kerchief, a floral shirt, a skirt, and an apron, cradles the baby’s head. In the right, the father smiles as he stands leaning down with both hands clutching a small table. In the center, a young boy sits at the table eating as he looks up at the baby. In the left, the mother sits smiling beside a stove as she pours water from a kettle into a cup., Title from item., Date from copyright statement: Copyright, 1898, and published by Knaffl & Bro., Knoxville, Tenn., Originally published in an 1898 edition of Leslie's Weekly as part of "The Blackville Gallery" series under the title "Weighing the Christmas Baby.", RVCDC, Accessioned 1999., Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
1898
Location
Library Company of Philadelphia | Print Department LCP postcards - Genre [P.9725.1]
Exterior view of depicting the entrance of a Jewish family’s brick house north of Arch Street in Philadelphia. In the right, a white man, attired in a cap, a collared sweater, pants, and shoes, holds a broom and sweeps in front of the door. In the left, four white women peer out of two first-floor shuttered windows and look at the viewer. Underneath the windows five young African American children sit, attired in winter hats and coats. Smoke from a fire in the street wafts in front of the children., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: Wisp of haze near centre of picture is smoke from a fire in the street opposite the house. Certin [sic] rooms in the building had just been papered and a bonfire was made of the refuse. This house is about 125 yrs old. Note the splendid condition of the brick work and mortor [sic] joints. Bricks were carfully [sic] made in those days. The proper proportion and careful selection of loam, shale and sand was an art. Then too the drying and baking of the brick was of vast importance and was done with the utmost attention towards the securing of the best results. These bricks were baked with wood fires, as was the lime on which they were laid. Explain why wood baked lime and bricks are superior to the coal baked product., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Wilson, G. Mark (George Mark), 1879-1925, photographer
Date
[ca. 1923]
Location
Library Company of Philadelphia | Print Department Wilson [P.8513.84], http://www.lcpimages.org/wilson/wilson84.htm
Exterior view of depicting the entrance of a Jewish family’s brick house north of Arch Street in Philadelphia. In the right, a white man, attired in a cap, a collared sweater, pants, and shoes, holds a broom and sweeps in front of the door. In the left, four white women peer out of two first-floor shuttered windows and look at the viewer. Underneath the windows five young African American children sit, attired in winter hats and coats., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: (without wisp of smoke). Mortor [sic] was mixed in those days in a huge mortor [sic] box. The lime was slacked by shoveling it into the box, permitting water to flow into the box and keeping the mass in constant motion with a hoe, thereby preventing the lime from being burned or killed, when properly slacked, it was run off into a basin of sand, where it was mixed with the sand and made ready for use., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Wilson, G. Mark (George Mark), 1879-1925, photographer
Date
[ca. 1923]
Location
Library Company of Philadelphia | Print Department Wilson [P.8513.97], http://www.lcpimages.org/wilson/wilson97.htm
Exterior view of depicting the entrance of a Jewish family’s brick house north of Arch Street in Philadelphia. In the right, a white man, attired in a cap, a collared sweater, pants, and shoes, holds a broom and sweeps in front of the door. In the left, four white women peer out of two first-floor shuttered windows and look at the viewer. Underneath the windows five young African American children sit, attired in winter hats and coats., Title from descriptive manuscript note by photographer on verso., Photographer's manuscript note on verso: (without wisp of smoke). Mortor [sic] was mixed in those days in a huge mortor [sic] box. The lime was slacked by shoveling it into the box, permitting water to flow into the box and keeping the mass in constant motion with a hoe, thereby preventing the lime from being burned or killed, when properly slacked, it was run off into a basin of sand, where it was mixed with the sand and made ready for use., Gift of Margaret Odewalt Sweeney, 1979., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Wilson, G. Mark (George Mark), 1879-1925, photographer
Date
[ca. 1923]
Location
Library Company of Philadelphia | Print Department Wilson [P.8513.97], http://www.lcpimages.org/wilson/wilson97.htm
Domestic scene showing the household of an emancipated black family. In the center of the scene, a woman stands with her infant child. She is flanked by her young son, who stands to the left, and by her husband and a third child, who are seen at the right. Seated on a low stool, the husband reads from a book, presumably the Bible. Some work gear and instruments hang on the wall: a basket, a straw hat, and two hoes. Another family can be seen through an open doorway, and a church is visible in the distant background., Cover page of Negro's Friend: on the ease, safety, and advantages of liberating the enslaved Negroes; and on compensation to their masters (London: Printed by Bagster and Thoms, 1830?)., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[1830?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1830 Neg Fri 67066.D front cover, https://digital.librarycompany.org/islandora/object/Islandora%3A2731
Stereograph depicting an African American mother seated on the porch steps and nursing her baby. The woman, wearing her hair tied up in braids and attired in a polka-dotted shirt and a checked skirt, cradles an infant on her lap as it suckles on her breast. Seated in the right, the African American man, attired in a hat, a long-sleeved white shirt, a ring, and pants, looks over at the mother and child. On the porch is a wooden chair beside the closed door., Title supplied by cataloger., Orange mount with rounded corners., Manuscript note on verso: Herr Klebenice?, Gift of David Long, 2002., Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department stereo - unidentified - Genre [P.2002.8.5]
