Portrait image of Mary and her child, two Caribs whom Wentworth met in Morne Ronde on St. Vincent. According to Wentworth, Mary's features "were more of the African character, than of the aboriginal Indians, who were remarkable for the symmetry of their forms, and long straight glossy hair." "Her proportions, too," he wrote, "were singularly out of proportion, as if -- excepting her head and feet, she had been formed of the half limbs of a muscular giantess." (p. 337), Plate in Trelawney Wentworth's West India Sketch Book (London: Printed for Whittaker & Co., Ave Maria Lane, 1834), vol. II, p. 336., Fels Afro-Americana Image Project, Scenes from Slave Life.
Date
December 1833
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1834 Wentw 5894.D vol 2 p 336, https://digital.librarycompany.org/islandora/object/Islandora%3A2740
Engraving illustrates an episode described in Chapter 13 of Edward's volume, "A Tour through the Several Islands of Barbadoes, St. Vincent, Antigua, Tobago, and Grenada, in the Years 1791, and 1792." The chapter was written by Sir William Young, the owner of the painting upon which this engraving is based. Set on the island of St. Vincent, the engraving shows Chatoyer, the chief of the black Charaibes, and his five wives., Folded plate in Bryan Edward's The History, Civil and Commercial, of the British Colonies in the West Indies, in three volumes (London: Printed for John Stockdale, Piccadilly, 1801), vol. 3, p. 262., Fels Afro-Americana Image Project, Resistance.
Creator
Grignion, Charles, 1717-1810, engraver
Date
[March 18, 1796]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Am 1801 Edwar 18058.O v 3 p 262, https://digital.librarycompany.org/islandora/object/Islandora%3A2706