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Title: Jackson Alpheus Graves, 1852-1923
Description: California banker, lawyer., American Celebrities Album., Retrospective conversion record: original entry.
Date: ca. 1870
Location: Library Company of Philadelphia | Print Department American Celebrities Album [(I)P.9100.39f]

Title: Ancient chart copied from the original brought from "Jerusalem" now in the possession of Brother Colonel Wilkins Philadelphia
Description: Print depicting ruins and an open grave. In the left, shows a human skull and bones beside an open grave. Tools lie near a square stone, including a shovel, a spade, and a triangle. A snake slithers away. In the right, a man, attired in a robe leans on a broken column. A dog stands among stones and pieces of columns. Plants grow on top of part of the building left standing. In the background, a group of men holding sticks, walks down a path toward the sea. One man, holding a stick, climbs up a hill towards a circular, columned building, possibly a temple. Palm trees grow., Title from image., Date inferred from active dates of the printer., Copyright statement on recto: Entered for the Proprietor according to act of Congress by Brother W.H. Holbrooke, New York., Gift of David Doret, 2011.
Date: [ca. 1850]
Location: Library Company of Philadelphia | PRINT **GC - Allegories [P.2011.45.5]

Title: Lustre starch
Description: Trimmed trade card promoting Gilbert S. Graves’s Lustre Starch. Depicts a racist caricature of an African American man portrayed with exaggerated features tipping his hat. Shows an African American man attired in a black top hat, a white collared shirt, a red bowtie, a yellow waistcoat, a blue jacket with tails, and white striped pants. He is attired with numerous accessories, including a red flower boutonniere on his lapel, a gold pendant pinned to the center of his white shirt, a gold pocket-watch chain, gold cufflinks, and a gold ring on the pinky of his right hand. The man stands with his right arm behind his back while he raises his top hat off his head with his left hand. Gilbert S. Graves (1849-1935) founded a corn starch manufactory in Buffalo in 1877. It was acquired by United Starch Company in 1899., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Distributor's imprint printed on verso: H.H. Sayles & Co., wholesale grocers, Elmira, N.Y., Card is trimmed at the top and bottom., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - H.H. Sayles [P.2017.95.78]

Title: I'm a masher
Description: Set of five collecting cards depicting African Americans, portrayed in racist caricature with grotesque facial features, to satirize womanizing, courtship, marriage, and fatherhood. Includes (1) "I'm a Masher" showing a dapperly-dressed African American man, attired in a derby hat, a red bow tie with yellow polka dots, a yellow waistcoat, a blue jacket, and a watch fob, holding up a swagger stick, as well as cigarette that he smokes; (2) "I've Made a Mash" showing the "masher" in a close embrace with a stylishly-dressed African American woman, attired in a red dress with black polka dots, gold drop earrings, and yellow gloves; (3) "I'm Married" showing the couple on promenade with the woman, attired in a red dress with a yellow bow, a yellow and red hat, and white gloves, and the man, smoking a cigarette, and attired in a green bowler hat, a red ascot with shiny cravat pin, a blue jacket with a yellow flower boutonniere, a matching yellow with gray striped waistcoat and pants, and red gloves; (4) 'Home Sweet Home" showing the man, attired in a white collared shirt and blue-striped pants, seated with a look of anguish and surrounded by his six small children; (5) "Dady's [sic] Dead" showing the children as older and dancing around their father's grave adorned with a headstone inscribed "To the Memory of the Masher." Masher was a later 19th-century slang term for a womanizer, known for garish clothes and a vulgar manner., Copyrighted., Series no. printed in upper right corner., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Chicago Picture Co, a Chicago publishing firm of advertising card and novelties, was active circa 1881-circa 1883.
Creator: Chicago Picture Co.
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department GC - Genre [P.2012.25.1-5]

Title: Not a drum was heard nor a funeral note as his corpse to the ramparts we hurried -- : Not a loco discharged his farewell shot o'er the ditch where our hero we buried
Description: Cartoon of a funeral procession portraying the erosion of Democratic support for presidential hopeful Martin Van Buren, the "Kinderhook Fox," during the election of 1844. Depicts President Tyler, instrumental in Van Buren's defeat, stating, "Thus do all our hopes end in Clay," as he steers a funeral cart carrying Van Buren, depicted as a dead fox; his son, poet Robert Tyler; and a bale of cabbages. The cart is pulled by Andrew Jackson, depicted as an old nag boasting about his part in Van Buren's death. Following the cart are the devil sobbing and bemoaning that he is Van Buren's only friend and a rotund man in a wide brimmed hat who rings a bell and calls, "Bring out your dead." In the right, two barefooted African American men gravediggers, portrayed in racism caricature and attired in torn and worn clothes, hold shovels as they stand over and comment about the open grave they have dug for Van Buren. "Here comes Pompey, we'll have this Fox earthed at last." A small cabin, with an emaciated white man in the doorway, and labeled "Loco Foco Hall" (Loco Focos were a radical branch of the Democrats who supported Van Buren) stands in the background., Title from item., Date from copyright statement: Entered according to Act of Congress in the Year 1844 by James Baille in the Clerk's office of the Dist Court of the Southern District of N. York., Gift of Mrs. Francis P. Garvan, 1977., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Bucholzer was a New York cartoonist whose work was published by James Baillie from 1843 until 1847.
Creator: Bucholzer, H., lithographer
Date: 1844
Location: Library Company of Philadelphia | Print Department Political cartoons - 1844-17 [8366.F.21]

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