In sixteen eighty two, you surely have heard how William Penn and honest treaty made. All good Indians mourn him still and remember his proclamation of good will to use the Enterprise bone, shell, and corn mill.
Title
In sixteen eighty two, you surely have heard how William Penn and honest treaty made. All good Indians mourn him still and remember his proclamation of good will to use the Enterprise bone, shell, and corn mill
Description
Trade card issued during the Columbian Exposition of 1893 advertising Enterprise Mf'g Co. of Pa. "Enterprise bone, Shell and Corn Mills." Contains an anachronistic scene including a caricaturized depiction of William Penn's Treaty with the Indian Also contains a view of the Electrical Building designed by Van Brunt & Howe. The exposition held in Chicago May 1-October 30, 1898 celebrated the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. Enterprise Manufacturing Co. of Pa. was established in 1866., Advertising text printed on verso: Enterprise Bone, Shell and Corn mills. Two Styles. It is a well-known fact that Bone, Meal, Ground Shells, Cracked Corn, etc. are excellent for poultry. These mills are especially adapted to grinding Bones, Shells, Corn, Roots, Bark, Grain, Chicken Feed, etc. When it is considered that pure raw bone meal is one of the best fertilizers, they will soon pay for themselves for that purpose alone. The grinders are warranted as hard as and equal to hardened cast steel, and can be regulated to grind coarse or fine, by adjusting a thumb-screw near the centre of the fly-wheel. They are good general mills for farmers, poultrymen, etc., and for compactness, strength and durability we consider them unexcelled. Our No. 650 commends itself to those who wish to save space. It is intended to be screwed or fastened to a wall, post, etc. Capacity of these mills, about 1 1/4 bushels of corn per hour. these mills are not intended for grinding "green bones," but can be used for that purpose after the bones have been dried. Prices. No. 650...$7.50. No. 750,...$7.50., Printed on verso: For Sale by the Hardware Trade. Send for Catalogue. The Enterprise M'f'g Co. of Pa., Third & Dauphin Sts., Philadelphia, U.S.A., Typeface on verso varies between prints., Vignette illustration on verso. Depicts a No. 750 Enterprise bone, shell, and corn mill., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date
c1893
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Trade cards [P.2008.36.65 & 74]
In eighteen fourteen, Scott, the Indian hero, made red hot work for the red men-yes and redder himself he cooled with Juleps, cold as zero iced by the famous Enterprise ice shredder.
Title
In eighteen fourteen, Scott, the Indian hero, made red hot work for the red men-yes and redder himself he cooled with Juleps, cold as zero iced by the famous Enterprise ice shredder
Description
Trade card issued during the Columbian Exposition of 1893 advertising Enterprise Mf'g Co. of Pa. "Enterprise Ice Shredder." Contains an anachronistic scene including a caricaturized depiction of Major General Winfield Scott following the Battle of Chippewa, July 5, 1814. Depicts Scott seated on a trunk and sipping a frosty julep through a straw as one of his soldier handles an Empire ice shredder on a cake of ice. Other soldiers stand guard behind him and in the background Native American lay on the ground and run. Also contains a view of the U.S.S. battleship Illinois. The exposition held in Chicago May 1-October 30, 1898 celebrated the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. Enterprise Manufacturing Co. of Pa. was established in 1866., Advertising text printed on verso: Enterprise Ice Shredder. Patented, 1893. For Shaving Ice coarse or Fine. Prices: No. 33 Tinned $7.20 per dozen. No. 34, Nickeled, $24.00 " ". The operation of our Shredder requires no explanation, being simply to draw the blade upon a piece of ice, the pressure applied producing fine or coarse pieces, as desired. To remove the finely cut ice from the cup, grasp the Shredder firmly in the right hand and strike it, inverted, upon the left, at the same time being careful to keep the lid closed. then scrape the ice into some convenient receptacle. It is not necessary to take the ice out of the refrigerator, as you may reach in and fill the cup from the side, end or top of a cake of ice without disturbing anything or wetting your hand. Its use will be appreciated for Fruits, Drinks, Oysters and clams on the half Shell, Olives, Celery, Radishes, Iced Tea, Sliced Tomatoes, etc., etc., and for many purposes in the Sick Room., Printed on verso: For Sale by the Hardware Trade. Send for Catalogue. The Enterprise M'f'g Co. of Pa., Third & Dauphin Sts., Philadelphia, U.S.A., Vignette illustration on verso. Depicts a cross-section of the ice shredder on a cake of ice., Typeface on verso varies between prints., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Michael Zinman.
Date
c1893
Location
Library Company of Philadelphia | Print Department Michael Zinman World's Fairs Collection - Trade cards [P.2008.36.62 & 76]
J.W. LeMaistre. No. 48 N. Eighth St., Philadelphia, : [graphic] : Embroideries, laces, white goods, real and Nottingham lace curtains, corsets, gloves, &c.
Title
J.W. LeMaistre. No. 48 N. Eighth St., Philadelphia Embroideries, laces, white goods, real and Nottingham lace curtains, corsets, gloves, &c
Description
Racist trade card promoting lace manufacturer J.W. LeMaistre and depicting a white man photographer showing a Native American person his photograph outside a pavillion. In the left, the Native American person, portrayed in racist caricature and attired a feathered headress, a tunic with a feathered skirt, hoop earrings, bracelets, and anklets, bends slightly forward and looks at a portrait photograph of themself. In the right, the photographer, attired in a long-sleeved blue shirt with a white collar, a pink bowtie, white pants, and black shoes, bends forward as he holds up the photograph from the floor with both hands. A large camera with hood stands behind him. Several white men pedestrians, an obelisk, and a neoclassical building can be seen in the left background. John W. LeMaistre (1840-1915) is listed in the Philadelphia directories as a lacemaker from circa 1880s. He incorporated the firm, the LeMaistre Lace and Embroidery Co., in 1905., Title from item., Date inferred from dates of operation of advertised business., Includes copyright statement: Copyrighted., RVCDC
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department trade cards - LeMaistre [P.2022.9]
[Geo. S. Harris & Sons print specimens]
Title
[Geo. S. Harris & Sons print specimens]
Description
Series of specimens, primarily for trade cards and labels, printed by the prominent Philadelphia lithographic firm. Subjects include fanciful, allegorical, and sentimental scenes and portraiture with women, children, and flowers; hunting and recreational scenes; international iconography; animals (dogs, horses, and an alligator clutching a Black baby in its jaws); political and military imagery, including President James Garfield; land and marinescapes; and mythological and fairy tale views. Collection also includes specimen without an imprint and probably printed by Harris showing a plantation scene with a white man, attired in a straw hat, a white collared shirt, white pants, and a sword on his waistband, placing his right hand on the shoulder of a barefooted Black man, attired in a straw hat, a white collared shirt with the sleeves rolled to his elbows, and white pants that are torn at the bottom, who carries a hoe. They stand before a body of water surrounded by flowers and trees with the plantation in the background. Racist scene shows a white female angel with wings pouring packages of tobacco from a cornucopia to a group of men and women from various ethnic groups and nationalities, including Native Americans, Chinese, Spanish, and Middle Eastern people, many of which smoke cigars, hookahs, and pipes. Specimen depicting a man, attired in a turban with a dagger in his waistband, kneeling with a rifle beside him. Surrounding him are palms and desert plants. In the right background, a lions stands and looks on., Title supplied by cataloger., Publication date inferred from content of one print depicting President James Garfield., Originally part of Specimens Album [P.9349]., Gift of Margaret Robinson, 1991., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1881]
Location
Library Company of Philadelphia | Print Department Specimen Album Loose Prints Collection - Geo. S. Harris [P.9349.279, 283-284, 292, 298-307, 309, 317-318, 321, 328-329, 332, 436-437, 439, 441-442, 447, 451-453 & 455-456]
“Universal family” Soapine, Kendall Mfg. Co., Providence, R.I. [graphic].
Title
“Universal family” Soapine, Kendall Mfg. Co., Providence, R.I
Description
Racist trade card promoting Kendall Manufacturing Co.’s Soapine and depicting caricatures and ethnic stereotypes of people helping Liberty wash laundry. Shows Liberty in the center personified as a white woman with blonde hair tied up in a bun attired in a blue cap with a white star and a white sleeveless dress with a red belt that has an American flag crest. She stands behind a wooden wash tub labeled “Kendall MFG Co.” that sits on top of six boxes labeled with the letter K. She spreads both of her arms out to the seven people around her. In the left, a white man with blond hair and mustache (possibly German,) holds a pipe in his mouth and is attired in a blue tunic, brown pants, and black shoes. He bends over as he carries a large box labeled “universal soap” on his back. A white Scottish man with blonde hair, attired in a blue cap with a yellow feather, a green shirt with a red sash, and a red kilt, helps a white man with black hair and mustache (possibly French) attired in a blue uniform with gold epaulettes and black shoes, carry a large straw basket filled with white laundry to the wash tub. In the right, caricatures of an African American man in a white sleeveless top, a Native American man attired with a feather headdress and blue pants with a bundle of arrows on his back, and a Chinese man with his hair styled in a queue attired in a blue tunic, brown pants, and blue, slip-on, cloth shoes, carry an oversize wash board labeled “French Laundry Soap.” In the center foreground, a white man with blonde hair and attired in a blue shirt, brown pants, blue socks, and black shoes, has fallen down on the ground. Beside him is a broken white pipe, and a small black cat runs away. Henry L. Kendall (1805-1883) founded a soap manufactory in Providence, R.I. in 1827. The Kendall Manufacturing Co. was incorporated in 1860. The Company continued to manufacture soap into the mid-20th century., Title from item., Place of publication inferred from place of operation of the advertised business., Date deduced from history of the advertised business., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Kendall [P.2017.95.96]
[Civil War drawings and cartes de visite reproductions of drawings by Henry Louis Stephens] [graphic].
Title
[Civil War drawings and cartes de visite reproductions of drawings by Henry Louis Stephens]
Description
Series of caricatures predominately satirizing the effects of the presidential policies of Abraham Lincoln on his re-election and the candidacy of Democratic nominee and former Commander of the U.S. Army, George McClellan, in the presidential election of 1864. Lincoln caricatures depict racist scenes and themes of election loss and show the president as a comic stage performer; a feeding open-mouthed tool of the abolitionists; as a defeated Robin Hood with his "Band of Brothers," (i.e. cabinet members Edwin Stanton, William Seward, and Gideon Welles); as weighed down by the "Old Keystone", a visual metaphor for the large number of Pennsylvania soldiers lost in the war; as a buffoon tripped up by his large boots of "military necessity"; as patronizing a miniature McClellan propped up on the "Chicago Platform"; as McClellan's puppeteer; and as "loved little and long" for his emancipation of the enslaved. McClellan caricatures primarily use the themes of McClellan, known as "The Young Napoleon," as a "MacNapoleon" and his contradictory personal and party platforms in relation to the war. Caricatures show "MacNapoleon" searching for the White House, childishly whining about his quest for the White house, and singing a "doleful ditty" about himself. Platform caricatures show McClellan as a squeeze doll who speaks two words - war and peace, and in a "Quandary" to choose between a ballerina representing war and another representing peace. Collection also contains caricatures of Edward Stanton making a "Soliloquy" as an allusion to a Republican loss in the presidential election; of Peace Democrat Clement Vallandigham satirizing his sentence of banishment to the South for anti-war sentiments as well as a racist caricature of the "The American Eagle.1864. A likely young bird" showing an eagle with the head of an African American resting on the American shield marked "E. Pluribus. U-No-Um.", Title supplied by cataloger., Date from copyright., Created postfreeze., Originally part of McAllister scrapbooks of materials related to Abraham Lincoln and of humorous caricatures and photographs. McAlister Collection, gift, 1886., RVCDC, Description revised 2021., Access points revised 2021.
Creator
Stephens, H. L. (Henry Louis), 1824-1882
Date
1864
Location
Library Company of Philadelphia | Print Department Henry Louis Stephens Collection [(11)1540.F.20a; 5780.F.52m; 5792.F.4d&e; 97a-c &f; 98a,b,d, e-i; 99a-h; P.2282.50; P.8686.1-2; P.2005.2.12a-e; P.2006.1.25a&b]
The Hunters three and O.N.T. [graphic].
Title
The Hunters three and O.N.T
Description
Circular promoting Clark Thread Company and depicting racist caricatures of African, Asian, and indigenous men. Volume also contains several lines of narrative, promotional text written as a children’s story. The front cover is a color illustration of three white "merry gentlemen" in Cololonial attire and riding on horseback as "they hunt and hunt." The men are attired in tri-corn hats; red jackets; white breeches with riding boots; and white wigs. They ride on a road towards the viewer. The figures are bordered with pictorial details of the Clark’s O.N.T trademark. The rider in the middle raised his hat with his hand. Image is reproduced in black and white on p. [2]. P. [3] shows the horsemen observe three white children standing before them whom they believe "...must be princes. They sew their clothes with O.N.T." P. [4] show the "gentlemen" observe from a distance three African Zulu men. The men drive a lion into a net made of O.N.T. thread. One man is nude except for a feather on his head and bangs a large drum labeled "Clark's O.N.T. spool thread." Another man is attired in a skirt made of palm leaves and carries a shield and arrows. A third man carries arrows and wears a feather on his head. P [5] shows the "hunters" "spy" "three happy Hottentots" who roll down a hill on large spools of Clark's thread in a "chariot race." The three African men have their hair in buns atop their heads and are attired in white shorts and hoop earrings. One man is also attired in a shell necklace, and two men hold spears. P. [6] shows the three men find a Chinese man flying a kite strung with O.N.T. thread thread and to which a Chinese boy is attached. He is seated on a rug with his back to the viewer. To his right is a pipe. His hair is styled in a queue, and he is attired in a white shirt with a vest decorated in a print of dragons and slip-on, cloth shoes., P. [7] shows the white men finding an Inuit man on a sled made from a Clark's spool and pulled over the ice by a team of dogs. The sled driver is attired in a hooded parka and boots. P. [8] the three riders encounter a Native American man reigning in a buffalo with O.N.T. thread. He is attired in knee-high boots; a patterned blanket draped around his chest; hoop earrings; and a feather headdress. P. [9] shows a view of the back of the three riders bordered by pictorial details of the Clark’s O.N.T trademark. The back cover is a color illustration of a white girl with long blonde hair attired in black boots; red stocking; a green dress; and a blue striped apron. She is seated on an oversize spool of O.N.T. thread and playing cat's cradle with a white boy. The boy is attired in a red fez; a green coat; blue stockings; and black boots. The George A. Clark & Brother Company, manufactory of embroidery and sewing thread, was founded in 1863 in Newark, N.J. The firm was renamed Clark & Co. in 1879, and in the 1880s created a six-cord, soft finished thread called "Our New Thread" or "O.N.T." The business merged with J. & P. Coats in 1896, which lead to a series of mergers with fourteen other companies. Into the 21st century, the company continues to manufacture thread under the name Coats & Clark., Title from item., Advertising text printed on verso of front cover: Use Clark's trade mark O.N.T. spool cotton on white spools! It is superior to all others for hand and machine use. Garments sewed with O.N.T. fast black will never show white on the seams after being worn or washed., Advertising text printed on verso of back cover: Use Marshall's linen thread on 200 yard spools. Guaranteed full length. Made from the bext flax, and Milward's Helix Needles in patent wrappers. For sale everywhere., Place of publication deduced from place of operation of advertised business., Date deduced from history of advertised business., Distributor's name printed on p. [1]: George A. Cole, sole agent., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Clark [P.2017.95.31]