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Title: Justice, George M.
Creator: Library Company of Philadelphia, creator
Date: January 5, 1818

Title: Justice, Anna
Creator: Library Company of Philadelphia, creator
Date: December 1, 1904

Title: Justice, Josephine B.
Creator: Library Company of Philadelphia, creator
Date: August 1, 1918

Title: Justice, Henry
Creator: Library Company of Philadelphia, creator
Date: November 7, 1907

Title: Justice, Jacob, 1778-1845
Creator: Library Company of Philadelphia, creator
Date: July 7, 1820

Title: Justice, George R.
Creator: Library Company of Philadelphia, creator
Date: April 30, 1847

Title: Testimonial to Samuel B. Fales Esq. from the Union Volunteer Refreshment Committee
Description: Certificate commemorating Fale's service to the committee. Includes a decorative floral border containing a profile vignette portrait of Fales captioned "The Soldier's Friend", an American eagle, the figures of liberty and justice, interior and exterior views of the Union volunteer Refreshment Saloon and Hospital, and a battle scene., Signed October 25, 1863 by Arad Barrows, Chairman; John B. Smith, W. S. Mason, Curtis Myers, committee on testimonial; and Joseph B. Wade, secretary., Philadelphia on Stone, POS 747, Dunton was a Philadelphia teacher.
Creator: Dunton, Alvin R.
Date: 1866
Location: Library Company of Philadelphia | Print Department **Philadelphia Certificates - Charitable organizations [7853.F]

Title: The Ledger carrier's annual greeting. To their subscribers, New Year, 1855
Description: Allegorical print depicting female allegorical figures in front of a temple of Justice. Depicts in the left, Peace as a white woman attired in a laurel wreath crown and a white Roman gown, standing across from the white figure of Liberty and pointing with her left hand toward the temple in the background. Liberty, wearing the American flag as a cape, and with a liberty pole and cap in hand, charges toward the temple. Three muse-like female followers, including two white women, one holding an urn, and a Black woman, looking toward the temple, stand alongside her. Behind Peace, a white cherub stands by a stack of books. Scene also includes a discarded shield and sword laying on the ground in the foreground., Title from item., Presumably issued late in 1854 by Swain, Abell & Simons, the publisher of the Philadelphia newspaper, the Public Ledger, for their subscribers., Printed below the image: Printing! the art of every art preserver. The lever that uplifts the world of mind. Of Justice, Peace, and Human Rights conserver; The sense of vision to the mental blind. The torch of genius flashes o’er its pages, Illumes Fame’s temple with its dazzling ray. And marks the means for moulding future ages, In universal education’s sway., Purchase 1984., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Sartain, a premier Philadelphia portrait and genre engraver of the 19th century, was also a social reformer who often incorporated his reformist beliefs into his work., Schussele was a historical, genre, landscape, and portrait painter and respected professor at the Pennsylvania Academy of the Fine Arts whose paintings his professional associate and friend, John Sartain, often engraved.
Creator: Sartain, John, 1808-1897, engraver
Date: [1854]
Location: Library Company of Philadelphia | Print Department *GC - Allegories - L [P.9000.1]

Title: Grand United Order Odd Fellows America [membership certificate]
Description: Membership certificate for the African American fraternal organization containing an allegorical view that includes Odd Fellow iconography. Shows the female figures of Justice and Truth standing on globes and flanking a framed view of an ark at sea. Justice holds a sword and scale and Truth holds a torch, serpent, and a mirror from which a light shines. Visible within and bordering the view are Odd Fellow symbols, including the sickle and hourglass, dove, skull and crossbones, the lamb, heart-in-hand, and the lion. Above the view the female figure Charity sits and holds children in her lap below the all Seeing Eye in the night sky under a rainbow marked "G.U.O. of O.F." The G.U.O.O.F was established in 1843 with a charter from the Grand Lodge in Manchester, England., Not in Wainwright., Copyrighted by D. B. Bowser, probably the artist., Issued to David B. Bowser, Unity Lodge, No. 711, G.U. O. of O.F. on July 10, 1844. Signed James Needham, N[oble] F[ather], James McCrummill, N[oble] G[rand] and Joshua Campbell, P. S[ecretary]., Philadelphia on Stone, Historical Society of Pennsylvania: Certificates - Odd Fellows, Bowser, was a prominent African American ornamental artist and social activist, who specialized in signs, banners, and paraphernalia in addition to portraiture. Major commissions included volunteer firefighter apparel and equipment, Civil War pictorial banners, and Grand United Order of Odd Fellows regalia.
Date: c1843
Location: Historical Society of Pennsylvania | Print Department | HSP at LCP HSP Certificates - Odd Fellows

Title: Order of the United Daughters of America [membership certificate] Honesty, virtue & industry
Description: Membership certificate for the patriotic nativist women's society established in New York in 1845 as an auxilliary to the Order of United Americans. Contains a vignette portrait of Martha Washington flanked by the allegorical figures of Liberty and Justice perched in a cluster of clouds. Below on each side, columns entwined with the American flag and adorned with the American eagle and shield rest on pedestals decorated with horns of cornucopia. Between the columns, a "United Daughter" leads a little girl to another "United Daughter" who welcomes them into a temple adorned with garlands of flowers. The society weakened by the collapse of the nativist political movement remained active until circa 1861., Not in Wainwright., Copyrighted by Wm. Patton., Issued October 23, 1847 to Elizabeth Curry for membership in the Lady Taylor Council, No. 10 State of Pennsylvania. Elizabeth Wentz, Governess. Anna Clewell, Recd. Secretary., Philadelphia on Stone, POSP 160, Historical Society of Pennsylvania: Bc 052 U 58, LCP exhibit catalogue: Women 1500 to 1900, entry #192., See "Order of the United American Mechanics." AAS Graphic Arts Lithf Patt Hone.
Date: c1848
Location: Historical Society of Pennsylvania HSP Bc 052 U 58

Title: [All Wars Memorial to Colored Soldiers and Sailors in West Fairmount Park, Philadelphia]
Description: View depicting the front of the memorial, sculpted by J. Otto Schweizer, erected by the Commonwealth of Pennsylvania in 1934 in memory of all African American military men who have served in wartime. The top of the monument is a sculpted eternal flame, the "Torch of Life," surrounded by four American eagles. Below the torch, a female allegorical figure of justice stands holding wreaths symbolic of honor and reward. She is flanked by five figures of African American military personnel from each branch of the armed service. A dedication is inscribed into the memorial's granite pedestal which is adorned with a wreath. Erected after much controversy on Lansdowne Avenue, the memorial was moved in 1994 to the Benjamin Franklin Parkway opposite the Franklin Institute., Title supplied by cataloger., Date inferred from content., Photographer's imprint stamped on verso., Manuscript note on verso: Phila. West Fairmount Park. Memorial to colored soldiers erected by the Commonwealth of Penna., Inscribed in negative: 786A., Gift of Joseph Kelly, 1982., Description revised 2022., Access points revised 2022., Schweizer was a European-trained Philadelphia sculptor who specialized in monumental works including several commissions for sites in Pennsylvania., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Photo Illustrators (Firm)
Date: [ca. 1934]
Location: Library Company of Philadelphia | Print Department Photo-Illustrators [P.8810.8]

Title: National Chromo Co., 927 Chestnut Street, Philadelphia, Pa. [catalog cover]
Description: Front cover contains a montage of vignette views of the main Centennial Exhibition of 1876 buildings bordering a central allegorical scene. Scene shows the figures of Columbia and Liberty surrounded by cherubic figures representing the arts, industry, agriculture, and science. Figures hold emblematic items, including a laurel wreath, liberty pole, American shield, hammer, paint palette, compass, and a sheath of wheat. Building vignettes show the Agricultural Hall, Machinery Hall, Horticultural Hall, Main Building, and Memorial Hall (Art Gallery). Also contains pictorial details representing "1776" showing the solitary figure of liberty and "1876" showing the figure of Justice with two women in humbled stances., Rear cover printed with promotional text reading "Chromos, Engravings, Mottoes, and Artist's Materials, Published, Imported and For Sale By the National Chromo Company, 927 Chestnut Street [stamped over No. 717 Sansom Street] Philadelphia, Pa., Not in Wainwright., Title annotated with stamp over previous address: No. 717 Sansom Street., Philadelphia on Stone, POSA 65, Smithsonian Institution: NMAH Archives Center – Warshaw Collection - Printers & Printing - Box 1 - National Chromo Co.
Creator: National Chromo Company
Date: c1875
Location: Smithsonian Institution | NMAH Archives Center Warshaw Collection SI NMAH Archives Center – Warshaw Collection - Printers & Printing - Box 1 - National Chromo Co.

Title: [Job printing specimens for certificates, bank notes, receipts, labels, and billheads]
Description: Series of specimens (some proofs) depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, agriculture, buildings, animals, and machinery. Includes views of locomotives traveling railroad tracks; sailing and steam boats; mines and mine workers; distilleries and refineries; farmers, farm hands, and farm animals; female allegorical figures of liberty, justice, and bounty; and sailors, blacksmiths, and steam factory workers. Imagery also depicts Native Americans; peasants; sheep herding; the American eagle; masonic emblems; historical and patriotic figures, including George Washington and Benjamin Franklin; storefronts, factories, and government buildings, including A. Exton cracker bakery (Trenton, N.J.) and Phoenix Iron Foundry (Wilmington, Del.); military camp and solider; deers, dogs, and children with animals; state and corporate seals, including Pennsylvania; and a city block on fire and an erupted volcano., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger, Klauprech & Menzel, Stein & Jones, and Jacob Weiss., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860-ca. 1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.155-162]

Title: [Job printing specimens for certificates, bank notes, receipts, labels, and billheads]
Description: Series of specimens (some proofs) depicting masonic, military, allegorical, and patriotic imagery, transportation views, women, agriculture, buildings, animals, and machinery. Includes views of locomotives traveling railroad tracks; sailing and steam boats; mines and mine workers; distilleries and refineries; farmers, farm hands, and farm animals; female allegorical figures of liberty, justice, and bounty; and sailors, blacksmiths, and steam factory workers. Imagery also depicts Native Americans; peasants; sheep herding; the American eagle; masonic emblems; historical and patriotic figures, including George Washington and Benjamin Franklin; storefronts, factories, and government buildings, including A. Exton cracker bakery (Trenton, N.J.) and Phoenix Iron Foundry (Wilmington, Del.); military camp and solider; deers, dogs, and children with animals; state and corporate seals, including Pennsylvania; and a city block on fire and an erupted volcano., Title supplied by cataloger., Various printers, including Ehrgott & Fobriger, Klauprech & Menzel, Stein & Jones, and Jacob Weiss., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860-ca. 1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.155-162]

Title: [Checks, bank notes, billheads, and receipts specimens]
Description: Series of checks, bank notes, billheads, and receipts, containing allegorical and patriotic vignettes and ornate pictorial details. Vignettes depict allegorical female figures, including Liberty, Hope, Justice, and Bounty; animals, including the American eagle, a dog protecting a safe, and bucks; and patriotic figures, including George Washington, Thomas Jefferson, and Ulysses Grant. Other vignettes depict a view of a traveling locomotive; the seal of Pennsylvania; and views of harvested produce and grains. Businesses represented include A. Exton & Co., cracker manufacturers; Heywood, Kilburn & Co., chair and cottage furniture dealers; West Branch National Bank; Perry County Bank; Reed & Schell, bankers; First National Bank of Sunbury; and Jefferson Savings Institute., Title supplied by cataloger., Several of series printed in color ink, including blue, green, tan, and violet., Print P.9399.390 inscribed to John Mayer for $23.00 three months after date [illegible]. 24 Feb. H five. Feb 23rd., Various printers, including Ehrgott & Fobriger; Lehman & Bolton; Theodore Leonhardt; Wm. F. Murphy's Sons (& Sons); and Paul & Lindsay., Originally part of Specimen Album [P.9349]., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1860-ca. 1870]
Location: Library Company of Philadelphia | Print Department Specimens Album Loose Prints Collection - Checks, etc. [P.9349.341, 369, 371-372, 375, 379-381, 383, 385-390, 392- 394, 396, 398, 400, 410, 415, 423, 426]

Title: Facsimile of the signatures to the Declaration of Independence
Description: Commemorative print containing facsimiles of the signatures of the signers of the Declaration of Independence within an ornamental border. In the top of the border are allegorical figures of Justice, depicted as a white woman carrying scales and a sword, and Liberty, depicted as a white woman attired in a liberty cap and carrying a spear and shield. An eagle stands between them next to a crest of an American flag. Along the sides of the border are the state seals of the original thirteen colonies. At the bottom is a vignette, “The Capitol, Washington,” showing the Capitol building. Vigettes also includes several white men standing with a dog and an African American woman caregiver with a white child who holds a hoop., Title from item., Date inferred from the aesthetics of the content., Contains printed statement by John Quincy Adams, Department of State, dated April 19, 1819 declaring the signatures "Exact Imitations.", McCabe, a New York engraver, was active in the mid-19th century., Purchase 2002., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Allen, J. W., engraver
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department GC - Declaration of Independence [P.9999]

Title: The triumph
Description: Print predicting the Union's triumph over the Confederacy using an allegory of "Humanitas" (i.e., Humanity) depicted as a white woman holding a child astride an eagle, reaching to save a shackled African American held on the ground by the evil "King Cotton." From a break in the clouds an apparition appears behind "Humanitas," including "Freedom" depicted as a woman wearing a crown of feathers holding a large American flag and a Liberty cap; "Christianity" depicted as a white woman holding a bible; "Justitia" depicted as a white woman holding scales; George Washington; Thomas Jefferson; and Benjamin Franklin. The oppressed enslaved person reaches up as "King Cotton," portrayed with an alligator head with a body composed of a bale of cotton with a holster of pistols, raises his hands in horror as the eagle clutches his cloak and shoots lightning bolts at his throne. To his right a column labeled "Lecompton", "Fugitive Slave," and "Missouri Compromise" is set aflame from the lightning. In the left, the "Hydra of Discord" accompanied by a hound "Fugitive Slave Law," a group of white men enslavers, and a Spaniard, who drops a package marked "Cuba $50,000,000," flee from the vision to the sea where a boat of enslaved African American men are docked. Contains eighteen lines of verse from Lord Byron's 1813 poem "The Giaour" below the image., Title from item., Date of publication supplied by Reilly., Per Reilly, published key to print exists., Copyright statement: Entered according to act of Congress in the year 1861 by M. H. Traubel, in the Clerks Office of the District Court for the Eastern District of Penna., Accessioned 1999., Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1861
Location: Library Company of Philadelphia | Print Department *political cartoons - 1862-15 [P.9654]

Title: In commemoration of the hundredth anniversary of American independence
Description: Elaborate Centennial Exhibition commemorative print depicting an arched monument containing a central full-length portrait of George Washington surrounded by vignettes; allegorical figures; and religious quotes by the first president. Washington is depicted mounted on his horse. Arch is adorned with the names of the 38 states and is flanked by columns containing views representing the industries of the North, East, South, and West. Views show a white man laborer of the North chopping a tree at a waterfront, white women loom workers of the East, an overseer on horseback watching an enslaved African American man picking cotton in the South, and a white man farmer reaping his harvest with a horse-drawn plow in the West. Columns also contain allegorical figures to represent the years 1776 and 1876. Justice and Independence (depicted as white women and holding the Declaration), and a prostrate British soldier represent the year 1776 and Peace and Liberty (depicted as white woman and holding a "Ballot"), and a seated enslaved African American man free from his shackles represent the year 1876. Monument also contains views of Independence Hall and Memorial Hall (Centennial Exhibition), the scene showing the signing of the Declaration of Independence, and allegorical figures and emblems symbolizing the classical and industrial arts. Other pictorial elements depict the all-seeing eye; American eagle, shield, and flag; vignettes showing Washington praying, and accepting the sword of surrender from Lord Cornwallis during the American Revolution; and vignette views with dimensions of Centennial Exhibition buildings. Buildings include the Art Gallery, Main Building, Agricultural Hall, Machinery Hall, and Horticultural Hall. The centennial of the United States was celebrated through an international exhibition of industry, agriculture, and art in West Fairmount Park, Philadelphia., Not in Wainwright., Improvement copyrighted 1877 The Presbyterian Philadelphia, Pa., Philadelphia on Stone, POS 370, Gift of David Doret, 2007., RVCDC, Description revised 2021., Access points revised 2021.
Date: 1876, 1877
Location: Library Company of Philadelphia | Print Department **BW - Centennial [P.2007.28.7]

Title: John Brown meeting the slave mother and her child on the steps of Charlestown jail on his way to execution
Description: Print depicting the fictitious meeting between John Brown and an enslaved African American mother during the radical abolitionist's walk to the gallows in December 1859. Shows Brown at the top of the steps of the Charles Town, Virginia jail being led by several white men past the mother holding and looking down at her baby. The men include a prison guard in militia-uniform attempting to push the mother aside as Brown gazes compassionately upon her; the jailor, an old bearded man in cape and hat with his hand raised in front of his chin; the jailor's friend, a balding, bearded man pointing the way to the execution; and another militia man in an old Continental" uniform with a tricorne hat labeled "76." Also includes the Virginia state flag, waving above the head of Brown in the shape of a halo inscribed, "Sic Semper Tyrannis," i.e.; "Who is the tyrant, who the conqueror?" and a stern-faced, enslaver, attired in a Virginia militia uniform, waiting impatiently at the bottom of the stairs opposite a dismembered statue of justice in a pile of rubbish., Title from item., Date from copyright statement: Entered according to act of Congress, in the year 1863, by Currier and Ives in the Clerk's Office of the District Court of the United States, for the Southern District of New York., Text printed below the title: The artist has represented Capt. Brown regarding with a look of compassion a Slave-mother and Child who obstructed the passage on his way to the scaffold. Capt. Brown stooped and kissed the child- then met his fate., Original painting described in "A Rare Picture," an 1886 broadside probably by Ransom, in the collections of the library of Oberlin College, Oberlin, Ohio. Transcription available at repository., Purchase 1969., Reaccessioned as P.2003.18., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Currier & Ives
Date: 1863
Location: Library Company of Philadelphia | Print Department *Portrait Prints-B [7817.F]

Title: Memorial chart centennial jubilee Liberty, equality, fraternity to all nations
Description: Print commemorating the Centennial Exhibition of 1876 containing allegorical vignettes bordered by portraits of the eighteen presidents and views of Philadelphia landmarks and Centennial buildings. Allegorical vignettes show the female figures of Justice, Liberty, and Prosperity seated next to each other on a pedestal in front of a mountain valley, and a large assembly of men of international origin attired in native costumes. Depicted Philadelphia landmarks include Independence Hall, Masonic Temple, Girard College, Carpenters Hall, the Academy of Fine Arts, and the Academy of Music. Centennial building exteriors include the Main Building, Machinery Hall, and Memorial Hall. Additional portraits depict prominent figures in the administration of the Centennial and Pennsylvania Governor John F. Hartranft and Philadelphia Mayor William S. Stokley. Portraits include Joseph R. Hawley, President of the U.S. Centennial Commission; Alfred T. Goshorn, Director-General of the Centennial Exhibition; Thomas Cochran, Vice-President of the U.S. Centennial Commission and chairman of the commission on grounds, plans, and buildings; John L. Campbell, Ohio professor who originated the idea of a Centennial exhibition; John Welsh, President of the Centennial Board of Finance; Frederick Fraley, secretary and treasurer of the Centennial Board of Finance; and building engineers H.J. Schwartzmann and Henry Pettit. Also contains a panoramic view from Fairmount Park looking east toward the city; lists of "The Original States of the Union" and "States Admitted into the Union," the text of the Declaration of Independence and President Grant's proclamation in support of the Centennial, and allegorical seals for the Declaration and the Centennial. The Centennial Exhibition of 1876 celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Philadelphia on Stone, POS 467, Originally part of a McAllister scrapbook of Centennial and Columbian Exposition views.
Creator: Stauch, Charles J., artist
Date: [ca. 1876]
Location: Library Company of Philadelphia | Print Department **BW - Centennial [5758.F.9]

Title: The people putting responsibility to the test or the downfall of the kitchen cabinet and collar presses
Description: Cartoon predicting the dire consequences to follow President Jackson's withdrawal of federal funds from the Bank of the United States. Depicts a riot in which Supreme Court Justice John Marshall warns that "the day of retribution is at hand" as anti-bank fiscal advisors Reuben Whitney and Thomas Ellicott use a rope to pull down a statue of Justice, depicted as a white woman holding scales and stepping on a snake, from a pedestal labeled "Constitution." An angry mob of white men farmers, laborers, and tradesmen carry instruments including axes, pitchforks, and shovels and papers labeled, “Broken Bank.” They fight and demand the recharter of the bank, shouting "Send back the deposites! Recharter the Bank!" and "Come back old responsibility." In the right, Jackson escapes on the back of "Jack Downing" cursing Postmaster General Kendall, "By the Eternal Major Downing; I find Ive been a mere tool to that Damn'd Amos [Kendall] and his set, the sooner I cut stick the better." In the left background, under "Senate Chamber," Henry Clay gloats to Daniel Webster and John Calhoun, "Behold Senators the fulfilment of my predictions." In the left foreground, two African American men, portrayed in racist caricature and speaking in the vernacular, predict freedom and the ascension to the throne of abolitionist William Lloyd Garrison, "Hurrah! for Massa Garison, den he shall be King!" A Jewish banker, portrayed in caricature, undercuts a sailor offering him a ten dollar bank note, "Mine Got that ish one of the Pet Bankhs I'll give you one Dollar for the Ten." In the right foreground, newspapers supportive of Jackson, "collar presses," symbolized as dogs with human heads labeled "Evening Post, N. York Standard, Journal of Commerce, Albany Argus," run away chained together., Title from item., Date from copyright statement: Entered according to Act of Congress in the Clerk's Office for the Southern District of New York by T.W. Whitley in the year 1834, and for sale at 104 Broadway., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Whitley was a mid-19th-century New York landscape and figure painter who also wrote about art and drama for the New York Herald.
Creator: Whitley, T. W. (Thomas W.), artist
Date: 1834
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1834-7 [1884.F.3]

Title: [Plate 8 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Plate depicts the 500 block of Chestnut Street (168-199 pre-consolidation). South side includes Congress Hall, the State House, and City Hall. North side includes E. B. Mears, Stereotyper, W.B. Gihon, Engraver on Wood, and W. T. Parker, Saloon (199); J. W. Moore, Importer and Bookseller (193); William J. Kerr, China Hall and French Ware House (191); [Isaac] Newton’s Confectionery (187); American Hotel tenanted by L. & B. Orne, importers of carpets and operated by Ambrose L. White (181-183); Richards. Successor M.P. Simons, Daguerreotypist and Swift & Justice, Tailors (179);wigmaker Richard Dollard (177); Geo. J. Henkels, City Cabinet Wareroom (175); A. Brett’s Lithographic Establishment, Oscar C. B. Carter, Piano Fortes, Safford & Cookmann Curtain Warehouse, Thomas J. Natt & Co.’s Looking Glass Warehouse, and Polytechnic Lecture Rooms, F. Langenheim Manager (171). Also shows sides of buildings on Fifth and Sixth streets and signage above the subsidiary entrances to the State House. Signs read Orphan’s Court Clerk’s Office; Recorder of Deeds Office; Court of Common Pleas; Register of Wills; Prothonotory Off., Supreme Court, Eastern District; Prothonotary’s Office; Sheriff’s Office, County Commiss's. Office; Prothonotary District Court; and Quarter Sessions Clerk’s Office., Advertisements promote fifteen of the businesses depicted and Watson & Cox, Sieve, Riddle, Screen and Wire Cloth Manufacturers, No. 46 North Front St. (half-page) and Yerger & Ord, Patentees and Manufacturers of the Metallic Skeleton Artificial Leg, Ankle Supporter, and Improved Anatomical Machinery (half-page). Half-page advertisements contain several lines of text, as well as a cameo stamp illustration showing the Watson & Cox manufactory and a wood engraving showing a metallic artificial leg. Yerger & Old advertisement also cautions about a competitor circulating "a petty species of slander." Most of the smaller advertisements include several lines of promotional text and ornamented type. Langenheim's cites the admittance fee of "25 Cts."; Newton's notes that "he has taken" the confectionery of the late Mrs. Wood; Kerr's promotes his China Hall as the largest in the Unitd States; and Parker's Saloon advertises "All the Luxuries of the different season constantly kept. Games, Fish, Oysters, &c. My Liquors, Wines & Segars are selected with care and attention, the best always purchased without regard to Cost.", Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 9., LCP also holds trimmed duplicate depicting North side [P.2008.34.16.3].
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 9 [*Am 1851 Rae, 2975.Q]

Title: [Plate 8 and advertisements from Rae's Philadelphia pictorial directory & panoramic advertiser. Chestnut Street, from Second to Tenth Streets]
Description: Plate depicts the 500 block of Chestnut Street (168-199 pre-consolidation). South side includes Congress Hall, the State House, and City Hall. North side includes E. B. Mears, Stereotyper, W.B. Gihon, Engraver on Wood, and W. T. Parker, Saloon (199); J. W. Moore, Importer and Bookseller (193); William J. Kerr, China Hall and French Ware House (191); [Isaac] Newton’s Confectionery (187); American Hotel tenanted by L. & B. Orne, importers of carpets and operated by Ambrose L. White (181-183); Richards. Successor M.P. Simons, Daguerreotypist and Swift & Justice, Tailors (179);wigmaker Richard Dollard (177); Geo. J. Henkels, City Cabinet Wareroom (175); A. Brett’s Lithographic Establishment, Oscar C. B. Carter, Piano Fortes, Safford & Cookmann Curtain Warehouse, Thomas J. Natt & Co.’s Looking Glass Warehouse, and Polytechnic Lecture Rooms, F. Langenheim Manager (171). Also shows sides of buildings on Fifth and Sixth streets and signage above the subsidiary entrances to the State House. Signs read Orphan’s Court Clerk’s Office; Recorder of Deeds Office; Court of Common Pleas; Register of Wills; Prothonotory Off., Supreme Court, Eastern District; Prothonotary’s Office; Sheriff’s Office, County Commiss's. Office; Prothonotary District Court; and Quarter Sessions Clerk’s Office., Advertisements promote fifteen of the businesses depicted and Watson & Cox, Sieve, Riddle, Screen and Wire Cloth Manufacturers, No. 46 North Front St. (half-page) and Yerger & Ord, Patentees and Manufacturers of the Metallic Skeleton Artificial Leg, Ankle Supporter, and Improved Anatomical Machinery (half-page). Half-page advertisements contain several lines of text, as well as a cameo stamp illustration showing the Watson & Cox manufactory and a wood engraving showing a metallic artificial leg. Yerger & Old advertisement also cautions about a competitor circulating "a petty species of slander." Most of the smaller advertisements include several lines of promotional text and ornamented type. Langenheim's cites the admittance fee of "25 Cts."; Newton's notes that "he has taken" the confectionery of the late Mrs. Wood; Kerr's promotes his China Hall as the largest in the Unitd States; and Parker's Saloon advertises "All the Luxuries of the different season constantly kept. Games, Fish, Oysters, &c. My Liquors, Wines & Segars are selected with care and attention, the best always purchased without regard to Cost.", Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Folder 9., LCP also holds trimmed duplicate depicting North side [P.2008.34.16.3].
Creator: Rae, Julio H.
Date: [1851]
Location: Library Company of Philadelphia | Print Department albums - Rae - Folder 9 [*Am 1851 Rae, 2975.Q]

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