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Title: Heah I is honey wid dem old time Christmas temptations
Description: Die cut card depicting a racist caricature of an African American man holding a sprig of mistletoe. The man is balding and has tufts of white hair on the sides of his head and is attired in a yellow and purple scarf, a pink and white checked shirt, a black jacket, red mittens, blue and green striped pants, and black shoes. In his left hand he carries a gray hat with a purple band. In his right hand he holds a sprig of mistletoe, made of wire and cloth, and speaks in the vernacular, “heah I is honey wid dem old time Christmas temptations.” Below him is a small red frame with a depiction of a white woman, attired in a pink bonnet, a yellow coat, white socks, and black shoes, leaning in to kiss a white man, attired in a black hat, a blue jacket, green pants, and black shoes. They are flanked by two pine trees in red containers., Title from item., Date deduced from the visual content., Manuscript note on verso: With all the love in the world - Duke & [Ercil?]., Gift of David Doret and Linda G. Mitchell.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Christmas [P.2017.95.240]

Title: "They all do it"
Description: Racist trade card specimen depicting a caricature of an African American man kissing a caricature of an African American woman on a bench in front of a house while people look on. Shows the African American man, attired in a hat, a white collared shirt, a waistcoat, a black jacket, plaid pants, and shoes, sitting on a bench. He carries a stick in his left hand and wraps his right arm around the African American woman’s neck and kisses her cheek. The woman, attired in a long-sleeved dress and apron, sits next to the man on the bench. She holds a flower in her hand on her lap and smiles. In the house behind the bench, a man, a woman, and a boy look down and smile at the couple from the second story window. In the left, a boy, attired in a hat, a long-sleeved shirt, and pants with a suspender, sits on the wooden fence with his back turned to the viewer. In the foreground is a dog scratching its ear., Title from item., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - They [P.2017.95.209]

Title: [Racist and sexist metamorphic New Years Day card depicting a man kissing a series of women, including an African American woman depicted in caricature]
Description: Racist and sexist metamorphic trade card showing an older man in a tuxedo, holding a bouquet of roses, and kissing a "rotating" series of women through a "window." Only the women's heads are visible. The women include a white woman with auburn hair in a top knot and adorned with a rose; a young white woman with blonde, puffed, chin-length hair and adorned with matching blue bows; a white woman with raven-colored hair, pulled up, and adorned with a bridal veil; a white woman with pulled up cherry-blonde hair and adorned with blue flowers; and an African American woman, wearing a kerchief, hoop earrings and depicted with caricatured and exagerrated features. The man has grey hair and a dark-haired, pencil mustache and also wears a monocle., Title supplied by cataloger., Date inferred from fashion of figures depicted., Greeting printed inside: Here's a nosegay sweet and fair, Lilies, roses, rich and rare. Try each in turn then take a rest, And choose the one you love the best. They're charming, ah I thought you'd say so, Make up your mind pray don't delay so. That SHE'll be faithful, fond, and true, The odds are FIVE to ONE on you! E.E.G. With [fond love and] best Wishes for a Happy New Year, To [Mrs. ? ? ?]., Purchased with funds for the Visual Culture Program., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1895]
Location: Library Company of Philadelphia | Print Department ephemera - Cards - New Years [P.2019.23.2]

Title: Practical amalgamation
Description: Racist print promoting anti-abolitionists' fears of multiracial personal relationships. Depicts a parlor scene where two inter-racial couples court on a couch. In the left, an attractive white women sits on the lap of an African American man. The man, depicted in racist caricature with grotesque facial features, holds a guitar in his right hand as she engages him in a kiss. In the right, a rotund African American woman holds a fan in her right hand as she is wooed by a slender white man on his knees who kisses her left hand. Portraits of abolitionists Arthur Tappan, Daniel O'Connell (a radical Irish abolitionist), and John Quincy Adams are hung on the wall behind the couch. A white and black dog are in the left corner., Title from item., After E.W. Clay's Practical amalgamation (New York: Published and sold by John Childs, Lithographer, 119 Fulton Street, upstairs, 1839]., Purchase 1970., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: 1839
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1839 - Pra 2 [7897.F]

Title: Practical amalgamation
Description: Racist print promoting anti-abolitionists' fears of multiracial personal relationships. Depicts a parlor scene where two interracial couples court on a couch. In the left, an attractive white women sits on the lap of an African American man. The man, depicted in racist caricature with grotesque facial features, holds a guitar in his right hand as she engages him in a kiss. In the right, a rotund African American woman holds a fan in her right hand as she is wooed by a slender white man on his knees who kisses her left hand. Portraits of abolitionists Arthur Tappan, Daniel O'Connell (a radical Irish abolitionist), and John Quincy Adams are hung on the wall behind the couch. A white and black dog are in the left corner., Title from item., First of a series of five., Lib. Company. Annual Report, 2015, p. 41., Purchase 1957., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, engraver, and lithographer who created the "Life in Philadelphia" series which satirized middle-class African-Americans of the late 1820s and early 1830s.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1839
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1839-Pra 1 [6207.F]

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