Martin Landenberger & Co.
Title
Martin Landenberger & Co Manufacturers of shawls - fancy knit goods - hosiery. Frankford Road & Wildey St. Philadelphia Pa
Description
Advertisement showing the two Italianate-style buildings (1101-1103 Frankford, built 1851-1856, and 1045-1055 Frankford, built 1871) in Fishtown of the hosiery manufactory established in 1843. A covered pedestrian bridge marked with the name of the company connects the buildings that are surrounded by heavy street activity. Horse-drawn wagons, drays, and carts, including vehicles for L. Berges Dyeing & Printing and F. Schoettles Paper Box company, deliver and transport goods and merchandise among a couple on horsebacks, a carriage, buggy, and a "Bridesburg Richmond 1 Exchange" streetcar. Pedestrians also fill the sidewalks and street. A boy flies a kite near a gentleman tipping his hat to a woman and child. Laborers transport sacks over their shoulder and by pushing a handcart. A postman is on route to deliver mail across from a man accompanying another using a shoulder strap to carry a basket of rags. A lady peers into one of the several large front windows of Landenberger & Co. Around the corner, two other fashionable women promenade past crates lining the side of the older building. A cupola and an American flag adorn its roof., Around the corner of the newer building inscribed with the date the business was established, a man leads a bridled horse past a wood bin. Birds fly above the building adorned with a weather vane decorated with a sheep. Also contains two vignettes of the company seal printed below the image. Seal includes a crown and two eagles. Landenberger & Co. was the only Philadelphia factory in the late 1850s to produce hosiery, opera hoods, comforters, shawls, and scarves. The factory expanded in 1870 as a result of the massive increase in sales of hosiery and blankets spurred by the Civil War. Landenberger sold the properties in 1882 but continued as tenant at 1101-1103 Frankford Avenue until 1886., Not in Wainwright., Philadelphia on Stone, POS 459, Historical Society of Pennsylvania: Bc 35 L 254, Longacre & Co. operated at 30 & 32 S. 7th Street in 1871.
Creator
Tholey, Charles P., d. 1898
Date
[ca. 1871]
Location
Historical Society of Pennsylvania HSP Bc 35 L 254
U. S. B. M. Dockstaders. US BM black mail. Charles and Lewis Dockstader, Carncross' Minstrels, Eleventh St. Opera House, Philadelphia, Pa. [graphic].
Title
U. S. B. M. Dockstaders. US BM black mail. Charles and Lewis Dockstader, Carncross' Minstrels, Eleventh St. Opera House, Philadelphia, Pa
Description
Racist advertisement designed as a postcard to promote Carncross' Minstrels performers the Dockstaders, and the A. Vogeler & Co. patent medicine St. Jacobs Oil. Includes graphic details and vignettes depicting caricatured African Americans in a cancellation mark, stamp, and as postal workers. The cancellation mark (upper left) depicts the right, bust profile of a black man, possibly an allusion to a man in black face. The stamp (upper right) depicts the left, bust profile of a black man, possibly an allusion to a man in black face. In the lower left corner, an African American mail carrier, a mail bag around his shoulder, empties a "U.S.B.M." mailbox attached to a post. His back is to the viewer. In the lower right, an African American mail carrier, a mail bag filled with mail around his shoulder, and holding letters in his hand is depicted in mid stride. The unrelated Charles Dockstader and Lewis, i.e., Lew Dockstader (George Alfred Clapp) partnered in 1878. They joined John L Carncross' Minstrels in Philadelphia in 1880. The Dockstaders continued to perform with Carncross' until 1883 and the illness of Charles ending the partnership. In 1882, the men also performed with George Thatcher's Minstrel's (Philadelphia)and Haverly's Minstrels (St. Louis, Mo.). Lew remained with Carncross until 1886 and the creation of Dockstader's Minstrels., Blackface minstrelsy is a popular entertainment form, originating in the United States in the mid-19th century and remaining in American life through the 20th century. The form is based around stereotypical and racist portrayals of African Americans, including mocking dialect, parodic lyrics, and the application of Black face paint; all designed to portray African Americans as othered subjects of humor and disrespect. Blackface was a dominant form for theatrical and musical performances for decades, both on stage and in private homes., Title from item., Date inferred from content., Printed on verso: Miss Information:-- Most worthy of estimation: After long and serious consideration on the reputation that you have in the nation. I have taken a serious inclination to remove my habitation, to a close situation, in order that I may pay a visitation for the sake of conversation. If this should meet with your approbation, I remain ever yours, without simulation. Ado Ration. P. S.---I thus give affirmation without qualifications that St. Jacobs Oil is the best application in the wide creation., Description of Blackface minstrelsy from Dorothy Berry, Descriptive Equity and Clarity around Blackface Minstrelsy in H(arvard) T(heater) C(ollection) Collections, 2021., Housed with the Ellen Phillips Advertising Card Collection., Purchased with funds for the Visual Culture Program (Junto 2015)., RVCDC, Access points revised 2022., Description revised 2022.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade cards - Dockstader [P.2017.6]