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Title: [Lincoln Monument, Kelly Drive, Fairmount Park.]
Description: Depicts the bronze statue of Abraham Lincoln holding the Emancipation Proclamation, sitting on a granite pedestal decorated with four eagles and garland. Located at East River (i.e. Kelly) and Lemon Hill Drives. Designed by Randolph Rogers in 1871 and was the third bronze memorial of Lincoln to be erected in the United States. The observation tower built for the Centennial Exhibition is visible in the background., Title supplied by cataloguer., Commissioned by the Lincoln Monument Association., Gift of Albert L. Doering.
Creator: Doering, William Harvey, 1858-1924, photographer
Date: ca. 1895
Location: Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.31]

Title: National Lincoln monument Office State Superintendent Public Instruction, Illinois, Springfield, May 16, 1865. To the presidents, faculties and students of the universities, colleges, and other literary, scientific, and professional schools and corporations in the United States: The object of the "National Lincoln Monument Association" is to build a becoming monument over the grave of Abraham Lincoln, late president of the United States
Description: Caption title, with first lines of text., Signed at end: Newton Bateman, State Supt. Pub. Inst. Ill., and member Monument Association., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Illinois, Office of the Superintendent of Public Instruction
Date: [1865]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1865 Illinois 5792.F.53b (McAllister)

Title: [Lincoln Monument, Kelly and Lemon Hill Drives, entrance to East Fairmount Park, Philadelphia]
Description: View showing the Lincoln Monument at the entrance (Kelly and Lemon Hill Drives) of Fairmount Park surrounded by male and female spectators. Sculpted by Randolph Rogers, Abraham Lincoln is depicted seated with a quill in his hand after just signing the Emancipation Proclamation. The statue rests upon a pedestal adorned with sculpted garland, bronze eagles, and the City of Philadelphia's Coat of Arms. The granite base is adorned with four panels inscribed with a dedication to and quotes from Lincoln of which two are visible. Unveiled in September 1871, the monument was commissioned by the Lincoln Monument Association, one of the first such associations formed in the country to raise funds for a city monument in memory of Lincoln. A horse-drawn coach is visible under the shade of trees in the right background., Title supplied by cataloger., Yellow printed label pasted on verso contains explicative paragraph of text describing the history of Fairmount Park and the Lincoln Monument., Buff mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Monument described in Fairmount Park Association's Sculpture of a City: Philadelphia's Treasures in Bronze and Stone (New York: Walker Publishing Company, 1974) p. 46-52. (LCP Print Room Uy 8, 3208.F)., Monument described in Penny Balkin Bach's Public Art in Philadelphia. (Philadelphia: Temple University Press, 1992) p. 49-50, 198. (LCP Print Room Is 4, 9379.Q).
Creator: J. W. and J. S. Moulton
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - Moulton - Monuments & statues [P.9260.58]

Title: Lincoln Monument, Fairmount Park, Philadelphia Annual greeting of the carriers of The Press to their patrons 1872
Description: View showing several park visitors surrounding the monument sculpted by Randolph Rogers that was erected in 1871 at East River (i.e, Kelly) and Lemon Hill drives. Visitors view the monument, converse, greet one another, read newspapers, sit on benches, and ride in carriages. Monument shows Abraham Lincoln, seated, with a quill in his hand after just signing the Emancipation Proclamation. The statue rests upon a pedestal adorned with sculpted garland, bronze eagles, and the City of Philadelphia’s Coat of Arms. The granite base is adorned with four panels inscribed with a dedication to and quotes from Lincoln of which two are visible. The monument was commissioned by the Lincoln Monument Association, one of the first such associations formed in the country, to raise funds for a city monument in memory of Lincoln. Also shows, in the background, boat houses along the Schuylkill River, river traffic, the West Philadelphia standpipe, and City Park Hotel., Not in Wainwright., Philadelphia on Stone, POS 438, Retrospective conversion record: original entry, edited.
Creator: Breuker & Kessler Co.
Date: [1872]
Location: Library Company of Philadelphia | Print Department *BW - Monuments [P.9303.8]

Title: Lincoln Monument, Phila. Park
Description: View showing the Lincoln Monument at the entrance (Kelly and Lemon Hill Drives) of Fairmount Park surrounded by men who stand and look at the viewer, including white men spectators and three men guards, one possibly African American, attired in caps with insignia pinned to their lapels, and holding swords. In the right, two white men sit within a horse-drawn carriage. Sculpted by Randolph Rogers, Abraham Lincoln is depicted seated with a quill in his hand after just signing the Emancipation Proclamation. The statue rests upon a pedestal adorned with sculpted garland, bronze eagles, and the City of Philadelphia's Coat of Arms. The granite base is adorned with four panels inscribed with a dedication to and quotes from Lincoln of which two are visible. Unveiled in September 1871, the monument was commissioned by the Lincoln Monument Association, one of the first such associations formed in the country to raise funds for a city monument in memory of Lincoln. City Park Hotel is seen in the background., Manuscript note written on verso: K. Duefor? Oct. 21, 1871., Photographer's imprint stamped on verso., Distributor's label on verso: E. Borhek & Son, Opticians, No. 628 Chestnut St., Monument described in Fairmount Park Association's Sculpture of a City: Philadelphia's treasures in bronze and stone (New York: Walker Publishing Company, 1974) p. 46-52. (LCP Print Room Uy 8, 3208.F)., Monument described in Penny Balkin Bach's Public art in Philadelphia. (Philadelphia: Temple University Press, 1992) p. 49-50, 198. (LCP Print Room Is 4, 9379.Q)., Purchase 1989., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: R. Newell & Co., photographer
Date: [ca. 1871]
Location: Library Company of Philadelphia | Print Department stereo - Newell - Monuments and statues [P.9260.68]

Title: Lincoln Monument, foot of Lemon Hill
Description: View showing the Lincoln Monument at the entrance (Kelly and Lemon Hill Drives) of Fairmount Park surrounded by men who stand and look at the viewer, including white men spectators and three men guards, one possibly African American, attired in caps with insignia pinned to their lapels, and holding swords. In the right, two white men sit within a horse-drawn carriage. Sculpted by Randolph Rogers, Abraham Lincoln is depicted seated with a quill in his hand after just signing the Emancipation Proclamation. The statue rests upon a pedestal adorned with sculpted garland, bronze eagles, and the City of Philadelphia’s Coat of Arms. The granite base is adorned with four panels inscribed with a dedication to and quotes from Lincoln of which two are visible. Unveiled in September 1871, the monument was commissioned by the Lincoln Monument Association, one of the first such associations formed in the country to raise funds for a city monument in memory of Lincoln. City Park Hotel is seen in the background., Artist from duplicate print., Title from manuscript note on mount., Stamped on verso: Copyrighted by Kiralfy Bros., Phila., 1876., P.9299.100 on pink mount with rounded corners., P.2011.47.932 on orange mount with rounded corners., Monument described in Fairmount Park Association's Sculpture of a city: Philadelphia's treasures in bronze and stone (New York: Walker Publishing Company, 1974) p. 46-52. (LCP Print Room Uy 8, 3208.F)., Monument described in Penny Balkin Bach's Public art in Philadelphia (Philadelphia: Temple University Press, 1992) p. 49-50, 198. (LCP Print Room Is 4, 9379.Q)., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Jane Carson James, 1990 [P.9299.100]; gift of Raymond Holstein [P.2011.47.932].
Creator: R. Newell & Co., photographer
Date: 1876
Location: Library Company of Philadelphia | PRINT. stereo - Newell - Monuments and statues [P.9299.100], Library Company of Philadelphia | Print Department Holstein stereo - Fairmount Park - L [P.2011.47.932]

Title: Freedman's National Monument
Description: Interior view showing the plaster model for the proposed design of the Freedman's Memorial to Lincoln by expatriate sculptor Harriet Hosmer when on display in the Boston Athenaeum, likely statuary gallery, in 1866. Shows, from an oblique angle, the model on top of a draped table and in front of two archways. The model of the Memorial design was composed of mutiple tiers on the top of which lied a figure of Lincoln in a sarcophagus within an open temple. An edited version of the words of the Emancipation Proclamation adorned the temple which stood on a base with a frieze designed with thirty-six female allegories representing the states of the Union during Lincoln's presidency. On the base below the temple was a sculptural cycle of African American history to that period. Four standing Black male figures on pedestals surrounded the base at each corner. The figures portrayed included a seminude, enslaved man, with his head down, and his wrists manacled; a soldier in uniform with a forward gaze and a bayonetted rifle in his hands that was pointed to the ground; an enslaved man who rests on a hoe with his head bowed down; and a soldier, looking ahead, and holding a gun. On the four outside corners were "Mourning Victories" with their trumpets reversed. The angle of the image shows a view of the model that includes the Lincoln figure, three of the African American men figures, and three of the "Mourning Victories.", Hosmer designed the Memorial in response to a monument project sponsored by the Western Sanitary Commission of St. Louis after formerly enslaved Charlotte Scott of Marietta, OH pledged $5 for a monument to Abraham Lincoln following his assassination in 1865. Donations from formerly enslaved persons grew to $20,000 within months of Scott's original donation. Hosmer later altered the design and an engraving of her new proposal appeared in the Art Journal (London), January 1, 1868. Hosmer's model, purported to cost over $100,000 to be executed, was never sculpted. After years of competing projects, designs, and sponsoring agencies, on April 14, 1876, a sculpture by Thomas Ball, "Emancipation," designed without the input of the formerly enslaved donors was erected in Lincoln Square, Washington, D.C. on an eastern edge of Capitol Hill., Title printed on mount., Date from copyright statement: Entered according to Act of Congress, in the year 1866, by Harriet G. Hosmer, in the clerk's office of the District Court of the District of Massachusetts., Harriet Hosmer (1830-1908) was a lesbian, expatriate neoclassical sculptor, who was one of the most famous artists of her time. Hosmer had her own studio and her work often focused on idealized mythological female figures associated with strength and courage. Hosmer was also a women's rights activist and an inventor., Purchased with the Louise Marshall Kelly fund., See Kirk Savage, Standing soldiers, kneeling slaves: Race, war, and monument in nineteenth-century America (Princeton: Princeton University Press, 1997), p.89-128., John B. Heywood (d. 1870) operated a photographic studio in Boston circa 1858-circa 1870, when he then appears to have relocated to Chicago per 1870 census records. He may also be the J.B. Heywood who advertised a photographic studio in New Bern, N.C. in 1866. Between 1869 and 1870, he is listed in Boston at 25 Winter, the address of photographer and publisher Frank Rowell, who established a branch of his photographic studio in Chicago in 1867.
Creator: Heywood, John B., -1870, photographer
Date: 1866
Location: Library Company of Philadelphia | Print Department cdv - Heywood - Monuments & statues [P.2022.28.1]

Title: [Early model for Freedmen's Memorial by Thomas Ball]
Description: Front and oblique views with a dark background, likely photographed in Thomas Ball's studio, showing his model for a design later proposed and adapted for the Freedman's Memorial to Lincoln (erected 1876, Washington, D.C.) that was first discussed as a Lincoln monument in the later 1860s. Shows the model composed of a figure of Abraham Lincoln (left) and a kneeling, emancipated, enslaved Black man figure (right). The Black man figure, is portrayed in left profile, looking out toward the vista, and with his left knee to the ground and his right knee bent. His left foot is arched up from the ground. He holds his left hand with his knuckles to the ground and his right hand across his waist and resting on the inner elbow of his left arm. The figure has curly hair and wears a Liberty cap and a loin cloth. Broken shackles adorn his wrists. The Lincoln figure, attired in a suit with a long coat, stands, looks down on the Black man figure, and holds out his left hand above the kneeling man, while his right hand holds the Emancipation Proclamation (semi-rolled) on a plinth decorated with patriotic symbols. Symbols include a profile portrait of George Washington, the fasces of the U.S. Republic, and a shield adorned with the stars and stripes. The base of the plinth is inscribed "T. Ball 1865." The figures rest on a base marked "And upon this act-I invoke the considerate judgment of mankind and the gracious favour of Almighty God.", A national monument project sponsored by the Western Sanitary Commission of St. Louis was initiated after formerly enslaved Charlotte Scott of Marietta, OH pledged $5 for a monument to Abraham Lincoln following his assassination in 1865. Donations from formerly enslaved persons grew to $20,000 within months of Scott's original donation. After years of competing projects, designs, and sponsoring agencies, on April 14, 1876, Ball's sculpture adapted from the model depicted, the "Emancipation Memorial," and designed without the input of the formerly enslaved donors was erected in Lincoln Square, Washington, D.C. on an eastern edge of Capitol Hill., Title supplied by cataloger., Photographer's imprint stamped on mount., Manuscript note on verso of verso of P.2023.32.1: Florence March 15th 1872. Emancipation Proclamation. T. Ball of Boston., Manuscript note on verso of verso of P.2023.32.1: Florence March 15th 1872. Emancipation Proclamation. T. Ball of Boston. Sculptor in Florence., Date from manuscript note on verso., Thomas Ball (1819-1911), sculptor, focused his career on the portrayal of statesmen and historical figures. He located to Florence to study sculpture in 1854. Between 1857 and 1865, he worked in Boston before returning to Florence until 1897. Ball was part of an expatriate community of artists and sculptors, including Hiram Powers, father of Longsworth Powers., See Kirk Savage, Standing soldiers, kneeling slaves: Race, war, and monument in nineteenth-century America (Princeton: Princeton University Press, 1997), p.77-83 and 114-123., RVCDC, Longsworth Powers (1835-1904), son of sculptor Hiram Powers, lived in Florence with his family in the 1830s and returned in 1860 and began a career as a sculptor and photographer. Powers photographed prominent men and women in the city.
Creator: Powers, Longsworth, 1835-1904, photographer
Date: [1872]
Location: Library Company of Philadelphia | Print Department photo - Powers [P.2023.32.1-2]

Title: Ten fine steel plate views of places of interest, new map and guide to Philadelphia
Description: Views include Carpenter's Hall; Centennial Art Gallery; Chestnut St. Bridge; Girard College; Independence Hall in 1876; Lincoln Monument; Masonic Temple; Independence Hall in 1776; United States Mint; and View in Fairmount Park (i.e., Girard Avenue Bridge). Most of the views also show street and pedestrian traffic, including horse-drawn vehicles. Chestnut St. Bridge image includes men in row boats and other small vessels on the Schuylkill River. Carpenter Hall print depicted as a winter view. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from wrapper., Printed on recto of wrapper: Price 25 cts., Housed with complementary uncut sheet of ten titled views of places of interest in Philadelphia. [P.2011.45.8]., Gift of David Doret.
Date: [1876]
Location: Library Company of Philadelphia | Print Department *PhPr - Views [P.2011.45.9]

Title: Ten fine steel plate views of places of interest, new map and guide to Philadelphia
Description: Views include Carpenter's Hall; Centennial Art Gallery; Chestnut St. Bridge; Girard College; Independence Hall in 1876; Lincoln Monument; Masonic Temple; Independence Hall in 1776; United States Mint; and View in Fairmount Park (i.e., Girard Avenue Bridge). Most of the views also show street and pedestrian traffic, including horse-drawn vehicles. Chestnut St. Bridge image includes men in row boats and other small vessels on the Schuylkill River. Carpenter Hall print depicted as a winter view. The Centennial Exhibition celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art., Title from wrapper., Printed on recto of wrapper: Price 25 cts., Housed with complementary uncut sheet of ten titled views of places of interest in Philadelphia. [P.2011.45.8]., Gift of David Doret.
Date: [1876]
Location: Library Company of Philadelphia | Print Department *PhPr - Views [P.2011.45.9]

Title: Views of Fairmount Park Album
Description: Album of photographs of aerial and landscape views taken in the park during the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Photographs predominately depict views from observation towers at George's Hill and Lemon Hill.

Title: Views of Fairmount Park Philadelphia 1866
Description: Album of photographs of aerial and landscape views taken in the park during the Centennial Exhibition of 1876, which celebrated the centennial of the United States through an international exhibition of industry, agriculture, and art. Photographs predominately depict views from observation towers at George's Hill and Lemon Hill. Images show the Centennial Exhibition grounds, including the buildings, monuments, ponds, 24th Ward Reservoir, and Centennial Station and tracks of the Philadelphia & Reading Railroad; Fairmount Water Works; Girard College and surrounding neighborhood, including Brewerytown; the breweries of H. J. Walter (North Thirty-third and Thompson streets), Bergner & Engel (3200 block Thompson Street), F. A. Poth (North Thirty-first and Jefferson streets) and Bergdoll & Psotta (Twenty-ninth and Parish streets, built 1875); boat houses and landings near the waterworks; bridges, including the Wire Suspension Bridge at Fairmount, Girard Avenue Bridge, and New York Connecting Railroad Bridge; and cityscape. Also contains views of Wissahickon Creek and Fairmount Park, including Belmont Pumping Station, fountains, landscaped gardens, and the observation tower at George's Hill; the Lincoln and Humboldt monuments; signage on the Centennial pavilions; and park visitors., Title from black morocco binding, stamped front cover. Stamped with incorrect date., Spine stamped: Views. Fairmount Park 1866., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Select images reproduced in Kenneth Finkel’s Nineteenth-century photography in Philadelphia (New York: Dover Publications, Inc., 1980).
Creator: Cremer, James, 1821-1893
Date: [1876]
Location: Library Company of Philadelphia | Print Department albums [P.8465]

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