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Title: [Marriage certificate]
Description: Marriage certificate from a Bible illustrated with an ornate border containing a romantic scene. Scene shows a couple sailing in a gondola adorned with a garland of flowers. Border also includes flowers, vinery, doves, tassels, drapery, clasped hands, and the Bible., Title supplied by cataloguer., Copyrighted by William Flint. Name of copyright holder from duplicate (15129.Q)., Copyright statement partially illegible., Not in Wainwright., Philadelphia on Stone, POSP 143
Date: c1868
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1868 This 14333.Q [Roughwood]

Title: [Marriage certificate]
Description: Marriage certificate from a Bible illustrated with an ornate border containing a romantic scene. Scene shows a couple sailing in a gondola adorned with a garland of flowers. Border also includes flowers, vinery, doves, tassels, drapery, clasped hands, and the Bible. Certificate attached to a record sheet for marriages and births. Birth section contains annotations., Title supplied by cataloguer., Copyrighted by William Flint., Copy 15129.Q [Roughwood] records the marriage of Daniel Kemmer of Ober Wilford and Maryan Sangler of Wilford Bucks on August 10, 1867 at Fogelsville by William W. Kelfrich, Reformirfer Prediger., Not in Wainwright., Philadelphia on Stone, POSP 145/146, One of prints [P.2009.12] gift of David Doret.
Date: c1868
Location: Library Company of Philadelphia | Books & Other Texts | Rare 15129.Q [Roughwood], Library Company of Philadelphia | Print Department GC - Certificates [P.2009.12]

Title: [Marriage certificate]
Description: Contains a border comprised of gothic architectural elements, floral motifs, and two vignettes. First vignette shows the reverend blessing the formally attired couple. The bride wears an off-the-shoulder wedding dress and veil and the groom wears a tuxedo. Second vignette shows the married couple exiting the church, hand in hand, followed by three wedding guests., Title supplied by cataloguer., Not in Wainwright., Issued to Henry W. Shouse of Hauley Wayne Co. Pa. and Ann Eliza Nekerris of District of Spring Garden County Philada. on October 16, 1851. Signed by Edmund Neville, Rector of Christ Church, New Orleans., Philadelphia on Stone, POSP 145
Creator: Schussele, Christian, 1826?-1879, artist
Date: [ca. 1850]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 14349.Q [Roughwood]

Title: Marriage certificate This is to certify, that Mr. [blank] and M[blank] [blank] were by me united in matrimony, this [blank] day of [blank] one thousand eight hundred and [blank] according to law, and the custom of the church
Description: At head of title: "Whom God has joined together, let no man put asunder.", Printed area, including ornamental border, measures 15.6 x 21.1 cm., Library Company copy completed in MS. for Martin Mellinger and Miss Sarah Burry [i.e. Barry], married Dec. 13, 1864, by Rev. F.W. Kremer; with a five-cent stamp attached., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitied by Alexander Street Press for Images of the American Civil War.
Date: [not after 1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1864 Marri 16513.Q (Doret)

Title: Marriage certificate This is to certify, that Mr. [blank] and M[blank] [blank] were by me united in matrimony, this [blank] day of [blank] one thousand eight hundred and [blank] according to law, and the custom of the church
Description: At head of title: "Whom God has joined together, let no man put asunder.", Printed area, including ornamental border, measures 15.6 x 21.1 cm., Library Company copy completed in MS. for Martin Mellinger and Miss Sarah Burry [i.e. Barry], married Dec. 13, 1864, by Rev. F.W. Kremer; with a five-cent stamp attached., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitied by Alexander Street Press for Images of the American Civil War.
Date: [not after 1864]
Location: Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1864 Marri 16513.Q (Doret)

Title: [Marriage certificate]
Description: Marriage certificate illustrated with an ornate border containing a romantic scene. Scene shows a couple, accompanied by the female allegorical figure Love, sailing in a gondola. Love holds an arrow and torch and the gondola is adorned with a garland of flowers. Border also includes flowers, vinery, doves, the Bible, and clasped hands over the Biblical quote "What God hath joined together let not man put asunder, Matth. XIX.6.", Title supplied by cataloguer., Copyrighted by J.R. Jones in Washington, D.C., Not in Wainwright., Issued to Mr. Daniel S. Schaeffer of Fleetwood Berks co. Pa. and Miss Mary F. Potteiger of Jefferson Twp. Berks Co. Pa. on September 4, 1875. Signed by Rev. Thomas Calvin Leinbach of Womelsdorf. Witnessed by Adam N. Potteiger and Adam S. bright., Philadelphia on Stone, POSP 144
Date: c1870
Location: Library Company of Philadelphia | Books & Other Texts | Rare 14342.Q [Roughwood]

Title: "You brazen huzzy! You shall leave at this hour! And the least of your fault is the wasted flour."
Description: Genre scene from a comic stereograph series satirizing the exploits of an adulterous husband. Shows the lady of the house confronting the servant in the kitchen. The cook rolls pie dough on a table under which boxes of flour have fallen and spilled. The husband peers from around the corner. Scene also includes a calendar on the wall illustrated with the portrait of a bare-shouldered woman., Copyrighted by B. L. Singley., Additional places of publication printed on mount, including Louisville, Mo.; San Francisco; New York; and London., Warped pink mount with rounded corners., Title printed on mount., Gift of Jesse Randall., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Keystone View Company
Date: c1903
Location: Library Company of Philadelphia | Print Department stereos - Keystone View Company - Genre [P.2005.19.6]

Title: [Scenes 6, 7, and 10 from the stereograph comic set "Mr. and Mrs. Newlywed's new French cook"]
Description: Three genre scenes set in a well-decorated parlor from a comic stereograph series satirizing the exploits of an adulterous husband. Scene 6 shows the wife exclaiming "Hands! Hands" What does she mean!" as she discovers floured hand prints on the back of her husband's coat. Scene 7 shows the wife pointing to the shocked cook in the corner as her husband looks in dismay at the back of his stained coat that he has removed and exlaims "Good Heavens!" Scene 10 shows "And they lived happily ever after" as the husband embraces his wife from behind as she sits on a loveseat., Negative numbers: 7258; 7259; and 7262., Additional places of publication printed on mount, including Louisville, Mo.; San Francisco; New York; and London., Warped grey mount with rounded corners., Printed on mount: Works and Studios. Arlington, N.J. Westwood, N.J. Washington, D.C., Sun sculpture trademark printed on mount., Titles printed on mount., Titles printed on verso in six different languages, including French, German, and Spanish., Gift of Jesse Randall., Complete set reproduced in William C. Darrah's The world of stereographs (Gettysburg: William C. Darrah, 1977), p. 66-68., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Underwood & Underwood
Date: c1900
Location: Library Company of Philadelphia | Print Department stereos - Underwood & Underwood - Genre [P.2005.19.12-14]

Title: Certificate of marriage
Description: Marriage certificate illustrated with vignettes within an ornamental border. Depicts vignettes representing peace and love including doves near an altar with an eternal flame, and cherubs floating on clouds, reaping grain, and rowing a gondola., Issued to John A. Jones and Mary Anne Dickerson. Signed by Rev. William Douglass, officiant, and by Samuel Van Brackle and George W. Hopewell, witnesses., Copyright secured., Title from item., Date based on date of the event represented., Purchase 1993., Description revised 2021., Access points revised 2021., Croome, Meignelle & Co. was a Philadelphia engraving firm operated by engraver, William Croome, and banknote engraver, James Meignelle in the 1840s.
Creator: Croome, Meignelle & Co., engraver
Date: [ca. 1846]
Location: Library Company of Philadelphia | Print Department *albums (flat) [P.9427] - Dickerson Family Collection - Miscellaneous

Title: My Heart and Hand are Yours.
Description: The valentine shows a man on one knee with a heart for a torso., Text: If you will promise to adore, / To fondly love me ever; / I'll take your little heart and hand, / Yourself and all together., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Bank of True Love.
Description: The valentine is shaped like a bank note and is marked as issued by the "state of matrimony". The valentine is decorated with hearts, couples walking, and a cupid flying a chariot pulled by doves, signed: Lith. of L. Rosenthal. Copyright statement dated 1852., Text: Secured by the Whole Stock of Truth, Honour, and Affection / The Token of Frienship/ The Bank of True Love / One Hundred / I promise to pay to [blank] on demand the homage and never failing devotion of sincere Affection/ Cash, Cupid, Pres't., Provenance: McAllister, John A. (John Allister), 1822-1896, collector., Provenance: Magee, Richard, bookseller.
Creator: Rosenthal, L.N. (Louis N.), lithographer., creator
Date: [1852?]

Title: The Mitten.
Description: The valentine shows a hand holding a large mitten. The phrase "to give the mitten" means to reject romantic partner., Text: Now you see how bad you're bitten, / Since I send you, dear, the mitten; / You'll know in the future where your place is, / And keep to yourself your native graces., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Hanau, Sallie Redwood Price, 1823-
Description: In Priere (New Orleans, La., 1851), cover vignette., “A Mademoiselle Sallie R. Price”., Full-length portrait of a young woman on her knees praying to a statue of the Virgin Mary; the dedicatee, Sallie R. Price, married Ludovic Hanau, the author of the song Priere, which expresses the hope that the Virgin Mary will watch over the couple.
Date: [1851?]

Title: Send for specimens of "orange blossom" and "rose" to Crider & Brother, York, Pa. Marriage certificates
Description: Illustrated trade card, possibly designed as an insert for the firm's photograph marriage certificates, depicting red roses tied together with a red ribbon. Founded as Kephart, Crider & Co. in 1866, the publishing business changed its name to Crider & Brother when S.L. Kephart left the firm. The publishing house sold their marriage certificates throughout the United States and internationally. The "orange blossom" certificate was copyrighted by David Crider in 1882., Date inferred from the copyright date of the "orange blossom" certificate., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of David Doret., Uncolored state held in the Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.13]., Digitized., See *GC - Certificates - Marriage [P.2007.36.1].
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department trade card - Crider [P.2005.24.1]

Title: The marriage
Description: Engraving accompanies a fictional episode described in Letter XI, "The Marriage." Leaning over the staircase balustrade in the upper left, the story's narrator observes the scene taking place below, as does Cleopatra, an elderly slave, who watches from several steps down. In the center of the scene, mistress Rosalie forces the slaves Mima and Juniper to jump over a broomstick that stretches between two chairs. This is part of the forced marriage ceremony over which Rosalie presides. When the weeping Mima hesitates to jump, Rosalies boxes her ears with her slipper. In the background, another house-slave watches from behind a door., Plate in Emily C. Pearson's Cousin Franck's Household, or, Scenes in the Old Dominion (Boston: Upham, Ford, and Olmstead, 1853), p 168., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: Hayes, George H., engraver
Date: [1853]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1853 Pear 73222.O p 168, https://digital.librarycompany.org/islandora/object/Islandora%3A2793

Title: Affection.
Description: "Affection" burlesques domestic disturbance. The husband and wife stand facing each other; she is armed with a sword, and he holds a riding crop over his head. The room is in disarray, with a chair and a three-legged table overturned. The text and image suggest that marriage ends in conflict, and the sender attempts to dissuade the recipient from it. Also visible in the room are a framed picture, a fireplace with a vase of flowers on the mantle and a kettle on the grate, an alarmed cat, drapery with a tie-back for a multipaned window, and carpeting., Text: O, this is the way 'twill be with us, / When we've been wed a year; / We'll be at it, shovel and tongs, / I promise you, my dear! / Like the poor cat upon the hearth, / We'll both be in hot water; / The hair will fly, the wife will cry,/ the table fall, the baby squall / And the fire get hot and hotter., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Untitled [fishing for Valentines]
Description: A woman sits in a tree holding a fishing pole. Men swim in the water in front of her., , Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: The Nervous Woman.
Description: A woman holds up her arms and screams at the sight of a bug dangling in front of her. She wears a fashionable gown with a low-cut and very narrow bodice. The text suggests that the woman is not scared of physical intimacy and marriage., Text: You'll rush with fright from a harmless bug, / Which the wind has near you carried; / But yet you don't fear a good, stout hug, / Nor tremble at getting married., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: The Taciturn
Description: A seated woman has a padlock through her mouth. The valentine suggests that the recipient's quietness will disappear when she marries. The border shows cupids and hearts; one cupid shoots a heart out of a cannon labeled "Love"; another cupid travels with a heart in a hot-air balloon; and another thimble cupid hammers at a cracked heart below a heart on a fishhook labeled "Caught.", Text: A rare and commendable thing / Is well-affected silence, / Among the maids their wiles who bring / Our dulness to beguile hence. / Yet Paddock no control assumes, / (Experience teaches this bird), / When Wedlock or the future looms / And "Yes" has to be whispered., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: To a Baker.
Description: A baker smokes and kneads dough., Text: Dear doughhead, don't be such a fool, / And think that I would favor show / To such a living half-baked pie, / For if you do your cake's all dough. / You're badly bred, with flowery speech, / You strive to knead a heart to thee; / But be assured that none will wed / With such a dough-nut, sir, as thee., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Too Young to Love Bread and Butter Miss.
Description: The valentine shows a plate with bread, molasses, a fork, and a knife marked "butter knife" on it. The border features a woman embracing a man; the pair resemble Commedia dell'arte characters. At the bottom is a pack of matches marked "Lucifer's matches." The sender rejects the recipient because of her young age., Text: Bread-and-butter misses / Will not do for me: / Then reserve your Kisses / Until "after tea." / Certainly for "lasses / I've a tooth, I own, / That all teeth surpasses, / But they must be--- grown!", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: The Tyrant.
Description: A man holds a cat o' nine tails whip and a pistol. He frowns, has sharp teeth, and facial hair., Text: I ne'er for a husband a tyrant would have, / Because he would treat me just like some old slave; / And if he should try, his persuasions to urge, / I'm sure it would be 'cross my back with a scourge., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: The Lawyer.
Description: The lawyer has a long nose and a bald spot on top of his head. He holds a piece of paper marked "Bill of." The sender rejects the recipient's marriage proposal., Text: In Hymen's Court you've filed your plea, / In suit on your behalf of me, / But be it known to your vexation, / That No is my fixed declaration., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Soft headed self loving rake.
Description: A man stands inside a room with a heart-shaped padlock over the fly of his pants. His wife is peering around the door. The valentine suggests that his wife locks him up to prevent him from seeing other women., Text: Soft headed self loving rake, / This the precaution I would take, / To bind you fast, and keep you true, / If I were wedded unto you. / For if you’d follow every bonnet, / Your TRUNK must have a lock upon it. / So know your fate if you’d be mine, / To padlock’d be, my Valentine., "No. 3", Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: Oh! For a Husband.
Description: A woman stands with her eyes half open. The sender mocks the recipient's desire for marriage., Text: It is not good for a man to be alone, / Nor woman either-- so you're always sighing; / So you will strive to be the rib of one / Good man, if you should even die in trying., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: The bridal dance
Description: Engraving depicts a fictional episode from Chapter IV, "Christmas." The scene takes place on Fairfax Plantation on Christmas day. The newly married couple, Jim and July, dance merrily to the music of fiddles, banjos, and tamborines, while other slaves look on. The pair are still dressed in their wedding attire: July is described as "resplendent in a white dress, white cotton gloves, a string of mock-pearls about her neck, and a wreath of silver flowers about her head," while Jim wears "a gorgeous waistcoat, had a sprig of flowers in the button-hole of his coat, and also sported white cotton gloves." According to the text, a bonfire provided the illumination for these festivities, which grew gayer as evening turned into night., Illustration in Metta Victoria Fuller Victor's Maum Guinea, and her plantation "children" (London: Beadle and Company,44 Paternoster Row; New York: Beadle and Company, 141 William Street, 1861), p. 46., Fels Afro-Americana Image Project, Scenes from Slave Life.
Creator: N. Orr & Co., engraver
Date: [1861]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1861 Victo 70421.O p 46, https://digital.librarycompany.org/islandora/object/Islandora%3A2808

Title: The broomstick wedding
Description: Illustration is included in Chapter XIV, "I am the Innocent Cause of a Fight -- Religious Services among the Slaves in 'Ole Virginny.'" It shows a "broomstick wedding" that the author recalls having seen. Standing to the left, the betrothed slaves Pompey and Susan hold hands as they wait to jump over the broomstick, which is held by two slaves who are bent at the waist. Uncle Aaron, an elderly slave know as a preacher and a conjuror, presides over the ceremony. According to the author's description, the bride and groom wore the cast-off clothes of their mistress and master: she in a half-worn, ill fitting, maroon-colored merino gown, and he in checked trousers, a white vest and a brown linen duster that was several sizes too big. Numerous wedding guests fill the cabin., Illustration in Mary Ashton Rice Livermore's The Story of my Life, or, The Sunshine and Shadow of Seventy Years (Hartford: A.D. Worthington & Co., 1897), p. 257., Caption underneath the image reads: "'Look squar' at de broomstick! All ready now! one-two-three-jump!'", Fels Afro-Americana Image Project, Scenes from Slave Life.
Date: [1897]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1897 Liv 29518.O p 257, https://digital.librarycompany.org/islandora/object/Islandora%3A2839

Title: "The coon" wedding march
Description: Scene showing a young African American girl in a white dress leading the procession of the young African American couple and their attendents. The bride, holds fake flowers and wears a calico shirt, white skirt, and thick cloth veil. Small picture prints and placards written in black dialect adorn the walls., Inscribed on negative: 16974., Copyright by William H. Rau., Stamped on mount: Philadelphia, St. Louis, and Liverpool, Eng. American and Foreign Views., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Rau, William Herman, 1855-1920, photographer
Date: c1897
Location: Library Company of Philadelphia | Print Department stereo - Rau - Genre [P.9921]

Title: The Old Fogie.
Description: The valentine shows a large-chested man walking in a field. He holds a top hat., Text: You conceited old fogie, with face of Brass, / By nature intended for an ass; / But ape the Biped of two-legged kind, / With stomach, all a bag of wind. / Seek for thy wife in Afies clime, / And be her faithful Valentine., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: A Regular.
Description: A Union soldier stands at attention and holds his musket and bayonet. A "regular" soldier refers to a member of the standing army. The sender rejects the recipient because of the restrictions he would place on his wife and the "regular," or boring lifestyle it would result in., Text: My love is a regular man -- / A man with a regular way; / He means to regulate me -- if he can, / When he gets his regular pay. / But I'll be no regular's wife, / No! no! not for all creation; / For who could enjoy married life, / When bound to a mere regulation., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: One of the Upper Ten.
Description: A woman walks in front a much smaller man, presumably her servant, who holds a bundle. "Upper Ten" is a term for the wealthy elite, or "Upper Ten Thousand." The sender mocks the recipient for not marrying., Text: Though dress'd in ribbons, silks, and laces, / And midst the Upper Ten your place is; / You surely should you silly elf, / Find some poor man to share your pelf., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Tailor.
Description: A tailor sews a jacket, and he has shears and his "goose," or iron, near him. Behind him is a sign that reads " 190/ J. Cabbage/ Tailor." "Cabbage" refers to fabric leftover from making a garment., Text: Pray, good Knight of the shears, my good Mister Cabbage, / Do you look for a wife, in spite of the adage, / That it takes nine full tailors to make one good man; / Well, I wish you good luck, catch one if you can., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Miss Sleepy-Head.
Description: A large woman in bed holds her arms up and yawns., Text: My pretty maid, to me it seems, / You're always in the land of dreams; / Take my advice and never wed -- / Your mate should be a feather bed., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Caught Him at Last.
Description: A bride is depicted as a cat, and the groom as a rat. The bride holds an envelope marked "Mr. & Mrs." Both are dressed formally; he wears a top-hat, and she wears a gown with a hoop skirt and a bonnet. The border features matches, a heart-shaped beet, and cherubs playing tennis and tug o' war. The label on the matchbox reads "Red-headed matches go off easy," and the beet is marked "D.B." [i.e. "dead beat" or "dead beet"]., Text: Pussy, when the rat she catches, / Smooths him down with velvet paw, / Then for change his hide she scratches / With her curved relentless claw. / So it is in wedlock's matches, / Beauty leads us like a straw, / Till she's got us "under hatches" -- / Then look out for Pussy's law!, Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Married for Money.
Description: A man leans back in his chair and puts his feet up on the table. A bag of money sits on the table behind him and his head is covered with slips of paper. On says "Bond" and another "Pacific RR". The valentine suggests not only that he married his wife for her money, but also that the money has not given him class., Text: You married money, then—at least that fact is stated. / Alas! Your suffering wife, her taste was vitiated. / Oh! The poor maids should wed whoever fate doth show them. / They seldom marry equals, and often those below them. / You needn’t put on airs, and show your shapeless feet, / For if you found your level, you’d be sweeping in the street. / We can always tell a man, no matter how he feels, / And if he is a donkey he always shows his heels., Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: The Old Bachelor.
Description: A man in ragged clothing walks with an umbrella tucked underneath his arm. A bust of a nude young woman on a pedestal is visible in the background., Text: Your buttonless shirt, and ragged coat sleeves, / Proclaim you to be an old Bach; / Pray hunt up some young maid, I really believe / If you tried, you would soon make a match., Cf. Comic Valentine 7.49, Provenance: Helfand, William H..
Date: [between 1840 and 1880?]

Title: The Angry Woman.
Description: The angry woman beats her philandering lover with a broom as he lies across her lap. A speech bubble by her head reads " HOW DARE YOU PLAY WITH THE SERVANT?" as he cries, "Oh! Oh!" The man is contorted and the woman appears larger than him, which makes him look childlike, and her appear domineering., Text: It's evident my angry fair, / Whate'er your wrongs, how much you (bare) bear / Tho' I would rather not be sharing / My lot with on who's so for-bareing: / Such wives as thee who ever's got 'em, / Will find they're very hard at BOTTOM! / So I for my part would decline, / Such a very striking Valentine., Variant of Valentine 1.19, Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: The Cook.
Description: The cook holds a long-handled frying pan over an oven. She is large and wears an apron., Text: Though in roast, baked, and boiled, you greatly excel, / Add your pies, tarts, and puddings, I greatly admire: / To take you for a wife, you know very well, / Would be "Out of the frying pan into the fire.", Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: A Son of a Gun.
Description: A Union soldier stands with closed eyes. His nose is a cannon, and he holds a rifle. Signed with a monogram: BB [?]., Text: In battle I'm sure you are brave, / And I know you never would run; / For you're fighting-- the Union to save, / And was born a son of a gun. / Your barrel is rifled, you say, / And will shoot a long distance quite straight; / But I fear at some future day; / 'Twill blow all the brains from your pate. / So I think my preference would be, / Instead of a single bored man; / A splendid back-action revolving nose, / And I'll marry one -- if I can., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [1861-1865?]

Title: Machinist.
Description: The machinist holds a hammer and pushes against a brace., Text: In the shop there's none so smart as you / At mending a boiler or making a screw. / Where is your means of supporting a wife, / And supplying her wants throughout her life? / Your wages are small, every one knows / The principal part to the port-house goes! / Faint hope to gain a woman's heart, / By one so well known as thou art., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: The Angry Woman.
Description: The angry woman beats her philandering lover with a broom as he lies across her lap. A speech bubble by her head reads " HOW DARE YOU PLAY WITH THE SERVANT?" as he cries, "Oh! Oh!" The positioning suggests both that he is a child, and she is domineering. The man is contorted, and the woman appears larger than him., Text: It's evident, my angry fair, / Whate'er your wrongs, how much you (bare) bear, / Tho' I would rather not be sharing / My lot with on who's so for-bareing: / Such wives as thee who ever's got 'em, / Will find they're very hard at BOTTOM! / So I for my part would decline / Such a very striking Valentine., Cf. 1.20., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: You're all aflame with woman's rights,
Description: A woman bends forward towards a crowd of women, in the "Grecian Bend" created by wearing fashionable restrictive gowns and bustles. Behind her are signs that read " The Original Grecian Bend for State Millener" and "The Pink of Fashion, Mme. Lecreme." The Grecian Bend style of bustle became popular after 1869. New York city directories for 1867-72 list Fisher and Denison at the same address, noting that Denison lived in Maryland., Text: You're all aflame with woman's right, / And hope thereby to see strange sights; / No place too bold for such a trump-- / You'd even go so far as mount the stump. / If you thus cast all social laws aside, / You'll never be a happy bride., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Creator: Beard, Frank, 1842-1905, ill., creator
Date: [between 1870 and 1872]

Title: Vain Old Fool.
Description: A man is a bird, and a woman is a fish. He opens his beak over her head. The valentine mocks the recipient for trying to marry a younger woman., Text: No fool like an old fool. O! for shame; / Pretending to feel love's hold flame; / The ladies laugh at your ogling eyes, / And shut their ears to your pumped up sighs., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: An Old Granny.
Description: The valentine shows an old man wearing sleeping clothes and a headscarf. A bowl marked "gruel" is on the table behind him, and he stands near a pile of bedding. The term "granny" mocks the recipient for being both old and effeminate, and the sender ridicules the recipient for thinking he can find a young wife., Text: Gouty and toothless, one foot in the grave, / You would like a young wife to make her a slave; / If you've luck you may get one, and if so, so be it -- / But for me, my dear granny, I can not see it., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Waiting for an Offer.
Description: A woman wears many flowers in her hair and a skirt with furbelows. She rests her chin in her hand. The valentine cautions the recipient against holding sentimental beliefs about marriage, suggesting that she will not receive marriage proposals because she is neither sensible nor wealthy., Text: Waiting for an offer, few indeed the chances; / These are not the times we read of in romances; / Men want wives with good sense, or with flowing coffers, / And are very careful to whom they're making offers., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Tom-Boy Girl.
Description: A woman smokes a cigarette and and plays billiards., Text: For a "high old time, " and a jolly spree, / A man might spend an hour with thee; / But he never would choose to make a wife, / Of a woman with such ideas of life., Provenance: McAllister, John A. (John Allister), 1822-1896, collector.
Date: [between 1840 and 1880?]

Title: Book of cabinet chromos 1881
Description: Subscriber's premium comprised of a series of titled chromolithographs depicting portraits of historical figures and genre, religious, sentimental, and allegorical scenes. Images include "Beauty and Her Pets" showing a young lady feeding doves at her window garden; a robed woman "At The Cross"; the "Autumn Beauties" of a girl on a swing with her cat in her lap; a woman picking flowers in "Shoo Fly"; "The Sailor Girl"; "Our Idol," a lavishly attired Victorian girl; a woman near a fireplace showing "Maternal Affection" as she holds her baby to her breast; "The Flower Angels"; "The Angel of Song" in a bird's nest; a "Little Tot" of a girl; "The Flower Girl" in a wooded area with her dog; "Young Captain Jinks"; "Little Buttercup"; a woman pondering "Yes Or No" to a written marriage proposal; the engaged woman holding a portrait photograph in "Yes"; portraits of George and Martha Washington and Henry W. Longfellow; chicks confronting "The Unwelcome Visitor" of a frog; a mother kissing the hand of her daughter - "Grandma's Pet" - in a highchair next to her grandmother; "The Angel's Message"; "A Merry Christmas" and "Happy New Year" family portrait; "The Young Student" reading on a grassy cliff overlooking a cove; puppies learning "The First Lesson" of hunting vermin; "Puss in Boots" showing a kitten in a boot; the buck "The Monarch of the Glen"; a girl covered in ink from her "Little Mischief" to write with a quill pen; children "Fruit Gatherers" at a fruit tree by a lake; and a woman on an evening "Meditation" near a sun dial., Copyrighted., Presented to every subscriber to The People’s Illustrated Fireside Magazine., Case shaped liked book binding and illustrated on recto and verso. Images include vignette showing a hearth and floral and geometric pictorial details., Text on spine reads: Premium with The Peoples Illustrated Fireside Magazine. 32 Gems., Prints numbered lower left corner: 1-2; 4-23; 26-33. Some in manuscript., Peleg Orison Vickery, publisher and politician, established Fireside Magazine in 1874. The periodical contained fictional stories and served as a mail order catalog., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: 1881
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection [P.2011.10.1a-dd]

Title: Mr. & Mrs. Turtledove's new French cook
Description: Series of titled comic genre photographs include "Mr. & Mrs. Turtledove's new French cook," "You sweet thing, when did you arrive?" "Now don't be so shy!" "Oh my, but you are lovely," "Sh! Sh! I hear my wife coming," "Heavens, what does she mean," "Well, I am caught sure enough," "She must leave this house at once," "Mr. Turtledove trying to get out of the difficulty," "Mr. Turtledove making promises to be good," "Darling, I love you more than ever," and " Mr. & Mrs. Turtledove's next "French" cook." Images depict a straying husband's relationship with the pretty French cook, his wife's discovery of the relationship, and his attempts and success at reconciling with his wife. The pretty female cook is eventually replaced by an unattractive "French" cook, represented by a man dressed as a woman., Series copyrighted 1902 by William H. Rau., Title supplied by cataloger., Publisher's imprint printed on mounts., Gray curved mounts with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Rau, William Herman, 1855-1920, photographer
Date: c1902
Location: Library Company of Philadelphia | Print Department stereo - Rau - Portraits & genre [P.9872.1-12]

Title: A darktown wedding, the ceremony
Description: Racist depiction of the nuptials of a young African American couple officiated by a white-haired African American man and witnessed by six African American attendants. In the left, the officiant, attired in a suit, holds a paper as he conducts the ceremony. The bride, attired in veil pinned to the back of her hair, a white dress with a large boutonniere of flowers, and white gloves, has her head tilted down and holds the hand of the groom. The groom, attired in a white collared shirt, a waistcoat, a jacket with a large flower boutonniere, pants, and shoes, stands facing left towards the officiant. Two women and three men stand behind the couple and watch the ceremony. One man alters a placard on the wall that reads, “suffer little children to come unto me” by crossing out “me” and writing “us” inverting the “s.” The dilapidated wall with exposed brick is sparsely decorated with another placard, “God bless our home” and a framed picture. A top hat rests on a stool., Title from item., Date from copyright statement: Copyright 1901 by C.H. Graves., Publisher's blindstamp on mount., Distributor's blindstamp on mount: The Universal Photo Art Co. Philadelphia, Napierville, Ill., London, Paris, Hamburg., Stamped on mount: 4574., Purchase 2001., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: 1901
Location: Library Company of Philadelphia | Print Department stereo - Graves - Genre [P.9922]

Title: Johnny Q., introducing the Haytien Ambassador to the ladies of Lynn, Mass. Respectfully inscribed to Miss Caroline Augusta Chase, & the 500 ladies of Lynn who wish to marry Black husbands
Description: Anti-abolition print satirizing the Lynn Female Anti-Slavery Society which was successful in its petition to the state legislature to abolish race-proscriptive laws, including a ban on interracial marriage. Depicts a parlor where the Society's members, composed of unattractive white women and African American men, have gathered to be introduced to the fictitious Haitian Ambassador, General Marmalade, by John Quincy Adams. The ambassador, portrayed in racist caricature and attired in an uniform and powdered wig, takes his hat off and bows as he holds a monocle up. He lasciviously addresses the women in the crowd in broken French and vernacular, "Mesdames votre trés humble serviteur! me no speak much Anglish-En regardant ces charmants bontons de rose de Lynn l’eau vient dans la bouche! Excuse bot de charming rose buds ob Lynn make vater in my mouse." The women await their introduction and remark about the ambassador's "lovely" and "beautiful" features, as well as his overall attractiveness. African American men, portrayed in racist caricature and attired in elegant suits, stand behind the women and comment in the vernacular about the ambassador, "Demd fine specimen of a man! pon honor." In the right background, a white man servant and a white woman servant enter the room carrying trays of food and drinks., Title from item., Date from copyright statement: Entered according to Act of Congress in the year 1839, by John Childs, in the clerk's office, in the District Court for the Southern District of New York., Caroline Augusta Chase headed the Lynn Female Anti-Slavery Society., Purchase 1959., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, engraver, and lithographer who created the "Life in Philadelphia" series which satirized middle-class African Americans of the late 1820's and early 1830's.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1839
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1839-25w [6333.F]

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