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Title: [Half-length portrait of an unidentified man]
Description: Half-length, forward facing portrait of an unidentified white man, posed slightly toward the left. Sitter has dark hair combed to the right and wears a chinbeard. He is attired in a white collared shirt and a dark-colored bowtie and jacket., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Gift of Michael Zinman, 2016., Pad: Red velvet with a decorative scroll in the center., Mat: Oval., Case: Case is shaped like a book with gilt edges and a spine labeled “Memorial.” Papier-mache, black lacquer with a spray of flowers made of mother of pearl inlay. Verso is black lacquer., Edges of daguerreotype plate are tarnished.
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department Cased photos – unid photo – unid sitter [P.2016.86]

Title: [Half-length portrait of an unidentified man]
Description: Half-length, forward facing portrait of an unidentified white man. Sitter wears a mustache and goatee and has dark-colored hair, combed and parted to the left. He is attired in a white shirt with a turned-up collar, a broad bowtie with polka dots, a patterned waistcoat, and a black jacket with a velvet collar and a pocket kerchief., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Gift of Michael Gibson, 2017., Mat: Double elliptical.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos – unid photo – unid sitter [P.2017.58]

Title: [Bust-length length portrait of an unidentified man]
Description: Bust-length, portrait of an unidentified white man, posed slightly toward the left. Sitter has dark hair, long sideburns, and facial hair on his jawline. He is attired in a top hat, a collared shirt, a patterned tie, and a jacket. His eyes look left., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Gift of Michael Gibson, 2017., Pad: Red velvet with a spray of flowers in the center., Mat: Nonpareil., Case: Leather. Shield with granular ornamentation in the center surrounded by a border of filigree. Same design on verso.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos – unid photo – unid sitter [P.2017.59]

Title: [Bust-length length portrait of an unidentified man]
Description: Bust-length, forward facing portrait of an unidentified white man. Sitter has dark hair, combed and parted to the left, long sideburns, and a chinbeard. He is attired in white shirt with a turned-up collar, a patterned, broad bowtie, and a dark-colored jacket. His cheeks are tinted pink., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Pink tinting on cheeks., Daguerreotype in engraved pocket watch setting., Gift of Michael Gibson, 2017., Mat: Oval., Case: Pocket watch case engraved with decorative scrolls.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos – unid photo – unid sitter [P.2017.60]

Title: [Portrait of unidentified African American man in fashionable attire]
Description: aFull-length itinerant studio portrait of an African American man, holding a derby hat in one hand, and standing in front of a plain portable back drop. He rests is other hand on a posing stand partially visble behind him. He is attired in a jacket with a pocket handkerchief, shirt with cravat tie, vest with a watch fob in the pocket, straight-leg pants, and round-tipped shoes. In the left of the portrait is a plush ottoman with feet. In the right of the image is a portable plain canvas screen/backdrop attached to a frame., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Purhased with the Davida Tenenbaum Deutsch African American History Fund., RVCDC
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department tintypes - unid sitter [P.2025.34.2]

Title: [Half-length, forward facing portraits of an unidentified older man and woman portrayed side by side]
Description: Shows possibly Quakers with the white man in the left and the white woman in the right. The man wears his white hair combed back and is attired in a white collared shirt, a black bowtie, waistcoat, and jacket. In the right, the woman wears her gray hair parted in the middle and is attired in a white bonnet tied under her chin and a black, long-sleeved dress with a shawl., Title supplied by cataloger., Date from the item., Signed by the artist in the lower right corner., Gift of David Doret.
Creator: Greiner, [S], artist
Date: 1897
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Framed [P.2019.62.27]

Title: [Portrait of unidentified African American man attired in masonic regalia ]
Description: Full-length studio portrait of an African American man, likely a Prince Hall Freemason, wearing a masonic sash and apron. He stands and rests his right hand on the corner of a wooden chair. Sitter has a mustache and is attired in a white collared shirt, cravat-like bowtie, vest, and loose fitting jacket and pants. A gilt-colored ring adorns his hand that rests on the chair. The base of of a posing standing is also visible behind the mason's feet. Prince Hall Freemasonry is the oldest African American masonic organization in the United States. A branch of North American Freemasonry, it was founded by Prince Hall in 1784. Prince Hall Masons not only practiced the secret rituals and moral teachings of Freemasons worldwide, but also a commitment to racial uplift, mutual aid, and social justice., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Pad: Red velvet with scrollwork design in center within ornamented rectangle border., Mat: Oval., Case: Leather. Center medallion within nonpareil-like border surrounded by curving scrolls. Same design on verso., RVCDC
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department Cased photos - – unid photo – unid sitter – tintype [P.2025.5]

Title: [Studio group portrait depicting African American men wearing modish attire and in a posed scene]
Description: Real photo postcard depicting three men, one seated and two standing in an interior setting. The seated man is in the center of the scene. He looks to a man standing in the left of the image. He slightly points up with his right hand and holds his light-colored hat on his right leg. His left leg is crossed over his right knee. The man in the left, slightly hunches over and writes in a small notebook held in his hand. In the right, another man stands and watches the interaction posed as a conversation. All the men wear suits and the two men standing also wear hats, a light-colored fedora (man in left) and a dark-colored derby (man in right)., Title supplied by cataloger., Divided back., Contains Cyko stamp box printed on verso., Purchased with funds for the Visual Culture Program., See related postcard: LCP postcards - Portraits - African American [P.2024.48.1]
Date: [ca. 1915]
Location: Library Company of Philadelphia | Print Department LCP postcards - Portraits - African American [P.2024.48.2]

Title: [Scraps no. 3. for 1832]
Description: Plate four from the 1832 edition of "Scraps," Johnston's popular satirical series of societal caricatures published between 1828 and 1840, and in 1849. Depicts a montage of nine scenes lampooning contemporary social issues and everyday life such as fashion, religious hypocrisy, ignorance, vanity, country life, class inequities, the military, and higher education. Includes 'The Glass of Fashion & The Mould of Form' depicting a white man sales clerk falsely flattering a white man dandy trying on a puff-sleeved coat; "Faith and Works" depicting a hypocritical white man Deacon, near a fireplace, reneging the shelter that he promised to a cold, poor white woman outside his door while his African American servant offers her money; "Arrival of a Country Cousin" depicting a snobby, white, city gentleman snubbing his country cousin; "About to be Astonished" depicting a dimwitted gloating white man farmer about to intentionally kill a sleeping "varmint" and unintentionally kill his friend with a sickle; "Champagne [Campaign] or the Fatigues of Modern Camp Duty" depicting a grossly intoxicated troop of white military officers toasting their intellect and patriotism; "A Body Coat & A Coat of Arms" depicting a rotund and thin "John Smith" exchanging wrongly delivered coats; "The Able-Bodied Man & The Exempt" depicting a scraggly white soldier encountering an "exempt" hardy white gentleman; "Symptoms of Extravagance" depicting a white man, attired in rags, debating the necessity to "dress better on Sunday"; "College Acquirements" depicting an African American man and woman, portrayed in racist caricature and speaking in the vernacular, discussing 'de college for de colour'd circles' based on the beneficial effects of college on "Massa Bob," including his staying out later, no longer reading, and drinking champagne., Title supplied by cataloger., Printed in upper left corner: Plate 4., Published in D.C. Johnston's Scraps No. 3 1832 (Boston: D.C. Johnston, 1832), pl. 4., Retrospective conversion record: original entry, edited., Accessioned 1893., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Johnston, David Claypoole, 1799-1865
Date: [1832]
Location: Library Company of Philadelphia | Print Department political cartoons - 1832-Scr (d) [5656.F.24]

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