Search results

Title: Ask for Bell Bros. Co.'s sheep-lined coats and ulsters. Manufactured by Bell Bro's Co. Dubuque, Ia
Description: Pictorial envelope containing an image of a bearded man attired in a heavy, sheep lined coat, cap, and gloves. The man also holds a lit pipe. Bell Bros. Company was incorporated in 1888., Title from advertising text., Addressed in manuscript to: Flancy & Co., Argusville, N.D., Contains on recto: ink-stamp postmark: Dubuque, Iowa Jul 1, 1902 7 PM and cancelled two-cent oval stamp printed in red ink and depicting the profile of George Washington., Contains on verso: ink-stamp postmark Argusville, N. Dak, Jul 2, 1902., Date inferred from postmarks., Printed upper left corner: After 10 days, return to Bell Bros. company, Cor. Fourth & Locust Street, DUBUQUE, IOWA., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1902]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Envelopes [P.2011.10.71]

Title: [Fashion print showing a couple attired in Quaker costume]
Description: Fashion print showing a young couple in plain dress on promenade. The man wears a broad-rimmed hat, white cravat, and suit. The woman wears a poke bonnet and a plain dress with a large white collar and puff sleeves. Each holds or wears gloves., Date from manuscript note on recto: Costume 1844., Philadelphia on Stone
Date: 1844
Location: Library Company of Philadelphia | Print Department BW - Fashion [P.2005]

Title: Edward Casperson, boot and shoe maker, No. 3647 Woodland Ave. (formerly Darby Road.)
Description: Illustrated trade card depicting a man in medieval clothing, including a cloak, fur cap with a feather, tights, and sword, holds and inspects a skull in his right hand., Title, advertising text, and a list of street numbers divided into "North" and "South" columns are printed on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department trade card - Casperson [P.2006.20.19]

Title: [Portrait of an unidentified older man, who is blind, facing slightly right]
Description: Half-length portrait depicting an older man, balding, and with long white hair tucked behind his ears. His right eye is shut and his left eye is clouded over. He is seated and holds a walking stick in his right hand. He wears a medium-colored overcoat, button-down vest, white shirt, and black cravat., Pad: None., Mat: Nonpareil., Case: Leather. Lacking front cover. Octagonal shape within concentric circular patterns surrounded by scrolls., Purchased partially with funds for the Visual Culture Program.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - unid. photo - unid. sitter - daguerreotypes [P.2019.7.1]

Title: [Three-quarter length portrait of an unidentified man, standing]
Description: Ambrotype stereograph in stereoscope case depicting a three-quarter length portrait of an unidentified white man, standing. Sitter has dark hair, combed and parted to the left, and a beard. He is attired in white shirt with a turned-up collar, a white waistcoat, a dark-colored bowtie, a dark-colored jacket with tails, and light-colored pants. His cheeks are tinted pink. He stands with his right hand touching the top rail of a wooden chair in the left. His left arm is bent and his hand holds the edge of his open jacket at his waist. In the right, a straw hat with a patterned scarf hanging out of it, lies on a side table. The pictorial detail of the scarf is hand tinted pink., Title supplied by cataloger., Pink tinting on cheeks and scarf., Labeled on the stereoscope: “Macher’s Improved Stereoscope. Philada. Patent, March 8th 1853.” “Stereoscopic Ambrotype. Pictures, Surpassing any thing for Depth, Clearness, and Relief, which the Art has yet produced. Also Ambrotype & Mezzograph pictures taken at the Gallery of Photography by Isaac Rehn. No. 126 Arch Street, above Sixth, South side, Philadelphia., Mat: Oval. Engraved on metal plate, ”Ambrotype by Rehn 260 Chestnut St.” “Patented July 4 & 11, 1854.”, Case: Leather., Isaac Rehn is listed as a photographer in the Philadelphia directories from 1850 to-1861. Rehn has been credited with the first ambrotype in the United States.
Creator: Rehn, Isaac, photographer
Date: [ca. 1854]
Location: Library Company of Philadelphia | Print Department Cased photos – photographer – Rehn [P.2018.52]

Title: [Half-length portrait of an unidentified man]
Description: Half-length, forward facing portrait of an unidentified white man, posed slightly toward the left. Sitter has dark hair combed to the right and wears a chinbeard. He is attired in a white collared shirt and a dark-colored bowtie and jacket., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Gift of Michael Zinman, 2016., Pad: Red velvet with a decorative scroll in the center., Mat: Oval., Case: Case is shaped like a book with gilt edges and a spine labeled “Memorial.” Papier-mache, black lacquer with a spray of flowers made of mother of pearl inlay. Verso is black lacquer., Edges of daguerreotype plate are tarnished.
Date: [ca. 1855]
Location: Library Company of Philadelphia | Print Department Cased photos – unid photo – unid sitter [P.2016.86]

Title: [Half-length portrait of an unidentified man]
Description: Half-length portrait of an unidentified white man, slightly facing right. Sitter has dark-colored hair, combed and parted to the left, and is attired in a white shirt with a turned-up collar, a broad, black bowtie, and a black jacket. His cheeks are tinted pink., Title supplied by cataloger., Date inferred from photographic medium, attire of the sitter, and dates of operation of the photographer., Pink tinting on cheeks., Gift of Michael Gibson, 2017., Mat: Oval. Stamped: McClees & Germon. Phila., James E. McLees (1821-1887) and Washington Lafayette Germon (1822-1877) operated as partners from 1846 to 1855 in Philadelphia.
Creator: McClees & Germon, photographer
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos – photographer – McClees & Germon [P.2017.57]

Title: [Half-length portrait of an unidentified man]
Description: Half-length, forward facing portrait of an unidentified white man. Sitter wears a mustache and goatee and has dark-colored hair, combed and parted to the left. He is attired in a white shirt with a turned-up collar, a broad bowtie with polka dots, a patterned waistcoat, and a black jacket with a velvet collar and a pocket kerchief., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Gift of Michael Gibson, 2017., Mat: Double elliptical.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos – unid photo – unid sitter [P.2017.58]

Title: [Bust-length length portrait of an unidentified man]
Description: Bust-length, portrait of an unidentified white man, posed slightly toward the left. Sitter has dark hair, long sideburns, and facial hair on his jawline. He is attired in a top hat, a collared shirt, a patterned tie, and a jacket. His eyes look left., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Gift of Michael Gibson, 2017., Pad: Red velvet with a spray of flowers in the center., Mat: Nonpareil., Case: Leather. Shield with granular ornamentation in the center surrounded by a border of filigree. Same design on verso.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos – unid photo – unid sitter [P.2017.59]

Title: [Bust-length length portrait of an unidentified man]
Description: Bust-length, forward facing portrait of an unidentified white man. Sitter has dark hair, combed and parted to the left, long sideburns, and a chinbeard. He is attired in white shirt with a turned-up collar, a patterned, broad bowtie, and a dark-colored jacket. His cheeks are tinted pink., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Pink tinting on cheeks., Daguerreotype in engraved pocket watch setting., Gift of Michael Gibson, 2017., Mat: Oval., Case: Pocket watch case engraved with decorative scrolls.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos – unid photo – unid sitter [P.2017.60]

Title: [Bust-length portrait of an unidentified man]
Description: Bust-length, forward facing portrait of a seated, white man. Sitter has dark hair, parted to the side and brushed back, and wears a mustache. He is attired in a white shirt with a high collar, a wide bowtie, a patterned waistcoat, and a jacket., Title supplied by cataloger., Date inferred from photographic medium, attire of the sitter, and address of photographer and dates of operation., Pad: Orange velvet embossed with photographer’s imprint “Chas. M. Ising Dag’ps. S.W. Cor. Of 8th & Arch Sts. Philada.” in the center and within an ornamental frame containing decorative flowers and leaves., Mat: Oval., Case: Leather. Cluster of grapes and other fruits, including a strawberry and pomegranate. Decorative leaves are in each corner. Same design on verso., Charles M. Ising operated from 8th and Arch Streets, Philadelphia between 1856 and 1857.
Creator: Ising, Charles M., photographer
Date: [ca. 1856]
Location: Library Company of Philadelphia | Print Department Cased photos – photographer – Ising [P.2011.33]

Title: [Half-length length portrait of two young white men]
Description: Half-length portrait of two young white men seated and facing the viewer. In the left, the man has rosy cheeks and long, upswept dark colored hair and is attired in a white collared shirt, a bowtie, a waistcoat with a watch chain that has a cross, a jacket, and pants. He rests his lightly close-fisted right hand on his knee while his left arm is draped behind the other man. In the right, the man has rosy cheeks and long, brush-backed, dark colored hair and is attired in a white collared shirt, a bowtie, a waistcoat with a watch chain, a jacket, and pants. He rests his slightly curled hands on his lap., Title supplied by cataloger., Date inferred from photographic medium, attire of the sitter, and address of photographer and dates of operation., Pink tinting on cheeks., Pad: Red velvet embossed with photographer’s imprint “Van Loan Gallery, 159 Chesnut St., Philada” in the center and within an ornamental frame composed of filigree scrolls., Mat: Double elliptical., Case: Leather. The design of the case is called the Bird and the Grape Vine and is plate 89 in American Miniature Case Art by Floyd and Marion Rinhart (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.) Produced in quantity. Geometric Celtic design on verso., Contains weeping glass deterioration., Edges of daguerreotype plate are tarnished., Gift of Jane Hastings, 2011., Samuel Van Loan operated from 159 Chestnut Street, Philadelphia between 1852 to 1853.
Creator: Van Loan, Samuel, photographer
Date: [ca. 1852]
Location: Library Company of Philadelphia | Print Department Cased photos – photographer – Van Loan [P.2011.56.2]

Title: [Bust-length portrait of an unidentified man]
Description: Bust-length, forward facing portrait of a white man. Sitter has dark hair, parted to the left with long sideburns. He is attired in a white shirt with a high collar, a broad bowtie, and a jacket., Title supplied by the cataloger., Date inferred from manuscript note enclosed in case: The property of Hannah W. Sterling, 1515 Arch St., Phila taken in 1845., Gift of David Doret., Pad: Red velvet embossed with photographer’s imprint “Root, 140 Chestnut St. Philada.” in the bottom edge of an ornamental frame composed of decorative scrolls. In the center, above photographer’s imprint, is a bouquet of flowers in a vase., Mat: Oval., Case: Leather. Bouquet of mixed flowers surrounded by an embossed border. Geometric design of interlocking circles with flower details in each corner and within a border of decorative scrolls on the verso., Marcus A. Root operated from 140 Chestnut Street, Philadelphia between 1845 and 1846.
Creator: Root, M. A. (Marcus Aurelius), 1808-1888, photographer
Date: [ca. 1845]
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Photos [P.2021.34.1]

Title: [Half-length portrait of an unidentified man]
Description: Half-length, forward facing portrait of a white man. Sitter has dark hair, parted to the right, and pink tinting on his lips and cheeks. He is attired in a white shirt, a bowtie, a waistcoat, and a jacket. His slightly curled right hand rests on his leg. His left arm and hand rest on a side table in the right., Title supplied by the cataloger., Date inferred from dates of operation of photographer at address in photographer’s imprint., Pink tinting on lips and cheeks., Gift of David Doret., Pad: Brown velvet embossed with photographer’s imprint “Willard, No. 1628 Market St.” in the center., Mat: Oval., Case: Leather. Mother of pearl inlay in a geometric design in the center. Some pieces of inlay lacking. No design on verso., Oliver H. Willard operated from No. 1628 Market Street, Philadelphia between 1858 and 1860.
Creator: Willard, Oliver H., -1875, photographer
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Doret and Mitchell Collection – Photos [P.2021.34.2]

Title: [Portrait of an unidentified man, without his right eye, facing slightly right]
Description: Half-length, hand-tinted portrait depicting a man, with dark hair, cropped short on the top of his head, and longer and curled out near his ears. He misses his right eye and his right eye is slightly descended over the socket. He wears a dark-colored coat, V-neck, button-down vest, white shirt with high stiff collar, and black, horizontally-tied necktie with extended ends., Pad: None., Mat: Nonpareil., Case: Leather. Lacking front cover. Filigree-like ornaments within octagonal shape surrounded by scrolls., Purchased partially with funds for the Visual Culture Program.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - unid. photo. - unid. sitter - daguerreotypes [P.2019.7.2]

Title: J. Sandberg with J. Simon, dealer in ready-made clothing and gent's furnishing goods, no. 429 North Second Street, East side, Philadelphia Orders promptly attended to. Quick sales. Small profits
Description: Trade card containing a vignette showing a menagerie of men's clothing, including collars, a cravat and bow tie, vest, a shoe, plaid trousers, and a coat. Imagery also includes a scissor. Sandberg is listed in city directories as a peddler 1862-1863., Scribbles in pencil on verso., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Helen Beitler and Estate of Helen Beitler.
Date: [ca. 1862]
Location: Library Company of Philadelphia | Print Department Helen Beitler Graphic Ephemera Collection - Trade cards & Blotters [P.2011.10.55]

Title: [Portrait of an unidentified man]
Description: Bust-length, forward facing portrait of an African American man. Sitter is attired in a white collared shirt, a black bowtie, and a black jacket. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from photographic medium and attire of the sitter., Pad: Red/brown velvet with geometric design in center surrounded by scrolls., Mat: Oval., Case: Leather. Spray of flowers in a nonpareil like border. Scroll work all around. Plain verso. Design called "Lily and Rose" and is Plate 114 in Floyd and Marion Rinhart's American miniature case art (Cranbury, New Jersey: A. S. Barnes and Co., Inc., 1969.), Gift of Mary P. Dunn, 1993., Reproduced on cover and on page 42 of Julie Winch's The Elite of our people (University Park: The Pennsylvania State University Press, 2000)., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.2]

Title: [Portrait of an unidentified man]
Description: Bust-length, portrait of an African American man facing slightly right. Sitter is attired in a white collared shirt and a dark-colored necktie and jacket. Sitter is probably a member or acquaintance of the Dickerson Family of Philadelphia., Title supplied by cataloger., Date inferred from photographic medium and sitter's attire., Pad: Red velvet with geometric design in center surrounded by scrolls., Mat: Oval., Case: Leather. A small floral spray is within a curlicued border within a modified oval. Scroll work all around. Same design on verso., Gift of Mary P. Dunn, 1993., Lib. Company. Annual report, 1993, p. 17-24., Description revised 2021., Access points revised 2021.
Date: [ca. 1850]
Location: Library Company of Philadelphia | Print Department Cased photos - Dickerson Family Collection [P.9427.1]

Title: Two of the killers
Description: View showing two outlandishly-attired members of the Philadelphia gang known as the "Killers" carousing on the street. One sits on a fire hydrant and the other leans against a lamp pole (posted with a "Sale" notice") at a street tenanted by a "Grocery" and adorned with broadsides. The men wear patterned pants, jackets with tails, oversized neck ties, and top hats. One also wears a pin adorned "K." They each have their hands in their pockets and smoke cigarettes. The grocery displays a barrel of brooms in addition to signs reading "Coffee Sugar Tea" and "Teas Coffee 5." The broadsides adorning the opposite building advertise "Auction this Evening" and "Circus The Old Man of the Mountain..... Dan Rice Clown." The playbill is illustrated with a scene of an equestrian trick. The "Killers," organized circa 1846, were a band of young men who menaced the Moyamensing neighborhood and were associated with the Moyamensing Hose Company and the Democratic Keystone Club., Date from Poulson inscription on recto: 1848., Wainwright suggests date of circa 1855., Philadelphia on Stone, POS 761, Wainwright retrospective conversion project, edited., Reproduced in Edwin Wolf's Philadelphia: Portrait of American city (Published by Camino Books in cooperation the Library Company of Philadelphia, 1990), page 199.
Date: [1848]
Location: Library Company of Philadelphia | Print Department *W408 [P.2219]

Title: [Bust-length portrait of an unidentified young African American man]
Description: Copy photograph of a bust-length portrait of a young, unidentified African American man facing forward. The man has rosy-colored cheek, wears a mustache, and is attired in a white collared shirt, a waistcoat, and a jacket., Title supplied by cataloger., Date inferred from dates of operation of the photographer and attire of the sitter., Photographer's imprint stamped on mount., Gift of David Long, 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Shaw, Jeremiah H., photographer
Date: [ca. 1891]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Shaw [P.9969.2]

Title: [Bust-length portrait of an unidentified young African American man]
Description: Bust-length studio portrait of an unidentified young African American man. The man, wearing a mustache and attired in a white collared shirt, a striped tie, a waistcoat, and a jacket, faces slightly right., Title supplied by cataloger., Date inferred from operation dates of the photographer and attire of the sitter., Photographer's blindstamp on mount., Purchase 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Hurst, Jonathan A., photographer
Date: [ca. 1892]
Location: Library Company of Philadelphia | Print Department portrait photographs - misc - unidentified male [P.9967.1]

Title: [Full-length portrait of an unidentified young African American man]
Description: Full-length portrait of an African American man, attired in a white collared shirt, a pin-striped waistcoat with a watch chain and jacket, lighter-colored pin-striped pants, and shoes. He stands and holds a bowler hat in his right hand and rests his left hand on a chair draped with an animal fur. He is posed in front of a painted backdrop and looks at the viewer., Title supplied by cataloger., Manuscript note on verso: 6420., Purchase 2001., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Grier, Andrew A., photographer
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Grier [P.9930.4]

Title: [Portrait of five African American men attired in uniforms, probably band uniforms]
Description: Full-length portrait depicting the five young African American men, standing in a row, in a studio setting. The men on either end are slightly angled toward the man in the middle. The men have short-cropped hair, some with it parted in the middle. One man also has a mustache. The men are attired in white high collar shirts; bow ties; three-buttoned, dark jackets with flourishes across the chest and on the arms; and dark pants. One man (second from right) wears a black bow tie, while the others wear white ones. The man in the middle wears his jacket unbuttoned, while the others have theirs buttoned. Setting includes a palatial backdrop, a balustrade covered in drapery (in left), the edge of a platform (in right), and a fur rug on which the men stand., Title supplied by cataloger., Photographer's imprint with insignia printed on mount. Insignia composed of H.W. monogram with flourishes., Date inferred from years (1888-1892) photographer operated at address listed in imprint., Printed on verso: Harry A. Webb, art photographer, 112 and 114 N. 9th St., Philadelphia. Instantaneous process used exclusively. All negatives preserved. Duplicates, enlargements, or lockets. Can be furnished without resitting. Text surrounded by and within pictorial details. Details resemble pine needles, banners, and a circular ornament. The text and pictorial elements are within an ornamented border composed with bark-like details and ornate cornices adorned with floral twigs., Description reviewed 2022., Access points revised 2022., Harry A. Webb, born in England, worked in Philadelphia as a photographer by 1880. He continued in the profession through 1900. By the time of his death in 1927, he worked as a clerk for William H. Horstmann, a dress trimmings, military and regalia manufactory.
Creator: Webb, Harry A., 1847-1927, photographer
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Webb [P.2017.40]

Title: [Full-length studio portrait photograph of an unidentified, young African American man, seated]
Description: Shows the man, posed slightly to the left, seated on a wooden chair, and his left leg crossed over his right. He looks toward the photographer. His left hand rests in his lap and his right hand rests on the fore edge of the right arm of the chair. He wears a dark-colored suit, white shirt, neck tie, and laced up boots. Image also includes a backdrop and decorated flooring., Title supplied by cataloger., Photographer's imprint and insignia blindstamped on mount., Paper cover is embossed with floral pictorial details., Gift of J. Murray Atkins Library., Benjamin W. Fowler operated from 238 N. Eighth St., Philadelphia between 1889 and 1917.
Creator: Fowler, Benjamin W., photographer
Date: [ca. 1915]
Location: Library Company of Philadelphia | Print Department portrait photographs - photographer - Fowler [P.2022.54]

Title: A luxury fleet featuring newest pullman refinements at low travel cost! Pennsylvania Railroad Broadway Limited (All-Room Train). The General New York-Philadelphia-Chicago. "Spirit of St. Louis" New York-Philadelphia-St. Louis. Liberty Limited Washington-Baltimore-Chicago. The Pittsburgher (All-Room Train) New York-Pittsburgh. The Golden Triangle Pittsburgh-Chicago. Many types of Pullman private accommodations, modern section sleepers on all but Broadway Limited and The Pittsburgher-all room trains
Description: Poster showing an interior view of a luxury pullman car to advertise the Pennsylvania Railroad. Shows several white men and woman passengers relaxing in the car. In the left, a Black man server, serves drinks to two women and a man seated at a booth. Across from them, in the right, an older man sits in an arm chair, and smokes a cigar, and holds a paper in his lap. An older woman sits on the arm of his chair. Behind them, two women converse, one standing. In the far background, two men stand at a bar. Image also shows a train window. The server wears a white smock shirt and black pants. The men passengers wear suits. The women passengers wear a dress or suit jacket and skirt and/or hats., Title from item., Date inferred from content., RVCDC
Date: [ca. 1945]
Location: Library Company of Philadelphia | Print Department miscellaneous posters [P.2284.103]

Title: Beadle's half dime singer's library. Selected favorites. Comic and sentimental songs of all nations and ages "An encyclopedia of song." For sale here. Price five cents
Description: Poster-size advertisement containing a montage of the cover illustrations for Beadle & Adams songbooks No. 1- No. 17 published May 18, 1878 - September 14, 1878. Montage laid out as a grid. Illustrations often depict gender, ethnic, and racial stereotypes. Includes No. 1. "Whoa Emma and 59 other songs" depicting the profile of a woman attired in a horse costume composed of a horse head-shaped head piece and red dress with an immense bustle and a horse tail; No. 2. "Captain Cuff and 57 other songs" depicting a blonde male effete wearing a monocle, checkered suit, blue overcoat with red lapels, and holding a top hat in one hand and twirling the tip of his mustache with his other; No. 3. "The Gainsboro' Hat and 60 other songs" depicting a profile portrait of a fashionable brunette woman wearing a wide-brimmed hat, red long-sleeved dress with yellow and blue bodice and holding a parasol stick in one hand and a flower to her mouth in the other; No. 4. "Johnny Morgan and 60 other songs" depicting a dark-haired, mustached male organ grinder singing and playing his street organ; its strap hung over his shoulder; No. 5. "I'll Strike You with a Feather and 60 other songs" depicting a fashionable blonde woman in a coy pose and holding a feather in one hand and her gathered skirt edge in the other; No. 6. "George the Charmer, O! And 60 other songs" depicting an African American male dandy, with a mischievous glint in his eye and attired in a top hat, ruffled white shirt, yellow vest adorned with a watch fob, blue waist coat with tails, red checkered pants, and gloves;, No. 7. "The Belle of Rockaway and 52 other songs" depicting a brunette woman in swim attire (kepi, long-sleeved blue blouse, yellow and green two-tiered, ruffle edged knee length bustled skirt); No. 8."Young Fellah, You're too Fresh and 60 other songs" depicting a blonde male bon vivant attired in an orange bowler, white collared shirt, red bow tie, blue jacket, fob, and light blue pants, standing, leaning back and with his hands, one holding an upturned cane, in his pockets; No. 9. "I'm a Shy Young Girl and 65 other songs" showing a young blonde woman attired in a long-sleeved green dress with red and yellow details and multi-tiered, ruffled skirt, and standing in a demure pose, her head slightly tilted, as she slightly leans over, with her hands clasped over each other and placed near her knees; No. 10. "I'm the Governor's only Son and 59 other songs" depicting a dark-haired, mustached, confident-looking man, attired in a bowler, tan coat with collar, and light blue pants, as he stands, one leg crossed over the other, and with one hand in a coat pocket and the other resting on a walking stick; No. 11. "Comin' Thro the Rye and 55 other songs" depicting a Scottish lad, attired in a cap and kilt, and blonde-haired lass, embracing each other about the waist, and on a stroll in a rye field; No. 12. "Wave my fan just so! And 60 other songs" showing a light-haired woman, attired in a red evening gown with gold trim, and holding a blue shawl over her arm and a large green fan to her face;, No. 13 "The Rollicking Irishman" depicting a hod carrier, attired in a yellow broad-rimmed hat, an open-collared red shirt, and blue pants, and standing with a hod over his shoulder near a ladder and a pile of bricks; No. 14 "Old Dog Tray and 62 other songs" depicting a fair-headed woman, her eyes closed, attired in a blue Elizabethan-style dress with red details, and holding a black long-furred dog by his collar; No. 15. "Whoa, Charlie! And 59 other songs" depicting a fashionably-attired couple with a dark-haired, mustached man on his knee, hands clasped, and behind a fair-haired woman who stands and looks over her shoulder at him; No. 16. "In this Wheat by and by and 62 other songs" depicting anthropomorphized grasshoppers, with valises, and at rest from travel, including playing sticks, on and near a fence post; No. 17. Nancy Lee" depicting a light-haired woman, attired in green shirt, yellow kerchief at her neck, and a red skirt, standing on a pier, and waving goodbye with a red-striped handkerchief to a ship at sea., Date inferred from date of publication (September 14, 1878) of last songbook advertised: No. 17. Nancy Lee., Advertisement reverses the titles of No. 11 and 12 from their listings in Albert Johannsen's "House of Beadle and Adams" (1950)., Gift of Robert Staples and Barbara Fahs Charles., Description revised 2021., Access points revised 2021.
Creator: Orr, Nathaniel, engraver
Date: [1878]
Location: Library Company of Philadelphia | Print Department **GC - Advertisements - B [P.2013.86]

Title: [Half-length portrait of James Rodgers]
Description: Glass negative showing a half-length portrait of James Rodgers. Rodgers, attired in a cap, a white collared shirt, a patterned tie with a pin, a waistcoat, and a jacket, sits on a wooden bench in a garden facing slightly left. Trees and the rear of a house are visible in the background., Title supplied by cataloger., Purchase 2001., Description revised 2021., Access points revised 2021., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.87.9]

Title: [Full-length portrait of James Rodgers]
Description: Glass negative showing James Rodgers standing outside a house next to a shuttered window. Rodgers, attired in a cap, a white collared shirt, a tie, a waistcoat, a jacket, and pants, stands with his right knee slightly bent and his arms at his sides., Title supplied by cataloger., Purchase 2001., Description revised 2021., Access points revised 2021., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.87.5]

Title: [Three-quarter length portrait of an unidentified African American man]
Description: Three-quarter length portrait of an African American man standing with his hands behind his back facing slightly left. He is attired in a white collared shirt, a bowtie, a waistcoat, a jacket, and pants. His jacket is adorned with a ribbon on his lapel, and there is a watch chain on his waistcoat, both decorated with metal stars, possibly signifying his membership within a fraternal lodge., Title supplied by cataloger., Mount contains gold border., Gift of Mrs. Barbara Jacobsen, 1988., Image slightly out of focus., Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: Graeff, photographer
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department cabinet card portraits - photographer - Graeff [P.9216]

Title: [African American musicians performing on a riverboat]
Description: Scene depicting a group of four African American men singing and playing guitars while surrounded by spectators, seated on the deck of a riverboat, possibly in Tennessee. The musicians sit on a raised platform with their feet dangling. The third performer to the right plays a star shaped guitar and sings with his head tilted back and mouth wide open. He props his right foot on a stool. In the right, two African American men sit in wooden chairs. Surrounding the musicians, white men, women, and children sit and stand and look on. In the background, people walk on the deck and the smokestacks are visible., Title supplied by cataloger., Date inferred from content and attire of the sitters., Gift of Elsie Wood Harmon, 1982., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre scenes of African Americans, at national and international photography exhibitions. His photographs won several prizes.
Creator: Wood, George Bacon, 1832-1909, photographer
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department Photographs-Wood [P.8743.189]

Title: [Unidentified African American man in militia uniform]
Description: Full-length portrait photograph by African American photographer Gallo W. Cheston depicting an African American man in a light-colored militia uniform. The man stands, turned slightly toward the right. He holds a long rifle in front of himself with his gloved hands. His left foot is slightly in front of his right. His uniform includes a Shako cap; jacket with epaulettes, buttons, and service stripes; shoulder strap marked "4"; belt; and pants with a dark vertical stripe down the leg. The tip of a rifle and holster is seen below his back. Portrait also includes, to the man's left, a pulled-back drape propped up on a pedestal. Following the Civil War and during Reconstruction (1865-1877), several African American militia units formed, particularly in the South., Title supplied by cataloger., Name of photographer from photographer's label pasted on verso: Cheston's 227 Lombard St., between 2d and 3d, Philadelphia. All the various styles of pictures known to the art, made in a manner as near perfection as possible; and all Improvements or additions introduced as soon as made and perfected. Your patronage is solicited. N. B. Old pictures copied to any size, in an artistic manner., Date inferred from tenancy of the photographer at the address listed on his label pasted on verso., Photograph mounted on board, rounded at the corners, and with a printed oval-shaped, frame-like border surrounding the image. Border adorned with ornaments and filigree., Photograph altered with ink and watercolor details highlighting parts of the sitter's uniform, including his cap, epaulettes, service stripes, shoulder strap, belt, and buttons, as well as his eyes, eyebrows, and sideburns. The pull of a drape included in the studio setting is also hand colored., Purchased in part with the Davida T. Deutsch African American History Fund., Description reviewed 2022., Access points revised 2022., Gallo W. Cheston (ca. 1846-1882) served as a private of the Pennsylvania National Guard 1871-1873.
Creator: Cheston, Gallo W., approximately 1846-1882, photographer
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department portrait photographs - photographer - Cheston [P.2018.3]

Title: Harrison's Columbian hair dye Manufactured by Apollos W. Harrison, 8 1/2 South 7th St
Description: Advertisement for the Philadelphia perfumer and ink manufacturer containing an ornate frame comprised of vignettes, pictorial details, and ornaments surrounding ornamented text. Vignettes depict patriotic symbols of the American eagle and U.S. shield and two scenes. Scene in the left shows a gentleman being attended to by his valet. The gentleman has wavy, ear-length, dark hair and wears a blue and red patterned dressing gown. The valet, in a grey suit, looks at a bottle in his gentleman's left hand. The gentleman scratches his head with his right hand. Scene in the right shows a woman, looking down, pulling her fingers through her long dark hair that rests over her shoulders past her waist. She wears a peasant-like dress with a red bodice and green-striped skirt with a paisley pattern. The border also contains scroll-like pictorial details, geometric shaped ornaments, and pattern backgrounds. A thick, blue block of color frames the border like an outline. Harrison, originally a book, map, and ink dealer, began operating his perfumery, including hair dyes, circa 1853. By the late 1850s, Harrison employed over 80 employees, including 25 traveling agents., Artist's imprint in lower right and left of stone., Not in Wainwright., Philadelphia on Stone, POSP 291
Creator: Schussele, Christian, 1826?-1879, artist
Date: [ca. 1853]
Location: Library Company of Philadelphia | Print Department *BW - Advertisements - H [P.2015.71.2]

Title: Life in Philadelphia. Fancy ball
Description: Social caricature showing a white man-woman couple in costume at a Philadelphia ball. The man, in the left, his head slightly turned to the right, wears a costume reminiscent of the 16th century. He is attired in red and blue striped ballooned knickers, a green brocade jacket with a red sash and cape, white ruffle collar, and a blue cap adorned with white ostrich feathers in the front. The woman, in the right and looking toward her left, is dressed in a pastorial attire. She wears a flat yellow head piece with red and blue bows on top, a white shirt with a low décolleté neckline and puff sleeves beneath a black corset, and a blue skirt with yellow trim underneath a white apron adorned with bows and a floral border. Scene also includes men and women attendees standing behind the couple., Title from print., Date from print., Inscribed: Plate 10., The symbol of a key is used in place of the name Clay., William Simpson was a Philadelphia "fancy store" proprietor who published the first 11 prints of the "Life in Philadelphia" series. He also marketed the series as part of his "Artists' Repository" and possibly helped finance the cost of production., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: 1829
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9693]

Title: Imperméables, Au Roi du Caoutchouc
Description: Racist trade card promoting Roi du Caoutchouc's trench coats and depicting a bust-length portrait caricature of a fashionable black man. The man is depicted with exaggerated facial features, including a broad smile and long eye lashes. He is attired in a gold, bejeweled crown; gold hoop earrings; a trench coat with the collar raised; and gray turtleneck. Roi du Caoutchouc was a Belgium manufacturer of raincoats and trenchcoats in business originally in the 1920s. Leopold Trepper, a Polish Soviet intelligence agent, acquired the company in 1938 and launched a Brussels operation that expanded into an import-export business called the Foreign Excellent Trenchcoat Company. Trepper used the firm as a front for espionage. In 1940, during World War II, the Germans assumed control of the company., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from the history of the advertised business., Text printed on recto: Imperméables, Au Roi du Caoutchouc., Advertising text printed on verso: Trouver mieux? Impossible! Les imperméables et gabardines au roi du caoutchouc sont reconnus les meilleurs, les plus élégants, les moins chers. Apercu de quelques prix: Imperméables très solides depuis 45 frs. Trench-coats entièrement doublés et huilés depuis 75 frs. Gabardines entièrement doublées 1/2 soie depuis 95 frs. 55 succursales en Belgique. Bruxelles 103, Boulevard Ad. Max. 161, Chaussée de Waterloo. 141, Rue haute. 51, Rue de Flandre. 15, Chaussée de Louvain. Translation of advertising text: Find better? Impossible! The rubber king's raincoats and garbardines are recognized as the best, the most elegant, the cheapest. Preview of some prices: Very solid waterproofs for 45 frs. Trench-coats fully lined and oiled for 75 frs. Gabardines fully lined 1/2 silk for 95 frs. 55 branches in Belgium. Brussels 103, Boulevard Ad. Max. 161, Waterloo Causeway. 141 High Street. 51 Flanders Street. 15, Leuven Causeway., Gift of David Doret.
Date: [ca. 1930]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Au Roi du Caoutchouc [P.2017.95.9]

Title: Compliments of Malven, Gordon & Co., Port Jervis, N.Y. 1891
Description: Racist trade card promoting the William Rogers Manufacturing Company’s silver plated ware and depicting a caricature of an African American man sitting before an easel painting. Shows the man, attired in a yellow, brimmed hat, a white collared shirt with blue polka dots, a yellow jacket with tails, white pants with a blue stripe, and black shoes, sitting on a wooden stool before an easel. He holds a palette in his left hand and lifts a paint brush up to the canvas with his right hand. He paints blue flourishes as he tilts his head back blowing smoke up into the air. William Rogers founded the William Rogers Manufacturing Company in 1865 in Hartford, Connecticut. The firm became part of the International Silver Company in 1898., Title from item., Place of publication deduced from place of operation of the advertised business., Date inferred from title., Advertising text printed on verso: Buy the celebrated Rogers brand of Silver Plated Ware. Best in the World. Manufactured by the Wm. Rogers MFG. Co., Hartford, Conn., Gift of David Doret.
Date: [1891]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Wm. Rogers [P.2017.95.192]

Title: Buckley's 3950 Market Street, West Philad'a
Description: Racist trade card depicting an African American man attired in rumpled, ragged clothes, likely a caricature of a tramp. The tramp-like figure is attired in a white cap, an orange scarf wrapped around his head and tied at his neck; a brown coat with the elbow torn open; oversized beige pants; and gray shoes. He looks to the left with his eyes as he stretches his hand down into his coat pocket. Eli P. Buckley (1831-1899) worked as a stationer at 3950 Market Street, Philadelphia, PA as early as 1858. He operated his stationery store at the address until his death when his children continued to run the business as late as 1910., Title from item., Place of publication deduced from place of operation of advertised business., Date deduced from history of the advertised business and visual content., Advertising text printed on verso: The largest and most complete stock of blank books and general stationery to be found in West Philad'a is at the old established stationery store Buckley's 3950 Market Street, West Philad'a., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Buckley [P.2017.95.18]

Title: We have the nicest styles of men, boys & childrens' clothing at the Globe Clothing House no. 25 N. Eutaw St. near Lexington
Description: Racist trade card promoting the Globe Clothing House in Baltimore and depicting a caricature of a fashionably dressed African American man carrying a cane. Shows an African American man attired in black dress shoes, white socks, black pants, a white collared shirt and bowtie, a red waistcoat, and a green jacket with tails. He opens his mouth in a smile as he struts carrying a cane in his right hand. The trade card is shaped like an artist's palette with colorful paints in the left. The Globe Clothing House opened on 25 N. Eutaw Street, Baltimore, MD in 1882. Austin J. Kuhns & Co. acquired the store in September, 1885., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from history of the advertised business., Card is shaped like an artist's palette., Gift of David Doret.
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Globe [P.2017.95.71]

Title: Lustre starch
Description: Trimmed trade card promoting Gilbert S. Graves’s Lustre Starch. Depicts a racist caricature of an African American man portrayed with exaggerated features tipping his hat. Shows an African American man attired in a black top hat, a white collared shirt, a red bowtie, a yellow waistcoat, a blue jacket with tails, and white striped pants. He is attired with numerous accessories, including a red flower boutonniere on his lapel, a gold pendant pinned to the center of his white shirt, a gold pocket-watch chain, gold cufflinks, and a gold ring on the pinky of his right hand. The man stands with his right arm behind his back while he raises his top hat off his head with his left hand. Gilbert S. Graves (1849-1935) founded a corn starch manufactory in Buffalo in 1877. It was acquired by United Starch Company in 1899., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Distributor's imprint printed on verso: H.H. Sayles & Co., wholesale grocers, Elmira, N.Y., Card is trimmed at the top and bottom., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - H.H. Sayles [P.2017.95.78]

Title: [African American man minstrel playing a drum]
Description: Racist, trade card specimen depicting a caricature of an African American man minstrel drummer. Shows the man, in near profile, smiling and beating drumsticks on a drum strapped to his chest. He is attired in black shoes; pants with a stripe; a white jacket with flowers and long tails, with large buttons; a white ruffled shirt with a high collar; and a white top hat with a black band., Title devised by cataloger., Date deduced from the visual content., Printed in blue ink., Text stamped on recto: [No.] 478, 4 designs, price $1.55 per 1000., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 3 [P.2017.95.214]

Title: Compliments of Malven, Gordon & Co., Port Jervis, N.Y. 1891
Description: Racist trade card promoting the William Rogers Manufacturing Company’s silver plated ware and depicting a caricature of an African American man combing his hair and looking into a mirror. Shows the man attired in a white-collared shirt with pink stripes, a yellow bowtie, a blue jacket with tails, a yellow and pink flower boutonniere, a yellow waistcoat, white pants with pink stripes, and black shoes. He bends forward at the waist and smiles as he looks into a mirror to comb his hair. He holds the comb with his right hand and holds a brush in his left hand. The mirror is on a small table that is covered with a white tablecloth. An upside down, black top hat sits on the table. William Rogers founded the William Rogers Manufacturing Company in 1865 in Hartford, Connecticut. The firm became part of the International Silver Company in 1898., Title from item., Place of publication deduced from place of operation of the advertised business., Date inferred from title., Advertising text printed on verso: Buy the celebrated Rogers brand of Silver Plated Ware. Best in the World. Manufactured by the Wm. Rogers MFG. Co., Hartford, Conn., Gift of David Doret.
Date: [1891]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Wm. Rogers [P.2017.95.191]

Title: Game of Dr. Busby
Description: Early edition of the popular matching and memory card game designed by Ann Abbot and composed of four suits of five cards (Busby, Doll, Mr. Ninny-Come-Twitch, and Gardener). Suits are denoted with a different pictorial detail in the upper right corner: a mortar and pestle; pan of milk; an eye; and a spade. Suit of mortar and pestle cards depict “Dr. Busby” attired in a top hat, blue jacket with tails, and yellow pantaloons while standing with a walking stick and a bottle of medicine in his left hand in front of the corner of the “Busby Medicine's Drug" storefront with large display windows; “his Wife” attired in a long-sleeved red dress with yellow neckerchief and yellow cap while seated and embroidering; his “Son” wearing a mustache, a blue, cinched blouse, black pants, and a mortarboard, and standing with a walking stick in front a seminary-like building in the distant background; his female “Servant” wearing her hair in a low bun, a blue, deep neck dress with the sleeves pushed up, and a red apron while ironing a shirt next to a basket of laundry on a table; and “Doll, the dairy-maid’s black-eyed Lover” attired in a long-sleeved white shirt, red neckerchief, apron, and blue pants and standing, arms crossed, in front of a broom, wheel barrow of hay, and a barn yard in the distance., Suit of pan of milk cards depict “Doll, the dairy-maid,” her head tilted to the side, and attired in a corseted, red dress with half sleeves, a V-neck, and yellow apron while standing with a pail in one hand and the other behind her back near a fence and a milking stool; her “Father," balding, attired in a dark jacket, yellow vest, and blue pantaloons, while seated on a chair with a newspaper in his lap, a mug in one hand and smoking a pipe with the other beside a table with a tablecloth, lit candle, eye glasses, and a book; her “Brother” attired in a white, flouncy blouse with collar and red tie, yellow pants, and a yellow wide-brimmed straw hat and holding a rake in front of mounds of hay; her “Servant,” shown from the back, and attired in a blue sack coat, tan pants, and black wide-brimmed hat, while using a milkmaid’s yoke to carry pails of milk; her “pan of milk” being lapped at by a black cat while on a round table above a pail underneath it., Suit of eye cards depict Mr. Ninny-Come-Twitch attired in a top hat, yellow vest, red cravat, long black coat, and blue trousers with one hand on a walking stick and the other tucked into his coat while standing beside a dog resembling a greyhound; “his Wife,” her long hair on her shoulders and attired in a red, long-sleeved dress with bandeau neckline, and yellow apron while playing a piano from a book of music; his “Son” attired in a school outfit of a yellow short jacket with a white collar and blue pants, and his cap on the ground as he defends himself from a fight with another boy in school attire (red cap, red short jacket, and yellow pants) and with his fists up; his “Servant,” an African American man attired in a top hat, green coat with red collar and cuffs, ruffled white shirt, and tan pants while holding a basket over one arm and a whip in his opposite hand; and “One Eye” colored blue and part of a person’s face., Suit of spade cards depict “the Gardener” attired in a red jacket, yellow vest, and blue pants while holding a hook knife near a ladder and under a grape vine across from his hat on the ground and a fenced pasture in the background; “his Wife” attired in a blue, long-sleeved dress with white ruffled collar, and a yellow bonnet while using her apron to hold a bushel of roses in front of a young girl attired in a red dress with yellow pantaloons and yellow bonnet and holding a rose and basket; his “Son” attired in a red, blousy shirt, apron, blue pants, and wide-brimmed hat while using a hoe; his “Servant” attired in a short blue jacket, yellow vest and tan pants while walking through a fenced pasture and carrying a basket of fruit on his shoulder that hides his face; and his “Spade” resting idle on a stone wall on which a rose bush and other greenery climbs and two potted plants are displayed. "The Improved and Illustrated Game of Dr. Busby" first published in 1843 purportedly sold over 15,000 copies in 18 months. The game has been credited with creating the explosion in popularity of games in America during the 19th century and containing one of the earliest representations of an African American in an American game., Title from label pasted on maroon paper slip case: Gam[e] of Dr. Busby., Paper slip case contains a partially-removed illustrated label printed on green paper. Label depicts a woman ironing, i.e. the illustration on the Busby suit “Servant” card., Date from copyright statement printed on leaf of “Directions” pasted to inside of inner white cradle: Entered according to Act of Congress, in the year 1843, by W. & S. B. Ives, in the Clerk’s Office of the District court of Massachusetts., "Directions" explicate the suits, "players should sit round a table," and a player is to call upon his right hand neighbors for any card not in his own hand until "he calls for one which his neighbor has not in his hand." Directions also explain the next player needs to "call for those cards which have been called for and obtained by the first" so players must be attentive as "the game is made longer and more complicated by every failure of memory" until its close when the victor has all "four families united in his hand", LCP copy has variant title: Game of Dr. Busby., Purchased with the Davida T. Deutsch African American History Fund., Housed in phase box., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Abbot, Anne W. (Anne Wales), 1808-1908
Date: 1843
Location: Library Company of Philadelphia | Print Department albums - Busby [P.2015.28]

Title: Harrison's Columbian hair dye Manufactured by Apollos W. Harrison, 8 1/2 South 7th St
Description: Advertisement for the Philadelphia perfumer and ink manufacturer containing an ornate frame comprised of vignettes, pictorial details, and ornaments surrounding ornamented text. Vignettes depict patriotic symbols of the American eagle and U.S. shield and two scenes. Scene in the left shows a gentleman being attended to by his valet. The gentleman has wavy, ear-length, dark hair and wears a blue and red patterned dressing gown. The valet, in a grey suit, looks at a bottle in his gentleman's left hand. The gentleman scratches his head with his right hand. Scene in the right shows a woman, looking down, pulling her fingers through her long dark hair that rests over her shoulders past her waist. She wears a peasant-like dress with a red bodice and green-striped skirt with a paisley pattern. The border also contains scroll-like pictorial details, geometric shaped ornaments, and pattern backgrounds. The background is printed in red and is framed by a blue border. Harrison, originally a book, map, and ink dealer, began operating his perfumery, including hair dyes, circa 1853. By the late 1850s, Harrison employed over 80 employees, including 25 traveling agents., Title from item., Date and publication information supplied Library Company duplicate with variant colors., Not in Wainwright., See related: *BW - Advertisements - H [P.2015.71.2]., Gift of David Doret., Philadelphia on Stone, POSP 291a
Creator: Schussele, Christian, 1826?-1879, artist
Date: [ca. 1853]
Location: Library Company of Philadelphia | Print Department *Doret and Mitchell Collection – Prints [P.2022.62.3.45]

Title: J.H. Short, dealer in music and musical merchandise, 94 Town Hall, Stamford, Conn. Piano and organ music 1/3 off
Description: Racist trade card illustration promoting Connecticut music dealer J.H. Short and depicting an African American male dandy, with a sheepish expresion, and posed with one hand to his lips and his other hand holding a top hat at his shoulder. He wears a ruffled white shirt, white vest adorned with a wa4tch fob, gold waist coat with tails, and bright blue and white striped pants. He stands in front of a background of fauna details., Title from item., Text printed on recto: I'se a Dude!, Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Short [P.2017.95.157]

Title: The celluloid corset clasps side & dress steels Warranted not to rust. Corsets after washing. With the old style clasps in. With the new celluloid clasps in
Description: Trade card advertising celluloid corset clasps and depicting racist caricatures of Chinese men laundry workers comparing celluloid and traditional corsets. In the center, the laundry worker, wearing a queue hairstyle with the braid sticking straight out to the right and attired in gold hoop earrings, a red tunic, white pants, and blue and white cloth, slip-on shoes, smiles as he holds up a clean, white corset with celluloid clasps. In the left, the laundry worker, wearing a mustache and queue hairstyle and attired in a blue tunic, yellow pants, and blue and white cloth, slip-on shoes, holds a soiled and dirty corset as he opens his mouth in dismay looking at the clean corset. In the right background, the Chinese man, wearing a queue hairstyle and attired in a yellow tunic, blue pants, and white cloth, slip-on shoes, washes laundry with his hands in a steaming washtub. Also visible are a basket of laundry; a corset hanging on a line; and a table with an iron on top of it., Title from item., Date inferred from content., Contains advertising text printed on verso: Celluloid corset clasps. Side and dress steels. Perspiration proof. Elastic. Durable. In introducing these improved corset clasps, &c., let us call your attention to some of the points of their superiority over all others heretofore in use. 1st.--The inferior is finely tempered clock spring steel. 2d.--The exterior is celluloid. 3d.--The combination of the two unites the strength of the steel with the rust-proof qualities of the celluloid. 4th--The trouble of ripping out and sewing in the steels every time corsets are laundried becomes unnecessary as these steels need not be taken out for that purpose. 5th--They are warranted not to rust and thus stain the corsets or other garments. 6th--They are the best steels in every particular ever offered. Sold by all dry and fancy goods dealers throughout the country., RVCDC, Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Celluloid [1975.F.182]

Title: I'se a dude!
Description: Trade card promoting New Jersey grocer H. G. Prall & Sons and depicting an African American man dandy, with a sheepish expression, and posed with his left hand to his lips and his other hand holding a white top hat at his shoulder. He is portrayed in racist caricature and attired in a ruffled white shirt, a white waistcoat adorned with a watch fob, a gold jacket with tails, and blue and white striped pants. He stands in front of a background of fauna details. H. G. Prall primarily appears as the sole proprietor of his grocery in later 19th-century directories, but is listed as H. G. Prall & Son in 1883., Title from item., Date inferred from city directory listing for business., Series no. printed on recto: 58., Advertising text printed on verso: H. G. Prall & Sons, Dealers in fine Groceries. Headquarters for Fish, Provisions, Flour, Feed, &c., 174 and 176 Main Street, Somerville, N. J., Purchased with funds from the Albert M. Greenfield Foundation., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1883]
Location: Library Company of Philadelphia | Print Department trade cards - Prall [113419.D]

Title: Life in New York. Inconvienency of tight lacing
Description: Caricature satirizing early 19th-century, middle-class men’s fashion, specifically male corsets. Depicts a scene in front of a fence at New York's “St. John’s Park” where a white dandy dressed in a top hat, ruffled shirt, and slip on shoes holds onto a lamp post, his right leg up, outstretched, and held by a dandy man companion. He holds his head back and his right hand toward his mouth. The friend, similarly attired in a top hat, waistcoat, and stiped pants crouches with his legs apart. Both are unable to bend. A "practically" attired, older man wearing an overcoat, vest, pants, and boots stands to the right and observes the scene. He states that he will report the event to the "Morning Courier & N.Y. Enquirer." Scene also shows dense foliage and a tree in the park behind the fence., Title from item., Date inferred from content and name of publisher., Inscribed: No.4., Inscribed: St. Johns Park, Sept. 28, 1829., Anthony Imbert, a New York artist, was a pioneer of American lithography who was also known for his ability as a marine painter., RVCDC, Description revised 2022., Access points revised 2022.
Date: [ca. 1830]
Location: Library Company of Philadelphia | Print Department Life in New York (New York Set) [P.9704.2]

Title: Life in Philadelphia. An unfair reflection
Description: Racist caricature depicting an African American man dandy, in his bedroom, grooming himself in front of a full-length mirror adorned with a candle holder and lit candle. He holds a brush up with his right hand to the top of his head of hair which is in a pompadour style. He holds a comb in his left hand that rests on his hip. He stands with his legs apart. He is attired in a blue waistcoat with tails, a white shirt, vest, and cravat, black pants, and black shoes. A handkerchief hangs out of the back pocket of his jacket. He ponders Miss Carolina's "unfair reflection" about the "paleness" of his complexion. Scene also includes a pitcher and towel rest, a partial view of a bed with a canopy next to a bedside table on which a straightening iron rests beside a candle stick. Also shows a full-length rug on the floor. The man is depicted with oversize and exaggerated features. His skin tone is depicted with black hand coloring., Title from image., Date inferred from content and name of publisher., Contains one bubble of dialogue in the vernacular within image: It was Bery unfair of Miss Carolina to Reflect on Paleness ob my Complexion. I consider dat I hab got a bery Good Color., Charles Hunt was a respected 19th-century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, artist
Date: [ca. 1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9710.2]

Title: Life in Philadelphia. An unfair reflection
Description: Racist caricature depicting an African American man dandy, in his bedroom, grooming himself in front of a full-length mirror adorned with a candle holder and lit candle. He holds a brush up with his right hand to the top of his head of hair which is in a pompadour style. He holds a comb in his left hand that rests on his hip. He stands with his legs apart. He is attired in a green waistcoat with tails, a white shirt and cravat, yellow vest, black pants, and black shoes. A handkerchief hangs out of the back pocket of his jacket. He ponders Miss Carolina's "unfair reflection" about the "paleness" of his complexion. Scene also includes a pitcher and towel rest, a partial view of a bed with a canopy next to a bedside table on which a straightening iron rests beside a candle stick. Also shows a full-length rug on the floor. The man is depicted with oversize and exaggerated features. His skin tone is depicted with black hand coloring., Title from item., Date inferred from content and name of publisher., Contains one bubble of dialogue in the vernacular within image: It was Bery unfair of Miss Carolina to Reflect on Paleness ob my Complexion. I consider dat I hab got a bery Good Color., Charles Hunt was a respected 19th-century London engraver and etcher known mostly for his prints of sporting subjects., RVCDC, Description revised 2022., Access points revised 2022.
Creator: Summers, William, artist
Date: [ca. 1860]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9713.1]

Title: No. 5 The duel
Description: Fifth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Scene shows two African American men (i.e., the suitors of the twins), attired in suits, at the start of a duel in a pasture between two trees. The suitor with a squat figure is in the right and the tall suitor in the left. They point guns at each other and look aghast. An African American man (witness), attired in a ruffled suit and hat, stands behind the tree in the foreground and another, in shirtsleeves, kneels behind the tree in the background. “Dr. Black M.D.,” an older African American man, sits behind the standing observer with his medical bag, labeled “Dr. Black M.D.,” in one hand and a medicine bottle in the other. Figures representing the twins are visible in the distant left background near their log cabin., Title from item., Publication information from copyright statement in other reproduced drawings in series: Copyrighted 1881 John McGreer, Chicago, Ill., Name of publisher from other reproduced drawings in series: Cartoon Printing Co., Name of artist stamped on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.5]

Title: No. 9 Coming events
Description: Ninth scene in a racist series of African American caricatures originally created for Harper's Weekly in 1878 by Sol Eytinge that satirized the courtship and marriage of and the start of families by "The Twins." The African American figures are depicted with exaggerated features and mannerisms. Shows "Dr. Black MD" on his donkey racing with the twins' husbands on their donkeys down a dirt road along a river. A raft sails on the river past a log cabin and a dwelling with smoke-spewing chimneys is visible in the background., Title from item., Name of publisher inscribed in original drawing., Date from copyright statement inscribed in original drawing: Copyrighted 1881 John McGreer, Chicago, Ill., Name of artist from stamp on verso: McGreer Chicago., Purchased with the Davida T. Deutsch African American History Fund., Lib. Company. Annual Report, 2017, p. 52., RVCDC, Desciption revised 2022., Access points revised 2022.
Creator: McGreer, John, 1839-1908
Date: 1881
Location: Library Company of Philadelphia | Print Department photo - 5 x 7 - Unid. - Events [P.2017.26.8]

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