Set in New York, the image shows William Peterson, a black boy who prepares to rescue a white boy who has fallen through the ice while skating. Next him, a white boy supports another skater whom Peterson has saved from drowning. A few others continue to skate in the background., Caption title vignette in the Anti-Slavery Record (New York: Published by R.G. Williams, for the American Anti-Slavery Society, 1835-1837), vol. II, no. IV (April, 1836), whole no. 16, p. 1., Small caption underneath the image reads: "William Peterson -- The Heroic Colored Boy.", Curator's note: Notice here the use of the term "Africo-Americans," used infrequently but persistently by some African Americans and abolitionists from at least the early 1830s through the Civil War period. The common usage of "blacks" and "Africans" was supplanted in the 1820s with "Negro" common among most whites, and "Colored" among most African Americans. As in all the terms used to describe black Americans over time, there is a nationalist-assimilationists dichotomy at work here, with "Africo-Americans" suggesting separate nationality and culture, and "Colored" suggesting darker-hued members of the common American nation and culture., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date
[April 1836]
Location
Library Company of Philadelphia | Books & Other Texts | Rare Per A 245 60026.D v 2 n 4 cover page, https://digital.librarycompany.org/islandora/object/Islandora%3A2849
View of a large ship docked at Pier 20 on the East River in New York City. Broadsides advertising "London," "Liverpool," and "New World," are posted all over the pier. Another sign reads, "First packet for London & Liverpool. For passage apply...South St." Men sit and stand near the ship and a horse is tethered to a pillar on the pier., Title supplied by cataloger, but derived from manuscript note on mount and verso: Pier 20 E.R. ship Yorktown., Creme mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Mr. Saul Koltnow.
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department stereo - unidentified - Transportation [P.9022.40]
Depicts three workers chiseling two reclining male figures designed by George Grey Barnard in the Piccirilli Brothers workshop in New York City for the south statuary group near the front entrance of the Pennsylvania State Capitol building. The Piccirilli Brothers not only completed the rough carving of the 27 statues designed by George Grey Barnard, they also installed them in 1911., The Pennsylvania State Capitol building was contructed from 1902 to 1906, after designs by Joseph M. Huston., Gift of Mr. and Mrs. Maro S. Hunting. Mrs. Hunting was the granddaughter of Joseph M. Huston, the architect of the Capitol., LCP AR [Annual Report] 1979, pp. 42, 47-48., Reproduced in The Pennsylvania Capitol Preservation Committee's Literature in Stone: The Hundred Year History of Pennsylvania's State Capitol (Harrisburg, Pa.: Integra Graphics, 2006), p. 206., Forms part of the Pennsylvania Capitol Photograph Collection.
Date
ca. 1907
Location
Library Company of Philadelphia | Print Department Pennsylvania Capitol Photograph Collection [P.8479.82]
Thomas W. Strong published Yankee notions from 1852 to 1875; he was at this address from 1843 to 1866., Printed in red and black., The illustration, signed Woolf, shows an eagle dressed as a drummer boy., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Strong, Thomas W.
Date
[between 1861 and 1864?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare #Am 1861 Strong (6)4777.F.43 (McAllister)
Includes Native American family., Inscribed upper left corner: S. 144., Plate 12 from Matthias Sprengel. Historisch-genalogischer Calendar oder Jahrbuch... (Leipzig: bey Haude und Spener Von Berlin, 1783). (LCP Am 1783 Spre, Log 5059.D)., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Chodowiecki was a prominent German engraver and painter who specialized in prints of historical subjects.
Creator
Chodowiecki, Daniel, 1726-1801, etcher
Date
[1783]
Location
Library Company of Philadelphia | Print Department *GC - American Revolution [P.8935.12]
Comic monthly was published in New York by Jesse C. Haney from 1859 to 1881., The illustration, signed Morse [Joseph W. Morse?], shows a soldier in Zouave uniform leaving his sweetheart, with both in tears; caption: The zu-zu off for the war., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Strong, Thomas W.
Date
[between 1861 and 1864?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1861 Comic (6)5777.F.37b (McAllister)
Landscape view of two boys recreating near a small rustic boat landing on a lake or pond in New York City's Central Park. One boy fishes in the foreground and the other sits on a rock looking down at the water., Title printed on mount below image., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Mr. Saul Koltnow.
Date
[ca. 1875]
Location
Library Company of Philadelphia | Print Department stereo - unidentified - Non-Philadelphia - New York [P.9022.43]
Landscape view showing the waterfall on the Niagara River near New York and Ontario, Canada. Includes a man wearing a top hat and a boy sitting on the edge of the cliff in the foreground., Title printed on mount., Photographer's blind stamp on mount., Publisher's label pasted on verso., White mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim Brothers copyrighted a series of stereographs with labels inscribed: "American Stereoscopic Co., Langenheim, Loyd & Co., Philadelphia" in 1858. They continued to produce stereographs until 1865, when they withdrew from the American Stereoscopic Co.
Creator
American Stereoscopic Company
Date
c1858
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Views [8248.F.1]
Architectural view showing the Victorian-style residence with mansard roof and a porch. Land and townscape is visble in the background., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.93c]
Architectural view showing the Victorian-style residence with mansard roof and a porch. Land and townscape is visble in the background., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.93c]
Architectural view showing the Gothic-style Methodist Episcopal church for the parish established in 1850. Also shows pedestrian traffic., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.93a]
Architectural view showing the Gothic-style Methodist Episcopal church for the parish established in 1850. Also shows pedestrian traffic., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1860]
Location
Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.93a]
View showing the 500 block of Broadway in Manhattan. Businesses line the block, including a hat store, photographic studio, and optician. Pedestrians crowd the sidewalks and several horse-drawn carriages and hansom cabs travel down the congested street., Green mount with rounded corners., Title annotated on negative., Gift of Saul Koltnow., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
ca. 1865, ca. 1885
Location
Library Company of Philadelphia | Print Department stereo - non-Philadelphia - New York [P.9022.46]
Print after the theatrical advertisement published by Eliphalet Brown, Jr. and James Brown depicting the most popular scene from the mid-19th century play about the lives of the New York city lower classes. Shows an African American boy, attired in torn and worn clothes, street dancing while surrounded by a crowd of spectators. Spectators include an African American man, boy, and woman marketer with a basket; Mose, the central character of a fireman b'hoy, and a white man fish monger, attired in torn and worn clothes. Also shows a white woman vendor near a broadside titled "Mose" to the right of the image and the slip in the background. From the 18th century, Long Island enslave people would cross the East River to sell produce or to street dance to earn money, fish, or eels at the Catherine Slip Market. The performances transformed into impromptu dance contests paid for by market customers., Title from item., Date from copyright statement: Entered according to act of Congress in the year 1848 by J. Baillie in the Clerk's Office of the District Court of Southn Dist of N.Y., Created postfreeze., Purchase 2005., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Baillie, James S., active 1838-1855
Date
1848
Location
Library Company of Philadelphia | Print Department *GC - Entertainment [P.2005.10]
Chaotic street scene after the 1827 painting Five Points by George Catlin depicting the early 19th-century New York City lower income area east of City Hall. Shows several white and Black men and women, individually, as couples, and in groups at the crossroads of Orange, Anthony, and Cross Streets. The streets are lined with places of "entertainment," "lodgings," and grocery stores primarily selling liquor. Amongst the melee on the streets, a large brawl and several small fights occur, people are knocked over, "couples" of men and women stroll and engage in conversation, peddlers sell their goods, a white woman pumps water, and pigs roam free., Title from item., Inscribed lower right corner: For Valentine's Manual., Plate from D.T. Valentine. Manual of the corporation of the city of New York for 1855 (New York: New York Common Council, 1855) (LCP Am 1855 New Yor Com)., Original painting in the collections of the Metropolitan Museum of Art, bequest of Mrs. Screven Lorillard (Alice Whitney), from the collection of Mrs. J. Insley Blair, 2016., Gift of Mrs. S. Marguerite Brenner, 1984., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., McSpedon & Baker, the New York lithographic partnership of Thomas McSpedon and Charles W. Baker, primarily performed stationery work. Illustrative plates executed by the partnership are rare.
Date
[1855]
Location
Library Company of Philadelphia | Print Department GC - Views - New York - New York City [P.9057.8]
Landscape view showing a gorge through which the river flows., Title from label on negative., Unmounted half stereograph., Inscribed in negative: 135., Originally part of a McAllister scrapbook of views of New York., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department stereo - unidentified - non-Philadelphia - New York [5741.F.76b]
Landscape view of the pedestrian bridge built ca. 1860 after designs by Calvert Vaux spanning a tree-lined Bank Rock Bay in New York City's Central Park. Bridge replaced in 1935., Title on negative., Manuscript note on verso: Muschamp, 37., Mint green mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Mr. Saul Koltnow.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department stereo - unidentified - Non-Philadelphia - New York [P.9022.47]
View showing laborers working on a wooden pier jutting into the East River in New York City. Also shows a horse-drawn cart on the pier and piles of lumber visible next to the pier in the right foreground. Also shows the cityscape on the opposite bank of the river in the background., Title supplied by cataloger, but derived from manuscript note on verso: Pier 20 E.R., White mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Mr. Saul Koltnow.
Date
[ca. 1866]
Location
Library Company of Philadelphia | Print Department stereo - unidentified - Transportation [P.9022.41]
Peter F. Wallace, carpenter, is listed at this address in the New York City directory for 1862; in 1863, his business address is listed as 142 Grand., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Wallace, Peter F.
Date
[1861 or 1862?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 Wallace (2)5786.F.174d (McAllister)
Peter F. Wallace, carpenter, is listed at this address in the New York City directory for 1862; in 1863, his business address is listed as 142 Grand., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Wallace, Peter F.
Date
[1861 or 1862?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 Wallace (2)5786.F.174d (McAllister)
Reproduction of a caricature of a Zoauve from the New York regiment. Shows the soldier with an abnormally long neck, running, with his rifle on his shoulder., Photographer's imprint stamped on mount., Originally part of a McAllister scrapbook of humorous caricatures and photographs., Created postfreeze., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
J. Gurney & Son
Date
c1863
Location
Library Company of Philadephia | Print Department cdv - miscellaneous - Civil War - Gurney - Caricatures & cartoons [5780.F.52j]
Landscape view of the lake from Bethesda Terrace in New York City's Central Park. Shows row boats on the water and a small boat landing in the distance., Title on negative., Manuscript note on verso: Muschamp, 34., White mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Mr. Saul Koltnow.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department stereo - unidentified - Non-Philadelphia - New York [P.9022.48]
View depicting a congested scene of several closely docked sloops and shipping boats., Yellow mount with rounded corners., Title printed on mount., Gift of Saul Koltnow., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
ca. 1880
Location
Library Company of Philadelphia | Print Department stereo - unid. - non-Philadelphia - New York [P.9022.22]
View of steam-powered locomotive pulling cars around curved elevated track, sometimes called Suicide or Angels' Curve, located at 110th and 8th Avenues on New York City's 9th Avenue line. Two standing figures and a wagon with two passengers are at street level. After 1903 steam powered locomotives were no longer used on this line., View is numbered 7815 in a series., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
Rau, William Herman, 1855-1920, photographer
Date
between 1896 and 1903
Location
Library Company of Philadelphia | Print Department stereo - Rau - transportation [P.9600.9]
Includes two men seated on rooftop in foreground and church tower in background., Photographer's imprint stamped on mount., Pale yellow paper mount with square corners., Title supplied by cataloguer., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Views [(8)1322.F.1d]
Includes two men seated on rooftop in foreground and church tower in background., Photographer's imprint stamped on mount., Pale yellow paper mount with square corners., Title supplied by cataloguer., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Views [(8)1322.F.1d]
Includes two men seated on rooftop in foreground and church tower in background., Photographer's imprint stamped on mount., Pale yellow paper mount with square corners., Title supplied by cataloguer., Retrospective conversion record: original entry, edited., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim brothers, William and Frederick, were pioneer photographers and stereograph publishers, who operated a photographic studio in Philadelphia from the 1840s to 1874 and the death of William.
Creator
W. & F. Langenheim (Firm), photographer
Date
ca. 1860
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Views [(8)1322.F.1d]
Depicts four workers chiseling a large slab of marble in the Piccirilli Brothers workshop in New York City, starting the rough carving of a sculpture designed by George Grey Barnard for the front entrance of the Pennsylvania State Capitol building. The Piccirilli Brothers not only completed the rough carving of the 27 statues designed by George Grey Barnard, they also installed them in 1911. In the background, two carved male figures hold hands, one man grasps his cheek with his head thrown back and the other cups his hand to his lips, as if he's whispering to the other figure. This pair stands at the front of the south statuary group, "The Burden of Life: The Broken Law"., The Pennsylvania State Capitol building was contructed from 1902 to 1906, after designs by Joseph M. Huston., Gift of Mr. and Mrs. Maro S. Hunting. Mrs. Hunting was the granddaughter of Joseph M. Huston, the architect of the Capitol., LCP AR [Annual Report] 1979, pp. 42, 47-48., Forms part of the Pennsylvania Capitol Photograph Collection.
Date
ca. 1907
Location
Library Company of Philadelphia | Print Department Pennsylvania Capitol Photograph Collection [P.8479.80]
View showing pedestrians and horse-drawn vehicles traveling near the Fulton Ferry terminus in Brooklyn, New York. The bare masts of docked ships on the East River are visible in the background., Title from manuscript note on verso., Buff mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of Mr. Saul Koltnow.
Date
[ca. 1866]
Location
Library Company of Philadelphia | Print Department stereo - unidentified - Transportation [P.9022.42]
View looking west from the railway station over 42nd Street showing the elevated railroad tracks constructed past the Grand Central Depot (built 1871, remodeled 1913) visible in the far right background. The railway, established in 1868, was extended to the depot in 1878. The tracks pass several buildings and businesses including the Grand Union Hotel and Restaurant; a wallpaper manufactory; and Murtaugh's dumbwaiter manufactory., Yellow mount with rounded corners., Title printed on mount., Gift of Saul Koltnow., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
ca. 1880
Location
Library Company of Philadelphia | Print Department stereo - unid. - non-Philadelphia - New York [P.9022.24]
Caricature satirizing early 19th-century, middle-class men’s fashion, specifically male corsets. Depicts a scene in front of a fence at New York's “St. John’s Park” where a white dandy dressed in a top hat, ruffled shirt, and slip on shoes holds onto a lamp post, his right leg up, outstretched, and held by a dandy man companion. He holds his head back and his right hand toward his mouth. The friend, similarly attired in a top hat, waistcoat, and stiped pants crouches with his legs apart. Both are unable to bend. A "practically" attired, older man wearing an overcoat, vest, pants, and boots stands to the right and observes the scene. He states that he will report the event to the "Morning Courier & N.Y. Enquirer." Scene also shows dense foliage and a tree in the park behind the fence., Title from item., Date inferred from content and name of publisher., Inscribed: No.4., Inscribed: St. Johns Park, Sept. 28, 1829., Anthony Imbert, a New York artist, was a pioneer of American lithography who was also known for his ability as a marine painter., RVCDC, Description revised 2022., Access points revised 2022.
Date
[ca. 1830]
Location
Library Company of Philadelphia | Print Department Life in New York (New York Set) [P.9704.2]
View of an open air children's goat carriage steered by an African American man coach driver in New York City's Central Park. The driver, attired in a white collared shirt, a black bowtie, a dark-collared suit, and a brimmed hat, holds the reins to two white goats with horns. Riding as passengers in the carriage are two white girls, attired in fine hats and coats. In the right background, a white woman and two children sit on a bench., Title from item., One of a series of copy issues entitled: American Scenery., Gift of Saul Koltnow, 1984., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1874]
Location
Library Company of Philadelphia | Print Department stereographs - unidentified - Non-Philadelphia-New York [P.9022.23]
Depicts three workers chiseling a large slab of marble in the Piccirilli Brothers workshop in New York City, starting the rough carving of a sculpture designed by George Grey Barnard for the front entrance of the Pennsylvania State Capitol building. The Piccirilli Brothers not only completed the rough carving of the 27 statues designed by George Grey Barnard, they also installed them in 1911. A statue of an unidentified bishop stands in the background., The Pennsylvania State Capitol building was contructed from 1902 to 1906, after designs by Joseph M. Huston., Gift of Mr. and Mrs. Maro S. Hunting. Mrs. Hunting was the granddaughter of Joseph M. Huston, the architect of the Capitol., LCP AR [Annual Report] 1979, pp. 42, 47-48., Forms part of the Pennsylvania Capitol Photograph Collection.
Date
ca. 1907
Location
Library Company of Philadelphia | Print Department Pennsylvania Capitol Photograph Collection [P.8479.79]
Oblique view looking north at the front elevation and spires of St. George's Episcopal Church at 209 East 16th Street facing the west end of Stuyvesant Square in New York City. Church built 1846-48 after designs by Otto Blesch and Leopold Eiditz to accommodate congregation in Lower Manhattan. Spires completed in 1858. A fire in 1865 destroyed the roof and the spires were subsequently removed., Title printed on mount., Photographer's blind stamp on mount., Publisher's label pasted on verso., White mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim Brothers copyrighted a series of stereographs with labels inscribed: "American Stereoscopic Co., Langenheim, Loyd & Co., Philadelphia" in 1858. They continued to produce stereographs until 1865, when they withdrew from the American Stereoscopic Co.
Creator
W. & F. Langenheim (Firm)
Date
c1858
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Religion [8335.F.2]
Oblique view looking north at the front elevation and spires of St. George's Episcopal Church at 209 East 16th Street facing the west end of Stuyvesant Square in New York City. Church built 1846-48 after designs by Otto Blesch and Leopold Eiditz to accommodate congregation in Lower Manhattan. Spires completed in 1858. A fire in 1865 destroyed the roof and the spires were subsequently removed., Title printed on mount., Photographer's blind stamp on mount., Publisher's label pasted on verso., White mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., The Langenheim Brothers copyrighted a series of stereographs with labels inscribed: "American Stereoscopic Co., Langenheim, Loyd & Co., Philadelphia" in 1858. They continued to produce stereographs until 1865, when they withdrew from the American Stereoscopic Co.
Creator
W. & F. Langenheim (Firm)
Date
c1858
Location
Library Company of Philadelphia | Print Department stereo - Langenheim - Religion [8335.F.2]
View showing a man sitting on a bench near a pond and a little girl standing behind him in the cemetery founded in 1838 in Kings County, New York. They look in the direction of the mausoleums and headstones built into the hill in the distance., Title on negative., Publisher's imprint printed on mount., Orange mount with rounded corners., Gift of Aaron Wunsch., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department stereo - Union View Company - Cemeteries [P.9963.3]
Trade card showing the exterior of the multi-story hotel adorned with signage reading "Dining Saloon." Also contains street and pedestrian traffic, including a horse-drawn carriage. Hotel was later renamed the Frankfort House., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Forms part of Scrapbook of Ephemera [8608.F]., Eaves worked in New York between 1845 and 1860.
Creator
Eaves, William, 1792-1879, engraver
Date
[ca. 1855]
Location
Library Company of Philadelphia | Print Department albums - Scrapbook [8608.F.15c]
Print after the design of painter Henry Brueckner of Washington's arrival by barge to New York (the nation's capital) for his inauguration depicting a large crowd welcoming the newly-elected president. Shows Washington, at the head of the barge, raising his hat to New York Governor George Clinton standing within a heavily decorated "Welcome" canopy on the wharf. Clinton stands next to his wife, daughters, and white men envoys, all finely attired. On the heavily-decorated barge, containing a red canopy, Washington is surrounded by white men envoys and oarsmen. The envoys are finely attired and the oarsmen wear matching tan suits and black caps adorned with ribbons. The ribbons contain the names of the U.S. states. Throngs of men, women, and child spectators stand along the wharf and upon sailing vessels on the river. Spectators include an African American man cheering with his hat in the air (right); white women in gowns; a white sailor hanging from a rope ladder attached to a ship (right); and an Indigenous man, woman, and baby seated in a canoe by the barge (center right). The man claps and the woman holds the baby in a cradleboard to her chest., Title from item., Place of publication and date from copyright statement: Entered according to Act of Congress A.D. 1867 by John C. McRae, in the Clerk's Office of the U.S. District Court for the Southern District of New York., Name of artist and engraver from earlier state in collections of the Library of Congress., See also Scottish American Journal, April 21, 1866, p. 5 and Vermont Chronicle, May 19, 1866, p. 3 for articles that describe the engraving as representing "Washington after the proclamation of peace with Great Britain." Articles also note that McRae was occupied on the work for nine years., Gift of David Doret, 1994., In poor condition. Stained and tears., Cataloged 2021.
Creator
McRae, John C., engraver
Date
1867
Location
Library Company of Philadelphia | Print Department ***GC - Washington [P.9472]
View looking from Brooklyn showing the Brooklyn Bridge, built 1870-1883 after the designs of John Roebling, spanning the lower East River. In the foreground, several Brooklyn businesses and industries are visible, including a stove warehouse, grocer, liquor dealer, and a "cordage, twine, mats, & wicks" manufactory. Also shows several ferry boats and sloops docked along the shore. Manhattan is visible in the distance on the far right of the image., Yellow mount with rounded corners., Title printed on mount and from label on negative., Gift of Saul Koltnow., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
ca. 1883
Location
Library Company of Philadelphia | Print Department stereo - unid. - non-Philadelphia - New York [P.9022.44]
Incomplete series showing five exterior and interior views of the ruins of the St. George's Episcopal Church (founded 1749) at 209 E. 16th Street at Stuyvesant Square. The Romanesque-style church built 1846-1856 after the designs of Blesch and Edlitz was damaged by fire in 1865. Images also show views of Stuyvesant Square, pedestrians, and a horse-drawn wagon. Titles include Front View from the S.E. corner of Stuyvesant Square; Front View from the Fountain, Stuyvesant Square; Front View from the East Fountain, Stuyvesant Square; S.W. View from the corner of E. 16th St. and 3rd Avenue; and Interior View from the Chancel., Series numbers: 4598; 4600-4602; 4609., Publisher's labels pasted on versos., Yellow mounts with square corners., Partial distributor's imprint stamped on versos: [McAllister Optician 627 Broadway New York]., Series numbers inscribed in negatives., Originally from a McAllister scrapbook of views of New York, The Anthony firm, established in 1859, operated as a partnership from 501 Broadway between 1863 and 1871., Thomas H. McAllister, brother of Philadelphia antiquarian, John A. McAllister, established an optician shop in New York in 1855., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator
E. & H.T. Anthony (Firm)
Date
[ca. 1865]
Location
Library Company of Philadelphia | Print Department stereos - Anthony - Religion [5741.F.2b; 5741.F.2d; 5741.F.3d; 5741.F.3f; 5741.F.4b]
Anti-labor union cartoon satirizing the several New York workers' strikes for higher wages in early 1836 during a harsh winter; a period of severe inflation, including exorbitant market prices; and an era of property speculation. Depicts livestock on strike for a higher market value near fish peddlers attired in winter garb, including two African American shellfish vendors. Animals include a Tom turkey ordering a turkey hen not to sell her young ones because "gobblers will bring twenty shillings and hens fifteen"; hens refusing to lay eggs for "less than four pence a piece"; a pig holding a banner inscribed "Hams 15 cents per lb exclaiming "I shall Jew them out of a shilling a pound"; an indignant lamb and calf conferring about their deserved increased prices per pound; and a confident steer exhorting the range of high prices for ordinary beef, corn fed beef, and beef shins. In the foreground, two African American men vendors get advice from two African American marketers, portrayed in racist caricature and speaking in the vernacular, about oysters unable to "strike for de frost" and that "gemmen" will not buy open mouthed clams. A white man fish peddler hawks his bass at "whole for two shilling de pound" and cut at "tree shillin" to a white gentleman inquiring about fresh fish. In the right, a barking dog sits on his "House to let. Inquire No. 48 Courtlandt St." (address of publisher) and comments "I feel like a savage! this is all contrary to law," probably an allusion to the "Geneva ruling" of 1835 by the New York state supreme court, which proclaimed unions and strikes forbidden by law., Title from item., Artist's initial lower left corner., Publication information from Weitenkampf., Copyright statement printed on recto: Entered according to act of Congress in the Year 1836, by H.R. Robinson, in the clerk's office of the District Court of the United States of the Southern District of New York., Described in Nancy Reynolds Davison's "E.W. Clay: American political caricaturist of the Jacksonian era" (PhD diss., The University of Michigan, 1980), p. 164-165., Purchase 2003., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Clay, Edward Williams, 1799-1857, artist
Date
[March 1836]
Location
Library Company of Philadelphia | Print Department political cartoons - 1836 - 1w [P.2003.40.1]
Print commemorating American independence after the painting by religious and historical artist, Johannes A. Oertelat, at the New York Historical Society. Depicts white men attempting to topple the equestrian statue of King George following the reading of the Declaration of Independence at the foot of Broadway. At the base, men pull on ropes wrapped around the sculpture while men from behind use rods to knock it over. In front of the pedestal, an African American man has fallen over on the ground. An excited crowd of spectators, including well-to-do and working class men, women, and children cheer, point, hold torches and mallets, and trample upon the broken fence once surrounding the statue. In the left is a Native American man attired in a feather headdress and carrying a spear. Several dogs run in the foreground. In the background, ships in New York harbor are visible., Gift of Mrs. Francis P. Garvan, 1978., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
McRae, John C., engraver
Date
c1859
Location
Library Company of Philadelphia | Print Department **GC-American Revolution [8384.F.11]
Print after the painting displayed at the National Academy of Design in New York by native Philadelphian and prolific 19th-century book illustrator, Felix Octavius Carr Daley. Depicts the historic scene at the close of the American Revolution showing General Washington, his hand on his hip and his face turned to the left, on horseback and triumphantly parading his troops through a crowded New York City street on November 25, 1783. Exuberant spectators, some running and some held back by uniformed guards, line both sides of the thoroughfare and cheer from balconies, roofs, and windows. Spectators include many parents with children. In the left foreground, an African American man servant or waiter, attired in hoop earrings, a white collared shirt, a bow tie, a jacket, breeches with white stockings, and buckled shoes, carries a serving tray under his arm and stands and peers into the street to watch Washington. Three dogs run in the foreground., Title from: Illustrated by Darley: an exhibition of original drawings..., May 4- June 18, 1978 (Delaware Art Museum. Wilmington: The Museum, 1978). (LCP Print Room Yb A2696.O)., Alternate title from 1863 artist's proof at the Museum of the City of New York., Manuscript signature of engraver in lower right corner., Gift of Dr. Anthony N.B. Garvan, 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Ritchie, a New York painter and prolific engraver of portraits and genre scenes, produced at least three engravings after the works of F.O.C. Darley.
Creator
Ritchie, Alexander Hay, 1822-1895, engraver
Date
c1858
Location
Library Company of Philadelphia | Print Department **GC - American Revolution [P.8646.3]
Depicts a group of people standing near an arch and columns under construction. Many large sculptures adorn the arch. In the foreground is a barrel with a sign reading in part: Dewey Week. Arch built in Madison Square in New York City to celebrate Admiral George Dewey's victory in the Battle of Manilla during the Spanish-American War., Title supplied by cataloguer., Gift of Albert L. Doering.
Creator
Doering, William Harvey, 1858-1924, photographer
Date
September 1899
Location
Library Company of Philadelphia | Print Department lantern slides - Doering [P.9453.243]
Forts Beauregard and Walker, Port Royal, S.C. were bombarded and captured in Nov. 1861., Printed in red and blue., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Leslie, Frank, 1821-1880
Date
[1861 or 1862]
Location
Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1861 Leslie (5)5777.F.49b (McAllister)
Illustrated trade card depicting the title displayed on a signboard with a crown surrounded by flowering vines, a winged cherub and a bust statue., Advertising text printed on verso promotes W. Dauphin's "city of Paris" where flowers, garnitures, ball and bridal outfits, mourning goods, and hair dressing services are provided., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department trade card - Dauphin [1975.F.891]
Includes three billheads and two letterheads. Billheads contain vignette exterior view of the storefront at 91 & 93 Fulton Street. A horse-drawn omnibus, wagon, and carriage travel in front of the building adorned with signage and an American flag. Billheads also contain terms and conditions for payment and delivery, names of partners, promotional text, and "Invoice Book" and "Page" numbers. Firm founded as Olcott & McKesson by Charles Olcott and John McKesson in 1833. It was renamed McKesson & Robbins following Olcott's death in 1853 and the admittance of partner Daniel Robbins., Title supplied by cataloger., Billheads (P.2011.46.191-193) completed in manuscript to Gauntlett & Brooks on May 17, 1878 and August 7, 1878 and Maicas & Co. on July 28, 1887. Items billed include hemlock, hair brushes, Hoyt's cologne, wax gas lighters, and borax., Letterheads completed to Friend Griffing from John [illegible] on March 26, 1888 regarding a check and Mr. Massey of Messrs Caswell, Massey & Co. from W. H. Wickham on June 20, 1888 regarding the selection of a "College of Pharmacy" by E. H. Morgan., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[ca. 1870-ca. 1880]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - M [P.2011.46.191-195]
The illustration shows a U.S. flag with the motto: Stand by the flag., Printed in red ink; printed area measures 15.7 x 10.7 cm., Library Company copy has contemporary MS. note: P D Orvis circular drugs &c 1861., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Orvis, Philander Denslow, 1828-1903
Date
[1861?]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1861 Orvis 113005.D (Helfand)
Billheads containing ornate lettering and variant vignette views of the several-story building of the firm established in 1851 and incorporated in 1897. Views also show street or pedestrian traffic. Street traffic includes a horse-drawn wagon and carriage. View on circa 1890 print includes an American flag on the roof of the building. Establsihed in 1851 as Gail & Amend, Bernard Amend entered into partnership with Charles Eimer in 1856. Eimer retired in 1883 and the firm was incorporated as eimer & Amend in 1897. The firm specialized in the importation of rare crude drugs., Printers include Photo-Electrotype Eng. Co. N.Y., Printed upper right corner: Book No [ ].; Folio. [ ]., Printed above image: Wo only give credit for empties as charged in invoice, if returned in good and clean condition. All claims for deduction must be made within eight days after receipt of goods., P.2011.46.144 completed in manuscript to F. M. C. Gilroy on October 31, 1887 for "4 3/4 Gall Alcohol" for $10.45. Stamped: Paid Nov. 1, 1887, Thos. F. Gilroy, Receiver and Received Payment New York 1887 Eimer & Amend. Inscribed: Correct JHC., P.2011.46.145 completed in manuscript to N.Y. Engraving Print Co on March 22, 1899 for "Carboy 39 Lg. Ferre chloride" for $14.01. Stamped: Approved [Initials illegible]Received Drug Department and O.K. [W.R.R.S.] Manufacturing., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Gift of William H. Helfand.
Date
[ca. 1880-ca. 1890]
Location
Library Company of Philadelphia | Print Department Helfand Popular Medicine Stationery Collection - E [P.2011.46.144 & 145]
On verso: Contents. The Battle of Williamsburgh, Va. (Full page.) The Capture of New Orleans by the national gunboats. (Double page.) ..., The Battle of Williamsburg took place May 5, 1862., Imprint from colophon., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Leslie, Frank, 1821-1880
Date
[1862]
Location
Library Company of Philadelphia | Books & Other Texts | Rare sm # Am 1862 Leslie (2)5786.F.93b (McAllister)
