Search results

Title: The Philadelphia inquirer. Wednesday, September 25. 1861 The Rebellion A grand review of infantry and cavalry The war in Missouri Col. Mulligan fights 59 hours without water Gen. Prentiss not heard from Gen. Fremont taking the field The Kentucky war nws [sic] More skirmishing with rebels, &c
Description: An advertising poster with the headlines of the day., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1861]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1861 Phila Inq (1)5777.F.70c (McAllister)

Title: Evening Bulletin postcards
Description: Contains exterior views of the office building of the Philadelphia newspaper, the Evening Bulletin, built 1906-1908 after designs by Edgar Viguers Seeler., Sheet number: 40A02B, Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Brightbill, George M., collector
Date: 1900-1910
Location: Library Company of Philadelphia | Print Department Brightbill postcards [Business and Industry - Miscellaneous - 40]

Title: The Philadelphia inquirer. Saturday, October 26, 1861 The Battle of Balls Bluff further interesting particulars! A list of the killed, wounded and missing. Later from Gen. Banks' command! A large rebel force in view! News from Washington Latest from Missouri! Price still retreating! Our generals in full pursuit! Later from Europe, &c
Description: An advertising poster with the headlines of the day., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1861]
Location: Library Company of Philadelphia | Books & Other Texts | Rare 2# Am 1861 Phila Inq (6)5777.F.22c (McAllister)

Title: Neujahrs-Wunsch des Herumträgers des Lancaster Adlers, an seine Kunden, bey dem Eintritt des Jahrs 1829
Description: Verse in ten unnumbered stanzas; first line: Glück zu! ihr Werthen Kunden mein,., Caption title., Presumably printed late in 1828 by Jacob Baab and Herman W. Villee, printers of the Lancaster Adler, for distribution on or about New Year's Day., Verse printed in two columns divided by a column of type ornaments; printed area, including arched ornamental border, measures 35.7 x 23.3 cm., Not in Shoemaker., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1828]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1828 Neujahrs 9519.F (Roughwood)

Title: Neujahrs-Wunsch des Herumträgers des Lancaster Adlers, an seine Kunden, bey dem Eintritt des Jahrs 1829
Description: Verse in ten unnumbered stanzas; first line: Glück zu! ihr Werthen Kunden mein,., Caption title., Presumably printed late in 1828 by Jacob Baab and Herman W. Villee, printers of the Lancaster Adler, for distribution on or about New Year's Day., Verse printed in two columns divided by a column of type ornaments; printed area, including arched ornamental border, measures 35.7 x 23.3 cm., Not in Shoemaker., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [1828]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1828 Neujahrs 9519.F (Roughwood)

Title: The Philadelphia inquirer. Friday, December 13, 1861 Important from Europe. The Mason-Slidell arrest in England! How the news was received! Doings in Congress! Complaint against Gen. Stone! Rebel force at Leesburg. The war in Georgia! The fight at Fort Pickens! 2 killed & 13 wounded! Rebel flags to be excluded from Egypt, &c
Description: An advertising poster with the headlines of the day., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Date: [1861]
Location: Library Company of Philadelphia | Books & Other Texts | Rare #Am 1861 Phila Inq (6)5777.F.23a (McAllister)

Title: ["It leads them all." The Sunday Item.]
Description: Illustrated trade card depicting a man riding a horse. Holding a very large postcard, he winks at the viewer and points toward the "postal card" text. The Sunday Item was a Philadelphia newspaper that was active between 1847 and 1897., Title supplied by cataloger., Advertising text printed on verso contains a vignette of a man pulling on the string of a doll. Text in quotes flanking the image includes "The string not broken." and "Jumping Jack Jones did it." Also includes the "Route of Athletic Parade"., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Sunday [P.8666.3c]

Title: [Liberator masthead, 1831]
Description: As indicated by two signs, the vignette is set in a horse-market, and depicts an auction of "Slaves, Horses, & Other Cattle," complete with an auctioneer standing at a podium at the right. In the center of a small group consisting of slaves and potential bidders, a female slave covers her face in desperation as two small childen huddle around her. To her right, a male slave sits at the base of the podium. In a clear gesture of despair, he rests his elbows on his knees and holds his head in his hands. A domed building that appears to be a court-house is visible in the distant background. A large flag reading "LIBERTY" waves from its top., Masthead from the Liberator (Boston: William Lloyd Garrison and Isaac Knapp, Publishers), vol. 1, no. 27 (July 2, 1831), p. 105., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [July 1831]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per L 21 1646.F v 1 n 27 July 2 1831 p 105, https://digital.librarycompany.org/islandora/object/Islandora%3A2880

Title: [Liberator masthead, 1850
Description: Engraving is divided into two parts by a roundel in the center that features a Christ-figure with a cross. The words "I come to break the bonds of the oppressors" are printed around the roundel's periphery. To the left, a black man kneels at Christ's feet. With shackled wrists, he holds his hands together in prayer. To the right, a slaveholder is positioned on the ground; most of his body is oriented away from Christ. Scene to the left of the roundel shows a slave auction, identified as such by a sign that reads "Slaves, Horses, & Other Cattle in Lots to Suit Purchase." (Versions of the sign appear in earlier Liberator mastheads.) An auctioneer stands on a raised platform over which an American flag flies; a small black child sits at his feet. Crying, the child covers his face with his hands. Several other slaves (adults and children) huddle around the rear of the platform, while a number of slaveowners stand in front of it. A courthouse (or another government building) appears in the distant background; a flag that reads "SLAVERY" waves above it. The scene to the right of the roundel depicts the emancipation of the slaves. A similar building appears in the background. In this case, however, the flag above it reads "FREEDOM." With a sea of flags, a parade (of troops?) marches through a triumphal arch marked "EMANCIPATION." In the foreground, freed slaves of varying ages cluster in front of a building that may represent a schoolhouse. Seated in a rocking chair, an eldery slave holds an infant in her out-stretched arms. A lamb, a dog, and other animals stand on the edge of the group., Masthead from the Liberator, ed. William Lloyd Garrison (Boston: Y.B. Yerrinton & Son, Printers, 1850), vol. XX, no. 22, whole no. 1012 (May 31, 1850), p. 85., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Creator: Hartwell
Date: [May 1850]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per L 21 1646.F v XX n 22 May 31 1850 p 85, https://digital.librarycompany.org/islandora/object/Islandora%3A2882

Title: [Liberator masthead, 1838]
Description: Divided into two halves, the masthead vignette contrasts the consequences of slavery and the benefits of emancipation. Scene to the left is a reworking of the original masthead illustration of 1831 showing a slave auction with a slave being whipped in the background and a capitol building adorned with a flag reading "Liberty." A common graphic strategy of abolitionists was to picture scenes of slavery alongside symbols of American freedom such as the capitol, the flag, etc. In this revised version, the slave auction is set on Freedom St., and joining it on the right is a scene showing emancipated slaves enjoying the benefits of freedom. Added vignette commemorates the abolition of slavery in the British colonies., Masthead from the Liberator, ed. William Lloyd Garrison (Boston: Published weekly at no. 25 Cornhill by Isaac Knapp), vol. VIII, no. 9 (March 2, 1838), p. 33., Fels Afro-Americana Image Project, Anti-Slavery Movement Imagery.
Date: [March 1838]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Per L 21 1646.F v VIII n 9 March 2 1838 p 33, https://digital.librarycompany.org/islandora/object/Islandora%3A2881

Title: John Brown. Leader of the Harper's Ferry insurrection
Description: Full-length portrait depicting the radical abolitionist with a beard and attired in a white collared shirt, a black waistcoat, a black jacket, and pants. He sits in a chair beside a small table and holds an edition of the "New York Tribune," an abolitionist newspaper, in his right hand. Also shows a map of "Kanzas" adorning the wall in the background to symbolize the controversial extension of slavery., Title from item., Date inferred from content., The Kellogg Firm, brothers Edmund Burke and Elijah Chapman, was a prolific New England lithographic firm that nearly rivaled Currier & Ives in the production of popular prints., Reaccessioned as P.8911.60., Purchase 1969., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator: E.B. & E.C. Kellogg (Firm)
Date: [ca. 1859]
Location: Library Company of Philadelphia | Print Department *Portrait Prints-B [7809.F]

Title: A high caste lady's dainty "lily feet" - as they really are - China
Description: Stereograph depicting a Chinese woman's feet on display. Shows the woman from the waist down attired in a tunic and pants with stripes at the bottom. She holds a closed fan in her hands on her lap. Her bare feet are exhibited on a cloth-covered box. The left foot points to the viewer, while the right foot is shown from the side displaying the heel and the toes bent over the arch. A newspaper in English is draped behind her legs., Beige mount with rounded corners., Contains Sun Sculpture trademark on mount., Title printed on mount., Date from copyright statement: Copyright 1900 by Underwood & Underwood., Title printed in six different languages, including French, German, and Spanish on verso., Gift of Linda Kimiko August.
Creator: Underwood & Underwood
Date: 1900
Location: Library Company of Philadelphia | Print Department stereo - Underwood & Underwood [P.2023.43.4]

Title: [Armand Dalsemer trade cards]
Description: Series of illustrated trade cards for Armand Dalsemer's "fine shoes" and "common sense shoes" at 136 North Eighth Street in Philadelphia. Illustrations depict a grinning African American man, portrayed in racist caricature, standing in an open window holding a newspaper labeled "The American Citizen"; a cherub sitting on a lily pad in a lily pond; and a portrait of a little girl wearing a bonnet., Title supplied by cataloger., Printers and engravers include Sunshine Publishing Company (Philadelphia) and Leon Meyers, 29 S. Liberty St., Gift of Emily Phillips, 1883., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Dalsemer [1975.F.15; 1975.F.19; 1975.F.286]

Title: Five Brothers plug tobacco "the best"
Description: Racist trade card promoting tobacco manufacturer John Finzer Bros. and depicting an African American girl and a white girl looking at a newspaper together. The two girls sit side-by-side on a stone wall with their naked backsides revealed to the viewer. In the left, the blond-haired white girl is barefooted and attired in a pink hat with blue trim and a short-sleeved pink dress with white lace around the neck and sleeves. In the right, the African American girl is attired in a short-sleeved white dress with blue stripes with lace around the sleeves and gold buttons at the top of the back. Both girls' dresses are open at the back revealing their naked bottoms. They hold a newspaper titled "Tale of Two Cities." The white girl points her finger at an advertisement for "Five Brothers Plug" in the paper. In the foreground are a number of blooming white and pink flowers. In the background several trees are visible. Five Brothers Tobacco Works, later called J. Finzer Brothers Company, was established by the five Finzer brothers: John, Benjamin, Frederick, Rudolph, and Nicholas in 1866 in Louisville, Kentucky. American Tobacco Company acquired the firm in the early 20th century., Title from item., Place of publication inferred from place of operation of advertised business., Date deduced from history of the advertised business., Advertising text printed on verso: The little "Narrative" on the other side is plainly if briefly told. That "Five Brothers Plug Tobacco is the Best" is our opinion. It is certainly the best we can make by employing only the choicest selections out of the highest grade Leaf Tobacco marketed, and using in connection with the same absolutely pure ingredients to produce flavor and a palatable chew. We now want your judgment. Ask for Five Brothers Plug, and we believe you will always use it. John Finzer & Bros. maufacturers, Louisville, Kentucky., Gift of David Doret.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Five Brothers [P.2017.95.64]

Title: Etching of the large engraving of Mexican news one of the six plates for the members of 1851
Description: Genre print emphasizing the influence of the press on national sentiment and consumer culture during the Mexican War. The "penny presses" drummed up public interest and support for the war by espousing the doctrine of Manifest Destiny as the justification for Westward expansion. Depicts a crowd of white men on the porch of the "American Hotel" eagerly listening to an astonished-looking man reading the news of the progress to annex Texas. An African American man and child, attired in tattered clothing, listen from the steps of the porch. In the right, a white woman leans out of the window of the hotel and strains to hear the news., Title from item., After an 1848 painting "War News from Mexico" by Robert Caton Woodville exhibited at the free gallery of the American Art-Union in 1849. In the collections of the National Gallery of Art on long-term loan., One of six etchings printed in 1851 for the members of the American Art-Union in New York., Published in Vincent Virga et al.'s Eyes of the nation: A visual history of the United States. (NY: Knopf, 1997), p.115., Gift of Clarence Wolf, 1984., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Alfred Jones was born in Liverpool in 1819 and traveled to America with his family. He attended the National Academy of Design in New York, and in 1839 took an apprenticeship with a banknote engraver. He returned to Europe in 1840, where he studied under London’s master engravers. After returning to America, he became one of the premier engravers in the country, eventually establishing a career in postage stamp engraving. He also engraved a number of images for the American Art-Union, including this one, which was originally engraved and sold by subscription to the union’s members in 1851.
Creator: Jones, Alfred, 1819-1900, engraver
Date: [1851]
Location: Library Company of Philadelphia | Print Department GC - Mexican War [P.9046.18]

Title: Etching of the large engraving of Mexican news one of the six plates for the members of 1851
Description: Genre print emphasizing the influence of the press on national sentiment and consumer culture during the Mexican War. The "penny presses" drummed up public interest and support for the war by espousing the doctrine of Manifest Destiny as the justification for Westward expansion. Depicts a crowd of white men on the porch of the "American Hotel" eagerly listening to an astonished-looking man reading the news of the progress to annex Texas. An African American man and child, attired in tattered clothing, listen from the steps of the porch. In the right, a white woman leans out of the window of the hotel and strains to hear the news., Title from item., After an 1848 painting "War News from Mexico" by Robert Caton Woodville exhibited at the free gallery of the American Art-Union in 1849. In the collections of the National Gallery of Art on long-term loan., One of six etchings printed in 1851 for the members of the American Art-Union in New York., Published in Vincent Virga et al.'s Eyes of the nation: A visual history of the United States. (NY: Knopf, 1997), p.115., Gift of Clarence Wolf, 1984., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Alfred Jones was born in Liverpool in 1819 and traveled to America with his family. He attended the National Academy of Design in New York, and in 1839 took an apprenticeship with a banknote engraver. He returned to Europe in 1840, where he studied under London’s master engravers. After returning to America, he became one of the premier engravers in the country, eventually establishing a career in postage stamp engraving. He also engraved a number of images for the American Art-Union, including this one, which was originally engraved and sold by subscription to the union’s members in 1851.
Creator: Jones, Alfred, 1819-1900, engraver
Date: [1851]
Location: Library Company of Philadelphia | Print Department GC - Mexican War [P.9046.18]

Title: An affecting scene in Kentucky
Description: A racist cartoon ridiculing Kentucky congressman Richard M. Johnson, the 1836 Democratic vice-presidential candidate, for his common-law marriage to Julia Chinn, a multiracial woman. Depicts Johnson, with the "New York Courier and Enquirer" falling from his hand, as he grieves over the "scurrilous attacks in the newspapers on the mother of my children." His daughters, Adaline and Imogene, attired in evening dresses, comment on his "affected state" and hold a framed portrait of their mother, attired in a turban. Surrounding Johnson are Democrats pledging support, including a postmaster, a well-dressed African American man, who speaks in the vernacular, and a gaunt white man abolitionist holding the Connecticut newspaper the "Emancipator." Another white man supporter comments on Johnson's agitated state., Title from item., Publication information supplied by Reilly., Purchase 1958., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1836]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1836-15 [6277.F]

Title: The abolition Garrison in danger & the narrow escape of the Scotch Ambassador
Description: Anti-abolition print celebrating the 1835 attack on William Lloyd Garrison in Boston by "gentleman of property and standing" preceding his scheduled speaking engagement before the Boston Female Anti-Slavery Society. Depicts Garrison at the center of an angry mob of white men. He has a noose around his neck and his newspaper "The Liberator" in his pocket and yells, "Help Children of Africer - help brothers." Scottish abolitionist George Thompson, who was rumored to be the Society's speaker, flees the scene attired in a women's clothes. He states with a Scottish burr that he will not be a "Martyr in sie black cause." As the mob screams, "Down with the incendiary abolitionists," and calls for Garrison's lynching and arrest, Garrison is being pulled by the noose by several of the rioters and steps upon editions of the "Evening Post" and "Human Rights," serials sympathetic to the abolitionist cause., Title from item., Date inferred from content., Text on recto: Boston Oct. 21st, 1835., Purchase 1958., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1835]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1835-10W [6259.F]

Title: Southern ideas of liberty. New method of assorting the mail, as practised by southern slave-holders, or attack on the post office, Charleston, S.C
Description: Print portraying the violent suppression of Southern abolitionism. Depicts a riotous mob around a gallows from which a white man hangs. It is overseen by Judge Lynch, depicted with donkey's ears and holding a whip while stepping on the Constitution. He is seated upon bales of cotton, sugar, and tobacco and sentences a white man abolitionist to be hanged by the neck. The abolitionist is grabbed and drug to the gallows by two white men., Print portraying a raid of anti-abolitionists on the Charleston Post Office in July 1835. Depicts white men removing and then pilfering mail-bags from the ransacked post-office and throwing to the ground abolitionist newspapers including "The Liberator," "Atlas," and "Commercial Gazette" while a riotous mob burns the papers. Posted on the Post Office is a broadside titled "$20,000 Reward for Tappan" referring to the bounty placed by the city of New Orleans upon Arthur Tappan, founder and president of the American Anti-Slavery Society., Title from item., Advertised in 1836 editions of the abolitionist newspapers The Liberator, published in Boston, and Emancipator, published in New York., Text printed on recto: Sentence passed upon one for supporting that clause of our Declaration viz. All men are born free &equal. “Strip him to the skin! give him a coat of Tar & Feathers! Hang him by the neck, between the Heavens and the Earth!!! as a beacon to warn the Northern Fanatics of their danger!!!!”, Purchase 1981., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [ca. 1835]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1835-2 & 3 [P.8658]

Title: Immediate emancipation illustrated
Description: Critical satire of the American Anti-Slavery Society, which was founded on the principle of immediate abolition by Arthur Tappan and William Lloyd Garrison, who are depicted discussing the society's principles with an unnamed abolitionist, possibly Lewis Tappan. Above their heads is the banner "Anti Slavery Society Founded Anno Domini MDCCCXXXIII." The seated Garrison comments on the origin of the bundle of Italian linen at his feet, which is to be used for his newspaper "the Emancipator." In the right, the figure of a leopard rests upon a pedestal marked "Fanaticism. Brought the Inquisition upon Spain. Beggary upon Italy. And may drench America in blood!!" (an allusion to the idiom a leopard cannot change its spots and to the Spain and the Iberian War, 1807-1814). In the left, a Black man, labeled "Emancipated Slave," is portrayed in racist caricature and is naked except for a leaves wrapped around his waist. He chases an insect calling, "Food," while carrying a knife. In the background, a scene labeled "Insurection (sic) in St. Domingo! Cruelty, Lust, and blood!" depicts Black people using swords and axes to kill white people, including a white woman on the ground. A building burns behind them., Title from item., Date supplied by Weitenkampf., Probably the "A Caricature" cited in the Emancipator (New York, N.Y.), October 19, 1833 and Liberator (Boston, Mass.), November 2, 1833., The "Emancipated Slave" figure is similar to the figure depicted in the lithograph by Alfred Ducôte, "An Emancipated Negro" ([London]: Thomas McLean, 1833). Copies in the collections of National Maritime Museum, Greenwich, London and the Victoria & Albert Museum, London., Purchase 1986., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date: [1833]
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1833 - 27W [P.9140]

Main menu