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Title: Major E. Newell, with Genl. Tom Thumb's Museum. H.R. Jacobs, manager
Description: Illustrated trade card die cut and shaped into a painting palette. Promotes General Tom Thumb's Museum and depicts Major E. Newell attired in four costumes. Tom Thumb, born Charles Sherwood Stratton, was a little person who toured with P.T. Barnum., Advertising text printed on verso: General Tom Thumb and his charming little wife with entire troupe. Horticultural Hall positively two weeks only Sept. 25 to Oct. 7th. Every afternoon & evening. Skatorial champion. Major Newell, the impersonator; Zoe Meleke, and her performing canary birds; Whiston, humorist and great facial artist; marvelous midget; Bingham, ventriloquist & illusionist with a congress of brilliants., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department trade card - Horticultural [1975.F.651]

Title: L. Kausz successor to H. Kausz , manufacturer & importer of and dealer in artist's materials, 810 Walnut Street Philadelphia
Description: Trade card containing an image of an artist's palette. Advertising text depicted as on palette. Leonard Kausz succeeded Henry Kausz following his death in 1863 and operated from 810 Walnut Street by 1865., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., M.H. Traubel & Co. operated from 1853 to circa 1857.
Date: [ca. 1865]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.146m]

Title: D. Klein & Bro., clothiers, 1112 Market Street, Philadelphia. Branch store, 4327 Main St., Manayunk
Description: Illustrated trade card die cut and shaped into an art palette depicting a cat. D. Klein & Bro. was a partnership between David and Lewis Klein., Advertising text printed on verso: D. Klein & Bro., clothiers and merchant tailors, 1112 Market Street, Philadelphia. Branch store, 4327 Main Street, Manayunk., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Klein [1975.F.481]

Title: P. Edw'd Chillman & Co., photographers, 18 South Eighth Str., Philadelphia
Description: Illustrated trade card depicting a portrait painting displayed on an easel of a child seated and posed with a pen and a piece of paper. A large painting palette with paint brushes running through the finger hole rests in front of the painting in the lower right corner., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department *trade card - Chillman [P.9821]

Title: [A. J. Chauveau trade cards]
Description: Series of illustrated trade cards for A.J. Chauveau's Philadelphia confectionery business at 110 South Eleventh Street. Illustrations depict a man courting a woman in Colonial garb in a garden; a boy and a monkey wearing the same style feathered hat sitting on top of a drum; and a vignette within an artist's palette depicting an idyllic coastal scene, including pedestrians, buildings, a docked sailboat, and a body of water., Title supplied by cataloger., One print [1975.F.211] copyrighted 1881 by J.H.H., One print [1975.F.211] die cut and shaped into an artist's palette., One print [1975.F.211] contains advertising text on verso: A.J. Chauveau, manufacturer of choice caramels and pure confections, 110 South Eleventh St., six doors below Chestnut, Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Chauveau [1975.F.151; 1975.F.153; 1975.F.211]

Title: An absorbing subject
Description: Racist trade card specimen depicting a caricature an African American man lying on top of a barrel and drinking from it with a straw. Shows the barefooted man, portrayed with exaggerated features, and attired in a straw hat, a striped shirt with the sleeves rolled up to the elbows, and patched and torn pants. He lies straddling on top of a wooden barrel and rests his head in his hands. He closes his eyes as he drinks from a straw through a hole in the barrel. The barrel has a label pasted on it and is marked “XXX.” In the foreground, a painter’s palette leans against the front of the barrel., Title from item., Date deduced from the visual content., Gift of David Doret.
Date: [ca. 1890]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Absorbing [P.2017.95.195]

Title: Books, banners, bibles, cards, full assortments. B. Griffith, sec'y, 1420 Chestnut St
Description: Series of illustrated trade cards depicting an open book and horn tucked into a flowering wreath; a painting palette, arrows and grape vines; and a dove with a letter in its beak perched on a bunch of roses. Reverend Benjamin Griffith served as the Secretary of the American Baptist Publication Society from 1857 until 1882., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Griffith [1975.F.360-362]

Title: D.S.B. & Co. New York. Soap makers & perfumers
Description: Die cut trade card shaped into a painting palette with an illustration in the center depicting a boy wearing a straw hat and shoulder bag with a fishing rod in his left hand. He wades through a pond or lake toward a signboard reading "D.S.B & Co. New York"., Advertising text printed on verso: Presented by D.S. Brown and Company New York who manufacture the largest & most complete line of toilet soaps in the country. Also a fine line of toilet extracts. Lawn lilac a specialty., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - D.S. Brown & Co. [1975.F.29]

Title: [Frederick A. Rex & Co. trade cards]
Description: Series of illustrated trade cards promoting coffee manufacturer Frederick A. Rex & Co. and depicting a fox leaping to grab grapes in its mouth from a vine running along the top of a tall stone wall. Racist trade card titled "An absorbing subject" and depicting a caricature an African American man lying on top of a barrel and drinking from it with a straw. Shows the barefooted man, portrayed with exaggerated features, and attired in a straw hat, a striped shirt with the sleeves rolled up to the elbows, and patched and torn pants. He lies straddling on top of a wooden barrel and rests his head in his hands. He closes his eyes as he drinks from a straw through a hole in the barrel. The barrel has a label pasted on it and is marked “XXX.” In the foreground, a painter’s palette leans against the front of the barrel. Frederick A. Rex (1850-1916) founded the Frederick A. Rex Company in the 1880s which manufactured coffee and tea. The firm had an office in Philadelphia and a mill in Camden, N.J., Title supplied by cataloger., One print [P.9651.20] copyrighted 1881 by Geo. M. Hayes., One print [P.9651.20] contains advertising text printed on verso promoting "Peerless Coffee," the finest coffee sold, roasted and packed by Fred'k A. Rex & Co., 39 North Front St., Philadelphia, with mills in Camden, New Jersey., Purchase 1999, 2001., RVCDC, Description revised 2021., Access points revised 2021., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1881]
Location: Library Company of Philadelphia | Print Department trade card - Rex [P.9651.20 & P.9984.2]

Title: We have the nicest styles of men, boys & childrens' clothing at the Globe Clothing House no. 25 N. Eutaw St. near Lexington
Description: Racist trade card promoting the Globe Clothing House in Baltimore and depicting a caricature of a fashionably dressed African American man carrying a cane. Shows an African American man attired in black dress shoes, white socks, black pants, a white collared shirt and bowtie, a red waistcoat, and a green jacket with tails. He opens his mouth in a smile as he struts carrying a cane in his right hand. The trade card is shaped like an artist's palette with colorful paints in the left. The Globe Clothing House opened on 25 N. Eutaw Street, Baltimore, MD in 1882. Austin J. Kuhns & Co. acquired the store in September, 1885., Title from item., Place of publication deduced from place of operation of the advertised business., Date deduced from history of the advertised business., Card is shaped like an artist's palette., Gift of David Doret.
Date: [ca. 1882]
Location: Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Globe [P.2017.95.71]

Title: [Sharpless & Sons trade cards]
Description: Series of illustrated trade cards depicting women in a variety of settings, including a woman sitting on the beach with a parasol and fan; a woman attired in gypsy-inspired clothing kneeling next to an urn; the bust of a woman wearing a large plumed hat superimposed onto a painting palette; and another bust portrait of a woman wearing a hat. Also shows men in hunting gear with rifles and dogs; clowns balancing on the hardware of a clock; a couple on the beach stopped in front of an enormous hermit crab, birds and guitar; a chef wielding a large knife with his hand around the throat of a large duck; a couple standing inside of a large lantern; men working on a large paper lantern that hangs from a tree branch; a couple being transported in a covered gondola; and a table containing wine, fruit, bread and dishes superimposed onto a painting palette., Title supplied by cataloger., Printers and engravers include D. Hutinet (Paris), Bognard (Paris) and John A. Lowell & Co. (Boston)., Advertising text printed on versos: Sharpless & Sons, importers, jobbers & retailers of dry goods, 801, 803, 805 & 807 Chestnut Street, Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Sharpless [1975.F.760; 1975.F.762; 1975.F.766-768; 1975.F.780; 1975.F.794; 1975.F.812; 1975.F.814; 1975.F.825; 1975.F.838-840]

Title: William Russell Birch Collection
Description: Collection containing primarily engravings, watercolors, and drawings executed by English-born artist and engraver William Birch and his descendants between the 18th and later 19th century. Several of the graphic materials are by William Birch and represent engraved work he completed in Britain before 1794 and following his immigration to the United States that same year. His British work includes plates from his unpublished satiric volume “The Busy World, or London Dissected ...” (ca. 1792-ca. 1793) showing a charlatan at work, a fight between Richard Humphreys and Daniel Mendoza, a May Day procession, and rag dealers (P.2016.50.28-33); loose plates from his book of British landscapes “Les Delices de la Grande Bretagne” (1791) (P.2016.50.34, 36, 42); the rural and scenic “The Porcupine Inn Yard Rushmore Hill” (p.2016.50.38); the disaster print “The Great Fire of London in the Year 1666” (P.2016.50.55); and portraits of the poetical character Secander (P.2016.50.40) and his mentor “Sir Joshua Reynolds” (P.2016.50.22). His American work includes variant editions of plates from his “Views of Philadelphia” originally published as a series 1798-1800 (P.2016.62.21-37); variant editions of plates from his “Country Seats” originally published in 1808 (P.2016.62.38-45a); and the 1800 commemorative portrait “George Washington. Late President of the United States of America” (hand-colored and black and white [P.2016.50.59 & P.2016.62.55])., British and American work of Birch is also included in the collection in the form of watercolors, drawings, paintings, a sketchbook, and as photographic reproductions. These graphics depict portraits of family members (some photographed ca. 1910s by Charles W. Parker), including his children Priscilla, Thomas, George, and Albina while young as well as his purportedly his mother Anne (P.2016.50); ca. 1800s plan and views of his Bucks County country seat Springland (purchased in 1798) (P.2016.50.48-50); views of the Philadelphia country seat China Retreat, Gunpowder Falls near Hampton, MD, and the George Read estate in New Castle, DE (P.2016.50.43, 45-46); an annotated sketch of Westminster Bridge from the Adelphi Terrace (P.2016.50.51); a drawing of a group of boys (P.2016.62.2); and pencil sketches of male and female figures within an undated sketchbook (P.2016.62.59). Additionally, Birch’s work is represented by a preparatory sketch of an A. Sheffer portrait of Lafayette (P.2016.50.21); portrait drawings of unidentified sitters (P.2015.25 & 26); a ca. 1795 miniature enamel painting of his daughter Deborah (P.2016.50.67); a palette of his paint colors (P.2016.50.66); and an 1830s oil painting of an older Thomas Birch (1779-1851) attributed to William (P.2016.62.1)., Other original and reproduced material is attributed to William Birch or by Birch family members or by other artists and engravers. This includes a 1742 Thomas Worlidge pencil portrait of William’s father Thomas (P.2016.50.14), a Birch portrait of William King (father-in-law of son Thomas), and portraits and a "Museum" (i.e., Peale Museum) blind-stamped silhouette of Birch (P.2016.50.16); ca. 1785 Robert Freebairn watercolor of Hampstead Heath (Birch’s British county of residence); engravings by M. Marigot of “Mount Vernon ...” and “View of the City and Port of Philadelphia ...” from Janson's "Stranger in America" (London, 1807); Franklin Birch 1860s pencil sketches of a printing press and plows (P.2016.62.5-6)); Louise S. Birch's oil renderings of flowers (P.2016.62.12-13); sketches of a title page to the 1852 edition of Thomas Day’s “The History of Sanford and Merton” and of rural and landscape scenes and animal studies (Thomas Birch?; P.2016.62.3, 8-11); John McAllister, Jr. 1860 restrikes (some signed by Agnes McAllister) of Philadelphia views by Charles Willson Peale, Thomas Birch and William Strickland and the 1798 “Congressional Pugilists cartoon (P.2016.62.46-52; and engraved portraits of Major Genl. Brown (P.2016.62.53) and Edward Shippen (P.2016.62.54)., Collection also contains a unique ca. 1810 mockup by Birch for a revised and enlarged edition of his “Country Seats” (P.2016.62.59).The album includes plates from the first edition as well as a proof plate of the Devon view, three watercolors showing “Analostun, or Masons Island with one wing of the house at Georgetown and two of Mr. Custus’s in the distance”; “Point Breeze. The Residence of Joseph Bonapart – at Burdentown on the Delaware”;“The Mill & House of Mr. E. Esirel late sheriff of Phila., Near Christeen,” and a pencil sketch “Mr. Bells Buildings at Richmond.” Other unique items in the Birch Collection include his two variant volumes of manuscript copies of “The Life and Anecdotes of William Russell Birch ...”(bulk written after War of 1812 and into the 1820s), including accounts of his work and travels (P.2016.50.61 & 62); “Birch’s American Cottage. Volm. 2nd” of personal anecdotes, including discussion of Springland (P.2016.50.63); Birch’s “Book of Profitts” with entries dated 1813-1830 (P.2016.50.64); and probably his personal copy of “Les Delices de la Grande Bretagne” (P.2016.50.65). An imperfect copy of “Les Delices” formerly owned by original subscriber Francis Longe (and including his book plate) and a copy of “Transactions of the Society Instituted at London” (1785) referencing a Birch award (p.183) are also included with the materials (P.2016.50.65 & 60)., A small number of manuscripts written by William Birch comprise the collection as well. These materials include a ca. 1800-ca.1805 calligraphic and manuscript title page to "Views of and from The Country References of William Birch. Drawn by Himself wih a sett of Drawings of Springland"; a ca. 1818 letter to an unidentified granddaughter (P.2015.50.1); an undated letter addressed to the Duke of Grafton and Duke of Richmond about “forgetting their subscriptions” (possibly about subscription to Delices... [1791]) (P.2015.50.2); scraps with names of subscribers to “Busy World” (P.2015.50.3) as well as titles completed and to be completed (P.2015.50.4&5); ca. 1805 list of views of “Beautys of Springland not Pictured” (P.2015.50.6); and an 1811 receipt for 5 dollars issued to Ben Wilson for “Views.” (P.2015.50.7). Ephemera also forms the Birch Collection and includes Birch’s certificate of United States citizenship issued in 1808 (P.2016.50.52); a broadside advertising the 1789 titles to be issued by “J. Bell of the British Library” and addressed to Wm. Birch, Hampstead Heath (P.2016.50.53); the bookplate of historian and writer Thomas Birch (1705-1766) (P.2016.50.35 &P.2016.62.15); completed tags for William Birch miniatures on display at the 1911 The Pennsylvania Academy of the Fine Arts and The Pennsylvania Society of Miniature Painters Tenth Annual Exhibition (P.2016.62.17-20); early twentieth-century receipts and labels for works by Thomas and William Birch (P.2016.62.62-66); and an unused enamel plate (P.2016.50.27)., Various artists, engravers, printers, and photographers including William Russell Birch, Thomas Birch, Franklin Birch, Louise Birch, J. N. Gimbrede, Jan Griffier, Augustus Kollner, M. Marigot, Charles W. Parker, Charles Willson Peale, P. Roberts, J. Rogers, Julius F. Sacshe, Ary Sheffer, Samuel Shelley, Thomas T. Stiles, Gilbert Stuart, Benedictus Antonio Van Assen, E. Wellmore, J. Wood, and Thomas Worlidge., Various publishers and distributors including J. Bell, William Birch, R. Campbell & Co., James Cundee, E. Jeffrey, Edward J. Parker, R. Pollard, C. Taylor, and T. Thornton., Research files, genealogical reference files, and modern photographic reproductions of the artists' work that accompanied the collection when acquired are available at the repository., See Emily T. Cooperman and Lea Carson Sherk, Picturing the American Scene (Philadelphia: University of Pennsylvania Press, 2011)., See Emily T. Cooperman, ed., The Country Seats of the United States. William Russell Birch (Philadelphia: University of Pennsylvania Press, 2009)., See S. Robert Teitelman, Birch's Views of Philadelphia. (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000)., See Martin P. Snyder, "William Birch: His Philadelphia Views," The Pennsylvania Magazine of History and Biography 73 (July 1949), 271-315., See Martin Snyder, "Birch's Philadelphia Views: New Discoveries," The Pennsylvania Magazine of History and Biography 88 (April 1964), 164-173., See Martin P. Snyder, "William Birch: his ’Country seats of the United States,’" Pennsylvania magazine of History and Biography 81 (1957), 225-254., Lib. Company. Annual Report, 2017, p. 49 - 51., P.2018.55 photographic reproduction of Mrs. Robinson engraved by William Birch after Sir Joshua Reynolds housed with collection., William Russell Birch (1755-1834), trained in England under Sir Joshua Reynolds, was a respected Philadelphia engraver, miniaturist, and enamel painter. Birch was also one of the most important landscape artists in America’s Federal period. He engraved and published the first viewbook of an American city, "The City of Philadelphia in the Year… 1800" and the respected "The Country Seats of the United States of North America" in 1804. His son Thomas Birch (1779-1851) assisted him in the drawing and engraving of his viewbooks. He became a respected artist in his own right and specialized in marine paintings.
Date: [ca. 1742 - ca. 1913]
Location: Library Company of Philadelphia | Print Department Birch Collection [P.2016.50 & 62 and P.2017.54 and P.2018.55]

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