Search results

Title: "Seems Madam! Nay it is!" Shakespere
Description: Stereograph box label containing a genre scene showing a family looking at stereographs in a parlor. An open box and stereographs rest on a table surrounded by the family. A man looks through a hand-held stereoscope and a woman looks through one on a stand., Not in Wainwright., Manuscript note on mount: Label from top of box in which was sold stereoptican views from the collection of John McAllister, Sr. (d.1878) noted optical house, Phila. Bought from Mrs. John McAllister, Media, 1951., Philadelphia on Stone, POSP 208, Library of Congress: PR 13 CN 2001: 068 Shakspere
Date: [ca. 1863]
Location: Library of Congress | Prints and Photographs Division LOC PR 13 CN 2001: 068 Shakspere

Title: Billiards. J. Jeater's subscription room. No. 40, South 5th Street
Description: Advertisement showing the interior of the billiard hall operated by probably Joseph Jeater. At the corner of the table, a gentleman in shirt-sleeves lines up his cue stick to the billiard ball as his opponent watches on. Four gentlemen, two just arrived, watch the match. One stands and another sits beneath three framed pictures hanging on the wall. A gas lamp chandelier hangs over the billiard table., Title and publication information supplied by Wainwright., Inscribed on verso: Presented by Mrs. John C. Broome. Oct. 10, 1918., Artist possibly E. W. Clay., Philadelphia on Stone, POS 40, Historical Society of Pennsylvania: Bb 04 C 436, Trimmed.
Date: [1830]
Location: Historical Society of Pennsylvania HSP Bb 04 C 436

Title: Pavillion [sic] & flood gates
Description: View looking south from the forebay of the Fairmount Water Works on the Schuylkill River. Shows the floodgates also known as the race bridge; the peristyle temple (i.e. pavilion) on the altered old mill house; and the old engine house converted to an ice cream saloon. Signage advertising "Ice Cream and Refreshments" adorns the saloon. Also shows women and children standing by the balustrades above the flood gates. The Fairmount Water Works, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded by Philadelphia engineers Henry P.M. Birkinbine and Frederick Graff, Jr., Distributor's imprint printed on mount: L. Carty, Jr., Sole Agent, 921 Spring Garden St., Phila., Gift of Francis Dallett., Lewis Carty operated a stationery business in Philadelphia at 921 Spring Garden Street., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Hemple, Alfred H., fl. 1860-1879, photographer
Date: ca. 1875
Location: Library Company of Philadelphia | Print Department stereo - Hemple - Public Utilities [P.9148.3]

Title: [Fashion plate for Samuel A. & Asahel F. Ward]
Description: Fashion advertisement containing two panelled scenes of 11 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. Four men and three women socialize. Three of the men wear suits and one, dressed in evening attire, sits in a chair. Two of the men hold top hats and all have chin beards. One woman wears an evening dress and the other two women are attired in day dresses and bonnets. One of the latter pair wears a shawl and the other holds a handkerchief. Also includes framed pictures, mosaic carpeting, a window with drapery, and a pedestal displaying a vase of flowers. Lower panel shows the outdoor scene. In the center, "Genl. David R. Porter, Govr. Of Penna. Copied by permission of Huddy & Duval" wears his uniform and is mounted on his horse. To the left, two men in overcoats stand near a hitching post. To the right, two men attired in top hats (one white), vests, jackets, pants, and holding canes, stand. In the background, a militia troop drills, including two separated members on horseback. All the men are clean shaven. Key numbered 1-7 and 8-11 printed above and below the image., Not in Wainwright., Title supplied by HSP., Philadelphia on Stone, POSP 68, Historical Society of Pennsylvania: Bc 642 W 363d, Trimmed.
Creator: Weaver, Matthias S., 1815 or 16-1847, artist
Date: [ca. 1842]
Location: Historical Society of Pennsylvania HSP Bc 642 W 363d

Title: [G. Byron Morse trade cards]
Description: Series of illustrated trade cards depicting various flowers; bread shaped into kipful, pinafore, twist, keyser semmel, Vienna ring, long Vienna, and short Vienna shapes; platters of fish and lobster on serving carts; a man driving a horse-drawn carriage made entirely of bread; and nets and oars partially obscured by a small landscape vignette depicting a tall rock formation., Title supplied by cataloger., Printers and engravers include Graf Brothers (Philadelphia), L. Prang & Co. (Boston), and McCalla & Stavely (Philadelphia)., Advertising text printed on versos promotes G. Byron Morse as a "baker of genuine Vienna bread, rolls, &c." and his "dining and ice cream parlors, fine and fancy cake depot" for weddings and private and social parties at 1312 Chestnut Street and 912 Arch Street in Philadelphia., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [1876-ca. 1885]
Location: Library Company of Philadelphia | Print Department trade card - Morse [1975.F.582; 1975.F.585 & 586; 1975.F.619; 1975.F.624; P.9777.1 & 2]

Title: Little Parlor from entry door, [Deshler-Morris House, 5442 Germantown Avenue]
Description: Glass negative showing a view of a small parlor in the Deshler-Morris House at 5442 Germantown Avenue. There is a fireplace on the left with various objects on the mantle and a screen standing in front. Two chairs sit against the wall on either side of a built-in hutch containing serving dishes. David Deshler built the original four-room summer cottage on this Germantown lot in 1752, adding the three-story front addition in 1772. The house was sold to Col. Isaac Franks in 1792 after Deshler’s death. President George Washington rented the home for the duration of the yellow fever epidemic of 1793 and the summer of 1794. Elliston and John Perot purchased the house in 1804, selling it to Elliston’s son-in-law Samuel B. Morris after his death in 1834. The house stayed in the possession of the Morris family for over a century, when Elliston P. Morris donated the house to the National Parks Service in 1948. The name was officially changed to the Germantown White House in 2009., Time: 12:30, Light: Faint sun shining outside., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: April 7, 1887
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1092]

Title: Corner of Little Parlor from parlor door, [Deshler-Morris House, 5442 Germantown Avenue]
Description: Glass negative showing a view of a richly decorated parlor in the Deshler-Morris House at 5442 Germantown Avenue. There are floral motifs on both the carpet and wallpaper. A clock hangs on the right wall above a standing wooden loom. A small table holding a mirror and other objects stands against the adjacent wall next to a chair. David Deshler built the original four-room summer cottage on this Germantown lot in 1752, adding the three-story front addition in 1772. The house was sold to Col. Isaac Franks in 1792 after Deshler’s death. President George Washington rented the home for the duration of the yellow fever epidemic of 1793 and the summer of 1794. Elliston and John Perot purchased the house in 1804, selling it to Elliston’s son-in-law Samuel B. Morris after his death in 1834. The house stayed in the possession of the Morris family for over a century, when Elliston P. Morris donated the house to the National Parks Service in 1948. The name was officially changed to the Germantown White House in 2009., Time: 1:15, Light: No sun shining., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: April 7, 1887
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1093]

Title: Little Parlor from entry door, [Deshler-Morris House, 5442 Germantown Avenue]
Description: Glass negative showing a view of a parlor in the Deshler-Morris House at 5442 Germantown Avenue. There is a fireplace on the left with various objects on the mantle and a screen standing in front. Two chairs sit against the wall on either side of a built-in hutch containing serving dishes. David Deshler built the original four-room summer cottage on this Germantown lot in 1752, adding the three-story front addition in 1772. The house was sold to Col. Isaac Franks in 1792 after Deshler’s death. President George Washington rented the home for the duration of the yellow fever epidemic of 1793 and the summer of 1794. Elliston and John Perot purchased the house in 1804, selling it to Elliston’s son-in-law Samuel B. Morris after his death in 1834. The house stayed in the possession of the Morris family for over a century, when Elliston P. Morris donated the house to the National Parks Service in 1948. The name was officially changed to the Germantown White House in 2009., Photographer remarks: Blinds up for 10 sec., Time: 2, Light: Faint sun shining., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: March 24, 1887
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1087]

Title: Fairmount waterworks
Description: View looking south from the forebay at the Fairmount Water Works on the Schuylkill River. Shows the old engine house converted to a refreshment saloon adorned with signage advertising,"Ladies Ice Cream Saloon" and "Ice Cream & Refreshments." Also shows the ascending main connected to the old mill house during the replacement of the house's water wheels by turbines between 1867-1872 after the designs of Frederick Graff, Jr. The waterworks, originally built between 1812 and 1822 after the designs of Philadelphia engineer Frederick Graff, were altered and expanded until 1872., Attributed to Robert Newell., Title from manuscript note on mount., Publisher's imprint printed on verso., Printed on mount: No. 4., Pink mount with rounded corners., Retrospective conversion record: original entry, edited., Gift of Jane Carson James., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1870], c1876
Location: Library Company of Philadelphia | Print Department stereo - Newell - Public Utilities [P.9299.68]

Title: Philadelphia fashions, spring & summer 1843, by S. A. & A. F. Ward, no. 62 Walnut St
Description: Fashion advertisement containing two panelled scenes of 15 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. Two men, one showing his back, attired in suits, top hats in hand, greet each other in front of a sofa. A man and woman in lavish bed coats in front of a vanity dresser look over their two boys attired in jackets and pantaloons as they read a book on an ottoman. A man in a checkered vest sits with a flute in his hand as a man in striped pants, standing near a writing table, and showing his back, addresses him. Also includes framed paintings, mosaic carpeting, and wallpaper trim. Lower panel shows the outdoor scene. A lad wearing a cap, suit, and holding a cane greets a fashionable couple on a hillside that is lined with a picket fence, bushes, and trees. The man wears a suit and top hat and holds a cane, and the lady wears a bonnet and capelet, and holds a handkerchief. In the center, a militiaman in the Uniform of the Richmond Light Blues "copied by permission of Huddy & Duval" stands on a path in front of a mansion house. To the left, a hunting party with a dog convenes near a hitching post scratched with initials. The men wear hats of various styles, long coats, and checkered and dark pants. Each has a handkerchief in an upper or lower coat pocket and one carries a rifle and hunting bag. Most of the depicted men have some facial hair. Key numbered 1-8 and 9-15 printed above and below the image., Not in Wainwright., Philadelphia on Stone, POSP 177, Historical Society of Pennsylvania: Bc 642 W 263c 1843
Creator: Weaver, Matthias S., 1815 or 16-1847, artist
Date: [ca. 1842]
Location: Historical Society of Pennsylvania HSP Bc 642 W 263c 1843

Title: Arch St. Theatre, above 6th St., Phila
Description: Shows the theater built 1826-28 after the designs of Philadelphia architect William Strickland at 609-615 Arch Street. Also shows two women and a man posed in front of the building; a playbill on display; street lamps; and adjacent businesses, including Christian Bird's Billiard Hall., Title from manuscript note on mount of (8)1322.F.5d., Orange and yellow paper mounts with square corners., Retrospective conversion record: original entry, edited., One of images originally part of a McAllister scrapbook of views of Philadelphia., Manuscript note on mount of 7992.F.1: Arch St. Theatre, Philadelphia., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897, photographer
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department stereo - Newell - Theaters [(8)1322.F.5d-2; 7992.F.1]

Title: [Partridge's cafe and dining rooms trade cards]
Description: Series of illustrated trade cards for Edward Patridge's dining rooms, established in 1862, at 15 North Eighth Street and 19 South Eighth Street in Philadelphia. Illustrations depict sprays of flowers, leaves, and acorns; two children attempting to capture a butterfly; a man in a clown suit carrying a bouquet of flowers walking by the light of the moon with a female companion; pottery adorned with cranes and Japanese imagery; and a woman selling produce to a man attired in Turkish clothing in a village near an establishment labeled "Partridge's cafe and dining rooms"., Title supplied by cataloger., Printers and engravers include E. Ketterlinus & Co. (Philadelphia)., Advertising text printed on versos promotes the cafe and dining rooms and lists specific products served including Christmas cakes, ice creams, water-ices, frozen fruits, oysters, roast turkey, chicken, beef, lamb, veal, coffee, tea, chocolate, strawberries and strawberry cream., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department trade card - Partridge's [1975.F.687; 1975.F.690; 1975.F.692 & 693; 1975.F.699 & 700; 1975.F.706; 1975.F.711; 1975.F.720a; P.9708.1; P.9798.4; P.9802.11; P.9810.4]

Title: [William Penn Parlor, Great Central Fair, Philadelphia, 1864]
Description: Unmounted stereograph shows a parlor south of Union Avenue filled with William Penn's relics. Includes paintings, antique chairs and furniture, a clock, a mirror, and other curiosities arranged on the mantlepiece formerly installed in Carpenter's Hall in 1774 when the First Continental Congress met there. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title supplied by cataloger., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Watson, A., photographer
Date: [ca. 1864]
Location: Library Company of Philadelphia | Print Department stereo - Watson - Fairs [5781.F.172b]

Title: The Penn Parlor
Description: Shows a parlor south of Union Avenue filled with William Penn's relics, including paintings, antique chairs and furniture, a clock, a mirror, and other curiosities arranged on the mantlepiece formerly installed in Carpenter's Hall in 1774 when the First Continental Congress met there. The Great Central or Sanitary Fair held June 7-28, 1864 on Logan Circle was one of several national fairs that displayed art, craft, and historical exhibits to benefit the U.S. Sanitary Commission, a soldier relief organization., Title, photographer, and publisher from printed series label pasted on verso., White mount with square corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Watson, A., photographer
Date: [ca. 1864]
Location: Library Company of Philadelphia | Print Department stereo - Watson - Fairs [P.9276.56]

Title: Arch Street Theatre
Description: View of the north side of the 600 block of Arch Street, showing the Arch Street Theater built 1826-28 after the designs of Philadelphia architect William Strickland at 609-615 Arch Street. Also shows Bird's Billiard Hall operated by Christian Bird at 605-607 Arch Street. Includes two playbills on display in front of the theater, street lamps with large fixtures, an unhitched carriage on the sidewalk, and several horse-drawn carriages traveling along Arch Street., Title from photographer's label on verso. Also includes list of forty-one other titles in the series (No. 140-180)., Yellow mount with rounded corners., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Bartlett, George O., photographer
Date: [ca. 1868]
Location: Library Company of Philadelphia | Print Department stereo - Bartlett - Streets [P.2002.21.2]

Title: Chestnut Street - east from Continental Hotel
Description: Rooftop view looking east from the Continental Hotel at the southeast corner of Ninth and Chestnut streets. Shows the 800-700 blocks of Chestnut Street, predominately storefronts on the north side, including Sharpless Brothers, wholesale wools & dry goods (801-803 Chestnut); a billiard saloon (N.E. cor. Eighth & Chestnut); the Masonic Temple (built 1855, 713-721 Chestnut); Marxsen & Witte, china and glass (713 Chestnut); and signage attached to a dry goods business advertising a "Grand Closing Sale.", Photographer's imprint printed on mount., Title printed on mount., Yellow mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Simons, M. P. (Montgomery P.), photographer
Date: ca. 1874
Location: Library Company of Philadelphia | Print Department stereo - Simons - Streets [P.8497.3]

Title: Chestnut Street - east from Continental Hotel
Description: Rooftop view looking east from the Continental Hotel at the southeast corner of Ninth and Chestnut streets. Shows the 800-700 blocks of Chestnut Street, predominately storefronts on the north side, including Sharpless Brothers, wholesale wools & dry goods (801-803 Chestnut); a billiard saloon (N.E. cor. Eighth & Chestnut); the Masonic Temple (built 1855, 713-721 Chestnut); Marxsen & Witte, china and glass (713 Chestnut); and signage attached to a dry goods business advertising a "Grand Closing Sale.", Photographer's imprint printed on mount., Title printed on mount., Yellow mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Simons, M. P. (Montgomery P.), photographer
Date: ca. 1874
Location: Library Company of Philadelphia | Print Department stereo - Simons - Streets [P.8497.3]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a brown coat with tails, a white bow tie, black pants, black stockings, black slipper shoes, and white gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with blue ribbons. Her head is turned toward the man and she sits on a bench with a blue cushion. She wears a large white bonnet adorned with red and blue bows and with ribbons tied into a bow under her chin. She is also attired in a maroon dress with long puff sleeves, black trim, and a laced bodice, black ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with brown hand coloring. Setting also includes a carpet with a decorative pattern., Title from item., Date supplied by article about print in Daily Chronicle, December 10, 1829, p. 2., Contains eight lines of dialogue in the vernacular and dialect above the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 12., Inscribed: Copy right secured., S. Hart & Son was a partnership between Sarah and Abraham Hart, Jewish owners of a Philadelphia stationery store who assumed the publishing of the "Life in Philadelphia" series in 1829. She reprinted the entire series of 14 prints in 1830., Described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: 1829
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9694]

Title: Philadelphia fashions, fall & winter 1844, by S. A. & A. F. Ward, no. 62 Walnut St
Description: Fashion advertisement containing two panelled scenes of 15 elegantly attired men, women, and children in a parlor and outdoor setting. Upper panel shows the parlor scene. To the left, a man attired in a cloak converses with a man attired in an evening suit. In the center, a man attired in a suit, showing his back, and resting his foot and cane on a foot pillow talks to a man and woman seated in chairs in front of a fireplace. The seated man wears a checkered vest and pants and the woman wears a day dress and frilly cap. To the right, a man in a suit and a man wearing a cape talk. Three of the men hold top hats and five wear facial hair. Also includes vases and mosaic carpeting. Lower panel shows the outdoor scene. To the left, a man in an overcoat and top hat converses with a man attired in a hunting outfit and derby and holding a rifle. In the center, two men in overcoats, striped pants, and top hats, stand showing their backs. In the right, two men in overcoats and top hats, a boy in a suit, and a woman in a riding habit convene. In the background, a "View of S.A. & A.F. Wards Publication Office" at "62" Walnut Street is visible. Pedestrians walk past the building adorned with signage "Philada Fashion & Tailors Archtypes" and "T. Sinclair Lithogy." Four of the men have some facial hair and some wear gloves. Key numbered 1-7 and 8-15 printed above and below the image., Philadelphia on Stone, Atwater Kent Museum: 40.14.63/02
Creator: Weaver, Matthias S., 1815 or 16-1847, artist
Date: [ca. 1843]
Location: Atwater Kent Museum | Print Department AKM AKM 40.14.63/02, Atwater Kent Museum | Print Department AKM 40.14.63/02 detail

Title: Arnold mansion postcards
Description: Depicts the front facade from the garden and a detailed view of the pediment over the front doorway. Includes interior views of the right and left sides of the entrance hall, the great chamber, the parlor, and a bedroom., Contains 1 postcard printed in color and 9 printed in black and white., Mount Pleasant Mansion was built 1761-1765 for Captain John Macpherson after the designs of Thomas Nevil in Fairmount Park, Philadelphia, Pa. Macpherson, a privateer during the Seven Years’ War, purchased the estate with profits from these operations. Free white and Black laborers, indentured servants, and at least four enslaved people of African descent, whose names are unknown, worked on the plantation. In 1779, General Benedict Arnold purchased Mount Pleasant for his wife Peggy Shippen, but they never occupied the house. In 1792, General Jonathan Williams purchased the mansion. The City of Philadelphia purchased the property from the Williams family in 1869. On behalf of the city, the Philadelphia Museum of Art restored the house in 1926., Purchase 1984. Accessioned 2005., Accession numbers: P.2005.3.26 - 32, P.9048.5, P.9048.217 and P.9048.303., Description revised 2022., Access points revised 2022.
Date: 1905-1926
Location: Library Company of Philadelphia | Print Department LCP postcards - Residences A - M - [various]

Title: Parlor of Grumblethorp, showing chair given to Wister family by Count Zinzendorf, founder of Moravian church in Penna
Description: View of parlor, looking toward a corner mantel, in front of which sits an ornately carved round table, a heavily carved side chair and a slatted arm chair with a beat-up fabric seat. Includes three large wooden chairs, showing the chair given to Wister family by Count Zinzendorf, the founder of the Moravian church in Pennsylvania. A large lamp, a wooden cannister and many books sit on the table. In the background is a large, five shelf curio stand full of items. The mantel supports urns, a figurine and a pair of crystal pieces. Paintings, a portrait and a photograph are visible on the walls. Charles Jones Wister performed various alterations to the interior of the house in 1806., Inscribed in negative: 3850 & 3851., Title from negative sleeve., Grumblethorpe built in 1744 by Philadelphia wine merchant John Wister. His house was the first in Germantown built solely for summer residency and greatly exceeded the dimensions of the homes around it, giving it the nickname "Wister's Big House."
Creator: Hand, Alfred, photographer
Date: October 24, 1921
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Hand [P.9259.156 & 157]

Title: Parlor of Grumblethorp, showing chair given to Wister family by Count Zinzendorf, founder of Moravian church in Penna
Description: View of parlor, looking toward a corner mantel, in front of which sits an ornately carved round table, a heavily carved side chair and a slatted arm chair with a beat-up fabric seat. Includes three large wooden chairs, showing the chair given to Wister family by Count Zinzendorf, the founder of the Moravian church in Pennsylvania. A large lamp, a wooden cannister and many books sit on the table. In the background is a large, five shelf curio stand full of items. The mantel supports urns, a figurine and a pair of crystal pieces. Paintings, a portrait and a photograph are visible on the walls. Charles Jones Wister performed various alterations to the interior of the house in 1806., Inscribed in negative: 3850 & 3851., Title from negative sleeve., Grumblethorpe built in 1744 by Philadelphia wine merchant John Wister. His house was the first in Germantown built solely for summer residency and greatly exceeded the dimensions of the homes around it, giving it the nickname "Wister's Big House."
Creator: Hand, Alfred, photographer
Date: October 24, 1921
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Hand [P.9259.156 & 157]

Title: Parlor of Grumblethorp, showing chair given to Wister family by Count Zinzendorf, founder of Moravian church in Penna
Description: View of parlor, looking toward a corner mantel, in front of which sits an ornately carved round table, a heavily carved side chair and a slatted arm chair with a beat-up fabric seat. Includes three large wooden chairs, showing the chair given to Wister family by Count Zinzendorf, the founder of the Moravian church in Pennsylvania. A large lamp, a wooden cannister and many books sit on the table. In the background is a large, five shelf curio stand full of items. The mantel supports urns, a figurine and a pair of crystal pieces. Paintings, a portrait and a photograph are visible on the walls. Charles Jones Wister performed various alterations to the interior of the house in 1806., Inscribed in negative: 3850 & 3851., Title from negative sleeve., Grumblethorpe built in 1744 by Philadelphia wine merchant John Wister. His house was the first in Germantown built solely for summer residency and greatly exceeded the dimensions of the homes around it, giving it the nickname "Wister's Big House."
Creator: Hand, Alfred, photographer
Date: October 24, 1921
Location: Library Company of Philadelphia | Print Department 4x5 Glass Negatives - Hand [P.9259.156 & 157]

Title: [Interior views of the McAllister Residence, 14 North Merrick Street, West Penn Square, Philadelphia]
Description: Interior views of John McAllister Jr.'s residence on West Penn Square showing bedrooms, parlors, the main staircase, and the furniture and artwork decorating the rooms and walls, including a fireplace and mantle, piano, paintings, tables, chairs, mirrors, beds, and wash basins. Several views include John McAllister, Jr., with an unidentified man in one view, sitting in chairs in a parlor., Title supplied by cataloger., Yellow mounts with rounded corners., One item [P.9389.2] reproduced in The Print and Photograph Department of the Library Company of Philadelphia's Center City Philadelphia in the 19th century (Portsmouth, N.H.: Arcadia Publishing, 2006), p. 26., Arcadia caption text: ... This house, built around 1835 on North Merrick Street, was one of a growing number of large double townhouses that lined Penn Square by the end of the 1830s. ... The image below provides a partial view of two of the bedrooms., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date: [ca. 1870]
Location: Library Company of Philadelphia | Print Department stereo - unidentified - Residences [P.9389.1-9]

Title: Ches[t]nut Street, [west from 13th Street], Philadelphia
Description: View of the commercial street, above Thirteenth Street, south side. Businesses include: Keystone Bank and F.A. Wenderoth & Co., photographers (1326 Chestnut); Cornelius & Sons, gas fixtures, (1332 Chestnut); Garriston Cornelius's "Arcadian Billiards" saloon (1338 Chestnut); and the Parisian Kid Glove Company (1344 Chestnut). Laborers work in the street in front of the Keystone Bank. Includes partial view of the U.S. Mint. Horse-drawn carriages travel down the street., Photographer's imprint printed on mount., Title printed on mount., Manuscript note on verso: West from 13th St., Yellow mount with rounded corners., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Cremer, James, 1821-1893
Date: [ca. 1875]
Location: Library Company of Philadelphia | Print Department stereo - Cremer - Streets [P.9168.15]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a green coat with tails, red collar, blue bow tie, yellow pants, stockings, black slipper shoes, and yellow gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with pink ribbons. Her head is turned toward the man and she sits on a bench with a pink cushion. She wears a large yellow bonnet adorned with bows and with ribbons tied into a bow under her chin. She is also attired in a blue dress with long puff sleeves, trim, and a laced bodice, ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. Setting also includes a carpet with a decorative pattern., Title from item., Date inferred from content and name of publisher., Contains eight lines of dialogue in the vernacular and dialect above the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 12., Inscribed: Copy right secured., Sarah Hart was a Jewish Philadelphia stationer who with her son, Abraham Hart, a future eminent Philadelphia publisher, assumed the publishing of the "Life in Philadelphia" series in 1829. She, alone, reprinted the entire series of 14 prints in 1830., First edition of print described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, etcher
Date: [1830]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Philadelphia Set) [P.9701.4]

Title: Chestnut Street from the State House Philadelphia
Description: View looking west on Chestnut Street from the State House (520 Chestnut). Includes Kelly's Hotel; Joseph Steppacher's Orleans Hotel; Charles Laing & Co., shirt manufacturer; T. & J.W. Johnson, publishers and importers of law books; the Public Ledger building; and a billiard saloon. The Masonic Hall (713-721 Chestnut) is visible in the distance. American flags and signage adorn many of the buildings. Pedestrians, including an African American boy, line the street traveled by several horse-drawn carriages., Title from accompanying photographer's label., Yellow mount with square corners., Retrospective conversion record: original entry, edited., Originally part of a McAllister scrapbook. McAllister Collection, gift, 1886., Description revised 2021., Access points revised 2021., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Newell, Robert, 1822-1897
Date: April 1865
Location: Library Company of Philadelphia | Print Department stereo - Newell - Streets [(8)1322.F.23c]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a blue coat with tails, white bow tie, black pants, black stockings, black slipper shoes, and white gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with pink ribbons. Her head is turned toward the man and she sits on a bench with a pink cushion. She wears a large white bonnet adorned with pink bows and with ribbons tied into a bow under her chin. She is also attired in a yellow dress with long puff sleeves, blue trim, and a laced bodice, blue ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. Setting of scene also includes a carpet with a decorative pattern and framed portraits of an African American man and woman hanging on the wall behind the couple., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Attributed to William Summers., Plate 12 of the original series published in Philadelphia., Contains eight lines of dialogue in the vernacular and dialect below the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: Plate 2., Charles Hunt was a respected 19th-century London engraver and etcher known mostly for his prints of sporting subjects., Copy published in Philadelphia described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Summers, William, artist
Date: [ca. 1831]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9705.1]

Title: Life in Philadelphia. "Dat is bery fine, Mr. Mortimer..."
Description: Racist caricature of an African American couple singing and playing guitar in a parlor. In the right, "Mr Mortimer," stands with his right hand over his heart and with his other holding a sheet of music. He wears mutton chops and is attired in a brown coat with tails, white bow tie, black pants, black stockings, black slipper shoes, and yellow gloves. His eyes look up and his mouth is open. He sings a love song while the woman seated in the left plays a guitar decorated with red ribbons. Her head is turned toward the man and she sits on a bench with a pink cushion. She wears a large white bonnet adorned with red and green bows and with ribbons tied into a bow under her chin. She is also attired in a blue dress with long puff sleeves, trim, and a laced bodice, red ankle-tied slipper shoes, as well as rings on her fingers. She comments that he sings "con a moor as de Italians say!!" The figures are portrayed with oversized and exaggerated features. Their skin tone is depicted with black hand coloring. Setting of scene also includes a carpet with a decorative pattern and framed portraits of an African American man and woman hanging on the wall behind the couple., Title from item., Date inferred from content and name of publisher., After the work of Edward W. Clay., Attributed to William Summers., Plate 12 of the original series published in Philadelphia., Contains eight lines of dialogue in the vernacular and dialect below the image: Dat is bery fine, Mr. Mortimer, _ you sing quite con a moor, as de Italians say!! “Take away, take away dos rosy lips, “Rich, rich in balmy treasure!_”Turn away, turn away dose eyes o blub, “Less I die wid pleasure!!!”, Inscribed: No. 19., Charles Hunt was a respected London engraver who is most well known for his aquatints of sporting subjects., Copy published in Philadelphia described in Daily Chronicle, December 10, 1829, p. 2., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Summers, William, artist
Date: [1833]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (London Set) [P.9710.15]

Title: Group in our parlor. Father, Cos. H[annah] P[erot] Morris, Auntie Beulah & Uncle Chas. Rhoads, Bess, Geo. S. Morris, Mother & Aunt Lydia Morris, also dog "Jet," [Deshler-Morris House, 5442 Germantown Avenue]
Description: Glass negative showing a group posed in a decorated interior of the Deshler-Morris House at 5442 Germantown Avenue, including Marriott Morris' parents Elliston P. Morris and Martha Canby Morris, sister Elizabeth Canby Morris, cousin George Spencer, aunts Lydia Morris and Beulah Rhoads, uncle Charles Rhoads, and secon cousin once removed Hannah Perot Morris. Charles Rhoads and Hannah Morris stand in the back while the others sit. Elizabeth Morris, in the center of the group, holds a small black dog, Jet, in her lap. The men wear three-piece suits and the women wear dark-colored dresses. David Deshler built the original four-room summer cottage on this Germantown lot in 1752, adding the three-story front addition in 1772. The house was sold to Col. Isaac Franks in 1792 after Deshler’s death. President George Washington rented the home for the duration of the yellow fever epidemic of 1793 and the summer of 1794. Elliston and John Perot purchased the house in 1804, selling it to Elliston’s son-in-law Samuel B. Morris after his death in 1834. The house stayed in the possession of the Morris family for over a century, when Elliston P. Morris donated the house to the National Parks Service in 1948. The name was officially changed to the Germantown White House in 2009., Time: 9 P.M., Digitization and cataloging has been made possible through the generosity of David Marriott Morris, Eleanor Rhoads Morris Cox, and William Perot Morris in memory of Marriott Canby Morris and his children: Elliston Perot Morris, Marriott Canby Morris Jr., and Janet Morris and in acknowledgment of his grandchildren: William Perot Morris, Eleanor Rhoads Morris Cox, Jonathan White Morris, and David Marriott Morris., Edited.
Creator: Morris, Marriott Canby, 1863-1948, photographer
Date: May 17, 1888
Location: Library Company of Philadelphia | Print Department Marriott C. Morris Collection [P.9895.1294]

Title: [Life in Philadelphia scraps]
Description: Series of trimmed, captioned scraps containing racist African American imagery based on the “Life in Philadelphia” series after the designs of Edward W. Clay first published 1828-1830. The series of primarily racist social caricatures lampooned the etiquette and conventions of early 19th-century, middle-class Philadelphians, particularly the growing community of free African American persons. Caricatures depict scenes of courtship, society balls, fashion, freemasonry, and the election of Andrew Jackson, as well as sexism, sexual harassment, and sexual innuendo. The figures are portrayed with oversized and exaggerated features and often in the fashion of dandies and belles. Scenes include an African American man leaving his card for “Clotilda” at her basement apartment door within the dishcloth of her African American woman house servant before him (P.2021.28.1a); an African American man-woman couple stopped during their walk in a park to watch a man watching them (P.2021.28.1b); an African American ball at which an African American man attendee asks an African American woman attendee for a dance in front of other African American attendees in the background (P.2021.28.2a); an African American man sexually harassing an African American woman on a city street (P.2021.28.2b); an African American woman and man in conversation on a Sunday (“day of our lord”)(P.2021.28.3a);, African American couple “Mr. Lorenzo” and “Miss Chloe,” seated on a couch, by a window, in a parlor in conversation (P.2021.28.3b); an African American ball at which an African American woman attendee asks an African American man attendee if he likes the waltz in front of other African American attendees in the background (P.2021.28.4a); an African American woman in a dry goods store asking a white man sales clerk, who speaks with a French dialect, about stockings (P.2021.28.4b); an African American military volunteer chastising an African American boy drummer at a military encampment (P.2021.28.5a); an African American man-woman musical couple where she plays the guitar and he sings “Coal Black Rose”(P.2021.28.5b); two African American masons in conversation about “Gen’l Jackson” in front of an altar at a masonic hall (P.2021.28.6a); an African American woman, “Dinah,” being asked by an African American man, “Mr. Durang,” about his new checkered “fashion trousers” (P.2021.28.6b). Women figures are attired in wide-brimmed, and/or ornately adorned, wide-brimmed hats or headpieces, puff-sleeved dresses or a hooded cape in ornate patterns, as well as gloves, slipper shoes, jewelry, and monocles. Men figures are attired in top or wide-brimmed hats, waistcoats, vests, large bowties, trousers or pantaloons, military uniform, masonic regalia, gloves, and slipper shoes or boots. Accessories held by the figures include purses, umbrellas, fans, walking sticks., Scenes also include detailed backgrounds and interior and exterior settings including residential facades; dogs; a white man seated on a bench in a park; ballrooms with attendees and a band playing in a balcony; a section of a city street with a guardhouse; parlors; a counter at a dry goods store; a volunteer military encampment; a masonic hall; as well as pieces of furniture, such as chairs, mantles, and side tables., Title supplied by cataloguer., Date inferred from content., P.2021.28.1a contains three lines of dialogue in the vernacular and dialect below the image: Is Miss Clotilda at home? No sir she’s particularly ingaged in washing de dishes – Ah! give her my card!, P.2021.28.1b contains two lines of dialogue in the vernacular and dialect below the image: Vol is you looking at my dear? Vy I’m looking at dat imperent fellow vat’s laughing at us?, P.2021.28.2a contains three lines of dialogue in the vernacular and dialect below the image: Will you hona me wid your hand for de next codrille Miss Manda? Tank you sa’ but I’m ingaged for de nest ten set!, P.2021.28.2b contains two lines of dialogue in the vernacular and dialect below the image: What do you take me for? you black nigger? Why I take you for myself to be sure., P.2021.28.3a contains two lines of dialogue in the vernacular and dialect below the image: Bery hot dis day of our lord Mr. Cesa! Berry hot indeed Miss Juliet – de terometa is 96 degree above joho., P.2021.28.3b contains two lines of dialogue in the vernacular and dialect below the image: Mr. Lorenzo dat’s a nice dog you’ve got” Lord! Miss Chloe., P.2021.28.4a contains two lines of dialogue in the vernacular and dialect below the image: do you walse Mr. Wellington? No, my dear creta_ It’s to common. I go nothin but de Manourkey!, P.2021.28.4b contains two lines of dialogue in the vernacular and French dialect below the image: Have you any flesh coloured silk stockings, Sir? Oui Mamselle here is von pair of de last Parisian touch-, P.2021.28.5a contains two lines of dialogue in the vernacular and dialect below the image: You say I belong to de milishy you black varmont. I’ll let you know I’m a wolunteer., P.2021.28.5b contains two lines of dialogue in the vernacular and dialect below the image: How will your voice harmonize wid de sentiment. Mr. Cato you quite equal to Horn!, P.2021.28.6a contains three lines of dialogue in the vernacular and dialect below the image: Well brudder Jones what you tink of Genl Jackson now? Day say he’s gwang to be Anti Masonic! I don’t know, I tink dat depend on de new cabinet., P.2021.28.6b contains three lines of dialogue in the vernacular and dialect below the image: How you like de new fashion trousers Dinah. Oh quite lubly! You look like Mr. Durang when he play harlequin in de masqarade., Printed in upper left corner of P.2021.28.1a: [E?]dition., Printed in upper right corner of P.2021.28.2a and trimmed: 2nd E?[dition?], RVCDC
Date: [ca. 1838-ca. 1855]
Location: Library Company of Philadelphia | Print Department Life in Philadelphia (Miscellaneous) [P.2021.28.1a-6b]

Main menu