Metropolitan Fair, April, 1864. : The Executive Committee would call the attention of the public to the photographic studio, Station 77 (3d story, over the Furniture Department), under the management of Messrs. Gurney & Son, who are prepared to make carte
Title
Metropolitan Fair, April, 1864 The Executive Committee would call the attention of the public to the photographic studio, Station 77 (3d story, over the Furniture Department), under the management of Messrs. Gurney & Son, who are prepared to make cartes de visite and vignettes of all favoring them with a sitting, at the liberal price of $5.00 per dozen, in aid of the Sanitary Commission
Description
Printed on card stock; printed area, including ruled border, measures 24.5 x 31.1 cm., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator
Metropolitan Fair (1864 : New York, N.Y.). Executive Committee, Executive Committee
Date
[1864]
Location
Library Company of Philadelphia | Books & Other Texts | Rare #Am 1864 Metro (2)5781.F.130a (McAllister)
Photographing the Baby
Title
Photographing the baby
Description
Trade card after an 1870 Sol Eytinge Harper's Weekly illustration with white figures depicting a racist, caricaturized genre scene to promote the coach varnish firm Clarence Brooks & Co. Scene shows a white photographer taking the portrait of an African American toddler in hi studio. The African American figures are portrayed with caricatured and exagerrated features. In the right, the white photographer stands next to his camera and tripod. He holds a cloth in his right hand, at his side, and a yellow-colored, monkey-like string puppet in his raised left hand. He wears a beard and is attired in a long brown jacket and blue striped pants. Between him and his young sitter is a framed advertisement above maroon paneling on an olive-colored wall. The advertisement reads: "Clarence Brooks & Co., Fine Coach Varnishes, Cor. West & West 12th Sts." In the left, the African American girl sits stiffly on a plush, green arm chair. Her eyes are opened wide in a surprised expression. She wears a sleeveless pink dress with blue bows at the shoulders. Behind her, in the doorway, are two African American women. The younger woman, likely to be perceived as the girl's mother, peers around from the left of the doorway. She wears a stylish hat, white blouse, and red bow at her neck. An older woman, likely to be perceived as the girl's grandmother, stands in the right of the doorway. She wears a brown-colored bonnet with a large bow around her chin and a brown-colored dress and shawl. Clarence Brooks established his varnish business in 1859 as Brooks and Fitzgerald, later Clarence Brooks & Co. In the early 1880s the firm issued calendars illustrated with African American caricatures in genre scenes, often after Sol Eytinge Harper's Weekly illustrations., Title from item., Publication date inferred from dates of activity of publisher (1888-1892) as cited in Jay Last, The Color Explosion (Santa Ana: Hillcrest Press, 2005)., Purchased with funds for the Visual Culture Program (Junto 2015)., Housed with the Emily Phillips Advertising Card Collection., RVCDC, Description revised 2022., Access points revised 2022.
Creator
National Bank Note Co.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department trade card - Brooks [P.2016.17.1]