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Title: Wagner & McGuigan's steam lithographic printing establishment no. 4 Athenian Buildings, Franklin Place Philadelphia
Description: Advertisement showing a montage of vignettes related to lithography to promote partners Thomas Wagner and James M'Guigan, who jointly operated a lithographic studio jointly 1846-1858. Vignettes show the exterior of the printing establishment; lithographic artists working on stones propped flat and on an angle; pressmen operating two different types of lithographic presses (one modified with a cylinder that served as a paper feeding device); and the large steam engine that powered the presses. Also shows symbols of patriotism and the trade propped against the base of the steam engine. Includes lithographic stones, an ink roller, a brush, a large stoppered bottle probably representing gum arabic, and American flag and shield., Philadelphia on Stone, POSA 115.1, Library of Congress: Unprocessed in PR 13 CN 1997:105 Wagner & McGuigan, Reproduced and described in Jennifer Ambrose's "Nineteenth Century Advertising Prints," Magazine Antiques (August 2006), pp. 96 & 98., LOC also holds variant state, tinted with one stone under same call number. Variant includes text in tint color: Drawings of Every Description Executed on Stone. Also, Maps, Plans, Certificates, Circulars, &c. Transferring from Steel, Copper & Stone. (POSA 115.2)
Creator: Wagner & M'Guigan
Date: [ca. 1855]
Location: Library of Congress | Prints and Photographs Division LOC Unprocessed in PR 13 CN 1997:105 Wagner & McGuigan

Title: This floral card was printed in 8 colors on the celebrated Model Printing Press, J.W. Daughaday & Co., mfrs., 721 Chestnut St., Phila
Description: Illustrated trade card depicting red and blue flowering plants., Advertising text printed on verso: This gorgeous card is a specimen of fine press work done on an ordinary Model Press. There are eight distinct colors and therefore eight separate impressions. A press which will do such work as this, is a safe one to buy for all kinds of printing. Every press sold absolutely guaranteed. J.W. Daughaday & Co., Mfrs., Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012., Digitized.
Date: [ca. 1880]
Location: Library Company of Philadelphia | Print Department *trade card - Daughaday [P.9728.3]

Title: Geo. S. Harris & Sons, printers, engravers, lithographers, 718, 720, 722 & 724 Arch Street, Philadelphia
Description: Advertisement containing a montage of images depicting the business and evoking the decorative arts. Includes an exterior view of the firm's building; an interior view showing artisans at work on and around printing presses; object d'art and works of art; an artist's palette; a seascape; printed wallpaper; draperies; and flowers. Exterior view includes street and pedestrian traffic. Harris' firm moved to this address circa 1882 and later relocated to 1033 Chestnut Street circa 1898., Not in Wainwright., Philadelphia on Stone, POSA 32
Creator: Geo. S. Harris & Sons
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department *BW - Advertisements [P.8729.15]

Title: Wagner & M'Guigan, call the attention of the public to the superior facilities at their extensive lithographic establishment, no. 4 Athenian Buildings, Franklin Place, (north of no, 111 Chestnut Street.) Where the most efficient artistical skill is employed in the various branches of the art, enabling them to produce the most elaborate drawings on stone, anatomy, geology, botany, portraits, landscapes, title pages, book illustrations, machinery, show cards, maps, plans &c. . Transferring from steel and copper plates, wood cuts &c. This branch of the business is under their own immediate supervision, and having the assistance of the ablest work men enables them to produce work equal if not superior to any other establishment in the country, in color printing, they produce the most chaste, unique and magnificent illustrations for books, title pages, certificates, music titles, show cards &c. Also, a beautiful style in colors of stores, hotels, manufactories, and landscape views. Businessmen can be supplied with thousands of circulars, in their own hand-writing after a few hours notice
Description: Directory advertisement containing an "Interior view of Printing Room containing upwards of forty presses." Shows a couple attired in elegant winter clothing strolling down the aisle between the several presses. Men perform various duties at the machines, including rolling ink and pressing paper on the printing stones. Behind the couple, boy apprentices carry stones by hand and pull them by dolly near a man in a cape. Thomas Wagner and James M'Guigan operated a lithographic studio as partners 1846-1858., Published in McElroy's Philadelphia directory, for 1856 (Philadelphia: Edward C. & John Biddle, 1856), p. 10, front ad section., Not in Wainwright., Philadelphia on Stone, POSA 110, Variant of advertisement published in The Philadelphia merchants' & manufacturers' business directory for 1856-57 (Philadelphia: Prepared & published by Griswold & Co., [1856]), p. [15], front ad section and Catalogue of the twenty-fourth exhibition of American manufactures ...(Philadelphia, 1854), p. 39.
Creator: Scattergood, David, engraver
Date: [1856]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Dir Phila 1856 (58) 10840.O.10 (front ad section)

Title: Wagner & M'Guigan's lithographic drawing, engraving, and printing establishment Wagner & McGuigan, respectfully call the attention of the public to the superior facilities to be found at their extensive establishment, employing upwards of forty presses, together with the most efficient artistical skill in the various branches of the art, enables them to produce all work equal to an establishment in the country. Transferring from steel and copper plates, wood cuts, stone and manuscript. We particularly recommend this branch of our business to the notice of those having plates of this description, as millions of impressions may be printed with but little wear to the original plate, and at a far greater speed than from the copperplate press, at very moderate cost. Business men can be supplied with thousands of circulars in their own handwriting, at a few hours' notice. Surveyors, draughtsmen, and others, desiring to execute their own plans, circulars, price currents, &c, for transferring, will be furnished with suitable paper and ink, free of charge
Description: Advertisement containing an "Interior view of Wagner & M'Guigan's forty press room, Athenian Building, Franklin Place, Philadelphia." Shows a couple attired in elegant winter clothing strolling down the aisle between the several presses. Men perform various duties at the machines, including rolling ink and pressing paper on the printing stones. Behind the couple, boy apprentices carry stones by hand and pull them by dolly near a man in a cape. Thomas Wagner and James M'Guigan operated a lithographic studio as partners 1846-1858., Not in Wainwright., Published in Catalogue of the twenty-fourth exhibition of American manufactures ...(Philadelphia, 1854), p. 39., Philadelphia on Stone, POSA 112, Variant of advertisement published in The Philadelphia merchants' & manufacturers' business directory for 1856-57 (Philadelphia: Prepared & published by Griswold & Co., [1856]), p. [15], front ad section and McElroy's Philadelphia directory, for 1856 (Philadelphia: Edward C. & John Biddle, 1856), p. 10, front ad section.
Creator: Scattergood, David, engraver
Date: [1854]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1854 Exhib 13701.O.2.39

Title: Wagner & M'Guigan, respectfully invite the attention of the public to their extensive lithographic establishment no. 4 Athenian Building, Franklin Place, north of no. 111 Chestnut Street, Philadelphia Lithography in all its branches, portraits, landscape, anatomy, geology, botany, architecture, machinery, store views, title pages, certificates, steamboats, pattern books, country and town maps, plans circulars, commercial blanks, &c. Transferring from steel and copper-plate, wood cuts &c. This branch of the business is under their own immediate supervision, and having the assistance of the ablest work men enables them to produce work of a superior order in this line. Illuminated color printing unique and magnificent illustrations for books, title pages, certificates, show cards, labels, stores, hotels, manufactories, printed in various colors, bronzes, &c. All orders promptly attended to
Description: Directory advertisement containing an "Interior view of Printing Room containing upwards of forty presses." Shows a couple attired in elegant winter clothing strolling down the aisle between the several presses. Men perform various duties at the machines, including rolling ink and pressing paper on the printing stones. Behind the couple, boy apprentices carry stones by hand and pull them by dolly near a man in a cape. Thomas Wagner and James M'Guigan operated a lithographic studio as partners 1846-1858., Published in The Philadelphia merchants' & manufacturers' business directory for 1856-57 (Philadelphia: Prepared & published by Griswold & Co., [1856]), p. [15], front ad section., Not in Wainwright., Philadelphia on Stone, POSA 111, Variant of advertisement published in McElroy's Philadelphia directory, for 1856 (Philadelphia: Edward C. & John Biddle, 1856), p. 10, ad section and Catalogue of the twenty-fourth exhibition of American manufactures ...(Philadelphia, 1854), p. 39.
Creator: Scattergood, David, engraver
Date: [1856]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Dir Phila 1856 10578.Q.15 (front ad section)

Title: Jacob Haehnlen's engraving steam power lithographic and letterpress printing house. Goldsmith's Hall Library St. opposite post office Philadelphia Commercial and fancy printing in all its branches, cards, bill and letter heads, check, certificates, bonds, maps &c. Kept stock. Show cards. Wine, liquor, perfumery, druggists labels. Printers materials. Cards, papers, etc
Description: Advertisement calendar for 1871 containing three vignettes, and pictorial elements. Vignettes depict a steam powered rotary press, a steam powered lithography press, and an exterior view of the "Jacob Haehnlen Lithographic Establishment" at 418 Library Street. Press views include operators, and exterior view also depicts street and pedestrian traffic and neighboring buildings. Traffic includes a horse-drawn carriage and a man pushing a handcart. Advertisement also contains cherubic figures sketching in a book and holding a palette, and floral and filigree border details. Haehnlen established his own business in 1858 and relocated his studio to Goldsmith’s Hall in 1866., Not in Wainwright., Philadelphia on Stone, POSA 42
Creator: Haehnlen, Jacob, b. 1824
Date: [1870]
Location: Library Company of Philadelphia | Print Department albums - Specimens Album [P.9349.95]

Title: Geo. S. Harris & Sons, printers, engravers, lithographers, 718, 720, 722 & 724 Arch Street, Philadelphia Branch House, 53 State St., Chicago
Description: Advertisement containing a montage of images depicting the business and evoking the decorative arts. Includes an exterior view of the firm's building; an interior view showing artisans at work on and around printing presses; object d'art and works of art; an artist's palette; a seascape; printed wallpaper; draperies; and flowers. Exterior view includes street and pedestrian traffic. Harris' firm moved to this address circa 1882 and later relocated to 1033 Chestnut Street circa 1898., Not in Wainwright., Philadelphia on Stone, POSA 33
Creator: Geo. S. Harris & Sons
Date: [ca. 1885]
Location: Library Company of Philadelphia | Print Department *BW - Advertisements [P.9349.406]

Title: P.S. Duval & Son Lithography in all its various branches, transfer from copper or steel plates and autographic circulars. Nota: There is also a photographic department attached to this establishment. S.w. corner 5th and Minor streets, near Chestnut St. Philadelphia
Description: Directory advertisement containing a montage of pictorial elements including a landscape view, and depictions of a Gothic-style church tower and bas-relief bust profile of "A[lois] Senefelder, Inventor of Lithography." Landscape view includes a cow, horse, and several sheep. Other details depict two cherubs reading a ledger, next to a compass and another ledger, and near a lithographer rolling ink on a stone on a lithographic printing press. Floral and vinery ornamentations bordering a banner adorned with the firm's name and the bas-relief portrait also comprise the image.The Duval firm operated under the name P.S. Duval & Son or P.S Duval, Son & Co. circa 1857-circa 1879 and from 22 & 24 South 5th Street 1858-1869., Published in McElroy's Philadelphia city directory, for 1858... (Philadelphia: Edward C. & John Biddle, 1858), frontispiece., Not in Wainwright., Philadelphia on Stone, POSA 70
Creator: P.S. Duval & Son
Date: [1858]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Dir Phila 1858 (63) 10840.O.frontispiece

Title: Wagner & McGuigan's lithographic establishment for drawing lettering & printing no. 116 Chesnut [sic] St. Philadelphia Portraits, landscapes, anatomical & architectural drawings, views of stores, fancy prints, show cards, maps, plans, certificates, circulars, all kinds of fancy labels, cards, &c., printing in illuminated colours & gold, transferring from steel, copper & stone. Wagner & McGuigan have received the highest award [a silver medal] for their lithography from the Franklin Institute of the state of Penna. Orders done with neatness and despatch
Description: Advertisement containing an interior view of the shop at 116 Chestnut Street (ie. 320 Chestnut Street) after a daguerreotype depicting a long row of presses lined along the perimeter of the room near tall windows for natural light. Pressmen work on stones propped flat and on an angle. The man at the first press rolls ink onto a stone, as another man, probably an apprentice, carries a stone from the reserve of fresh stones arranged and stacked on the shelves on the opposite wall. Bottles and other supplies line the shelves between each window, and several packaged stones are piled on the floor in the foreground awaiting shipment. View includes a standing press. A foreman, possibly Wagner or McGuigan, attired in a suit observes the printers. Includes views of the recto and verso of the silver medal awarded to Wagner & M'Guigan for "skill and ingenuity" in lithography by the Franklin Institute in 1844 below the image and flanking the advertising text. Advertisement shows text printed in various fonts and shades to demonstrate the range and ability of the recently established lithographic firm of Wagner & M'Guigan (fl. 1846-1858)., Not in Wainwright., Philadelphia on Stone, POSA 113, T.B. Shaw, possibly Trueman Shaw, operated from the same address as Wagner & McGuigan (116 Chestnut) between 1846 and 1849., Smithsonian Institution NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3081]
Creator: Aub, Jacob, artist
Date: [ca. 1847]
Location: Smithsonian Institution, NMAH, Home and Community Life Collection SI NMAH H&CL - Harry T. Peters America on Stone Collection [DL *60.3081]

Title: Illustrations of Philadelphia
Description: Scrapbook containing newspaper clippings, prints, drawings and manuscript notes, predominantly dated to the 1850s, pertaining to the history, the built environment, and social climate of Philadelphia. Subject matter includes clippings about Federalists, Leiper Railroad, beer brewing, historic private houses, and Patrick Lyon from the newspaper column series "Reminiscences of Philadelphia" (Christian Observer, 1856), "Philadelphia Peculiarities" (Philadelphia Sunday Mercury, 1856), and "Recollections from the Past" (authored by Poulson) and "To Readers and Anxious Inquirers" (Sunday Dispatch, 1856); articles about the early history of Germantown and Independence Hall, the origin of April Fools, a “Venerable document,” i.e., a 1747 indenture between the Library Company and librarian Robert Greenway, and the 1859 cholera epidemic at the Arch Street Prison; and newspaper advertisements for the Zoological Institute (48 S. Fifth St.), Page's Patent Safety Cab, and Colonel Chaffin, “The Celebrated Dwarf, at the Masonic Hall" (1845). Also contains an editorial about the poor quality of the Philadelphia Directory for 1865; a song sheet "Social Quoit Club" by Charles Alexander inscribed with a note about its provenance by Poulson on the verso; Poulson manuscripts about notable houses, including the Butler Mansion (Chestnut & Eighth Sts.), William Waln House (Chestnut & Seventh Sts.), and James Fisher mansion (Chestnut & Ninth Sts.); and prints, watercolors, and sketches, several created and signed by Poulson, predominantly showing Philadelphia residences, landmarks, and city and landscapes., Graphic materials include a Charles Magnus print after the Trumbull painting, "Declaration of Independence, July 4, 1776"; the captioned George Gilbert illustration "A View of the Grand Civic Arch... in Honor of Lafayette" (1824); a Le Met miniature portrait of Timothy Palmer; a James McClees photograph of the engraving "The Hour of Sunset, on the Fourth of July 1776" and Poulson watercolor and sketches (often with extensive manuscript captions) showing "Episcopal Academy," "A House on the North side of Chestnut Street, next to that on the N.E. corner of Eighth Street, lately occupied by Danl. W. Coxe, Esq. who deceased there June 3, 1852" (1857), "Sketch of the river Schuylkill at Fairmount. The wooden floating bridge and tavern &c by C. A. P. under the tuition of Jemmy Cox, the drawing master," "Jonathan Leedom’s Iron Store, no. 211 S. Front St. or now no. 343," "Sketch of the Emlen or [Benendye?] house Chestnut St. opposite the State house and next to Jacob Ridgway’s house on the east" (1858); and advertising vignettes and cameo stamps for businesses, including a segar store (Mulberry St.), G. S. Appleton, bookseller, publisher & importer of foreign books (148, i.e, 600 block Chestnut St.), W. C. Allen, broom & variety store, and a multi-manned press of “The Saturday Evening Post.” Other images include satiric women's fashion vignettes and a cut out caricature of an African American man advertising Sanford's Opera House., Majority of contents annotated with a date by Poulson., Title page illustrated with a ca. 1856 lithographer's advertisement issued by Wagner & McGuigan. Depicts an allegorical, patriotic scene with the figure of Columbia, attired in a toga, American flag, and laurel wreath, and with a broken shackle under her foot as she stands on a pedestal., Verso of title page contains Poulson inscription: "The "Articles" in the book are taken from fugitive sources only; and the dates affixed to each are those of the newspapers &c from which they were procured.", Back free end paper contains Poulson inscription: "The dates of the articles herein, are those of the Newspapers &c from they are cut.", "Index to set in back part of vol. XI.", Cataloging funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Creator: Poulson, Charles A. (Charles Augustus), 1789-1866, compiler
Date: ca. 1824-1864
Location: Library Company of Philadelphia | Books & Other Texts | Rare Poulson scrapbooks - vol. 2 [(2)2526.F]

Title: William Russell Birch Collection
Description: Collection containing primarily engravings, watercolors, and drawings executed by English-born artist and engraver William Birch and his descendants between the 18th and later 19th century. Several of the graphic materials are by William Birch and represent engraved work he completed in Britain before 1794 and following his immigration to the United States that same year. His British work includes plates from his unpublished satiric volume “The Busy World, or London Dissected ...” (ca. 1792-ca. 1793) showing a charlatan at work, a fight between Richard Humphreys and Daniel Mendoza, a May Day procession, and rag dealers (P.2016.50.28-33); loose plates from his book of British landscapes “Les Delices de la Grande Bretagne” (1791) (P.2016.50.34, 36, 42); the rural and scenic “The Porcupine Inn Yard Rushmore Hill” (p.2016.50.38); the disaster print “The Great Fire of London in the Year 1666” (P.2016.50.55); and portraits of the poetical character Secander (P.2016.50.40) and his mentor “Sir Joshua Reynolds” (P.2016.50.22). His American work includes variant editions of plates from his “Views of Philadelphia” originally published as a series 1798-1800 (P.2016.62.21-37); variant editions of plates from his “Country Seats” originally published in 1808 (P.2016.62.38-45a); and the 1800 commemorative portrait “George Washington. Late President of the United States of America” (hand-colored and black and white [P.2016.50.59 & P.2016.62.55])., British and American work of Birch is also included in the collection in the form of watercolors, drawings, paintings, a sketchbook, and as photographic reproductions. These graphics depict portraits of family members (some photographed ca. 1910s by Charles W. Parker), including his children Priscilla, Thomas, George, and Albina while young as well as his purportedly his mother Anne (P.2016.50); ca. 1800s plan and views of his Bucks County country seat Springland (purchased in 1798) (P.2016.50.48-50); views of the Philadelphia country seat China Retreat, Gunpowder Falls near Hampton, MD, and the George Read estate in New Castle, DE (P.2016.50.43, 45-46); an annotated sketch of Westminster Bridge from the Adelphi Terrace (P.2016.50.51); a drawing of a group of boys (P.2016.62.2); and pencil sketches of male and female figures within an undated sketchbook (P.2016.62.59). Additionally, Birch’s work is represented by a preparatory sketch of an A. Sheffer portrait of Lafayette (P.2016.50.21); portrait drawings of unidentified sitters (P.2015.25 & 26); a ca. 1795 miniature enamel painting of his daughter Deborah (P.2016.50.67); a palette of his paint colors (P.2016.50.66); and an 1830s oil painting of an older Thomas Birch (1779-1851) attributed to William (P.2016.62.1)., Other original and reproduced material is attributed to William Birch or by Birch family members or by other artists and engravers. This includes a 1742 Thomas Worlidge pencil portrait of William’s father Thomas (P.2016.50.14), a Birch portrait of William King (father-in-law of son Thomas), and portraits and a "Museum" (i.e., Peale Museum) blind-stamped silhouette of Birch (P.2016.50.16); ca. 1785 Robert Freebairn watercolor of Hampstead Heath (Birch’s British county of residence); engravings by M. Marigot of “Mount Vernon ...” and “View of the City and Port of Philadelphia ...” from Janson's "Stranger in America" (London, 1807); Franklin Birch 1860s pencil sketches of a printing press and plows (P.2016.62.5-6)); Louise S. Birch's oil renderings of flowers (P.2016.62.12-13); sketches of a title page to the 1852 edition of Thomas Day’s “The History of Sanford and Merton” and of rural and landscape scenes and animal studies (Thomas Birch?; P.2016.62.3, 8-11); John McAllister, Jr. 1860 restrikes (some signed by Agnes McAllister) of Philadelphia views by Charles Willson Peale, Thomas Birch and William Strickland and the 1798 “Congressional Pugilists cartoon (P.2016.62.46-52; and engraved portraits of Major Genl. Brown (P.2016.62.53) and Edward Shippen (P.2016.62.54)., Collection also contains a unique ca. 1810 mockup by Birch for a revised and enlarged edition of his “Country Seats” (P.2016.62.59).The album includes plates from the first edition as well as a proof plate of the Devon view, three watercolors showing “Analostun, or Masons Island with one wing of the house at Georgetown and two of Mr. Custus’s in the distance”; “Point Breeze. The Residence of Joseph Bonapart – at Burdentown on the Delaware”;“The Mill & House of Mr. E. Esirel late sheriff of Phila., Near Christeen,” and a pencil sketch “Mr. Bells Buildings at Richmond.” Other unique items in the Birch Collection include his two variant volumes of manuscript copies of “The Life and Anecdotes of William Russell Birch ...”(bulk written after War of 1812 and into the 1820s), including accounts of his work and travels (P.2016.50.61 & 62); “Birch’s American Cottage. Volm. 2nd” of personal anecdotes, including discussion of Springland (P.2016.50.63); Birch’s “Book of Profitts” with entries dated 1813-1830 (P.2016.50.64); and probably his personal copy of “Les Delices de la Grande Bretagne” (P.2016.50.65). An imperfect copy of “Les Delices” formerly owned by original subscriber Francis Longe (and including his book plate) and a copy of “Transactions of the Society Instituted at London” (1785) referencing a Birch award (p.183) are also included with the materials (P.2016.50.65 & 60)., A small number of manuscripts written by William Birch comprise the collection as well. These materials include a ca. 1800-ca.1805 calligraphic and manuscript title page to "Views of and from The Country References of William Birch. Drawn by Himself wih a sett of Drawings of Springland"; a ca. 1818 letter to an unidentified granddaughter (P.2015.50.1); an undated letter addressed to the Duke of Grafton and Duke of Richmond about “forgetting their subscriptions” (possibly about subscription to Delices... [1791]) (P.2015.50.2); scraps with names of subscribers to “Busy World” (P.2015.50.3) as well as titles completed and to be completed (P.2015.50.4&5); ca. 1805 list of views of “Beautys of Springland not Pictured” (P.2015.50.6); and an 1811 receipt for 5 dollars issued to Ben Wilson for “Views.” (P.2015.50.7). Ephemera also forms the Birch Collection and includes Birch’s certificate of United States citizenship issued in 1808 (P.2016.50.52); a broadside advertising the 1789 titles to be issued by “J. Bell of the British Library” and addressed to Wm. Birch, Hampstead Heath (P.2016.50.53); the bookplate of historian and writer Thomas Birch (1705-1766) (P.2016.50.35 &P.2016.62.15); completed tags for William Birch miniatures on display at the 1911 The Pennsylvania Academy of the Fine Arts and The Pennsylvania Society of Miniature Painters Tenth Annual Exhibition (P.2016.62.17-20); early twentieth-century receipts and labels for works by Thomas and William Birch (P.2016.62.62-66); and an unused enamel plate (P.2016.50.27)., Various artists, engravers, printers, and photographers including William Russell Birch, Thomas Birch, Franklin Birch, Louise Birch, J. N. Gimbrede, Jan Griffier, Augustus Kollner, M. Marigot, Charles W. Parker, Charles Willson Peale, P. Roberts, J. Rogers, Julius F. Sacshe, Ary Sheffer, Samuel Shelley, Thomas T. Stiles, Gilbert Stuart, Benedictus Antonio Van Assen, E. Wellmore, J. Wood, and Thomas Worlidge., Various publishers and distributors including J. Bell, William Birch, R. Campbell & Co., James Cundee, E. Jeffrey, Edward J. Parker, R. Pollard, C. Taylor, and T. Thornton., Research files, genealogical reference files, and modern photographic reproductions of the artists' work that accompanied the collection when acquired are available at the repository., See Emily T. Cooperman and Lea Carson Sherk, Picturing the American Scene (Philadelphia: University of Pennsylvania Press, 2011)., See Emily T. Cooperman, ed., The Country Seats of the United States. William Russell Birch (Philadelphia: University of Pennsylvania Press, 2009)., See S. Robert Teitelman, Birch's Views of Philadelphia. (Philadelphia: The Free Library of Philadelphia, 1982, rev. 2000)., See Martin P. Snyder, "William Birch: His Philadelphia Views," The Pennsylvania Magazine of History and Biography 73 (July 1949), 271-315., See Martin Snyder, "Birch's Philadelphia Views: New Discoveries," The Pennsylvania Magazine of History and Biography 88 (April 1964), 164-173., See Martin P. Snyder, "William Birch: his ’Country seats of the United States,’" Pennsylvania magazine of History and Biography 81 (1957), 225-254., Lib. Company. Annual Report, 2017, p. 49 - 51., P.2018.55 photographic reproduction of Mrs. Robinson engraved by William Birch after Sir Joshua Reynolds housed with collection., William Russell Birch (1755-1834), trained in England under Sir Joshua Reynolds, was a respected Philadelphia engraver, miniaturist, and enamel painter. Birch was also one of the most important landscape artists in America’s Federal period. He engraved and published the first viewbook of an American city, "The City of Philadelphia in the Year… 1800" and the respected "The Country Seats of the United States of North America" in 1804. His son Thomas Birch (1779-1851) assisted him in the drawing and engraving of his viewbooks. He became a respected artist in his own right and specialized in marine paintings.
Date: [ca. 1742 - ca. 1913]
Location: Library Company of Philadelphia | Print Department Birch Collection [P.2016.50 & 62 and P.2017.54 and P.2018.55]

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