Jewett, Helen, 1813-1836.
Title
Jewett, Helen, 1813-1836.
Description
In Wilkes, G. The lives of Helen Jewett, and Richard P. Robinson (New York, 1849), frontispiece., Portrait caption: Helen Jewett at her childhood's home., Helen (sometimes known as Ellen) Jewett, a prostitute, was brutally murdered, presumably by her jealous lover. Her death caused a media sensation., "She was early cast alone upon the world, and her recollections of those who should have been the patterns for her guidance, were the recollections of a false example. In the next place, she had too much education for her condition in life, and her ambition, made unmanageable by its alliance with a fervid temperament, betrayed her, by too short a cut, to the society for which she yearned. The result was a sudden but hollow exaltation; a crazy revel; a brief career, and a shocking end."--P. 132., More illustrations depicting Jewett appear in Wilkes, G. The lives of Helen Jewett, and Richard P. Robinson (New York, 1849), p. 11, p. 29, p. 39, p. 43, p. 72, p. 81, p. 87, p. 118., Full-length portrait of Jewett, carrying a basket, with a cottage in a rural scene in the background.
Date
[1849?]
Location
http://www.librarycompany.org/women/virtue/vice.htm
[Prodigal Son series, 1775] [graphic] / ches Haid.
Title
[Prodigal Son series, 1775]
Description
Six prints based upon Sebastian Le Clerc II's 1751 series, "L'Histoire de l'enfant prodigue," depicting the Prodigal Son parable of sin, penitence, and salvation. Includes two Black characters: a prostitute and a male servant. The six scenes titled: La Enfant prodigue exigeant sa Legitime; Le depart de l'Enfant prodigue; Vie debauche de l'Enfant prodigue; L'Enfant prodigue dans la plus grande Misere; L'Enfant prodigue reclamant la bonte de son Pere; Rejouissances pour le Retour de l'Enfant prodigue depict the white son claiming his patrimony, taking leave of his father, living a debaucherous life with prostitutes, in misery as a swineherder, returning penitent to his father, and celebrating his return with a feast., "Vie debauche de l'enfant prodigue" shows the prodigal son engaged in immoral behavior. Depicts the young white man, attired in a white wig, a jacket, breeches, white stockings, and buckled shoes, seated at a table with three prostitutes. He leans over and gropes the breast of the white woman, who touches his face with her left hand and raises a glass in her right hand. The Black woman sits in the left and holds a glass in her left hand. The women are attired in wigs in high hairstyles ornamented with ribbons, bows, and feathers, dresses, and heeled dress shoes. The table has plates of food, cutlery, and glasses set upon it. On the floor is a tub filled with bottles. Several bottles are knocked over at the man’s feet, including one that is spilling out alcohol. In the right, a servant woman, attired in a white cap, a plain dress, and an apron, bends over a gambling table to tidy up the cards and chips., "Rejouissances pour le retour de l'enfant prodigue" shows the celebration of the prodigal son’s return with a feast. Depicts four white men and two white women seated at the dining table. The men are attired in wigs, white shirts, jackets, breeches, white stockings, and buckled shoes. The women are attired in wigs in high hairstyles ornamented with ribbons and bows and dresses with bows at the neck. The feasters eat and drink at the table, which has glasses, plates, and cutlery set on it. Two white men servants, attired in wigs, white shirts, and uniform jackets, stand behind the diners and serve food on a plate. In the left, a Black man servant, attired in a wig, a white shirt, a uniform jacket, breeches, white stockings, and buckled shoes, crouches behind a chair to hide and drinks from a bottle. The man seated in the chair turns around to look at him. At his feet is a tub filled with bottles, one bottle knocked over, and an additional bottle by his chair. In the top right background is a balcony where four white men musicians play, including two violinists and possibly an oboe player., Prints numbered 1-6 lower left corner., Series title supplied by cataloger., Publication information inferred from name of engraver and the attire of the depicted figures., See Ellen G. D'Oench's Prodigal Son narratives, 1480-1980 (Connecticut: Yale University Art Gallery and Davison Art Center, Wesleyan University, 1995)., Purchase 1971., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Haid, Johann Elias, 1739-1809, engraver
Date
[ca. 1775]
Location
Library Company of Philadelphia | Print Department *Prodigal Son-1775 [7943.F.1-6]
Free negroes in the North
Title
Free negroes in the North
Description
Caustic and racist satire depicting African American life in the North as depraved, destitute, and corrupt. On "Lovely Lane," at the dilapidated house of prostitution - "Praise the Lord Bare Bones Colored Men Home" - Union soldiers and African American prostitutes carouse, fight, and are rousted by the police. A white man wearing a cross, possibly a caricature of Reverend Henry Ward Beecher, hands a "Tract on Slavery" to an older African American man beggar who sits beneath a notice of an abolitionist talk. Two African American grave diggers display and accept money for their exhumed corpse from a white man physician with the medical newspaper, "Boston Lancet," in his pocket., Inscribed upper left corner: 26., Issued as plate 26 in Sketches from the Civil War in North America (London [i.e., Baltimore]: [the author], 1863-1864), a series of pro-Confederacy cartoons drawn and published by Baltimore cartoonist Adalbert John Volck under the pseudonym V. Blada. The "first issue" of 10 prints (numbered 1, 2, 5, 6, 7, 12, 15, 16, 21, 24), with imprint "London, 1863" were printed as etchings. The remaining 20 prints (numbered 4, 8, 9-11, 14, 17-20, 23, 25-27, 29, 30, 32, 33, 40, 45) headed "Second and third issues of V. Blada's war sketches" and dated "London, July 30, 1864" were printed as lithographs., Title and publication information from series at Brown University Library., Research file about artist available at repository., RVCDC, Accessioned 1935., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Volck, Adalbert John, 1828-1912, artist
Date
[1864]
Location
Library Company of Philadelphia | Print Department Volck - Sketches - Volck 26 [2990.F.17]