Search results

Title: Friend Jane envelope
Description: Image: A smiling Quaker woman holds a bayonet and takes a hat from a tall man who leans on his cane., Verse 678: Friend Jane - I have bought thee a Staff and Hat, which I hope will prove serviceable in these times., Provenance: McAllister, John A. (John Allister), 1822-1896, collector
Date: 1861-1865

Title: Friend Susan and Friend Broadbrim envelope
Description: Image: A Quaker woman carrying a parasol encounters another Friend, who carries a bayonet to a Friends' Meeting. A group of soldiers are lined up in the background. Mocks the Quaker pacifists who didn't want to contribute to the bloodshed., Verse 679: Friend Susan -- Why, Friend Broadbrim, what is thee doing with a musket and soldier clothes on! Friend Broadbrim -- I am going to the Friends' Meeting. Friend Susan -- Well, if thee does so, I hope the spirit will move thee to do something., Provenance: McAllister, John A. (John Allister), 1822-1896, collector
Date: 1861-1865

Title: Friend Thomas envelope
Description: Image: A soldier drops his sword in surprise when he sees Friend Thomas coming at him with a sword in support of the Union., Verse 680: Friend Thomas -- Oh! ho! so thee was a going to fight, friend Secede, was thee? I hope thee has found out now that the Quakers are sound on the Union., Provenance: McAllister, John A. (John Allister), 1822-1896, collector
Date: 1861-1865

Title: [Road to Philadelphy]
Description: Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." Shows a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback. In front of the fence, a dark skinned traveler, possibly an Irishman or African American, with buck teeth and carrying a knapsack and a walking stick, asks a rotund white Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road., Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Philadelphia on Stone, POS 652, Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his racist popular series, "Life in Philadelphia," published from 1828 until 1832, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room Uz, A423.O)., LCP holds duplicate trimmed print: W315., Gift of William Helfand, 1998., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: [1830 or 1831]
Location: Library Company of Philadelphia | Print Department *W315 [P.9576]

Title: [Road to Philadelphy]
Description: Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." Shows a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback. In front of the fence, a dark skinned traveler, possibly an Irishman or African American, with buck teeth and carrying a knapsack and a walking stick, asks a rotund white Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road., Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Philadelphia on Stone, Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his popular racist series, "Life in Philadelphia," published from 1828 until around 1830, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era. (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room, Uz A423.O), LCP holds duplicate untrimmed print: *Wainwright 315., Accessioned 1982., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: [1830 or 1831]
Location: Library Company of Philadelphia | Print Department W315 [P.2179]

Title: The German bleeds & bears ye furs of Quaker lords & savage curs
Description: Political cartoon depicting Quakers and racist caricatures of Native Americans riding on the backs of German and Scots-Irish settlers surrounded by burning houses and the bodies of dead men, women, and children. In the left, Benjamin Franklin stands holding a paper reading, "Resolved/ ye Prop[riete]r/ a knave/ & tyrant/ NC D/ gov[erno]r D:o." A fox, representing Quaker Joseph Fox, stands between his legs. Quaker leader Israel Pemberton rides on the back of a Scots-Irish man, who holds a rifle. Pemberton stretches his right hand out to grasp Franklin's paper and holds a band of wampum in his left hand. A rope wrapped around his left arm is attached to the nose of a blindfolded German man who walks behind him carrying a Native American man on his back. The Native American man holds a tomahawk in his right hand and carries a pack on his back labeled, "I.P." In the foreground are bodies of a dead man, woman, and child with cut marks on their heads indicating scalping. Native American men burn houses in the background. Joseph Fox and Israel Pemberton were leaders in the Quaker "Friendly Association" that was often accused of supplying money secretly to the Native Americans., Title from item., Date inferred from content., Attributed to Claypoole., Text printed under image: "The German bleeds & bears ye furs/ Of Quaker Lords & savage Curs/ Th' Hibernian frets with new Disaster/ And kicks to fling his broad brim'd Master/ But help at hand Resolves to hold down/ Th' Hibernian's Head or tumble all down.", Retrospective conversion record: original entry, edited., See Philadelphia printmaking: American prints before 1860 (West Chester, Pa.: The Tinicum Press, 1977), p. 70-89., RVCDC
Creator: Claypoole, James, 1720-1784?, etcher
Date: [1764]
Location: Library Company of Philadelphia | PRINT PRINT political cartoons 1764 Ger [66984.O.9]

Title: The disappointed abolitionists
Description: Anti-abolition print distortedly portraying the events of the New York freedom seeker episode, "The Darg Case." The case involved a freedom seeker of enslaver John Darg who stole $7000 from him, fled, and was harbored and assisted by African American abolitionist and writer David Ruggle, Quaker arbitrator Barney Corse, and Quaker abolitionist Isaac T. Hopper. Corse had arbitrated a deal with Darg that in exchange for the return of Darg's stolen money, the enslaved man's freedom would be granted, and a small stipend would be paid to Corse. The arbitration was discovered and annulled by the New York police who then arrested Ruggles and Corse. Depicts Darg's sitting room where Hopper is requesting a reward. Ruggles says, "I don't like the looks of this affair. I'm afraid my pickings will not amount to much!" Corse replies, "Yea verily I was but thy instrument Brother Hopper as Brother Ruggles here knoweth!" They are threatened by Darg with a chair to whom they have returned "$6908" of his stolen money, and who bitterly exclaims that they deserve prison., Title from item., Date from copyright statement: Entd accordd to Act of Congress in the year 1838 by H.R. Robinson, in the Clerk's office of the Distt Court of the U. States, for the southern District of New York., Purchase 1968., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, lithographer, and engraver who created the "Life in Philadelphia" series which satirized middle-class African American Philadelphians in the late 1820s and early 1830s.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1838
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1838-40W [7779.F]

Main menu