Search results

Title: Friend Jane envelope
Description: Image: A smiling Quaker woman holds a bayonet and takes a hat from a tall man who leans on his cane., Verse 678: Friend Jane - I have bought thee a Staff and Hat, which I hope will prove serviceable in these times., Provenance: McAllister, John A. (John Allister), 1822-1896, collector
Date: 1861-1865

Title: Friend Susan and Friend Broadbrim envelope
Description: Image: A Quaker woman carrying a parasol encounters another Friend, who carries a bayonet to a Friends' Meeting. A group of soldiers are lined up in the background. Mocks the Quaker pacifists who didn't want to contribute to the bloodshed., Verse 679: Friend Susan -- Why, Friend Broadbrim, what is thee doing with a musket and soldier clothes on! Friend Broadbrim -- I am going to the Friends' Meeting. Friend Susan -- Well, if thee does so, I hope the spirit will move thee to do something., Provenance: McAllister, John A. (John Allister), 1822-1896, collector
Date: 1861-1865

Title: Friend Thomas envelope
Description: Image: A soldier drops his sword in surprise when he sees Friend Thomas coming at him with a sword in support of the Union., Verse 680: Friend Thomas -- Oh! ho! so thee was a going to fight, friend Secede, was thee? I hope thee has found out now that the Quakers are sound on the Union., Provenance: McAllister, John A. (John Allister), 1822-1896, collector
Date: 1861-1865

Title: William Penn medal
Description: Obverse: Profile of William Penn with Legend that reads, “William Penn. B. 1644 D. 1718. L.P.” (Lewis Pingo). Reverse: Penn shaking hands with a Native American who has a bow in his left hand. Legend reads, “By Deeds of Peace. Pennsylvania Settled 1681.” John Fothergill (1712-1780) was a Quaker and a friend of Peter Collinson and John Bartram. Collinson introduced Fothergill to Benjamin Franklin. When Franklin became ill after his arrival in London in 1757, he became Fothergill’s patient. They remained close friends. William Logan (1718-1776) was the son of James Logan., LCP Minutes, Vol. 2, p. 121: At a meeting of the Directors held September 12th 1775. Mr. William Logan having in the Name and by the Direction of Doctor Fothergill presented the Library with a silver Medal representing on the Face a striking Likeness of William Penn the worthy Founder of this Province Legend “William Penn. B 1644. D. 1718” and on the Reverse William Penn shaking hands with an Indian Legend “By Deeds of Peace Pennsylvania settled 1681.” The Board request Mr. Logan will be pleased to communicate their Thanks to the Doctor for his truly valuable present—Ordered that the Secretary furnish Mr. Logan with a Copy of the aforegoing Minute.”, Gift of John Fothergill, 1775.
Creator: Pingo, Lewis, 1743-1830
Date: 1775
Location: OBJ 903

Title: Costume des Quakers Bibliothéque de Philadelphie
Description: Plate showing a Quaker man outside and a Quaker woman and man within a fence in front of the subscription library, Library Company of Philadelphia, at 5th and Library streets. The men wear broad rimmed hats, long coats, and pantaloons. The woman wears a plain dress, shawl, and bonnet. She holds a basket. The Library Company, established by Benjamin Franklin and his Junto in 1731, occupied the hall built in 1790 after the designs of Dr. William Thornton until 1880. The building was razed in 1887., Published in Édouard de Montulé's Voyage en Amérique, en Italie, en Sicile et en Egypte, pendant les années 1816, 1817, 1818 et 1819 (Paris, Delaunay [etc.], 1821)., Printed in the upper right corner: Pl. 6., Philadelphia on Stone, POS 166
Date: [1821]
Location: Library Company of Philadelphia | Print Department BW - Libraries - Library Company [P.8476]

Title: [Fashion print showing a couple attired in Quaker costume]
Description: Fashion print showing a young couple in plain dress on promenade. The man wears a broad-rimmed hat, white cravat, and suit. The woman wears a poke bonnet and a plain dress with a large white collar and puff sleeves. Each holds or wears gloves., Date from manuscript note on recto: Costume 1844., Philadelphia on Stone
Date: 1844
Location: Library Company of Philadelphia | Print Department BW - Fashion [P.2005]

Title: Friend's Meeting House. Race Street, Philadelphia
Description: View showing the Race Street facade of the large brick building built circa 1856 to house the meeting, later known as Friends' Central Meeting (Hicksite) at the southwest corner of Fifteenth and Race Streets (1520 Race Street), extending to Cherry Street (1501 Cherry Street). A wrought-iron fence encloses the property and the date marker "1856" is visible near the roof of the building. Friends are visible entering and on the grounds of the meeting house. Also shows pedestrians on the sidewalk, a brick wall with trellis attached to the fencing, and a neighboring building. The building, the second meeting house for the Hicksites (separation in 1827), was built in response to the women's meeting's request for a larger and safer meeting space than the first Hicksite meetinghouse at Fifth and Cherry streets. The Race Street side of the building was used by the monthly meeting and the Cherry Street side by the Yearly Meeting. Race Street was the site of the Hicksite Philadelphia Yearly Meeting between 1857 and 1955., Published in Ezra Michener's A retrospect of early Quakerism. (Philadelphia: T. Elwood Zell, 1860), opp. p, 53. [Ao 10 16587.O], One of prints (P.9830.19) gift of Jay Snider., Philadelphia on Stone, POS 281
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: [1860]
Location: Library Company of Philadelphia | Print Department BW - Churches & Meetinghouses - F [P.9507 and P.9830.19]

Title: Friend's Meeting House. (Side elevation)
Description: View showing the side elevation of the large brick building, Race Street Meeting House, built circa 1856 to house the meeting, later known as Friends' Central Meeting (Hicksite) at the southwest corner of Fifteenth and Race Streets (1520 Race Street), extending to Cherry Street (1501 Cherry Street). Friends enter the building and walk on the paths surrounding a lawn in the foreground. The building, the second meeting house for the Hicksites (separation in 1827), was built in response to the women's meeting's request for a larger and safer meeting space than the first Hicksite meetinghouse at Fifth and Cherry streets. The Race Street side of the building was used by the monthly meeting and the Cherry Street side by the Yearly Meeting. Race Street was the site of the Hicksite Philadelphia Yearly Meeting between 1857 and 1955., Not in Wainwright., Published in Ezra Michener's A retrospect of early Quakerism. (Philadelphia: T. Elwood Zell, 1860), opp. p. 28. [Ao 10 16587.O], Philadelphia on Stone, POS 281b
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: [1860]
Location: Library Company of Philadelphia | Stack Stack Ao 10 16587.O, opp. p. 28

Title: Friend's Meeting House & School. Race St. East of 16th
Description: View showing two large brick buildings built circa 1856 and occupied by the Race Street Meeting House (center) and Friend's Central School (left) at the southwest corner of Fifteenth and Race Streets (1520 Race Street). Friends enter the meeting house and gather in front of the wrought iron fence lining the grounds. The meeting house, the second one for the Hicksites (separation in 1827), was built in response to the women's meeting's request for a larger and safer meeting space than the first Hicksite meetinghouse at Fifth and Cherry streets. The Race Street side of the building was used by the monthly meeting and the Cherry Street side by the Yearly Meeting. Race Street was the site of the Hicksite Philadelphia Yearly Meeting between 1857 and 1955. Friends’ Central School, established in 1845, was located at the southwest corner of Fifteenth and Race streets from 1857 to 1925., Published in Ezra Michener's A retrospect of early Quakerism. (Philadelphia: T. Elwood Zell, 1860), frontispiece. [Ao 10 16587.O]., One of prints (P.9830.18) gift of Jay Snider., Philadelphia on Stone, POS 281a
Creator: Queen, James Fuller, 1820 or 21-1886, artist
Date: [1860]
Location: Library Company of Philadelphia | Stack Stack Ao 10 16587.O, frontispiece and P.9830.18

Title: Benjamin Lay
Description: Full-length portrait of the eccentric radical Quaker abolitionist, author, and hermit, his left hand slightly raised. He holds a cane and a book titled, "African Emancipation" in his other hand., Published as frontispiece in Roberts Vaux's Memoirs of the Lives of Benjamin Lay and Ralph Sandiford:...(Philadelphia: Solomon W. Conrad, 1815). (LCP Am 1815 Vaux, Log 1971.D)., Manuscript note below image: the Hermit - Nat: 1677. Ob: 1759. He was one of the first public advocates for the emancipation of the enslaved Africans. [Vide Memoirs of his life by R. Vaux.]. See page 124., Portrait of Rev. Richard Allen on recto. (LCP Yi 2, 1069.F. 276), From John Fanning Watson's Extra-illustrated Autograph Manuscript of "Annals of Philadelphia," p. 277. (LCP Yi 2, 1069).
Creator: Kneass, William, 1780-1840, engraver
Date: [ca. 1815]
Location: Library Company of Philadelphia | Print Department Print Portraits-L [Yi 2, 1069.F.276 (verso)]

Title: [Road to Philadelphy]
Description: Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." Shows a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback. In front of the fence, a dark skinned traveler, possibly an Irishman or African American, with buck teeth and carrying a knapsack and a walking stick, asks a rotund white Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road., Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Philadelphia on Stone, POS 652, Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his racist popular series, "Life in Philadelphia," published from 1828 until 1832, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room Uz, A423.O)., LCP holds duplicate trimmed print: W315., Gift of William Helfand, 1998., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: [1830 or 1831]
Location: Library Company of Philadelphia | Print Department *W315 [P.9576]

Title: [Road to Philadelphy]
Description: Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." Shows a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback. In front of the fence, a dark skinned traveler, possibly an Irishman or African American, with buck teeth and carrying a knapsack and a walking stick, asks a rotund white Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road., Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Philadelphia on Stone, Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his popular racist series, "Life in Philadelphia," published from 1828 until around 1830, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American political caricaturist of the Jacksonian era. (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room, Uz A423.O), LCP holds duplicate untrimmed print: *Wainwright 315., Accessioned 1982., RVCDC, Description revised 2021., Access points revised 2021.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: [1830 or 1831]
Location: Library Company of Philadelphia | Print Department W315 [P.2179]

Title: [Road to Philadelphy] [graphic].
Description: Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his popular racist series, "Life in Philadelphia," published from 1828 until around 1830, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era. (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room, Uz A423.O), LCP holds duplicate untrimmed print: *Wainwright 315., Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." On a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback, a raggedly dressed dark skinned traveler with buck teeth, possibly an Irishman or African American, asks a rotund Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road.
Date: [1830 or 1831]
Location: http://www.lcpgraphics.org/wainwright/W315.htm, Library Company of Philadelphia Print Dept. W315 [P.2179]

Title: [Road to Philadelphy] [graphic].
Description: Attributed to E.W. Clay., Title and publication information supplied by Wainwright., Clay, born in Philadelphia, was the most prolific caricaturist of the Jacksonian era. He became well known for his racist popular series, "Life in Philadelphia," published from 1828 until 1832, which mocked upwardly mobile African American Philadelphians as ineptly attempting to imitate the white middle class., Nancy Reynolds Davison's E.W. Clay: American Political Caricaturist of the Jacksonian Era (PhD. diss., The University of Michigan, 1980), p. 76, 358. (LCP Print Room Uz, A423.O)., LCP holds duplicate trimmed print: W315., Gift of William Helfand., Racist caricature simultaneously mocking and condoning the pretentiousness and bigotry of early 19th century Philadelphia Quakers toward their "social inferiors." On a Philadelphia road in front of a small home with an open picket fence and a visitor arriving on horseback, a raggedly dressed dark skinned traveler with buck teeth, possibly an Irishman or African American, asks a rotund Quaker man and his attractive prim and proper daughter, "I say, this isn't the road to Philadelphy, honey, is it?" The father responds indignantly to the "Friend," that he is not only asking a question, but also telling a lie, and of course it is the road.
Date: [1830 or 1831]
Location: http://www.lcpgraphics.org/wainwright/W315.htm, Library Company of Philadelphia Print Dept. *W315 [P.9576]

Title: The works of John Woolman In two parts
Description: Signatures: A-2E⁸ 2F²., "A journal of the life, Gospel labours, and Christian experiences of that faithful minister of Jesus Christ, John Woolman, late of Mount-Holly, in the province of New-Jersey."--[2], 250 p., has separate title page., "The works of John Woolman. Part the second. Containing his last epistle and other writings."--p. [251]-436, has separate title page, and includes: Some considerations on the keeping of negroes., Library Company copy 1118.O in original sheepskin binding; armorial bookplate: Levi Hollingsworth., Library Company copy 112571.O in original sheepskin binding; inscribed: Sarah Hopkins [and] B. Hopkins 1826; from the McNeil Americana Collection., Readex August 2013 update: This record replaces control number 000035738.
Creator: Woolman, John, 1720-1772
Date: [M.DCC.LXXIV. [1774]
Location: Library Company of Philadelphia | Books & Other Texts | Rare Am 1774 Woolm 1118.O (Maier), Library Company of Philadelphia | Books & Other Texts | Rare Am 1774 Woolm 112571.O (McNeil)

Title: Roberts Vaux
Description: Half-length portrait of the Philadelphia Quaker philanthropist, abolitionist, and social reformer who helped found the American Anti-Slavery Society in 1833 and who wrote several pamphlets against the spread of slavery into the western territories. Vaux, attired in a white shirt, a black waistcoat, and a black jacket, looks at the viewer., Title from printed signature of sitter below image., Date inferred from content and medium., Printed below image: I am with great truth thy affectionate friend, Roberts Vaux., Accessioned 1893., Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Newsam, a respected Philadelphia lithographer, was a deaf mute who received early art training at Philadelphia's Institute for the Deaf and Dumb.
Creator: Newsam, Albert, 1809-1864, lithographer
Date: [ca. 1840]
Location: Library Company of Philadelphia | Print Department Portrait prints-V [5657.F.15a]

Title: Roberts Vaux
Description: Half-length portrait of the Philadelphia Quaker philanthropist, abolitionist, and social reformer who helped found the American Anti-Slavery Society in 1833 and who wrote several pamphlets against the spread of slavery into the western territories. Vaux, attired in a white shirt, a black waistcoat, and a black jacket, looks at the viewer., Title from printed signature of sitter below image., Date inferred from content and medium., Printed below image: I am with great truth thy affectionate friend, Roberts Vaux., Accessioned after 1870 and before 1900., Description revised 2021., Access points revised 2021., Newsam, a respected Philadelphia lithographer, was a deaf mute who received early art training at Philadelphia's Institute for the Deaf and Dumb.
Creator: Newsam, Albert, 1809-1864, lithographer
Date: [ca. 1840]
Location: Library Company of Philadelphia | Print Department *Portrait prints-V [1885.F.23]

Title: Peace Medal (From the Friendly Association for Regaining and Preserving Peace with the Indians)
Description: Presentation medal with the bust of King George II on the obverse and, on the reverse, a Quaker man holding a peace pipe at a council fire with a Native American man. Duffield, a clockmaker, engraved the die; the silversmith Richardson struck it. It was the first peace medal made in America. Benjamin Franklin and members of the Friendly Association would distribute these medals to Native Americans as tokens of goodwill., Exhibited in: Benjamin Franklin: In Search of a Better World (2005-2007); Library Company's exhibition, Quarter of a Millennium (1981).
Creator: Duffield, Edward, 1730-1803, engraver
Date: 1757
Location: OBJ 873

Title: Dillwyn and Emlen family correspondence
Description: This collection consists of five disbound volumes of letters written to and from William Dillwyn of London and his daughter Susanna Dillwyn in America from 1770 to 1795; and thereafter until 1818, to and from Susanna and her husband Samuel Emlen, Jr. of Burlington County, New Jersey. Although Susanna lived almost her entire life apart from her father, their letters are frequent and deal primarily with family matters and kin. However, there is frequent comment concerning such topics as yellow fever; abolitionism and slavery; and American and European politics, including the Napoleonic wars and the embargo, as well as their effects upon trade and merchants in Philadelphia and London. Moreover, events such as the Federal Convention of 1787 and topics such as the health of Benjamin Franklin, the popularity of President Washington and the trials of a new republic are addressed throughout the correspondence.
Creator: Dillwyn, William, 1743-1824
Date: 1770

Title: Fun! Fun! Come one come all--Give us a call First grand complimentary concert for the benefit of the Wildey Assembly to be given at Herman Hall, Coates Street, above Second, on Wednesday evening, June 17th, 1863, on which occasion Jackson & Jones' Ethiopian Minstrels will appear. ... The elegant piano forte, used on this occasion, is from the factory of George Steck, New York, and is furnished by Mr. J.E. Gould, Seventh and Chestnut Streets. Programme. ... Hungarian warblers! ... Fields of olden ... Exempt Quakers ... The surprise party, ... The Crow family ... Gum man of Philadelphia ... The whole to conclude with the walk around, Who's heel's dat a burnin' by the whole company. Prices of admission, 20 cts. Children, under 12 years, 10 cents Front seats reserved for ladies. Doors open at quarter-past 7 o'clock. Performance commences at 8
Description: Performers include: J.E. Harris, A. Henry, G. Jackson, George Jones, Billy Morton, G. Simons, and S. Smith., Illustration signed: Strong., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Jackson & Jones' Ethiopian Minstrels
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1863 Jackson (25)5761.F.82a (McAllister)

Title: Masonic Hall, Manayunk positively one night only Carncross and Dixey's Minstrels the star troupe of the world! In their great Ethiopian soirees ... Wednesday ev'ng, June 17, 1863, ... Burlesque monster concert a la Germania. ... Poor old maids! ... Babes in the wood ... Exempt shaking Quakers ... Deaf as a post, ... To conclude with the plantation walk-around, entitled High Daddy! by the full company. Admission, twenty-five cents Doors open at quarter past 7. Performance commence at 8 o'clock
Description: The performers include: Thomas à Becket, Charles Campbell, J.L. Carncross, J.S. Cox, E.F. Dixey, M.D. Edmonds, Charles Gibbons, James Lamont, Frank Moran, J.S. Paul, A.H. Rackett, J.H. Ross, R.F. Simpson, Charles Stevens, and Charles Villiers., Other playbills from this tour bear the imprint: U.S. Job Print, Ledger Buildings, Philadelphia., Printed area, including ornamental border, measures 55.6 x 20.4 cm., Portraits signed: Waitt sc., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Carncross & Dixey's Minstrels
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1863 Carncross (25)5761.F.82b (McAllister)

Title: Greer's Hall for positively two nights only! Carncross and Dixey's Minstrels the star troupe of the world! In their great Ethiopian soirees ... This Monday evening, June 29th, 1863, ... Burlesque monster concert a la Germania. ... Poor old maids! ... Babes in the wood ... Exempt shaking Quakers ... Deaf as a post, ... To conclude with the plantation walk-around, entitled High Daddy! by the full company. Admission, twenty-five cents Doors open at quarter past 7. Performance commence at 8 o'clock
Description: The performers include: Thomas à Becket, Charles Campbell, J.L. Carncross, J.S. Cox, E.F. Dixey, M.D. Edmonds, Charles Gibbons, James Lamont, Frank Moran, J.S. Paul, A.H. Rackett, J.H. Ross, R.F. Simpson, Charles Stevens, and Charles Villiers., Other playbills from this tour bear the imprint: U.S. Job Print, Ledger Buildings, Philadelphia., Printed area, including ornamental border, measures 55.4 x 20.5 cm., Portraits signed: Waitt sc., Originally part of a McAllister scrapbook., Digitized by Alexander Street Press for Images of the American Civil War.
Creator: Carncross & Dixey's Minstrels
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1863 Carncross (25)5761.F.84b (McAllister)

Title: Maryland Institute. A few nights only Carncross and Dixey's Minstrels the star troupe of the world! In their great Ethiopian soirees ... This Monday evening, May 25th, 1863 ... Burlesque monster concert a la Germania. ... Poor old maids! ... Babes in the wood ... Exempt shaking Quakers ... Deaf as a post ... To conclude with the plantation walk-around, entitled High Daddy! by the full company. Admission, twenty-five cents Doors open at quarter past 7. Performance commence at 8 o'clock
Description: The performers include: Thomas à Becket, Charles Campbell, J.L. Carncross, J.S. Cox, E.F. Dixey, M.D. Edmonds, Charles Gibbons, James Lamont, Frank Moran, J.S. Paul, A.H. Rackett, J.H. Ross, R.F. Simpson, Charles Stevens, and Charles Villiers., Printed area, including ornamental border, measures 55.3 x 20.4 cm., Portraits signed: Waitt sc., Not listed in Lib. Company. Afro-Americana., Originally part of a McAllister scrapbook.
Creator: Carncross & Dixey's Minstrels
Date: [1863]
Location: Library Company of Philadelphia | Books & Other Texts | Rare PB 1863 Carncross (25)5761.F.74 (McAllister)

Title: The German bleeds & bears ye furs of Quaker lords & savage curs
Description: Political cartoon depicting Quakers and racist caricatures of Native Americans riding on the backs of German and Scots-Irish settlers surrounded by burning houses and the bodies of dead men, women, and children. In the left, Benjamin Franklin stands holding a paper reading, "Resolved/ ye Prop[riete]r/ a knave/ & tyrant/ NC D/ gov[erno]r D:o." A fox, representing Quaker Joseph Fox, stands between his legs. Quaker leader Israel Pemberton rides on the back of a Scots-Irish man, who holds a rifle. Pemberton stretches his right hand out to grasp Franklin's paper and holds a band of wampum in his left hand. A rope wrapped around his left arm is attached to the nose of a blindfolded German man who walks behind him carrying a Native American man on his back. The Native American man holds a tomahawk in his right hand and carries a pack on his back labeled, "I.P." In the foreground are bodies of a dead man, woman, and child with cut marks on their heads indicating scalping. Native American men burn houses in the background. Joseph Fox and Israel Pemberton were leaders in the Quaker "Friendly Association" that was often accused of supplying money secretly to the Native Americans., Title from item., Date inferred from content., Attributed to Claypoole., Text printed under image: "The German bleeds & bears ye furs/ Of Quaker Lords & savage Curs/ Th' Hibernian frets with new Disaster/ And kicks to fling his broad brim'd Master/ But help at hand Resolves to hold down/ Th' Hibernian's Head or tumble all down.", Retrospective conversion record: original entry, edited., See Philadelphia printmaking: American prints before 1860 (West Chester, Pa.: The Tinicum Press, 1977), p. 70-89., RVCDC
Creator: Claypoole, James, 1720-1784?, etcher
Date: [1764]
Location: Library Company of Philadelphia | PRINT PRINT political cartoons 1764 Ger [66984.O.9]

Title: Logan family papers
Description: The Logan family was prominent in Philadelphia from the start of the province, serving the people in many capacities, including political, medical and literary. This is a collection of manuscripts obtained by the Library Company of Philadelphia that relates to the Logan family. The collection includes papers of the Logan family members Albanus Charles, Algernon Sydney, Deborah Norris, William Jr., and James as well as family materials collected by Frances A. Logan and William Logan Fox. The collection dates from 1684 to 1925 and consists of family papers, correspondence, diaries, writings, medical texts, lecture notes, financial records, poetry, visiting cards, and invitations. The collection is divided into seven series and arranged in the following order: “Albanus Charles Logan papers,” “Algernon Sydney Logan papers,” “Deborah Norris Logan papers,” “Frances Armat Logan collection,” “James Logan papers” and “William Logan Fox collection of papers relating to the Library Company of Philadelphia v. William Logan Estate.”
Date: 1684

Title: Ghost River the fall and rise of the Conestoga
Description: "Told from the Indian perspective, this graphic novel depicts the massacre of 20 unarmed Conestoga Indians in colonial Pennsylvania in December 1763 by a vigilante group of Scots-Irish frontiersmen known as the "Paxton Boys", first six Conestoga People at a settlement near what is now Millersville, and then fourteen remaining Indians -- six adults and eight children that were under protective custody -- days later in Lancaster. The graphic novel is half of the book. The other half contains interpretive materials and reproductions of historical documents. It also provides instructional guidelines supplied by the Gilder Lehrman Institute of American History."--, "Ghost River: The Fall and Rise of the Conestoga is part of Redrawing History: Indigenous Perspectives on Colonial America, a project of the Library Company of Philadelphia supported by The Pew Center for Arts & Heritage"-- Book's official website., Contents: Introduction / Will Fenton -- Artist statements / Lee Francis 4 & Weshoyot Alvitre -- Ghost River: graphic novel -- Indigenous representation in comics and graphic novels / Michael Sheyahshe -- Print and place in the Paxton crisis / Scott Paul Gordon -- Passion, politics, and portrayal in the Paxton debates / Judith Ridner -- Primary sources / Will Fenton -- Script and annotations -- Murder on the frontier: the Paxton massacre / Ron Nash & John McNamara.
Creator: Francis, Lee, IV, author
Date: 2019
Location: Library Company of Philadelphia | Books & Other Texts | Stack Uy1 A6270.O

Title: The disappointed abolitionists
Description: Anti-abolition print distortedly portraying the events of the New York freedom seeker episode, "The Darg Case." The case involved a freedom seeker of enslaver John Darg who stole $7000 from him, fled, and was harbored and assisted by African American abolitionist and writer David Ruggle, Quaker arbitrator Barney Corse, and Quaker abolitionist Isaac T. Hopper. Corse had arbitrated a deal with Darg that in exchange for the return of Darg's stolen money, the enslaved man's freedom would be granted, and a small stipend would be paid to Corse. The arbitration was discovered and annulled by the New York police who then arrested Ruggles and Corse. Depicts Darg's sitting room where Hopper is requesting a reward. Ruggles says, "I don't like the looks of this affair. I'm afraid my pickings will not amount to much!" Corse replies, "Yea verily I was but thy instrument Brother Hopper as Brother Ruggles here knoweth!" They are threatened by Darg with a chair to whom they have returned "$6908" of his stolen money, and who bitterly exclaims that they deserve prison., Title from item., Date from copyright statement: Entd accordd to Act of Congress in the year 1838 by H.R. Robinson, in the Clerk's office of the Distt Court of the U. States, for the southern District of New York., Purchase 1968., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Clay, born in Philadelphia, was a prominent caricaturist, lithographer, and engraver who created the "Life in Philadelphia" series which satirized middle-class African American Philadelphians in the late 1820s and early 1830s.
Creator: Clay, Edward Williams, 1799-1857, artist
Date: 1838
Location: Library Company of Philadelphia | Print Department Political Cartoons - 1838-40W [7779.F]

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