Fraktur depicting a bare-chested black woman and man. The woman carries a jug on her head, wears a red sarong, and holds a dead rabbit by her side. The man wears a loincloth, has his arms outstretched from his side, and holds a filled glass carafe and goblet., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Accessioned 1971., RVCDC, Description revised 2021., Access points revised 2021.
Date
[between ca. 1810 and ca. 1850]
Location
Library Company of Philadelphia | Print Department Fraktur [7950.F.8]
Racist portrait depicting two African American boys, attired in torn and worn clothes, seated on a plank on a barrel in a field. The barefooted boy in the left, attired in a hat, a torn shirt, and worn pants, sits with his hands folded on his lap. The boy in the right, attired in a hat, a worn shirt, torn pants, and dilapidated shoes, sits with his hands between his legs., No. 119., Photographer's imprint printed on verso., Title from manuscript note on verso., Warped orange mount with rounded corners., Gift of David Long, 2002., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Creator
Wilson, J. N., photographer
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department stereos - miscellaneous photographer - Wilson [P.2002.8.4]
Racist, satiric stereograph depicting a young African American boy seated on a chamber pot atop a Victor scale. The boy, attired in a long-sleeved white shirt, sits with his hands resting on his knees and looks slightly up., Title from item., Warped buff mount with rounded corners., Gift of David Long, 2002., RVCDC, Description revised 2022., Access points revised 2022., Digitization funded by a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department stereo - unidentified - Genre [P.2002.8.1]
Full-length portrait by an unidentified young African American girl taken by an unidentified member of the Columbia Photographic Society. The girl, attired in a long-sleeved, gingham dress and pinafore and boots, holds a toy and looks at the viewer. She stands sideways on the sidewalk of a residential street, probably in Philadelphia. Behind her is a fence and a row of houses. The Society, an amateur North Philadelphia photographer's club established in 1889, sponsored photographic outings, lantern slide shows, and published "Camera" magazine until 1953., Title from label on the item., Date inferred by the attire of the sitter., Lib. Company. Annual report, 1982, p. 42., See "Charter and By-Laws of the Columbia Photographic Society." (Philadelphia, 1905). (LCP Print Room, 68371.D)., Gift of Morris Finkel, 1982., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1900]
Location
Library Company of Philadelphia | Print Department lantern slides - Columbia Photographic Society - unidentified [P.8912.258]
Trade card illustration of two white men seated on donkeys advertising a vaudeville production of Uncle Tom's Cabin. Both of the men are portraying the character Marks from the novel. They are attired in top hats and jackets with coattails. They both carry umbrellas under their arms. Palm trees are visible in the background of the scene., Title from item., Advertising text on recto: Two Marks & donkey "Jennie.", Advertising text on verso: Double in quantity, quality and [illegible]. [illegible] Smith's Boston Double Uncle Tom's Cabin Co., at the Ladies' and Children's Matinee and Evening Performances, at Union Hall, for two nights only. Friday & Saturday May 12 & 13, Grand Saturday Matinee. 30 famous performers. 10 comedians. 15 South Carolina Jubilee Singers. 2 Funny Topsys. 2 Marks, the Eccentric Lawyers. 2 Educated and Trick Donkeys. Pack of imported Bloodhounds. Topsy No. 1 - Miss Daisy Markoe, in her great songs, dances, banjo and xylophone solos. Topsy No. 2 - Miss Josie Sutherland, in her beautiful skip-rope and plantation dances. Grand Ice Scene - Eliza and child escape [illegible] blood hounds. They don't catch her but go for the two Marks, the two laywers. Exciting scenes between dogs and lawyers. Great Jubilee and Plantation Scenes, with old-time songs. The two Marks enter on Donkeys , and then there's lots of fun. Beautiful and Grand Closing. Eva in the [illegible], with tableau, "Gates Ajar. All to be seen with Smith's Double Uncle Tom's Cabin, thus eclipsing all other companies in the world. General Admission, 25, 35 & 50 cts. [illegible] & 35 Cts. Reserved seats on sale at Waldron & Curtis' Drug Store., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Smith [P.2017.95.159]
Scrap depicting a racist caricature of an African man with a gold head band. Shows the bust-length portrait of the man as he looks at the viewer with a serious expression. He is attired in a white shirt with a gold necklace and has bob-length hair with half of it pulled up on top of his head and held in place by a gold band., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 6 [P.2017.95.259]
Racist, comic genre scene showing a young African American woman emerging from a cellar and accidentally knocking two children off the cellar doors. Depicts the woman standing out from the cellar and opening the cellar doors with both her hands. A young white girl has rolled off the door in the left and a young white boy lies on the edge of the door in the right. The girl, lies on her side, her head toward the viewer, her dress tousled, and her hands over her eyes. The boy, attired in a romper ensemble, sucks his thumb, and lies on his right side. The woman, smiles, and looks toward the boy. She is attired in a wide-brimmed hat, a shirt waist, and a skirt. The image also shows the outer wall of a stone dwelling and a window in which the figure of a man is visible. The window, adorned with drapery, is over the cellar., Curved buff mount with rounded corners., Title printed on mount., Date and name of photographer from copyright statement: Copyrighted 1898, by T.W. Ingersoll., Printed on mount: High Grade Original Views. Sold only by Subscription., Gift of George R. Allen, 2022., RVCDC
Creator
Ingersoll, T. W. (Truman Ward), 1862-1922
Date
1898
Location
Library Company of Philadelphia | Print Department stereo - Miscellaneous - Ingersoll [P.2022.42.19]
Genre portrait with a racist tone showing an African American boy, seated on a stool, and holding a trombone by the braces and down toward his left knee. He is attired in a neutral-color, buttoned jacket; short pants; white, collared shirt; and a black top hat. The boy is posed at a three-quarter angle, right profile. His head is tilted slightly to his left., Title printed on negative., Name of publisher/distributor stamped on mount., Curved grey mount with rounded corners., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022.
Creator
Rau, William Herman, 1855-1920, photographer
Date
[ca. 1896]
Location
Library Company of Philadelphia | Print Department stereo - Rau - Portraits & Genre [P.2018.16.4]
Scrap depicting a racist caricature of an African man with a gold earring. Shows the bust-length portrait of the man as he looks at the viewer with a serious expression. He is portrayed with exaggerated features and attired in a gold, hoop earring in his right ear. A blue and white shirt collar is also visible., Title supplied from cataloger., Date deduced from the visual content., Gift of David Doret.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 9 [P.2017.95.262]
Die-cut scrap depicting a racist caricature of an African man attired in a headdress. Shows the bust-length portrait of the man as he looks to the right with a serious expression. He is portrayed with exaggerated features and is attired in an orange and red headdress that wraps around his forehead in a band. The headdress is decorated with glass or crystal beads in the center of his forehead and hanging down from the band on red and yellow strips. He also is attired in a gold necklace., Title supplied by cataloger., Date deduced from the visual content., Gift of David Doret.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Scraps - Scrap 12 [P.2017.95.265]
Racist satiric print comprised of a watercolor drawing and a photograph showing a white man in civilian clothes feeding an African American doll. The man, attired in a white shirt, a black bowtie, a gray vest, gray pants, and black shoes, sits on a wooden chair and holds a spoon to the doll, costumed in a white layette gown. A bowl labeled "Bounty" is set upon a wooden chair in the left. A photograph cut-out of a head, presumably of a white commander of an African American regiment, rests on the drawn body of the man., Title from manuscript note written on the recto., Date inferred from content., Originally part of a McAllister Civil War scrapbook of humorous views and photographs. McAllister Collection, gift, 1886., Created postfreeze., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1863]
Location
Library Company of Philadelphia | Print Department Drawings & Watercolors - unidentified - R [5780.F.5c]
Reproduction of a Thomas Nast drawing showing an African American boy, portrayed as a racist caricature and attired in a striped, collared shirt, torn and worn pants, and boots. He holds a broom like a rifle and marches near a pile of hay., Title supplied by cataloger., Date inferred from Thomas Nast drawing., Originally part of a McAllister scrapbook of humorous caricatures and photographs. McAllister Collection, gift, 1886., Created postfreeze., RVCDC, Description revised 2021., Access points revised 2021., Digitized by Alexander Street Press for Images of the American Civil War., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of the Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[ca. 1863]
Location
Library Company of Philadelphia | Print Department cdv - miscellaneous - Civil War - Caricatures & cartoons [5780.F.51c]
Racist, satiric genre scene staged in a cargo hold setting. In the left, shows a well-dressed white man attired in a floor-length overcoat and bowler hat with valises at his side. He stands and watches an African American worker, attired in a cap and overalls, who secures the man's trunk with rope and his foot. Clothes hang out of and lie in front of the trunk. Stacks of trunks and valises line the wall in the background., Title from label on negative., Buff mount with rounded corners., Distributor's imprint stamped on verso: Robert Miller, 1110 W. Nor'W St., Gift of George R. Allen, 2013., RVCDC, Description revised 2022., Access points revised 2022., The Standard Series of New York was a producer of pirated views during the 1890s.
Date
[ca. 1895]
Location
Library Company of Philadelphia | Print Department stereo - unidentified - Genre [P.2013.65.14]
Cartoon depicting two unidentified white men, attired in suits, on the balcony of the "Cleveland Hotel" in front of a hostile crowd calling out "Traitor" and "You be Damned." The speaker clutches a handkerchief and the bannister of the balcony as he tries to placate the crowd by stating it is their "Congress that is trying to break up the Government." The man beside him in the left smugly comments that he hopes the mayor is in town. An African American man in the crowd, portrayed in racist caricature, taunts the speaker, "How about that $400 Gold watch.", Title from item., Date inferred from content., Originally part of American political caricatures, likely a scrapbook, accessioned 1899. Collection primarily comprised of gifts from Samuel Breck, John A. McAllister, and James Rush., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014.
Date
[1884?]
Location
Library Company of Philadelphia | Print Department Political Cartoons - 1884 Tra [5760.F.110]
Racist, satiric postcard depicting three young African American boys perched from oldest to youngest on a branch as "Black crows." The boys are attired in loin clothes. The middle child is crying with his hands over his eyes and falling off the branch. In the left, the oldest boy attempts to hold him up. The youngest, a baby, pats the middle child's shoulder with his right hand., Title from item., Date from copyright statement: Copyrighted, 1899., Accessioned 1999., RVCDC, Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
1899
Location
Library Company of Philadelphia | Print Department LCP postcards - Genre [P.9725.2]
Racist postcard depicting an African American boy looking exasperated at the crying African American baby beside him. The children are shown from the waist up and are bare-chested. The older boy has a glistening substance around his mouth and on his cheeks. The baby holds, possibly, ice in their hands., Title from item., Publication information and date from copyright statement: Copyrighted, 1905, and published by Knaffl & Bro., Knoxville, Tenn., Accessioned 1999., RVCDC, Description revised 2022., Access points revised 2022., Digitized with funding from a grant from the National Endowment for the Humanities (PW-506-19-10), 2010-2012.
Date
1905
Location
Library Company of Philadelphia | Print Department LCP postcards - Genre [P.9725.3]
Bust-length portrait depicting an African American man, portrayed in racist caricature, laughing with his head tilted back to the right, eyes closed and mouth wide open, as he reads a "Texas" newspaper. He is attired in a white collared shirt, a tie, and a jacket., Title supplied by cataloger., Gift of Elsie Wood Harmon, 1982., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre studies of African Americans, in national and international photography exhibitions. His work won several prizes.
Creator
Wood, George Bacon, 1832-1909, photographer
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department photo - Wood [P.8743.184]
Bust-length portrait depicting an African American man, portrayed in racist caricature, laughing with his head tilted back to the right, eyes slightly open, and mouth wide open, as he reads a "Texas" newspaper. He is attired in a white collared shirt, a tie, and a jacket., Title supplied by cataloger., Gift of Elsie Wood Harmon, 1982., RVCDC, Description revised 2021., Access points revised 2021., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre studies of African Americans, in national and international photography exhibitions. His work won several prizes.
Creator
Wood, George Bacon, 1832-1909, photographer
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department photo - Wood [P.8743.185]
Racist scene depicting three young African American girls in summer dresses sitting on a fence inscribed with chalk in the vernacular, "We Uses Pears Soap fo' de Complexun." The girl in the left, attired in a long-sleeved, cotton dress and shoes, sits with her left hand on her knee and her right hand on her lap. In the middle, the barefooted girl, attired in a striped, long-sleeved cotton dress, smiles with her feet crossed and resting her hands on her lap. In the right, the girl, wearing long, curly hair and attired in a long-sleeved cotton dress with fraying at the bottom, striped stockings, and shoes, rests her hands on her lap and looks at the viewer. Andrew Pears first produced and sold Pears soap in 1807. In 1835, his grandson Francis Pears joined the business, and the firm was renamed A. & F. Pears. Lever Brothers purchased the firm in 1920., Title from item., Gift Elsie Wood Harmon, 1982., RVCDC, Description revised 2022., Access points revised 2022., Part of digital collections catalog through a grant from the Institute of Museum and Library Services as administered by the Pennsylvania Department of Education through the Office of Commonwealth Libraries, and the Commonwealth of Pennsylvania, Tom Corbett, Governor, 2013-2014., Wood, a Philadelphia artist, turned to photography in the 1880s exhibiting his work, including genre studies of African Americans, at national and international photography exhibitions. His photographs won several prizes.
Creator
Wood, George Bacon, 1832-1909, photographer
Date
[ca. 1886]
Location
Library Company of Philadelphia | Print Department photo - Wood [P.8743.186]
Racist scene showing an African American family of a mother, father, and four children seated on the porch to a wooden dwelling. In the left, the mother breastfeeds her youngest child, a baby. She is seated next to her three older, but young children. The father sits to the right on the other side of the children who sit and stand. He has his arm behind the next to youngest child. The mother is attired in a kerchief, plain shirtwaist, and long, plain skirt. The father wears a vest, shirt sleeves, pants, and work boots. The children are attired in worn shirts and the oldest also in worn pants., Title printed on negative., Yellow mount with curved corners., Date inferred from format of stereograph., Gift of Ivan Jurin., RVCDC, Description revised 2022., Access points revised 2022.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department stereo - unid. photo - Portraits & Genre [P.2019.2.2]
Racist trade card illustration depicting an African American woman curtsying toward the viewer. The woman is attired in an elaborate bonnet with faux pink flowers, pink ribbons, white frills, and a yellow chinstrap. She is also attired in a pink dress with a pattern of pink, blue, and green flower bouqets, red ribbons, a red faux flower, and a wide neckline. She dons white gloves with yellow cuffs on both hands and holds up the hem of her dress to reveal a white petticoat and red shoes. The woman is depicted with exaggerated features. Trexler & Hartzell was a newspaper firm in Allentown, Pennsylvania that sold paper and was owned by B.F. Trexler and Wilson J. Hartzell. The business founded in 1870 and operated throughout the late 19th and early 20th centuries., Title from item., Text printed on verso: Trexler & Hartzell will be ready for business in their new quarters by Monday, August 31st. A prize to every purchaser of school books., Text printed on recto: Who me?, Series no. 58 printed in right corner of recto., Date inferred from perpetual calendar., Gift of David Doret.
Date
[ca. 1885]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Trexler [P.2017.95.174]
Racist trade card promoting Jalapa Coffe and depicting a sentimentalized view of an African American girl. Shows the smiling, cherubic-faced girl in bust-length, standing behind a brick wall and holding a white cloth with embroidered edges over it. The girl holds the cloth in both hands as well as an up-turned feathered duster in her right hand. She is attired in an orange and white ruffled cap, an orange bowtie, a white and orange polka dot shirt, and a blue and white striped apron. Visible in the background are flowers and greenery. Tychsen & Leland was a dealer of coffee, tea, spices, and cigars and was based in Lincoln, Nebraska. The business was established in 1887 by Thomas Tychsen, a European immigrant, and Sam D. Leland., Title from item., Advertising text printed on recto: For strength and flavor superior to all. Try it once and you will use no other. Full weight. One pound packages., Distributor's imprint printed on recto: Tychsen & Leland., Gift of David Doret.
Date
[ca. 1888]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Tychsen [P.2017.95.175]
Racist trade card depicting a sentimentalized view of an African American girl. Shows the smiling, cherubic-faced girl in bust-length, standing behind a barely-visible brick wall and holding a white cloth with embroidered edges over it. The girl holds the cloth in both hands as well as an up-turned feathered duster in her right hand. She is attired in an orange and white ruffled cap, an orange bowtie, a white and orange polka dot shirt, and a blue and white striped apron. Visible in the background are flowers and greenery. Mertens & Phalen, a branch of the firm J.M. Merten's & Co., was a retail business in Troy, New York. J.M. Merten's was founded in 1888 after J.M. Merten assumed ownership of a clothing manufacturing business formerly owned by A.C. Yates and Theodore Dissel., Title from item., Date inferred from dates of operation listed in Dwight Hall Bruce, ed., "Memorial History of Syracuse, N.Y.: From Its Settlement to the Present Time," (H.P. Smith & Company), 636-637., Gift of David Doret.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Mertens [P.2017.95.124]
Racist trade card illustration depicting a white man pasting advertisements on an unattended horse and a carriage. The carriage's driver, an African American man, gestures at the white man to get him to stop. The white man is attired in a flat cap, a collared shirt, suspenders, checkered pants, and boots. He carries a messenger bag and holds a pasting brush in his right hand. A bucket of paste is visible on the ground to the left of the man. The African American man is attired in a hat, a jacket, a vest, and a collared shirt. He holds a whip in his right hand and raises both arms in the air. A caption in the bottom left of the image reads, "The Latest.", Title from item., Advertising text printed on verso: The Star Clothing House is the place for you to get any-thing made. Entire line of clothing at the bottom figures. 808 Elm Street., Text printed on recto: For honest goods we warrant our prices lower than the lowest, and [..]h every suit from $10 up we give a hat such as purchasers may select., Printer's imprint partially legible., Series number printed in left corner on recto: 464., Gift of David Doret.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Star [P.2017.95.167]
Racist, trade card specimen depicting an African American boy holding a jar. Shows the half-length portrait of the African American boy attired in a wide-brimmed straw hat, a white shirt with an oversized collar, a yellow overall shirt, and green pants. He places his left hand to his mouth and in his right hand carries a container with a lid. In the right are pink roses, and in the top left is a blue bird flying. Psalm 134:2 is printed underneath the portrait., Title from item., Date deduced from the visual content., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Lift [P.2017.95.248]
Racist scene showing a young, African American couple (Ephraim and Dinah) seated next to each other, and flirting, in a small clearing in a cotton field. The couple, their legs outstretched, leans back on two large baskets of picked cotton. The man and woman smile at each other. The woman's head is tilted to her left and she uses the index finger of her right hand to touch the chin of the man. The man is attired in a collarless, long-sleeve, light-color shirt, light-color pants, and worn boots. The pants have frayed edges. The woman wears a light-colored, long sleeve shift dress, and heeled shoes. They each wear wide-brimmed hats. A mass of cotton plants is visible in the background., Date from copyright statement: Copyright 1898, by B. L. Singley., Title from item., Title printed in five different languages, including Italian, French, and German, on verso., Text printed on verso: Here it is in black and white. The negro and the cotton are as inseparable as the darky and the 'possum. Colored labor clothes half the world, and half the world never gives it a thought nor a thank-you. But what care Ephraim and Dinah what the world says or doesn't say? "In all ages every human heart is human." A corner in cotton is as palatial as a corner in Windsor Castle or the White House, if love is there. Now, Paul Lawrence Dunbar, you negro writer of sparling verse, here is a subject made to your hand., Curved buff mount with rounded corners., Gift of David Long., RVCDC, Description revised 2022., Access points revised 2022., Keystone View Company was founded in 1892 by B.L. Singley, an amateur photographer from Meadville, Pennsylvania. Keystone View Company was the leader in promoting stereographs for educational purposes. In 1912 the company purchased rights to some Underwood & Underwood negatives for use in educational sets, and in 1922 purchased the remaining stock of Underwood materials. The company remained in business until 1970.
Creator
Keystone View Company
Date
1898
Location
Library Company of Philadelphia | Print Department stereo - Keystone View Company - Portraits & Genre [P.2018.16.1]
Racist, card depicting a genre scene of an African American woman fortune teller with three white women clients. Shows the elderly African American woman, attired in a red head kerchief, spectacles, a yellow shawl, a long-sleeved white dress, and a white apron, sitting on a green, wooden chair and tea reading. She pours tea out of a cup, and it drips into a small bottle. A saucer is on the floor below. The illustration’s title, “The Love Drop” refers to a tea leaf reader’s term for the last drop that falls from the cup, which would supposedly provide a glimpse into affairs of love. In the right, three young white women look on at the fortune teller. The blond-haired white woman, attired in a hat decorated with flowers and a long-sleeved pink dress with black decorative ribbons, sits on the floor on a rug with her parasol next to her. To her right, seated on a wooden chair, the brown-haired woman, attired in a hat decorated with a black ribbon and red flowers and a yellow dress with black lace accents, leans forward holding her parasol in both hands underneath her chin. Sitting on the chair’s right armrest, the blond-haired woman, attired in a green dress decorated with black ribbons, looks on. Behind the women is an open hearth with a black pot hanging above the fire. A clothesline of laundry hangs in front of the hearth. In the left is a table with a red tablecloth and a shelf above it that has a copper coffeepot and plate. There are cups and saucers on the floor and a round container possibly of red knitting. A chair is visible in the far right., Title from item., Text printed on recto: The Love Drop. From Painting by Harry Roseland., Publication information and date from the copyright statement: Copyright 1903 by Harry Roseland., Gift of David Doret.
Date
1903
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Love [P.2017.95.249]
Racist post card depicting a genre scene of an African American woman fortune teller with three white women clients. Shows the elderly African American woman, attired in a red head kerchief, spectacles, a yellow shawl, a long-sleeved white dress, and a white apron, sitting on a green, wooden chair and tea reading. She pours tea out of a cup, and it drips into a small bottle. A saucer is on the floor below. The illustration’s title, “The Love Drop” refers to a tea leaf reader’s term for the last drop that falls from the cup, which would supposedly provide a glimpse into affairs of love. In the right, three young white women look on at the fortune teller. The blond-haired white woman, attired in a hat decorated with flowers and a long-sleeved pink dress with black decorative ribbons, sits on the floor on a rug with her parasol next to her. To her right, seated on a wooden chair, the brown-haired woman, attired in a hat decorated with a black ribbon and red flowers and a yellow dress with black lace accents, leans forward holding her parasol in both hands underneath her chin. Sitting on the chair’s right armrest, the blond-haired woman, attired in a green dress decorated with black ribbons, looks on. Behind the women is an open hearth with a black pot hanging above the fire. A clothesline of laundry hangs in front of the hearth. In the left is a table with a red tablecloth and a shelf above it that has a copper coffeepot and plate. There are cups and saucers on the floor and a round container possibly of red knitting. A chair is visible in the far right., Title supplied by cataloger based on P.2017.95.249., Date inferred by the date of the original painting., Text printed on verso: Post card. This side for address only. Place stamp here. United States, Cuba, Canada and Mexico one cent. Foreign two cents., Gift of David Doret.
Date
[ca. 1903]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Love [P.2017.95.249a]
Racist, greeting card depicting a caricature portrayed with exaggerated features of an African American child's face. The oversized child's face looks directly at the viewer and purse's their lips. The interior image has a depiction of the same child with pink skin color. The child speaks in the vernacular to "strike me pink if it ain't yo' anniversary." The card is printed on pink paper., Title from item., Date inferred from history of the publisher., Manuscript written on recto: Louis & Ellis- from Wendy & Shie. The "me" in "strike me pink" is crossed out and "us" in written in manuscript., Text printed on interior: Ah hopes yo' has a million mo' each one bettah dan de one befo'!, Manuscript written on interior: drawings of four stick figures, each with an illegible name. "An hopes yo'" has been crossed out and "We" and "yos" is written in manuscript., Gift of David Doret.
Date
[after 1913]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Strike [P.2017.95.251]
Racist, Valentine card depicting a caricature of an African American man waiter. Shows the man, attired in a white collared shirt, a black bowtie, a black jacket with a white lapel, a white apron, black pants, yellow socks, and black shoes, looking to the right. He has a white towel draped over his right wrist, and he holds his index finger up on his left hand. He stands in front of a red heart and speaks in the vernacular that, “I’se a good waiter, but I cain’t wait foh’ever.”, Title from item., Date deduced from the visual content., Manuscript note on recto: Guess., Manuscript note on verso: G.G., Series number printed on recto: 5V12., Gift of David Doret.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Tip [P.2017.95.252]
Racist, holiday greeting card depicting a caricature of an African American man. Shows the bust length portrait of the man facing right with his eyes looking at the viewer. He is portrayed with exaggerated features and attired in a white hat with a brown band, gold earrings, a white collared shirt with a gold pin, a yellow and red bowtie, and a white jacket with a red flower boutonniere., Title from item., Publication information from the copyright statement: Raphael Tuck & Sons Copyright., Date deduced from the visual content., Gift of David Doret.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - With [P.2017.95.253]
Racist trade card specimen depicting a caricature of a dancing Black boy. Shows the bare-chested boy, attired in a red, white, and blue feathered headdress and skirt and gold hoop earrings, necklace, bracelets, and anklets. His feet lift off of the ground, and he holds his hands up as he dances and smiles. On the ground beside him is a spiked, wooden club. In the background, green jungle foliage is visible., Title from item., Date deduced from the visual content., Gift of David Doret.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - And he got [P.2017.95.197]
Racist trade card specimen depicting a caricature of an African American boy carrying a chicken and a duck. Shows the boy, attired in a straw hat, a long-sleeved shirt, pants with patches at the knees, and black shoes, smiling and looking at the viewer. He says, “come, birdie, come, oh! Come with me” as he carries a chicken under his right arm. In his left hand he holds a duck by the neck., Title from item., Date deduced from the visual content., Gift of David Doret.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Come, Birdie [P.2017.95.198]
Trade card specimen depicting vignettes of a black man in a hat smiling, a sugar plantation, Havana City’s harbor, Morro Castle, and Santiago. In the top left is a circular vignette of a black man, attired in a brimmed straw hat and a white-collared shirt, who looks to the right and smiles. In the top right is a sugar plantation with a man in horse-drawn cart hauling sugar cane. Tall stalks of cane line the road. Beneath is a scene of the harbor in Havana City, with ships coming in and out. Mountains are visible in the background. In the left are palm trees. A vignette of Morro Castle, the fortress guarding Havana Bay, is depicted with a ship passing in front of it. In the bottom of the card is a depiction of Santiago, showing a wall with an American flag flying on a pole with mountains in the background and water winding around the land below. In the foreground are products from Cuba, including fruits, such as a pineapple, a pouch labeled “tobacco,” and a box of cigars., Title from item., Date deduced from the content., Text printed on verso: Cuba. The area of Cuba is 41,655 square miles. The island is long and narrow and follows a curved line through its centre; is 720 miles long and its average breadth is 80 miles. The highest part of the island is the range extending in the southwest from the Punto de Maysi to Cape Cruz. There are mountains immediately above the harbor of Trinidad de Cuba in the south, the highest of which is 2,990 feet above the sea level. The climate is hot on the coast and temperate on the higher levels. Ten per cent of the area is, or was, cultivated. There are large tracts of the island still unexplored. A census taken in 1887 reported the population to be 1,631, 687. Of this, 528,998 were negroes and mulattoes. The present population is uncertain. Probably, as the results of devastating war, it has been cut down at least a fourth. Principal cities are Havana (the capital), Santiago de Cuba, Puerto Principe, Holguin, Sancti Spiritus, Matanzas. Before the insurrection, there were over 1,000 miles of railroad in operation on the island. The chief produce is sugar and tobacco. There is also production of mahogany, fruits, honey and wax. Gold and silver have been found in paying quantities. The iron mines of Cuba, all of which are located near Santiago, overshadow in importance all the other industries on the eastern end of the island. The ore of these mines is among the richest in the world, yielding from 62 to 67 per cent of pure iron. The principal imports are flour, rice and jerked beef. The chief exports are sugar and tobacco., Stamped on verso: 3259 12., Gift of David Doret.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Cuba [P.2017.95.202]
Racist trade card specimen depicting a caricature of a young African American girl, possibly a satirical personification of the popular mid-19th century song of the same title. Shows the barefooted girl, attired in a baby doll dress, her hair in short coils, and the fingers of one hand in her mouth as, in the other, she holds the string of a rolling pull toy horse visible behind her. Published in 1852 and composed by S. M. Grannis with lyrics by Caroline Atherton Mason, "Do they Miss Me at Home" was written in the voice of a homesick girl away at school. The song remained popular through the Civil War when translated to the voice of soldiers. Bufford, later J. H. Bufford's Sons, issued trade cards 1870-1875 containing images portraying racial and ethnic stereotypes, as well as personfications of popular 19th-century songs, ballads, and poems., Title from item., Date inferred from style of copyright statement: Copyrighted, Bufford, Boston., Gift of David Doret.
Date
[ca. 1870]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Do they [P.2017.95.203]
Racist trade card specimen depicting a caricature of an African American woman striking a passing white man with the back of her hand. Shows the woman portrayed with exaggerated features and attired in a hat, a striped dress, a polka dotted apron with a patch, and black shoes, carrying an umbrella in her left hand and hitting a man with her right hand. In the left, the man lifts his right leg and his left hand up as he jumps in alarm after being struck., Title from item., Date deduced from the visual content., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Mistaken [P.2017.95.205]
Die cut card depicting a racist caricature of an African American man holding a sprig of mistletoe. The man is balding and has tufts of white hair on the sides of his head and is attired in a yellow and purple scarf, a pink and white checked shirt, a black jacket, red mittens, blue and green striped pants, and black shoes. In his left hand he carries a gray hat with a purple band. In his right hand he holds a sprig of mistletoe, made of wire and cloth, and speaks in the vernacular, “heah I is honey wid dem old time Christmas temptations.” Below him is a small red frame with a depiction of a white woman, attired in a pink bonnet, a yellow coat, white socks, and black shoes, leaning in to kiss a white man, attired in a black hat, a blue jacket, green pants, and black shoes. They are flanked by two pine trees in red containers., Title from item., Date deduced from the visual content., Manuscript note on verso: With all the love in the world - Duke & [Ercil?]., Gift of David Doret and Linda G. Mitchell.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Christmas [P.2017.95.240]
Racist post card depicting a satiric caricature of an African American man urinating behind a tree and a goose biting him. Shows the man in the left portrayed with exaggerated features and attired in a yellow hat, a white shirt, and yellow pants with white cuffs at the bottom. He stands behind a tree to urinate. In the right, a white goose with its wings stretched out has surprised him and bites him. The man opens his mouth wide in alarm., Title from item., Date deduced from the visual content., Series number printed on the recto: 421., Text printed on the verso: Post Card. Place one cent stamp here., Gift of David Doret.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Early [P.2017.95.241]
Birthday card depicting a racist caricature an African American girl standing as flowers grow over a fence and towards a house. Shows the African American girl portrayed with exaggerated features and attired in an orange dress with purple polka dots, blue shoes, and blue and orange bows in her hair. At her feet are yellow, purple, blue, and orange flowers. She speaks in the vernacular that the flowers are “climbing up de birfday fence,” which is the yellow fence depicted in the right. The flowers, made of cloth, grow over it and towards a house, which has flowers growing on the roof. The house is blue with green shutters that are falling apart., Title from item., Date deduced from the visual content., Manuscript note on recto: Harold- Henry- Florence, Gift of David Doret.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Foh [P.2017.95.242]
Racist, birthday card depicting a caricature of an African American boy and a white girl on a candy stick seesaw. In the left, shows the white girl attired in a large, white bonnet; a yellow dress with red polka dots; a blue and white checked smock; orange stockings; and brown shoes, sitting on a red and white striped candy stick. In the right, the barefooted African American boy, attired in an orange shirt and gray pants, sits on the other side of the candy see saw. The fulcrum is a piece of chocolate., Title from item., Date deduced from the visual content., Gift of David Doret and Linda G. Mitchell.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Happy [P.2017.95.243]
Post card depicting a racist caricature of an African American boy in a grapefruit orchard. Shows the barefooted boy smiling at the viewer and attired in a red collared jumpsuit with a belt. He holds the branches of a grapefruit tree that is laden with yellow fruit. He speaks in the vernacular to “he’p yo’ se’f to grapefruit from sunny Florida.” More grapefruits lie on the ground around his feet., Title from item., Date deduced from visual content., Series number printed on recto: 146., Series number printed on verso: 63027., Text printed on recto: Robinson., Text printed on verso: Florida is the land of sunshine, flowers and luscious fruits. It is famed for its great groves of oranges and grapefruit, their well-laden boughs heavy with brilliant fruit. Tichnor Quality Views. Made only by Tichnor Brothers, Inc. Boston, Mass. Post Card. Place one cent stamp here. Made in U.S.A., Gift of David Doret.
Date
[ca. 1930]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - He'p [P.2017.95.245]
Racist Christmas card depicting a caricature of an African American man minstrel singing and playing the accordion. Shows the African American man minstrel attired in a beige top hat with a blue band, a white collared shirt, a pink ascot with a pin, a yellow jacket, a green plaid waistcoat and pants, yellow and white striped socks, and black shoes. He sings with his mouth wide open and pulls a pink accordion apart in both of his hands. Behind him is a white bust of a woman on a pedestal., Title from item., Date deduced from the visual content., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - Here's [P.2017.95.246]
Die cut Valentine card depicting a racist caricature of an African American woman carrying a basket of eggs. Shows the barefooted African American woman portrayed with exaggerated features and attired in a blue bonnet with white polka dots, a blue plaid shirt, a white apron, and a blue and white striped skirt. She smiles at the viewer and speaks in the vernacular, “I’m yo Valentine chile,” as she holds a basket full of eggs in both of her hands., Title from item., Date deduced from the visual content., Gift of David Doret and Linda G. Mitchell.
Date
[ca. 1890]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Greeting Cards, etc. - I'm yo' [P.2017.95.247]
Racist trade card specimen depicting an African man picking coffee on a plantation. Shows the bare-chested, barefooted man, attired in a straw hat and red striped shorts, picking coffee berries and placing them into a straw basket. The basket, which is hung around his shoulders and neck by a strap in front of his waist, is full of red berries. In the left, the coffee plant that the man picks from is full of red berries. More plants are visible in the background., Title from item., Date deduced from the visual content., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Picking [P.2017.95.208]
Racist, trade card specimen depicting caricatures of two African American men stealing watermelons from a farm. Shows the barefooted, African American man, attired in a long-sleeved shirt and ragged pants, carrying a watermelon under each arm as he tries to get over a wooden fence. He has a fearful expression on his face as a dog has ripped and holds the back of his pants in its mouth. Another barefooted, African American man, attired in a long-sleeved shirt and striped pants, opens his mouth in alarm as he has fallen over the fence and landed face down with his legs in the air. The pieces of a smashed watermelon lie on the ground beside him. In the right background is a house and a white man, attired in a hat and carrying a rifle, moving towards the fence., Title from item., Date deduced from the visual content., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Which [P.2017.95.211]
Racist, trade card specimen depicting a caricature of an African American man minstrel playing a banjo. Shows the African American man minstrel portrayed with exaggerated features and attired in a white collared shirt, a blue bowtie with white polka dots, a white jacket with orange polka dots and tails, yellow pants with blue and white stripes, and black shoes. He lifts his left leg up and sticks his tongue out as he strums on the banjo., Title from item., Date deduced from the visual content., Series number printed on recto: 58., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. - Yes [P.2017.95.211x]
Racist, trade card specimen depicting a caricature of an African American man minstrel playing the cello. Shows the African American man minstrel, attired in a white collared shirt, a striped jacket, polka-dotted pants, and shoes, sitting on a wooden stool and playing the cello. He smiles at the viewer as he picks the strings near the neck of the instrument with his left hand and runs a bow along the strings at the lower body of it with his right hand. In the background behind his head is an open book of sheet music., Title devised by cataloger., Date deduced from the visual content., Printed in blue ink., Text stamped on recto: No. 478, 4 designs, price $1.55 per 1000., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 2 [P.2017.95.213]
Racist, trade card specimen depicting a caricature of an African American girl laughing with an infant on her lap. In the right, shows the African American girl, attired in a red and white checked dress, sitting on the floor. She tilts her head back in laughter as she holds a white infant, attired in a white layette and a triangular paper hat. In the left, a blond-haired white girl, attired in a white dress and red shoes, looks on., Title devised by cataloger., Date deduced from the visual content., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 4 [P.2017.95.215]
Racist, trade card specimen depicting a white woman sitting on a candy stick being carried by a white man jockey and an African American man. Shows the blond-haired, white woman, attired in a white hat decorated with a green band and red feather; spectacles; a white collared shirt; a red bowtie; and a green jacket and skirt, sitting on top of an oversized, striped red and yellow candy stick. She holds reins in both of her hands that are wrapped around the white man jockey, attired in a white and yellow striped jockey cap; a white collared shirt; a blue bowtie; a red jacket; beige breeches; and black boots, who is carrying the front of the candy stick on his right shoulder. The African American man, portrayed in caricature and attired in a white top hat with a blue band; a white bowtie; a blue jacket; a yellow waistcoat and pants; white socks; and buckled shoes, carries the back end of the candy stick on his right shoulder., Title devised by cataloger., Date deduced from the visual content., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 6 [P.2017.95.217]
Racist, trade card specimen depicting a caricature of an African American man minstrel dancing. Shows the African American man, portrayed with exaggerated features and spindly arms and legs, attired in a white shirt with an oversized collar, a blue tie, a green jacket with tails, green pants, and white shoes. He smiles broadly with his arms pointed down and out to the sides and his left foot back in a dance step., Title devised by cataloger., Date deduced from the visual content., Gift of David Doret.
Date
[ca. 1880]
Location
Library Company of Philadelphia | Print Department Goldman Trade Card Collection - Misc. 7 [P.2017.95.218]
